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Authors: Josh Kilmer-Purcell

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BOOK: I Am Not Myself These Days
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I'm a little dizzy and I lean against the outside wall of the club. I scoop a handful of fresh white snow off the stair railing next to me and put it in my mouth. It's clear and cold and clean and new.

I try to make myself realize, because it is morning, and everything is white, that I am starting something new and good. But I know this is not true. What is true is only that it is the next day.

I try to make myself realize that I will go back to the penthouse and start packing up my things in a fever of rebirth. But more likely, I will simply watch a little TV and read the paper and order some eggs from the deli. I will maybe make a few calls to see if anyone's looking for a new roommate.

I try to make myself realize that I had beaten up the city. Or that it had beaten
me
up. But instead I know that in the short year we've been together, the city hasn't really noticed me at all. We merely weakly smile and occasionally nod at each other like second cousins at a family reunion.

I try to make myself realize that Jack was and always will be the greatest love of my life. But I know eventually he will be filed under “H” for “hooker” in my expanding file cabinet of funny stories to be pulled out whenever I need a cheap laugh.

But the thing is, right now, he still
is
all that I love, and I don't really have it in me to look for something else to take his place. I am finally, honestly, tired.

I try to make myself realize that I have learned the difference between right and wrong. That there
is such a thing
as right and wrong. But instead I've learned that these are things—this “right,” this “wrong”—these are things that we are told. Simply told to believe. These are things we have not tested. And while most of the things we are told may be true, it is not until we have tested them, taunted them, flaunted them, that we truly know they are right. Or wrong. Or true. Or false. Or somewhere in-the-fucking-
between
. And I think I know now a little better which is which. And I also know I'll never quit testing this world. I'll never rely on common knowledge. Or common denominators. Or even common sense, for that matter. To do so would be too, well,
common
.

So. I'll keep dancing in my costumes. Day and night. And I won't sleep as much as I should. And I will drink more than I should. And maybe, as I'm twirling and glittering, playing a retarded game of hide and seek in the middle of an open field, maybe, just maybe, whatever happens next will be bigger, and I will forget that which seems so huge to me right now.

It'll be easier to get a cab on Eleventh Avenue. They line up there waiting for the club to empty. A small group of UPS men watch me gather my bag and straighten myself to my full height. The street is plowed and easier to walk on than the sidewalk.

I don't have a plan yet, but when I do, I know it will be elegant. Yes.
A very elegant plan
.

I wave to the UPS men, and they wave back.

Good morning, boys.

H
ugs and Fishes.

 

Aqua never saw Jack again.

Back in the East Village, she moved in and out of friends' apartments, going out less and less. Fewer people remembered her each time, and that was okay with her. Well not okay, but inevitable, and that passes for okay.

Toward the end, when she grew tired of going out because it was the same “out” over and over again, she would sit and pluck the stray gray hairs cropping up in her wigs.

Mostly, she just drank and watched a lot of TV. But when
Blue's Clues
got a new host, she turned that off as well.

On some late nights, in the deep haze of her vodka, she would dial Jack's pager repeatedly, just to see if anyone would call back. Eventually Jack's ad disappeared from the back of the local gay magazines, and his pager was disconnected. Still, she would dial the number occasionally anyway, along with Ryan's and Grey's and even Trey's. They all had vanished into the city's maze of boxes. Sink or swim. Sink or swim. There is no round-the-clock lifeguard in New York City.

The fish lived, and the fish died. And new fish took their place—though without the constant practice of regular appearances, the newcomers tended to be lackadaisical, even sloppy, with their performances.

She missed Houdini. She missed Mr. Beefeater. She missed stupidity and insanity and danger and fun. She missed the raw truths that bubble up when survival is gambled and mocked.

Four years later, she lived in three boxes marked “Aqua stuff” in a storage facility five blocks from the penthouse she'd once called home for seven months. When she turned thirty, a frozen pipe burst somewhere over the storage unit and dissolved her boxes and wigs and makeup and costumes into an indistinguishable mess. An iridescent glob that smelled faintly of smoke and sweat and cheap perfume. But she wasn't all that upset by the loss, because she knew when she turned thirty that she was never going to become a movie star, and if you are never going to become a movie star, then you may as well just be who you are. With little or no makeup and jewelry.

And so, around four fifteen one Saturday morning, around the time she used to be coming off a shift—she left.

She left because she was left behind—in rotting cardboard boxes and foggy disappearing memories. She left because she wasn't really needed anymore. What was needed was sleep, and a career, and sobriety, and a boyfriend whose vision of the future didn't include someone dead. And all these things showed up eventually, but not for her. She did all the prep work, then got shuffled aside. And a drag queen can survive a lot, but she cannot survive obscurity.

So she abandoned the baubles and shiny things. She pushed aside the wigs and the metallic thongs. She stepped over the piles of her sparkly history and walked completely naked down to the East River, past twenty-four-hour delis and an undercover vice squad officer who once asked her to blow him in his brown sedan. She walked past small huddles of clubgoers stumbling home from places she'd worked at before they were named whatever they were named today.

Expecting her to hail them, cabs slowed as they passed her. She ignored them. Just as she ignored the other drag queens emerging from the dark doorways trying to joke with her, their lipstick smeared and creasing in the corners of their mouths, and their foundation caking and powdering around their eyes.

She ignored the city as well, as it reluctantly shrugged off another night. The lights in the buildings began to slowly blink off as the sun rose, like sequins popping off an evening gown. She ignored the undressing city as it, over time, had come to ignore her. She just stared at her feet as she walked, refusing to look up at a skyline she'd once looked down on from her white penthouse in the sky.

 

She climbed up and sat on the metal railing overlooking the freezing, roiling East River, and she
wished to God
she had a double vodka before she pushed off and slipped into the inky currents below. Gliding underneath, pulled down under the surface, her limbs danced in the bass rush of the icy river.

And the reflection of the amber lights from the bridges sparkled on the rippling water around her body like thick curling schools of shimmering goldfish as she passed underneath on her way out to sea.

 

There was no funeral for Aqua. In lieu of flowers, she respectfully requests that you buy a round for the bar.

And if you didn't know Aqua, that's a shame, because everyone who knew her loved her. And everyone who loved her got their fair share back.

And she just wants everyone to remember—please remember—that once there was a darkly sparkling, glittering, shimmering, lovely dangerous time in this city when Aqua loved Jack.

And Jack loved Aqua.

And I loved Jack.

And Jack loved me.

And boys will be boys.

And boys will be girls.

And sometimes the show can't go on.

I
ncalculable thanks to my parents, David and Jackie, for whom I've been, at times, an endurance sport. Without their values I would be nothing more than a very pretty corpse. I apologize for the fearful times; you did not deserve them and will never relive them. Equal gratitude for Rick, my polar opposite yet Siamese twin. For James—WWJD?—and Maya—WDMT? For Arthur and Bob, who came first. For Andy, Milkman Joe Daley, and Clive…thank you for looking where one would least expect, and finding something I wasn't sure anyone would want to see. For my editor, Maureen, who's revered by moguls and movie stars, and hardly needed to add an ex–drag queen to her court, but did. And Stephanie too. And Team Kismet at Harper Perennial. Thank you.

 

For James and Terrance, Leah, Jeannie, Marty and Jen, Bill and Gilles, the Goddess Raven, Meredith, Jo W., Matty-Patty, Randy, Greg Kadel, John Nathan, Edith, Laura, the “Lady” Bunny, and Jill…whatever has become of my life, it's all your fault.

 

And for every twelve-year-old boy who wore his mother's eye-shadow. To school.

About the Author

After “retiring” from drag in 2000,
JOSH KILMER-PURCELL
refocused on his advertising career, winning numerous awards, and is now a partner in a midsize creative advertising agency in lower Manhattan. He lives on Manhattan's Upper East Side with his partner of five years.

www.iamnotmyselfthesedays.com

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

P
RAISE
FOR
I Am Not Myself These Days

Recipient of
Elle
's Readers' Prize February 2006

“I laughed. I cried. I laughed again.
I Am Not Myself These Days
is tawdry and brilliantly witty.”

—Simon Doonan


I Am Not Myself These Days
is a glittering, bittersweet vision of an outsider who turned himself into the life and soul of the party. Kilmer-Purcell's cast is part freak show, part soap opera, but his prose is graced with such insight and wit that the laughter is revelatory, and the tears—and there are tears to be shed along this extraordinary journey—are shed for people in whom everybody will find something of themselves. In a word, wonderful.”

—Clive Barker

“[Kilmer-Purcell's] trenchant memoir captures the madcap rush of the once-closeted arriviste's first brush with city life, a fall from innocence that still haunts him…. He retells the saga…with levelheaded grace.”

—
Entertainment Weekly

“A delicate narrative that spares not an ounce of pain but never once aims for contrition. Effortlessly entertaining yet still heartfelt; the romance of life as an escape artist.”

—
Kirkus Reviews

“Plenty of dishy anecdotes and moments of tragi-camp delight.”

—Washington Post

“It's one hell of a spellbinding read. Engrossing.”

—
Chicago Sun-Times

“The exact, unpitying detail with which Kilmer-Purcell depicts his downward spiral makes it impossible to look away….”

—
Publishers Weekly

“A very entertaining read…as tart and funny as a Noel Coward play, for Kilmer-Purcell is especially good at dialogue, and, as in Coward's best plays, under the comedy lies the sad truth that even at our best, we are all weak, fallible fools. Again and again in this rich, adventure-filled book, Kilmer-Purcell illustrates the truth of Blake's proverb, ‘the road of excess leads to the palace of wisdom.'”

—
Booklist

“The book goes deeper, ultimately telling what is a painfully dysfunctional love story…that many readers will likely be able to relate to.”

—
Out
magazine

“Decadent and delirious, weird and wonderful.”

—
The New York Blade

“Filled with witty dialogue, confusing awakenings, and extraordinary situations…. Readers will find this tale of good boy turned bad drag queen darkly hilarious and entertaining.”

—
Library Journal

“The book is at once a sensational memoir and…a universal love story.”

—
Adweek

Credits

Cover design by Mary Schuck

Cover photograph © John Chellman/Animals Animals

Cover photograph © Steve Lawrence/PictureQuest

I AM NOT MYSELF THESE DAYS
. Copyright © 2006 by Josh Kilmer-Purcell. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

EPub Edition © JULY 2008 ISBN: 9780061860843

10 9 8 7 6 5 4 3 2 1

About the Publisher

Australia

HarperCollins Publishers (Australia) Pty. Ltd.

25 Ryde Road (PO Box 321)

Pymble, NSW 2073, Australia

http://www.harpercollinsebooks.com.au

Canada

HarperCollins Publishers Ltd.

55 Avenue Road, Suite 2900

Toronto, ON, M5R, 3L2, Canada

http://www.harpercollinsebooks.ca

New Zealand

HarperCollinsPublishers (New Zealand) Limited

P.O. Box 1

Auckland, New Zealand

http://www.harpercollinsebooks.co.nz

United Kingdom

HarperCollins Publishers Ltd.

77-85 Fulham Palace Road

London, W6 8JB, UK

http://www.harpercollinsebooks.co.uk

United States

HarperCollins Publishers Inc.

10 East 53rd Street

New York, NY 10022

http://www.harpercollinsebooks.com

BOOK: I Am Not Myself These Days
8.46Mb size Format: txt, pdf, ePub
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