Cassidy, Jack,
[>]
Cates, Joseph,
[>]
Ceballos, René,
[>]
censorship issues,
[>]
,
[>]
Chadman, Christopher,
[>]
,
[>]
,
[>]
Champion, Gower,
[>]
,
[>]
,
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]
–
[>]
Champion, Karla,
[>]
Champion, Marge,
[>]
,
[>]
,
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
Chaplin, Charlie
founding United Artists,
[>]
influence on Fosse,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
influence on Masina,
[>]
makeup,
[>]
at the Palace Theater,
[>]
Chaplin, Sydney,
[>]
Charlap, Morris “Moose,”
[>]
,
[>]
,
[>]
,
[>]
Charlie’s Tavern,
[>]
,
[>]
Charney, Suzanne,
[>]
Charnin, Martin,
[>]
,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
Chase, Barrie,
[>]
–
[>]
,
[>]
–
[>]
Chayefsky, Paddy
at Academy Awards,
[>]
,
[>]
Altered States
(book),
[>]
–
[>]
Altered States
(movie),
[>]
–
[>]
,
[>]
,
[>]
,
[>]
birth name Sidney Aaron,
[>]
,
[>]
and
Chicago,
[>]
death and memorial service,
[>]
–
[>]
and “Death of a Playmate,”
[>]
58th birthday party,
[>]
on Fosse,
[>]
friendship with Fosse
Boredom, Whimsy, and Flash,
[>]
,
[>]
,
[>]
caregiving Fosse,
[>]
,
[>]
at a dance club,
[>]
first meeting,
[>]
–
[>]
Fosse missing,
[>]
,
[>]
,
[>]
,
[>]
–
[>]
,
[>]
,
[>]
hospital visits,
[>]
–
[>]
,
[>]
,
[>]
support for Fosse’s work,
[>]
,
[>]
–
[>]
,
[>]
trust and truth,
[>]
,
[>]
,
[>]
,
[>]
working together,
[>]
,
[>]
,
[>]
–
[>]
,
[>]
genius intellect,
[>]
The Hospital,
[>]
illness and depression,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
last wishes,
[>]
,
[>]
The Latent Heterosexual,
[>]
legacy,
[>]
,
[>]
–
[>]
and
Lenny,
[>]
,
[>]
at
Liza with a Z
opening,
[>]
Marty
(movie),
[>]
,
[>]
Marty
(television),
[>]
,
[>]
,
[>]
,
[>]
Network,
[>]
–
[>]
,
[>]
nickname for Verdon,
[>]
Nights of Cabiria,
[>]
–
[>]
,
[>]
office,
[>]
–
[>]
Paint Your Wagon,
[>]
The Passion of Josef D.,
[>]
,
[>]
in same building as Phoebe Ungerer,
[>]
and
Stages,
[>]
at
Sweet Charity
opening,
[>]
Television Hall of Fame,
[>]
–
[>]
Thieves,
[>]
,
[>]
witness to Fosse’s will,
[>]
–
[>]
work ethic,
[>]
,
[>]
Chayefsky, Susan,
[>]
Chez Paree,
[>]
,
[>]
,
[>]
Chicago, IL
Chez Paree,
[>]
,
[>]
,
[>]
childhood homes,
[>]
,
[>]
crime,
[>]
Great Fire of 1871,
[>]
Oak Theater,
[>]
,
[>]
public image,
[>]
–
[>]
Valentine’s Day massacre of 1929,
[>]
Chicago Academy of Theater Arts,
[>]
,
[>]
–
[>]
,
[>]
,
[>]
choreographer, Fosse as
All That Jazz,
[>]
–
[>]
,
[>]
,
[>]
–
[>]
,
[>]
,
[>]
–
[>]
ballet for Joffrey,
[>]
,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
–
[>]
Bells Are Ringing,
[>]
–
[>]
Big Deal,
[>]
–
[>]
,
[>]
–
[>]
Cabaret,
[>]
Chicago,
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]
–
[>]
On a Clear Day You Can See Forever,
[>]
–
[>]
,
[>]
,
[>]
The Colgate Comedy Hour,
[>]
The Conquering Hero,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
at the Cotillion Room,
[>]
–
[>]
,
[>]
,
[>]
Damn Yankees,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
dancers’ loyalty toward,
[>]
,
[>]
,
[>]
–
[>]
,
[>]
dancers’ mutual jealousy,
[>]
–
[>]
Dancin’
(commercial),
[>]
–
[>]
Dancin’
(stage production),
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]
–
[>]
,
[>]
development of skills,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
–
[>]
Ending,
[>]
–
[>]
Grind,
[>]
–
[>]
Hold Ev’rything! A Streamlined Extravaganza in Two Parts,
[>]
How to Succeed in Business Without Really Trying,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
,
[>]
Kiss Me Kate,
[>]
–
[>]
,
[>]
,
[>]
Little Me,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
,
[>]
Liza Live at the Winter Garden,
[>]
Liza with a Z,
[>]
,
[>]
–
[>]
,
[>]
“The Magic Bird of Fire,”
[>]
–
[>]
My Sister Eileen,
[>]
–
[>]
New Girl in Town,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
,
[>]
The Pajama Game
(movie),
[>]
,
[>]
,
[>]
The Pajama Game
(stage production),
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
,
[>]
Pal Joey
(revival),
[>]
–
[>]
,
[>]
Pippin
(commercial),
[>]
–
[>]
,
[>]
,
[>]
Pippin
(movie for television),
[>]
–
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
Pippin
(stage production),
[>]
–
[>]
,
[>]
,
[>]
,
[>]
,
[>]
Pleasures and Palaces,
[>]
–
[>]
,
[>]
Redhead,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
“Seasons of Youth” Timex revue,
[>]
–
[>]
Sweet Charity
(movie),
[>]
–
[>]
Sweet Charity
(revival),
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
–
[>]
Sweet Charity
(stage production),
[>]
–
[>]
,
[>]
Talent ’52
stage managers’ benefit,
[>]
–
[>]
television revue shows,
[>]
–
[>]
,
[>]
,
[>]
–
[>]
and “Thriller” music video,
[>]
–
[>]
,
[>]
working methods,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]
(
See also
management style of Fosse; Verdon, Gwen, dance assist./co-choreographer to Fosse)
choreography and choreographers
culture before Fosse,
[>]
father’s view of,
[>]
,
[>]
Fosse’s view of,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
–
[>]
increased role in the musical,
[>]
union,
[>]
,
[>]
See also
dancers
Cilento, Wayne,
[>]
,
[>]
,
[>]
,
[>]
Clark, Cheryl,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
–
[>]
,
[>]
–
[>]
Clark, Sam,
[>]
Clayburgh, Jill,
[>]
,
[>]
Clift, Montgomery,
[>]
Clurman, Harold,
[>]
,
[>]
CMA.
See
Creative Management Associates
