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Authors: Johanna Sinisalo

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Troll: A Love Story

BOOK: Troll: A Love Story
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Troll:
A Love Story

Troll:
A Love Story

JOHANNA SINISALO

Translated from the Finnish by
Herbert Lomas

Copyright © 2000 by Johanna Sinisalo
Translation copyright © 2003 by Herbert Lomas

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003.

Originally published in 2003 in Great Britain by Peter Owen under the title
Not Before Sundown.

Original title and lyrics from the song Päivänsäde ja menninkäinen composed by Reino Helismaa.

Translated from the Finnish
Ennen Päivänlaskua Ei Voi

Printed in the United States of America

FIRST AMERICAN EDITION

Library of Congress Cataloging-in-Publication Data
Sinisalo, Johanna, 1958–
         [Ennen päivänlaskua ei voi. English]
         Troll : a love story / Johanna Sinisalo ; translated from the Finnish by Herbert Lomas.
              p. cm.
         Reprint, previously published: Not before sundown. London: Peter Owen, 2003.
         eBook ISBN-13: 978-1-5558-4737-1
         I. Lomas, Herbert. II. Sinisalo, Johanna, 1958– Not before sundown. III. Title.
      PH355.S5445S46 2004
      894′.54134—dc22                                                            2003069113

Grove Press
841 Broadway
New York, NY 10003

For Hannu, Markku, Petri, and Toni, who were there

The publishers thank the
Finnish Literature Information Centre
for providing a grant for the translation of this book.

PART I
Dusk Crept Through the Greenwood

ANGEL

I’m starting to get worried. Martes’s face seems to be sort of fluctuating in the light fog induced by my four pints of Guinness. His hand’s resting on the table close to mine. I can see the dark hairs on the back of his hand, his sexy, bony finger-joints and his slightly distended veins. My hand slides toward his and, as if our hands were somehow joined together under the table, his moves away in a flash. Like a crab into its hole.

I look him in the eyes. His face wears a friendly, open, and understanding smile. He seems at once infinitely lovable and completely unknown. His eyes are computer icons, expressionless diagrams, with infinite wonders behind them, but only for the elect, those able to log on.
“So why did you ask me out for a drink? What did you have in mind?”
Martes leans back in his chair. So relaxed. So carefree.
“Some good conversation.”
“Nothing more?”
He looks at me as if I’ve exposed something new about myself, something disturbing but paltry: a bit compromising, but not something that will inexorably affect a good working relationship. It’s more as if my deodorant were inadequate.
“I have to tell you honestly that I’m not up for it.”
My heart starts pounding and my tongue responds on reflex, acting faster than my brain.
“It was you who began it.”
When we were little and there was a schoolyard fight, the most important thing was whose fault it was. Who began it.
And as I go on Martes looks at me as if I weren’t responsible for my behavior.
“I’d never have let myself in for this . . . if you hadn’t shown me, so clearly, you were up for it. As I’ve told you, I’m hot shit at avoiding emotional hangups. If I’ve really no good reason to think the other person’s interested I don’t let anything happen. Not a thing. Hell, I don’t even think it.”
Memories are crowding through my mind while I’m sounding off—too angrily, I know. I’m recalling the feel of Martes in my arms, his erection through the cloth of his pants as we leaned on the Tammerkoski River bridge railings that dark night. I can still feel his mouth on mine, tasting of cigarettes and Guinness, his mustache scratching my upper lip, and it makes my head start to reel.
Martes reaches for his cigarettes, takes one, flicks it into his mouth, lights his Zippo and inhales deeply, with deep enjoyment.
“I can’t help it if I’m the sort of person people project their own dreams and wishes onto.”
In his opinion nothing has happened.
In his opinion it’s all in my imagination.
I crawl home at midnight, staggering and limping—it’s both the beer and the wound deep inside me. Tipsily, I’m licking my wound like a cat: my thought probes it like a loose tooth, inviting the dull sweet pain over and over again—dreams and wishes that won’t stand the light of day.
The street lamps sway in the wind. As I turn in through the
gateway from Pyynikki Square, sleet and crushed lime leaves blow in with me. There’s loud talk in the corner of the yard.
A loathsome bunch of kids are up to something in the corner by the trash cans—young oafs, jeans hanging off their asses and their tattered windbreakers have lifted to show bare skin. They’ve got their backs to me, and one of them’s goading another, using that tone they have when they’re challenging someone to perform some deed of daring. This time it’s to do with something I can’t see, at their feet. Normally I’d give thugs like these a wide berth—they make my flesh crawl. They’re just the sort that make me hunch up my shoulders if I pass them in the street, knowing I can expect some foul-mouthed insult—but just now, because of Martes, because I don’t give a damn about anything and with my blood-alcohol count up, I go up to them.
“This is private property, it belongs to the apartment building. Trespassers will be prosecuted.”
A few heads turn—they sneer—and then their attention goes back to whatever’s at their feet.
“Afraid it’ll bite?” one asks another. “Give it a kick.”
“Didn’t you hear? This is private property. Get the fuck out of here.” My voice rises, my eyes sting with fury. An image from my childhood is flashing through my brain: a gang of bullies from an older class are towering above me, sneering at me, and goading me in that same tone—“Afraid it’ll bite?”—and then they stuff my mouth with gravelly snow.
“Shove it up your ass, sweetie,” one of these juvenile delinquent coos tenderly. He knows I’ve no more power over them than a fly.
“I’ll call the police.”
“I’ve called them already,” says a voice behind me. The ornery old woman who lives on the floor below me and covers her
rent by acting as some kind of caretaker has materialized behind me. The thugs shrug their shoulders, twitch their jackets, blow their noses onto the ground with a swagger and dawdle away, as if it was their choice. They shamble off through the gateway, manfully swearing, and the last one flicks his burning cigarette butt at us like a jet-propelled missile. They’ve hardly reached the street before we hear anxious running feet.
The lady snorts. “Well, they did do what they were told.”
“Are the police coming?”
“’Course not. Why bother the police with scum like that? I was off to the Grill House myself.”
The adrenaline’s cleared my head for a moment, but now, as I struggle to dig out my keys, my fingers feel like a bunch of sausages. The woman’s on her way to the gate, and that’s fine, because my pissed brain’s buzzing with a rigid, obsessive curiosity. I wait until she’s off and start peering among the garbage cans.
And there, tucked among the cans, some young person is sleeping on the asphalt. In the dark I can only make out a black shape among the shadows.
I creep closer and reach out my hand. The figure clearly hears me coming. He weakly raises his head from the crouching position for a moment, opens his eyes, and I can finally make out what’s there.
It’s the most beautiful thing I’ve ever seen.
I know straight away that I want it.

It’s small, slender and it’s curled up in a strange position, as if it were completely without joints. Its head is between its knees, and its full black mane of hair is brushing the muddy pavement.

It can’t be more than a year old. A year and a half at the most. A mere cub. By no means the huge bulk you see in illustrations of the full-grown specimens.
It’s hurt or been abandoned, or else it’s strayed away from the others. How did it get to the courtyard of an apartment building in the middle of the town? Suddenly my heart starts thumping and I swing around, half expecting to see a large black hunched shadow slipping from the garbage cans to the gate and then off into the shelter of the park.
I react instinctively. I crouch down by it and carefully bend one of its forearms behind its back. It stirs but doesn’t struggle. Just in case, I twist the strap of my bag all around the troll so that its paws are fastened tightly to its side. I glance behind me and lift it up in my arms. It’s light, bird-boned, weighing far less than a child the same size. I glance quickly at the windows. There’s nothing but a reddish light glowing in the downstairs neighbor’s bedroom. The glamorous head of a young woman pops up in the window, her hand drawing the curtain. Now.
In a moment we’re in my apartment.

It’s very weak. When I lower it onto the bed it doesn’t struggle at all, just contemplates me with its reddish-orange feline eyes with vertical pupils. The ridge of its nose protrudes rather more than a cat’s, and its nostrils are large and expressive. The mouth is in no way like the split muzzle of a cat or a dog: it’s a narrow, horizontal slit. The whole face is so human-looking—like the face of the American woolly monkey or some other flat-faced primate. It’s easy to understand why these black creatures have always been regarded as some sort of forest people who live in caves and holes, chance mutations of nature, parodies of mankind.

In the light, its cubbishness is even more obvious. Its face and body are soft and round, and it has the endearing ungainliness of all young animals. I examine its front paws: they’re like a rat’s or
racoon’s, with flexible, jointed fingers and long nails. I untie it, and the cub makes no move to scratch or bite. It just turns on its side and curls up, drawing its tufted tail between its thighs and folding its front paws against its chest. Its tangled black mane falls over its nose, and it lets out that half-moan/half-sigh of a dog falling asleep.
I stand at the bedside, looking at the troll-cub and taking in a strong smell—not unpleasant, though. It’s like crushed juniper berries with a hint of something else—musk, patchouli? The troll hasn’t moved an inch. Its bony side heaves to the fast pace of its breathing.
Hesitantly I take a woolen blanket from the sofa, stand by the bed a while, and then spread it over the troll. One of its hind legs gives a kick, like a reflex, swift and strong as lightning, and the blanket flies straight over my face. I struggle with it, my heart pumping wildly, for I’m convinced the frightened beast will go for me, scratching and biting. But no. The troll lies there curled up and breathing peacefully. It’s only now that I face the fact that I’ve brought a wild beast into my home.

My head and neck are aching. I’ve been sleeping on the sofa. It’s ridiculously early; still dark. And there’s nothing on the bed. So that’s what it’s all been: a fantasy that won’t survive the first light of day.

Except that the blanket lies crumpled on the floor by the bed, and there’s a faint little sound coming from the bathroom.
I get up and walk slowly, in the light of the streetlamps filtering through the window, creeping as quietly as I can to the bathroom door. In the dusk I can see a small black bony bottom, hind legs, a tufted twitching tail, and I realize what’s happening. It’s drinking from the toilet bowl. The juniper-berry smell is pungent. Then I spot a yellow puddle on my mint-green tiled floor. Naturally.
It has stopped lapping up water and has sensed that I’m there. Its torso is up from the bowl so fast I can’t see the movement. Its face is dripping with water. I’m trying to convince myself that the water is perfectly clean, drinkable. I’m trying to remember when I last scrubbed the bowl. Its eyes are still dull, it doesn’t look healthy, and its pitch-black coat is sadly short of gloss. I move aside from the bathroom door, and it slides past me into the living room, exactly as an animal does when it’s got another route to take—pretending to be unconcerned but vividly alert. It walks on two legs, with a soft and supple lope: not like a human being, slightly bent forwards, its front paws stretched away from its sides—ah, on tiptoe, like a ballet dancer. I follow it and watch it bounce on to my bed, effortlessly, like a cat, as though gravity didn’t exist—then curl up and go back to sleep again.
BOOK: Troll: A Love Story
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