Read Heart-shaped box Online

Authors: Joe Hill

Tags: #Ghost, #Ghost stories, #American Horror Fiction, #Horror, #Fiction - Horror, #Supernatural, #Fiction, #Horror & Ghost Stories, #Suspense, #Horror - General, #Body; Mind & Spirit, #Thrillers, #Suspense fiction, #General, #Juvenile Fiction

Heart-shaped box (8 page)

BOOK: Heart-shaped box
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“What is it?” Jude asked.

“Nothing,” she said. She held the right hand against her breastbone and grimaced a little, as if it were paining her. “Do you need help?”

“I’m managing,” he said, and shoved off the Mustang. He was conscious of a building black pressure behind his eyeballs, a deep, slow, booming pain that threatened to become one of the all-time great headaches.

At the big sliding barn doors, he paused, with Angus between himself and Georgia. He peered down the drive of frozen mud, to the open gates of his farm. The skies were clearing. The thick, curdled gray cloud cover was coming apart, and the sun blinked irregularly through the rents.

The dead man, in his black fedora, stared back at him from the side of the state highway. He was there for a moment, when the sun was behind a cloud, so that the road was in shadow. As sunshine fluttered around the edges of a cloud, Craddock flickered away. His head and hands disappeared first, so that only a hollow black suit remained, standing empty. Then the suit disappeared, too. He stammered back into being a moment later, when the sun retreated under cover once more.

He lifted his hat to Jude and bowed, a mocking, oddly southern gesture. The sun came and went and came again, and the dead man flashed like Morse code.

“Jude?” Georgia asked. He realized he and Angus were standing there staring down the drive in just the same way. “There isn’t anything there, is there, Jude?” She didn’t see Craddock.

“No,” he said. “Nothing there.”

The dead man faded back into existence long enough to wink. Then the breeze rose in a soft rush and, high above, the sun broke through for good, at a place where the clouds had been pulled into strings of dirty wool. The light shone strongly on the road, and the dead man was gone.

G
eorgia led him into the music library
on the first floor. He did not notice her arm around his waist, supporting and guiding him, until she let go. He sank onto the moss-colored couch, asleep almost as soon as he was off his feet.

He dozed, then woke, briefly, his vision swimmy and unclear, when she bent to lay a throw blanket across him. Her face was a pale circle, featureless, except for the dark line of her mouth and the dark holes where her eyes belonged.

His eyelids sank shut. He could not remember the last time he’d been so tired. Sleep had him, was pulling him steadily under, drowning reason, drowning sense, but as he went down again, that image of Georgia’s face swam before him, and he had an alarming thought, that her eyes had been missing, hidden behind black scribbles. She was dead, and she was with the ghosts.

He struggled back toward wakefulness and for a few moments almost made it. He opened his eyes fractionally. Georgia stood in the door to the library, watching him, her little white hands balled into little white fists, and her eyes were her own. He felt a moment of sweet relief at the sight of her.

Then he saw the dead man in the hallway behind her. His skin was
pulled tight across the knobs of his cheekbones, and he was grinning to show his nicotine-stained teeth.

Craddock McDermott moved in stop motion, a series of life-size still photographs. In one moment his arms were at his sides. In the next, one of his gaunt hands was on Georgia’s shoulder. His fingernails were yellowed and long and curled at the end. The black marks jumped and quivered in front of his eyes.

Time leaped forward again. Abruptly Craddock’s right hand was in the air, held high above Georgia’s head. The gold chain dropped from it. The pendulum at the end of it, a curved three-inch blade, a slash of silvery brightness, fell before Georgia’s eyes. The blade swung in slight arcs before her, and she stared straight at it with eyes that were suddenly wide and fascinated.

Another stop-motion twitch ahead in time and Craddock was bent forward in a frozen pose, his lips at her ear. His mouth wasn’t moving, but Jude could just hear the sound of him whispering, a noise like someone sharpening the blade of a knife on a leather strop.

Jude wanted to call to her. He wanted to tell her to watch out, the dead man was right next to her, and she needed to run, to get away, not to listen to him. But his mouth felt wired shut, and he couldn’t produce any sound except for a fitful moan. The effort it took even to keep his eyelids open was more than he could sustain, and they rolled shut. He flailed against sleep, but he was weak—an unfamiliar sensation. He went down once more, and this time he stayed down.

 

C
raddock was waiting for him with his razor, even in sleep. The blade dangled at the end of its gold chain before the broad face of a Vietnamese man, who was naked save for a white rag belted around his waist, and seated in a stiff-backed chair in a dank concrete room. The Vietnamese’s head had been shaved, and there were shiny pink circles on his scalp, where he’d been burnt by electrodes.

A window looked out on Jude’s rainy front yard. The dogs were right up against the glass, close enough so their breath stained it white with condensation. They were yapping furiously, but they were like dogs on TV, with the volume turned all the way down; Jude heard no sound of them at all.

Jude stood quietly in the corner, hoping he would not be seen. The razor moved back and forth in front of the Vietnamese’s amazed, sweat-beaded face.

“The soup was poisoned,” Craddock said. He was speaking in Vietnamese, but in the way of dreams, Jude understood just what he was saying. “This is the antidote.” Gesturing with his free hand at a massive syringe resting inside a black heart-shaped box. In the box with it was a wide-bladed bowie knife with a Teflon handle. “Save yourself.”

The VC took the syringe and stuck it, without hesitation, into his own neck. The needle was perhaps five inches long. Jude flinched, looked away.

His gaze leaped naturally to the window. The dogs remained just on the other side of the glass, jumping against it, no sound coming from them. Beyond them Georgia sat on one end of a seesaw. A little towheaded girl in bare feet and a pretty flowered dress sat on the other end. Georgia and the girl wore blindfolds, diaphanous black scarves made of some sort of crepelike material. The girl’s pale yellow hair was tied into a loose ponytail. Her expression was an unreadable blank. Although she looked vaguely familiar to Jude, it was still a long-drawn-out moment before it came to him, with a jolt of recognition, that he was looking at Anna, as she had been at nine or ten. Anna and Georgia went up and down.

“I’m going to try to help you,” Craddock was saying, speaking to the prisoner in English now. “You’re in trouble, you hear? But I can help you, and all you need to do is listen close. Don’t think. Just listen to the sound of my voice. It’s almost nightfall. It’s almost time. Nightfall is when we turn on the radio and listen to the radio voice. We do what the radio man says to do. Your head is a radio, and my voice is the only broadcast.”

Jude looked back, and Craddock wasn’t there anymore. In his place, where he had sat, was an old-fashioned radio, the face lit up all in green, and his voice came out of it. “Your only chance to live is to do just as I say. My voice is the only voice you hear.”

Jude felt a chill in his chest, didn’t like where this was going. He came unstuck and in three steps was at the side of the table. He wanted to rid them of Craddock’s voice. Jude grabbed the radio’s power cord, where it was plugged into the wall, and yanked. There was a pop of blue electricity, which stung his hand. He recoiled, throwing the line to the floor. And still the radio chattered on, just as before.

“It’s nightfall. It’s nightfall at last. Now is the time. Do you see the knife in the box? You can pick it up. It’s yours. Take it. Happy birthday to you.”

The VC looked with some curiosity into the heart-shaped box and picked out the bowie knife. He turned it this way and that, so the blade flashed in the light.

Jude moved to look down at the face of the radio. His right hand still throbbed from the jolt it had taken, was clumsy, hard to manipulate. He didn’t see a power button, so he spun the dial, trying to get away from Craddock’s voice. There was a sound Jude at first took for a burst of static, but which in another moment resolved into the steady, atonal hum of a large crowd, a thousand voices chattering all together.

A man with the knowing, streetwise tone of a fifties radio personality said, “Stottlemyre is hypnotizing them today with that twelve-to-six curveball of his, and down goes Tony Conigliaro. You’ve probably heard that you can’t make people do things they don’t want to do when they’ve been hypnotized. But you can see here it just isn’t true, because you can tell that Tony C. sure didn’t want to swing at that last pitch. You can make anyone do any awful thing. You just have to soften them up right. Let me demonstrate what I mean with Johnny Yellowman here. Johnny, the fingers of your right hand are poisonous snakes. Don’t let them bite you!”

The VC slammed himself back into his chair, recoiling in shock.
His nostrils flared, and his eyes narrowed, with a sudden look of fierce determination. Jude turned, heel squeaking on the floor, to cry out, to tell him to stop, but before he could speak the Vietnamese prisoner whacked the knife down.

His fingers fell from his hand, only they were the heads of snakes, black, glistening. The VC did not scream. His damp, almond-brown face was lit with something like triumph. He lifted the right hand to show the stumps of his fingers, almost proudly, the blood bubbling out of them, down the inside of his arm.

“This grotesque act of self-mutilation has been brought to you courtesy of orange Moxie. If you haven’t tried a Moxie, it’s time to step up to the plate and find out why Mickey Mantle says it’s the bee’s knees. Side retired in order….”

Jude turned, reeled toward the door, tasting vomit in the back of his throat, smelling vomit when he exhaled. At the very periphery of his vision, he could see the window, and the seesaw. It was still going up and down. No one was on it. The dogs lay on their sides, asleep in the grass.

He shoved through the door and banged down two warped steps and into the dusty dooryard behind his father’s farm. His father sat with his back to him, on a rock, sharpening his straight razor with a black strop. The sound of it was like the dead man’s voice, or maybe it was the other way around, Jude no longer knew for sure. A steel tub of water sat in the grass next to Martin Cowzynski, and a black fedora floated in it. That hat in the water was awful. Jude wanted to scream at the sight of it.

The sunshine was intense and direct on his face, a steady glare. He staggered in the heat, swayed back on his heels, and brought a hand up to shield his eyes from the light. Martin drew the blade across the strop, and blood fell from the black leather in fat drops. When Martin scraped the blade forward, the strop whispered “death.” When he jerked the razor back, it made a choked sound like the word “love.” Jude did not slow to speak with his father but kept going on around the back of the house.

“Justin,” Martin called to him, and Jude flicked a sidelong look at him, couldn’t help himself. His father wore a pair of blind man’s sunglasses, round black lenses with silver frames. They gleamed when they caught the sunlight. “You need to get back in bed, boy. You’re burnin’ up. Where do you think you’re goin’ all dressed up like that?”

Jude glanced down and saw he was wearing the dead man’s suit. Without breaking stride he began to pull at the buttons of the coat, undoing them as he reeled forward. But his right hand was numb and clumsy—it felt as if he were the one who had just chopped off his fingers—and the buttons wouldn’t come free. In a few more steps, he gave up. He felt sick, cooking in the Louisiana sun, boiling in his black suit.

“You look like you’re headed to someone’s funeral,” his father said. “You want to watch out. Could be your’n.”

A crow was in the tub of water where the hat had been, and it took off, fanning its wings furiously, throwing spray, as Jude went past it in his stumbling, drunkard’s gait. In another step he was at the side of the Mustang. He fell into it, slammed the door behind him.

Through the windshield the hardpack wavered like an image reflected in water, shimmering through the heat. He was sodden with sweat and gasping for breath in the dead man’s suit, which was too hot, and too black, and too restricting. Something stank, faintly, of char. The heat was worst of all in his right hand. The feeling in the hand couldn’t be described as pain, not anymore. It was, instead, a poisonous weight, swollen not with blood but liquefied ore.

His digital XM radio was gone. In its place was the Mustang’s original, factory-installed AM. When he thumbed it on, his right hand was so hot it melted a blurred thumbprint in the dial.

“If there is one word that can change your life, my friends,” came the voice on the radio, urgent, melodious, unmistakably southern. “If there is just one word, let me tell you, that word is ‘holyeverlastinJesus’!”

Jude rested his hand on the steering wheel. The black plastic immediately began to soften, melting to conform to the shape of his fingers. He
watched, dazed, curious. The wheel began to deform, sinking in on itself.

“Yes, if you keep that word in your heart, hold that word to your heart, clasp it to you like you clasp your children, it can save your life, it really can. I believe that. Will you listen to my voice, now? Will you listen only to my voice? Here’s another word that can turn your world upside down and open your eyes to the endless possibilities of the living soul. That word is ‘nightfall.’ Let me say it again. Nightfall. Nightfall at last. The dead pull the living down. We’ll ride the glory road together, hallelujah.”

Jude took his hand off the wheel and put it on the seat next to him, which began to smoke. He picked the hand up and shook it, but now the smoke was coming out of his sleeve, from the inside of the dead man’s jacket. The car was on the road, a long, straight stretch of blacktop, punching through southern jungle, trees strangled in creepers, brush choking the spaces in between. The asphalt was warped and distorted in the distance, through the shimmering, climbing waves of heat.

The reception on the radio fizzed in and out, and sometimes he could hear a snatch of something else, music overlapping the radio preacher, who wasn’t really a preacher at all but Craddock using someone else’s voice. The song sounded plaintive and archaic, like something off a Folkways record, mournful and sweet at the same time, a single ringing guitar played in a minor key. Jude thought, without sense,
He can talk, but he can’t sing
.

The smell in the car was worse now, the smell of wool beginning to sizzle and burn. Jude was beginning to burn. The smoke was coming out both his sleeves now and from under his collar. He clenched his teeth and began to scream. He had always known he would go out this way: on fire. He had always known that rage was flammable, dangerous to store under pressure, where he had kept it his whole life. The Mustang rushed along the unending back roads, black smoke boiling from under the hood, out the windows, so he could hardly see through the fog of it. His eyes stung, blurred, ran with tears. It didn’t matter. He didn’t need to see where he was going. He put the pedal down.

 

J
ude lurched awake, a feeling of unwholesome warmth in his face. He was turned on his side, lying on his right arm, and when he sat up, he couldn’t feel the hand. Even awake he could still smell the reek of something burning, an odor like singed hair. He looked down, half expecting to find himself dressed in the dead man’s suit, as in his dream. But no; he was still in his tatty old bathrobe.

The suit. The key was the suit. All he had to do was sell it again, the suit and the ghost both. It was so obvious he didn’t know why it had taken so long for the idea to occur to him. Someone would want it; maybe lots of people would want it. He’d seen fans kick, spit, bite, and claw over drumsticks that had been thrown into the crowd. He thought they would want a ghost, straight from the home of Judas Coyne, even more. Some hapless asshole would take it off his hands, and the ghost would have to leave. What happened to the buyer after that didn’t much trouble Jude’s conscience. His own survival, and Georgia’s, was a matter that concerned him above all others.

BOOK: Heart-shaped box
2.07Mb size Format: txt, pdf, ePub
ads

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