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Authors: Leonardo Padura

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BOOK: Havana Gold
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The two analgesics weighed on his stomach like a great burden of guilt. Conde had swallowed them in a huge cup of black coffee, after noting that the remains of the last milk he'd purchased had become a pungent whey at the bottom of a litre bottle. Luckily he'd discovered he'd still two clean shirts in his wardrobe and had the luxury of choice: he voted for the white and brown striped option with long sleeves he rolled back to his elbow. His jeans – that had finished up under his bed – had endured a mere fortnight's campaign and could resist another fifteen or twenty days. He tucked his pistol into his trouser waistband and felt he'd lost weight, though he decided it was no cause for worry: he wasn't hungry, or cancerous, for heaven's sake. Besides, apart from his stomach ache, everything was fine: he didn't have bags under his eyes, his incipient baldness was hardly rampant, his liver was valiantly bearing up, his headache was fading and it was Thursday and tomorrow would be Friday, he counted on his fingers. He stepped into the
sun and the wind and almost started leathering out an old love song.
More than a thousand years will pass, many more,
I don't know if love is eternal,
but here as much as there . . .
He walked into headquarters at eight-fifteen, greeted various colleagues, enviously read the new 1989 statement on retirement on the noticeboard in the lobby and, smoking his fifth cigarette of the day, waited for the lift in order to report to the duty officer. He was cherishing the fond hope he wouldn't be given a new case yet: he wanted to devote his intellect to a single idea, and, over the last few days he'd even felt a renewed desire to write. He'd re-read a couple of books that always got his grey cells working, and written down a few of the lines obsessing him in an old school notebook, on green-lined yellow paper, like a forgotten pitcher sent to warm his arm up before making the decisive throw. His meeting with Tamara, a few months ago, had disturbed past nostalgias, forgotten feelings and hatred he thought had disappeared and that now rushed back into his life summoned by that surprise re-encounter with a vital slice of his past he really must come to terms with, absorb or send packing once and for all. He was thinking how all that might contain material to weave a really moving
story about the times when they were all very young, very poor and very happy: when Skinny was still skinny and Andrés was still set on being a baseball player, Dulcita had yet to go, Rabbit was all geared up to be a historian, naturally, Tamara had yet to marry Rafael and was so very beautiful, and even he dreamed more than ever he would be a writer and only a writer – while from his bed he contemplated the photo of old Hemingway on his wall and tried to catch the mystery behind the look in the writer's eyes which lay bare the world and saw what other eyes never saw. He thought that if he ever wrote a chronicle of love, hatred, happiness and frustration, he would call it
Havana Blue
.
The lift stopped on the third floor and the Count turned right. The floors of headquarters were gleaming, recently swept with sawdust soaked in kerosene, and the sun shone through the high glass and aluminium windows to reveal the long corridor in all its newly awakened brightness. It was so clean and well-lit it really didn't seem like a police headquarters. He pushed the double glass door and entered the room of the duty officer who was experiencing the most frantic moments in his day: officers handing in reports, detectives protesting about a court sentence, assistants in need of assistance and even Lieutenant Mario Conde, with a bolero perpetually on his lips: “From my life, I give you the best / I'm so poor what else have I to give . . .” and a
cigarette between his fingers, who, as he approached the duty officer's desk, that morning occupied by Lieutenant Fabricio whose comments he barely heard: “The major wants to see you. Don't ask me what it's about. I haven't a clue and it's hell here today, and you know you get your cases from the boss, because you're his pretty boy for some reason or other.”
The Count glanced at Lieutenant Fabricio: he seemed really at sea among the paperwork, ringing telephones and shouting, and he realized his hands had started to sweat; it was the second time Fabricio had treated him like that and the Count told himself there was no way he was going to tolerate his stupid jibes. A few months ago, during the investigation of a series of thefts in various Havana hotels, Major Rangel had ordered the Count to take over the case from Fabricio. The Count had tried to refuse but couldn't: the Boss had made his mind up. There was no putting him off and he had apologized to Lieutenant Fabricio, explaining that the decision wasn't his. Several days later, when the Count caught the thieves and tried to tell Fabricio how the case had ended the latter retorted: “I'm so happy for you, Conde, I bet the Major will give you a kiss at the very least”. And he had looked for every possible excuse to forgive the lieutenant's attitude. And in the end had forgiven him. But now a lingering awareness of his roots reminded him he'd been born in a barrio that was too hot and unruly, where you couldn't
lower the banner of manhood for a single moment, on pain of becoming bereft of banner, manhood, even of the flagpole itself: no, at his age he wasn't going to brook that kind of response. He raised a finger, prepared to launch into a spiel, and then held back. He waited for a moment until the office was empty, rested his hands on the edge of the desk, lowered his head until it was level with Fabricio's eyes and said: “Let me know if you've got an itch. I can scratch you when you want, where you want and how you want, do you get me?” And turned half round, and felt the daggers from the other man's eyes stab his back. What the fuck's wrong with the fellow . . .
That's spoilt my bloody morning, he muttered. He no longer had the patience to wait for the lift, so he attacked the stairs to the seventh floor. He felt the analgesics burden his stomach once again and thought how all that would end badly. Fuck, he told himself, he'll get what's coming to him, and went into the anteroom to Major Rangel's office.
Maruchi looked at him, nodding in his direction as she carried on with her typing.
“What's up, treasure?” he greeted her in turn, walking over to her desk.
“He sent for you really early. But apparently you'd already left,” said the girl, as she nodded towards the office door. “I'm not sure but I think there's big trouble brewing.”
The Count sighed and lit a cigarette. He shook whenever the major spoke of big trouble sent from on high: Conde, you get a move on. But this time he wouldn't agree to replace anyone, even if it cost him his job. He pushed back his pistol that was always trying to flee the waistband of his jeans, more so now he was getting thinner for no apparent reason, and put a hand on the paper the Boss's secretary was copying.
“What do you reckon, Maruchi?”
The young woman looked at him and smiled.
“Are you about to declare your love after testing the terrain?”
Now it was the Count's turn to smile at his gauche behaviour: “No, it's just that even I can't stand myself right now,” and he rapped his knuckles on the glass panel.
“Go on, in you come.”
Major Rangel was smoking his cigar and just by its smell the Count knew that it wasn't a good day for the Boss: it reeked of a cheap, dry smoke, a sixty-cent effort, and that could definitively sour the mood of the head of headquarters. Despite the bad weed that could put a frown on his chief's face, the Count admired his martial air: he wore with distinction a uniform that showed off the bronzed tan of a squash player and daily swimmer. The bastard keeps himself fit.
“They said . . .” he started to explain, but the major
pointed him to a chair and gestured to him to keep quiet.
“Take a seat, the party's over. Get hold of Manolo because you're on a case. You're not down for anything special for a week, are you?”
The Count looked for a moment at the window in the chief's office. All he could see was a blue horizon and none of the swirling leaves and paper unleashed by the wind, and he understood there was no way out. The major was trying to revive the embers of his cigar and the distress caused by the unrequited smoker's stress was evident in every twitch of his face. The Boss wasn't at all happy that morning.
 
It's as if the end of the world were nigh, or we've been cursed, or people have gone mad on this island. You know, Conde: either I'm getting old or things are changing and no one bothered to inform me. I think I'm going to give up the habit, you can't smoke this stuff, just look, call this shit a cigar? Go on, take a look: the surface is more wrinkled than my grandma's arse, it's like smoking a bunch of banana leaves, it really is. I'm going to make an appointment to see a psychologist today, I'll lie him down on the couch and tell him to help me give up smoking. And yet I really need a good cigar today: I don't mean a Rey del Mundo or a Gran Corona or a Davidoff . . . I'd settle for a Montecristo . . . Maruchi,
bring us a cup of coffee, be so good . . . See if I can get rid of the taste of this muck. Right, if this is coffee, get God to come and vouch for it . . . Anyway, to the point. I need you to get stuck into this case and be on your best behaviour, Conde. I don't want you moaning and groaning, or going on the bottle; I want it solved now. Work with Manolo and whoever you want, you've got carte blanche but get on with it. Listen hard, this is between the two of us: something big is in the offing and I don't want us to be caught napping or in a daydream. It must be something big and ugly because I don't know the people pushing it. It's coming from very high up and heads will fly: Get this into yours right? . . . And don't ask me because I'm not in the know, you understand? Look, here's the paperwork to do with the case. But don't start reading now, my friend. I can sum up: a twenty-four-year-old high school teacher, single and a member of the Communist Youth; killed, strangled with a towel, first beaten every which way, a broken rib and a finger with a double fracture and raped by at least two men. They didn't take anything of value, apparently: neither clothes nor electrical goods . . . and traces of a joint were found in the water in the lavatory pan. Like the sound of it? It's dynamite, and I, Antonio Rangel Valdés, want to know what happened to that young woman, because I've not been a policeman for thirty years for the pure pleasure of it. There must be a lot of dirt swept under the carpet
for them to kill her like that, torture, marijuana and a gang bang . . . But what kind of a cigar do you call this? It's as if the end of the world were nigh, I swear by my mother, it is. And remember what I said: behave yourself, people aren't in the mood for any of your pranks . . .
 
The Count thought he had a good nose for aromas. It was his only attribute he considered to be in reasonable working order and his sense of smell told him the Boss was right: that whole business reeked of shit. So much was obvious from the moment he opened the door to the flat and inspected a crime scene that only lacked the victim and her assailants. The silhouette of the young murdered teacher in her final position had been marked out in chalk: one arm had come to rest very close to her body and the other seemed to be trying to reach her head, while her legs were folded up tight against her torso in a vain effort to protect a stomach that had already been battered. It was a gruesome sight, between a sofa and the central table that had been yanked to one side.
He went into the flat and shut the door behind him, then inspected the rest of the room: an inevitably Japanese colour television and twin-deck cassette recorder with a tape, which had come to a finish on the A side, stood on a multi-use piece of furniture filling the entire wall opposite the balcony; he pressed STOP, took out the tape and read:
Private dancer
, Tina Turner. Above the
television, on the longest shelf, was a line of books he found more interesting: several chemistry textbooks, Lenin's
Complete Works
in three faded red volumes, a history of Greece and a few novels that the Count would never dare read again:
Doña Barbara
,
Old Goriot
,
Mare Nostrum
,
Las inquietudes de Shanti Andía, Cecilia Valdés
and, at the far end, the only book he felt like stealing:
Poesía
, Pablo Neruda, that so matched his mood at that moment. He opened the book and read a few lines at random . . .
Take my bread, if you wish
take the air, but
don't take your smile . . .
. . . then put it back, because he'd got the same edition at home. She doesn't seem a very keen reader, he concluded, shaking the dust off his hands.
He walked to the balcony and opened the shutters: the light flooded in, the wind blew and a copper mobile, that the Count hadn't noticed before, started rattling. By the side of the outline chalked on the floor he spotted another silhouette, a smaller patch that had almost disappeared, staining the bright shiny tiles. Why did they kill you? he wondered as he imagined the girl raped, beaten, tortured and strangled, lying in her own blood.
He went into the only bedroom in the flat and found the bed made up. A poster of an almost beautiful Barbra Streisand from the time of
The Way We Were
had been carefully framed and hung on one wall. On the other side was a huge mirror the usefulness of which the Count decided to test; he flopped on the bed and saw himself full-length. Wonderful, wasn't it? Then he opened the wardrobe and his initial reaction to the scent gathered strength: it wasn't a normal or ordinary selection of clothes: blouses, smocks, trousers, pullovers, shoes, knickers and overcoats, the Count noted, with their made-in-some-far-off-place labels.
He went back into the living room and looked out from the balcony. That fourth floor in Santos Suárez had a privileged view of a city which from that height looked especially decrepit, dirty, unapproachable and hostile. He noticed several pigeon lofts on the flat roofs and a few dogs sunbathing in the sun and wind and identified jerry-built additions to the rooftops, stuck like fish-scales to rooms that now housed entire families; he contemplated water tanks open to the dust and rain, rubbish abandoned in dangerous places, and breathed out when he saw opposite a small roof garden made out of milk churns that had been sawn in half and planted with shrubs and flowers. It was then he realized that Skinny's house was to his right, just over a mile away behind clumps of trees that blocked his view, and, round
the corner, Karina's – and he again reminded himself it was Thursday already.
BOOK: Havana Gold
13.21Mb size Format: txt, pdf, ePub
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