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Authors: Truman Capote

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SSC (2004) The Complete Stories of Truman Capote (26 page)

BOOK: SSC (2004) The Complete Stories of Truman Capote
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“It isn’t worth anything, is it?” There was confusion in the asking, not frankness.

“No, it isn’t,” she said tiredly, almost testily. “But I may have some use for it.” She did not inquire again; it was clear that part of her obligation was to be fulfilled by fixing a price herself.

Still trailing the clumsy coat, she went to a corner of the room where there was a desk and, writing with resentful jabs, made a check on her private account: she did not intend that her husband should know. More than most Mrs. Chase despised the sense of loss; a misplaced key, a dropped coin, quickened her awareness of theft and the cheats of life. Some similar sensation was with her as she handed the check to Alice Severn who, folding it, and without looking at it, put it in her suit pocket. It was for fifty dollars.

“Darling,” said Mrs. Chase, grim with spurious concern, “you must ring me and let me know how everything is going. You mustn’t feel lonely.”

Alice Severn did not thank her, and at the door she did not say goodbye. Instead, she took one of Mrs. Chase’s hands in her own and patted it, as though she were gently rewarding an animal, a dog. Closing the door, Mrs. Chase stared at her hand, brought it near her lips. The feel of the other hand was still upon it, and she stood there, waiting while it drained away: presently her hand was again quite cold.

A D
IAMOND
G
UITAR

(1950)

The nearest town to the prison farm is twenty miles away. Many forests of pine trees stand between the farm and the town, and it is in these forests that the convicts work; they tap for turpentine. The prison itself is in a forest. You will find it there at the end of a red rutted road, barbed wire sprawling like a vine over its walls. Inside, there live one hundred and nine white men, ninety-seven Negroes and one Chinese. There are two sleep houses—great green wooden buildings with tar-paper roofs. The white men occupy one, the Negroes and the Chinese the other. In each sleep house there is one large potbellied stove, but the winters are cold here, and at night with the pines waving frostily and a freezing light falling from the moon the men, stretched on their iron cots, lie awake with the fire colors of the stove playing in their eyes.

The men whose cots are nearest the stove are the important men—those who are looked up to or feared. Mr. Schaeffer is one of these. Mr. Schaeffer—for that is what he is called, a mark of special respect—is a lanky, pulled-out man. He has reddish, silvering hair, and his face is attenuated, religious; there is no flesh to him; you can see the workings of his bones, and his eyes are a poor, dull color. He can read and he can write, he can add a column of figures. When another
man receives a letter, he brings it to Mr. Schaeffer. Most of these letters are sad and complaining; very often Mr. Schaeffer improvises more cheerful messages and does not read what is written on the page. In the sleep house there are two other men who can read. Even so, one of them brings his letters to Mr. Schaeffer, who obliges by never reading the truth. Mr. Schaeffer himself does not receive mail, not even at Christmas; he seems to have no friends beyond the prison, and actually he has none there—that is, no particular friend. This was not always true.

One winter Sunday some winters ago Mr. Schaeffer was sitting on the steps of the sleep house carving a doll. He is quite talented at this. His dolls are carved in separate sections, then put together with bits of spring wire; the arms and legs move, the head rolls. When he has finished a dozen or so of these dolls, the Captain of the farm takes them into town, and there they are sold in a general store. In this way Mr. Schaeffer earns money for candy and tobacco.

That Sunday, as he sat cutting out the fingers for a little hand, a truck pulled into the prison yard. A young boy, handcuffed to the Captain of the farm, climbed out of the truck and stood blinking at the ghostly winter sun. Mr. Schaeffer only glanced at him. He was then a man of fifty, and seventeen of those years he’d lived at the farm. The arrival of a new prisoner could not arouse him. Sunday is a free day at the farm, and other men who were moping around the yard crowded down to the truck. Afterward, Pick Axe and Goober stopped by to speak with Mr. Schaeffer.

Pick Axe said, “He’s a foreigner, the new one is. From Cuba. But with yellow hair.”

“A knifer, Cap’n says,” said Goober, who was a knifer himself. “Cut up a sailor in Mobile.”

“Two sailors,” said Pick Axe. “But just a café fight. He didn’t hurt them boys none.”

“To cut off a man’s ear? You call that not hurtin’ him? They give him two years, Cap’n says.”

Pick Axe said, “He’s got a guitar with jewels all over it.”

It was getting too dark to work. Mr. Schaeffer fitted the pieces of his doll together and, holding its little hands, set it on his knee. He rolled a cigarette; the pines were blue in the sundown light, and the smoke from his cigarette lingered in the cold, darkening air. He could see the Captain coming across the yard. The new prisoner, a blond young boy, lagged a pace behind. He was carrying a guitar studded with glass diamonds that cast a starry twinkle, and his new uniform was too big for him; it looked like a Halloween suit.

“Somebody for you, Schaeffer,” said the Captain, pausing on the steps of the sleep house. The Captain was not a hard man; occasionally he invited Mr. Schaeffer into his office, and they would talk together about things they had read in the newspaper. “Tico Feo,” he said as though it were the name of a bird or a song, “this is Mr. Schaeffer. Do like him, and you’ll do right.”

Mr. Schaeffer glanced up at the boy and smiled. He smiled at him longer than he meant to, for the boy had eyes like strips of sky—blue as the winter evening—and his hair was as gold as the Captain’s teeth. He had a fun-loving face, nimble, clever; and, looking at him, Mr. Schaeffer thought of holidays and good times.

“Is like my baby sister,” said Tico Feo, touching Mr. Schaeffer’s doll. His voice with its Cuban accent was soft and sweet as a banana. “She sit on my knee also.”

Mr. Schaeffer was suddenly shy. Bowing to the Captain, he walked off into the shadows of the yard. He stood there whispering the names of the evening stars as they opened in flower above him. The stars were his pleasure, but tonight they did not comfort him; they did not make him remember that what happens to us on earth is lost in the endless shine of eternity. Gazing at them—the stars—he thought of the jeweled guitar and its worldly glitter.

It could be said of Mr. Schaeffer that in his life he’d done only one really bad thing: he’d killed a man. The circumstances of that deed are unimportant, except to say that the man deserved to die and
that for it Mr. Schaeffer was sentenced to ninety-nine years and a day. For a long while—for many years, in fact—he had not thought of how it was before he came to the farm. His memory of those times was like a house where no one lives and where the furniture has rotted away. But tonight it was as if lamps had been lighted through all the gloomy dead rooms. It had begun to happen when he saw Tico Feo coming through the dusk with his splendid guitar. Until that moment he had not been lonesome. Now, recognizing his loneliness, he felt alive. He had not wanted to be alive. To be alive was to remember brown rivers where the fish run, and sunlight on a lady’s hair.

Mr. Schaeffer hung his head. The glare of the stars had made his eyes water.

The sleep house usually is a glum place, stale with the smell of men and stark in the light of two unshaded electric bulbs. But with the advent of Tico Feo it was as though a tropic occurrence had happened in the cold room, for when Mr. Schaeffer returned from his observance of the stars he came upon a savage and garish scene. Sitting cross-legged on a cot, Tico Feo was picking at his guitar with long swaying fingers and singing a song that sounded as jolly as jingling coins. Though the song was in Spanish, some of the men tried to sing it with him, and Pick Axe and Goober were dancing together. Charlie and Wink were dancing too, but separately. It was nice to hear the men laughing, and when Tico Feo finally put aside his guitar, Mr. Schaeffer was among those who congratulated him.

“You deserve such a fine guitar,” he said.

“Is diamond guitar,” said Tico Feo, drawing his hand over its vaudeville dazzle. “Once I have a one with rubies. But that one is stole. In Havana my sister work in a, how you say, where make guitar; is how I have this one.”

Mr. Schaeffer asked him if he had many sisters, and Tico Feo, grinning, held up four fingers. Then, his blue eyes narrowing greedily, he said, “Please, Mister, you give me doll for my two little sister?”

The next evening Mr. Schaeffer brought him the dolls. After that he was Tico Feo’s best friend and they were always together. At all times they considered each other.

Tico Feo was eighteen years old and for two years had worked on a freighter in the Caribbean. As a child he’d gone to school with nuns, and he wore a gold crucifix around his neck. He had a rosary too. The rosary he kept wrapped in a green silk scarf that also held three other treasures: a bottle of Evening in Paris cologne, a pocket mirror and a Rand McNally map of the world. These and the guitar were his only possessions, and he would not allow anyone to touch them. Perhaps he prized his map the most. At night, before the lights were turned off, he would shake out his map and show Mr. Schaeffer the places he’d been—Galveston, Miami, New Orleans, Mobile, Cuba, Haiti, Jamaica, Puerto Rico, the Virgin Islands—and the places he wanted to go to. He wanted to go almost everywhere, especially Madrid, especially the North Pole. This both charmed and frightened Mr. Schaeffer. It hurt him to think of Tico Feo on the seas and in far places. He sometimes looked defensively at his friend and thought, “You are just a lazy dreamer.”

It is true that Tico Feo was a lazy fellow. After that first evening he had to be urged even to play his guitar. At daybreak when the guard came to rouse the men, which he did by banging a hammer on the stove, Tico Feo would whimper like a child. Sometimes he pretended to be ill, moaned and rubbed his stomach; but he never got away with this, for the Captain would send him out to work with the rest of the men. He and Mr. Schaeffer were put together on a highway gang. It was hard work, digging at frozen clay and carrying croker sacks filled with broken stone. The guard had always to be shouting at Tico Feo, for he spent most of the time trying to lean on things.

Each noon, when the dinner buckets were passed around, the two friends sat together. There were some good things in Mr. Schaeffer’s bucket, as he could afford apples and candy bars from the town. He liked giving these things to his friend, for his friend enjoyed them so
much, and he thought, “You are growing; it will be a long time until you are a grown man.”

Not all the men liked Tico Feo. Because they were jealous, or for more subtle reasons, some of them told ugly stories about him. Tico Feo himself seemed unaware of this. When the men gathered around him, and he played his guitar and sang his songs, you could see that he felt he was loved. Most of the men did feel a love for him; they waited for and depended upon the hour between supper and lights out. “Tico, play your box,” they would say. They did not notice that afterward there was a deeper sadness than there had ever been. Sleep jumped beyond them like a jack rabbit, and their eyes lingered ponderingly on the firelight that creaked behind the grating of the stove. Mr. Schaeffer was the only one who understood their troubled feeling, for he felt it too. It was that his friend had revived the brown rivers where the fish run, and ladies with sunlight in their hair.

Soon Tico Feo was allowed the honor of having a bed near the stove and next to Mr. Schaeffer. Mr. Schaeffer had always known that his friend was a terrible liar. He did not listen for the truth in Tico Feo’s tales of adventure, of conquests and encounters with famous people. Rather, he took pleasure in them as plain stories, such as you would read in a magazine, and it warmed him to hear his friend’s tropic voice whispering in the dark.

Except that they did not combine their bodies or think to do so, though such things were not unknown at the farm, they were as lovers. Of the seasons, spring is the most shattering: stalks thrusting through the earth’s winter-stiffened crust, young leaves cracking out on old left-to-die branches, the falling-asleep wind cruising through all the newborn green. And with Mr. Schaeffer it was the same, a breaking up, a flexing of muscles that had hardened.

It was late January. The friends were sitting on the steps of the sleep house, each with a cigarette in his hand. A moon thin and yellow as a piece of lemon rind curved above them, and under its light, threads of ground frost glistened like silver snail trails. For many
days Tico Feo had been drawn into himself—silent as a robber waiting in the shadows. It was no good to say to him, “Tico, play your box.” He would only look at you with smooth, under-ether eyes.

“Tell a story,” said Mr. Schaeffer, who felt nervous and helpless when he could not reach his friend. “Tell about when you went to the race track in Miami.”

“I not ever go to no race track,” said Tico Feo, thereby admitting to his wildest lie, one involving hundreds of dollars and a meeting with Bing Crosby. He did not seem to care. He produced a comb and pulled it sulkily through his hair. A few days before this comb had been the cause of a fierce quarrel. One of the men, Wink, claimed that Tico Feo had stolen the comb from him, to which the accused replied by spitting in his face. They had wrestled around until Mr. Schaeffer and another man got them separated. “Is my comb. You tell him!” Tico Feo had demanded of Mr. Schaeffer. But Mr. Schaeffer with quiet firmness had said no, it was not his friend’s comb—an answer that seemed to defeat all concerned. “Aw,” said Wink, “if he wants it so much, Christ’s sake, let the sonofabitch keep it.” And later, in a puzzled, uncertain voice, Tico Feo had said, “I thought you was my friend.” “I am,” Mr. Schaeffer had thought, though he said nothing.

BOOK: SSC (2004) The Complete Stories of Truman Capote
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