Authors: Sam Wasson
Cocteau, Jean,
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“Coffee Break” (dance),
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–
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Cohan, George M.,
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Cohn, Sam
changes in the industry,
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and
Chicago,
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Ending,
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Colby, Christine,
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,
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,
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,
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,
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,
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Cole, Frances,
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Cole, Jack
Benny Goodman music in club act,
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Kismet,
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management style,
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memorial,
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The Merry Widow,
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Coleman, Cy
on
Hearts and Flowers,
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Little Me,
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on Verdon’s singing,
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Columbia Pictures
Annie,
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Dancin’,
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Lenny,
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Love Story,
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Comerford, Miss Marguerite “Trixie,”
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,
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,
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,
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,
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,
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,
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Como, Perry,
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Coppola, Francis Ford,
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,
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,
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,
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,
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–
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,
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Coyne, Jeanne,
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creative impulse
to combat depression,
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Creative Management Associates (CMA),
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–
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,
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,
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,
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,
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Cuban Missile Crisis,
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culture
Broadway,
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,
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,
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,
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,
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,
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,
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(
See also
musicals; Tony Award)
U.S., late 1960s-1970s,
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–
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,
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,
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–
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(
See also
historical events)
Culver City, CA,
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,
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,
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,
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,
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Damone, Vic,
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dancer, Fosse as
Damn Yankees,
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at the Empire Room,
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first Manhattan stage appearance,
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first movie appearance,
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first top-liner,
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Ford Star Revue,
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The George Burns and Gracie Allen Show,
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to honor Chayefsky at memorial,
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Hook, Line, and Sinker,
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Pal Joey
(Connecticut),
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Toni Twin Time,
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Your Hit Parade,
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dancers
challenges of the profession,
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,
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,
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,
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,
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–
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,
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,
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–
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male, misconceptions,
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swings,
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See also
performing arts, principles of
Dancing for Writers,
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–
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,
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Daniele, Graciela,
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Daniels, Danny,
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Dante, Nicholas,
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Davies, Jack,
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Davies, Marion,
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Davis, Sammy, Jr.,
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Day, Doris,
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Dean, James,
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death and Fosse
five stages of dying and
Stages,
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imagined death/ending scenes,
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,
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,
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–
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,
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,
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,
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–
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(
See also
“Bye Bye Life”)
remains, directive in will,
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de Mille, Agnes
backing of the SSDC,
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Bloomer Girl,
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influence on Fosse,
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De Niro, Robert,
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depression and darkness, of Fosse
after
All That Jazz,
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and death (
See
death and Fosse, contemplation of)
director/editor, Fosse as