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Authors: Ridley Pearson

The Art of Deception

BOOK: The Art of Deception
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RIDLEY
PEARSON

 

The
ART OF
DECEPTION

For Bob and Ellen

Table of Contets

Cover

Title Page

  1 The Ride of a Lifetime

  2 Of Mice and Spiders

  3 The LaMoia

  4 Bridge Over Troubled Waters

  5 Pretty in Pink

  6 Bowing to Buddha

  7 Hide and Peep

  8 Catch, As Catch Can

  9 Room with a View

10 The Debt

11 A Drowning Is a Drowning, a Fall, a Fall

12 The Gift

13 Now You See Him, Now You Don’t

14 Old Friends, New Enemies

15 The Discovery Process

16 Voice Male

17 Two Peas in a Pod

18 Chumming

19 Nothing Ventured, Nothing Gained

20 A Wallet and a Watch

21 Silhouettes

22 Knock, Knock. Who’s There?

23 If the Shoe Fits

24 Of Bridges and Badges

25 Buried History

26 The Hearing

27 Three Blocks North of Safety

28 Throwing the Net

29 Voices

30 Snuffing the Flame

31 Ancient Doors

32 Voices in the Dark

33 A New View of Things

34 Hitting the Wall

35 Running Blind

36 Misplaced Affection

37 Allie-Allie-in-Come-Free

38 Alone Again

39 Blurred Vision

40 Working the Room

41 Hatred of the Father

42 A Tight Leash

43 The Lineup

44 Boxed In

45 Magoo

46 Into the Dark

47 A Slippery Slope

48 The Door

49 Double Team

50 Without a Prair

51 Lost Time

52 A Good Shooting

53 Five Minutes from Prosperity

54 Circling the Drain

55 Darkness, My Old Friend.

56 The Tag

57 Another Level

58 The Offering

59 Chasing a Cry

60 A Matter of Trust

61 Seeing Double

62 Closing the Distance

63 Unzipping the Truth

64 Echo

65 Running Below Graves

66 Rotten Luck

67 A Dog in Sand

68 Faint Hope

69 Winning the Yes

70 Old Friends

71 Life’s No Picnic

Acknowledgments

About the Author

PRAISE FOR
PARALLEL LIES:

Also by RIDLEY PEARSON

Copyright

1 The Ride of a Lifetime

Mary-Ann Walker

She lay on her side, her head ringing, her hair damp and sticky. She understood that she should feel pain—one didn’t fall onto blacktop from a three-story fire escape without experiencing pain—and yet she felt nothing.

She saw the Space Needle in the distance, regretting that she had gone up it only once, at the age of seven. Perhaps that had been the start of her fear of heights. Images from her childhood played before her eyes like a hurried slide show until she heard a car start and the first trickle of sensation sparked up her broken legs; she knew undeniably that this was only the beginning. When the floodgates opened, when nerve impulses reached their mainline capabilities, the pain would prove too great, and she would surrender to it.

For this reason, and a desire to glimpse the glimmering black mirror surface of Lake Union, she pushed herself off the pavement with her shaky right arm, its elbow finally propping her up.

She could feel her father’s locked elbows on either side of her, smell his boozed-up breath, although he’d been dead in his grave for two years now. She shrank from the contact of sweaty skin, nauseated by his sour smell and the repetition of his needs, and sought sight again of the body of water that had been a kind of bedtime prayer for her.

She clawed herself high enough to catch a moonlike curve of shoreline, just to the left of a bent Dumpster, pitched toward
its missing wheel, that loomed over her and made her think of a coffin.

The two white eyes that winked and quickly narrowed before her were not headlights, as she first had believed, but taillights meant to keep drivers from striking objects in their rear path.

“Stop!” But her faint voice was not to be heard.

Her head led the way to the pavement this time, and she answered the call of the pain.

Below her she saw the waters she had come to think of as her own, flat black like wet marble. Darkness punctuated by pinpricks of light swirled as he carried her away from the humming car to the bridge’s railing. She had no strength to fight, no will. Not even her acrophobia could power her to kick and claw for her life. Tears brimmed in her eyes, blurring any image of him, blurring the lights, blurring the boundary between the living and the dead.

In the next few moments she would be both.

When he threw her over, it felt like the act of someone distancing himself from something undesirable, like hearing a rat in the garbage bag on the way out to the cans. But as she dropped, she thought of a ballerina’s majestic beauty; she saw herself as elegant and refined; she found a balance, a weightlessness that was surprisingly pleasant. And she wondered why she had feared heights all these years. This was the ride of a lifetime.

2 Of Mice and Spiders

Daphne Matthews negotiated the aisle between cots occupied by, among others, a spaced-out seventeen-year-old methadone addict, a girl shaking from the DTs, and a street-worn fifteen-year-old seriously pregnant. With the continuing spring rains and cool weather, like mice and spiders, the young women migrated inside as conditions required.

The basement space held an incongruous odor: of mildew and medicine, spaghetti and meatballs. Bare bulbs, strung up like lights at a Christmas tree sale, flickered and dimmed over twenty-some teens, two resident RNs, and two volunteers, including Matthews. This was the Shelter’s third home in three years, a cavernlike basement space accessed via the Second Presbyterian Church, one of the five oldest structures still standing in Seattle. A thirty-block fire in 1889 had taken all the rest, just as the streets would take these girls if the Shelter ceased to exist.

For the past five months Matthews had doubled her volunteer time at the Shelter, less out of a sense of civic duty than the result of a combination of guilt and grief over the loss of a despondent teenage girl—a regular at the Shelter—who had taken her life. The girl, also pregnant, had jumped to her death from the I-5 bridge.

Matthews knew the young woman on the cot before her only as Margaret—no surnames were used at the Shelter. She asked
if she could join her, and the girl acquiesced, less than enthusiastically. Matthews sat down beside her onto the wool blanket, leaning her back against the cool brick wall.

Sitting this close, Matthews could see a curving yellow moon of an old bruise that lingered on the girl’s left cheekbone, an archipelago of knitted scars curving around that same eye. No doubt Margaret told people they were sports injuries or the result of a fall. She was fifteen going on forty.

“We spoke the other night,” Matthews said, reminding the girl. The methamphetamine, booze, and pot wreaked havoc on the short-term memories of these kids. Not that they listened to the counselors anyway. They tolerated such intrusions only to serve the greater purpose of a warm meal, a shower, free feminine products, and a chance to wash their clothes.

“You’re the cop. The shrink. I remember.”

“Right, but here, I’m a counselor, and that’s all. You were going to think about calling your grandparents.”

“I wasn’t thinking about it. You were.”

“After five days you have to leave the Shelter for at least one night.”

“Believe me, I know the rules.”

“I don’t like to think of you up there in the weather.”

“That’s your problem. I live up there.” Defiant. An attitude. But behind the eyes, fear.

Matthews rarely lost her temper, though she could pretend to when needed. She debated her next move in what to her was a chess game that could make or break lives. “You can call for free. It doesn’t have to be collect.”

“I wouldn’t mind getting out of here so much,” the girl conceded.

Matthews saw an opening and seized it. To hell with the regulations. She pulled a Sharpie—an indelible marker—from
her purse, grabbed hold of Margaret’s forearm, and wrote out her cell phone number in letters the size of the top row of an eye test. Clothes came and went with these girls. Notes in pockets came and went. Forearms were a little more permanent.

“Day or night,” Matthews said. “No questions asked. No police. You call me and it’s woman to woman, friend to friend.”

Margaret eyed her forearm, angry. “A tattoo would have lasted longer.”

“Day or night,” Matthews repeated and pulled herself off the cot with reluctance.

“Can I ask you something?” the girl asked.

Matthews nodded.

“You think this place is haunted?”

Matthews bit back a smile. “Old, yes. Creepy, maybe. But not haunted.”

“Haven’t you felt it?”

It wasn’t the first time Matthews had heard this. “Maybe a little,” she confessed.

“Like somebody watching.”

“There’s no such thing as ghosts,” she said, aware she was sounding like a schoolmarm. “The imagination is powerful. We don’t want to mislabel it.”

“But you’ve felt it, too,” Margaret said.

Matthews nodded, stretching the truth. It took a long time to establish anything close to trust with one of these kids.

“I heard this place used to be a storeroom or something. Pirates, or smugglers, or something. Like a hundred years ago.”

“I’ve heard it called lots of things: a slaughterhouse, a jail, a house of ill repute.” She delivered this comically, and won the first signs of light in that face. “Smugglers? Why not?” Matthews hesitated, unsure if she should leave it here—the first tendrils of rapport connecting them—or drive home her point
once more. “If you do call your grandmother, we have funding for transportation. No one’s kicking you out, you understand. But I want you safe, Margaret. The baby, safe.”

The girl glanced around the room, uncomfortable. “Yeah,” she said. “We’ll see.”

As Matthews reached the surface and her car, her police radio crackled, and the dispatcher announced a 342—a harbor water emergency—a body had been spotted. The location was the Aurora Bridge. Matthews ran four red lights on the way there.

3 The LaMoia

John LaMoia awoke from a two-hour afternoon nap (he was on night tour for all of March) wondering where his next Oxy-Contin would come from. Then he remembered he’d quit.

BOOK: The Art of Deception
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