The Collected Stories of Eudora Welty (49 page)

BOOK: The Collected Stories of Eudora Welty
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It would be plain to Miss Eckhart or to anybody that he wanted, first, the music lesson to stop. They could not close the door, there was no door, there were beads. They could not tell Miss Snowdie even that he objected; she would have been agonized. All the little girls and the one little boy were afraid of Mr. Voight's appearance at every lesson and felt nervous until it had happened and got over with. The one little boy was Scooter MacLain, the twin that took the free lessons; he kept mum.

Cassie saw that Miss Eckhart, who might once have been formidable in particular to any Mr. Voights, was helpless toward him and his antics—as helpless as Miss Snowdie MacLain would have been, helpless as Miss Snowdie was, toward her own little twin sons—all since she had begun giving in to Virgie Rainey. Virgie kept the upper hand over Miss Eckhart even at the moment when Mr. Voight came out to scare them. She only played on the stronger and clearer, and never pretended he had not come out and that she did not know it, or that she might not tell it, no matter how poor Miss Eckhart begged.

"Tell a soul what you have seen, I'll beat your hands until you scream," Miss Eckhart had said. Her round eyes opened wide, her mouth went small. This was all she knew to say. To Cassie it was as idle as a magic warning in a story; she criticized the rhyme. She herself had told all about Mr. Voight at breakfast, stood up at the table and waved her arms, only to have her father say he didn't believe it; that Mr. Voight represented a large concern and covered seven states. He added his own threat to Miss Eckhart's: no picture show money.

Her mother's laugh, which followed, was as usual soft and playful but not illuminating. Her laugh, like the morning light that came in the window each summer breakfast time around her father's long head, slowly made it its solid silhouette where he sat against the day. He turned to his paper like Douglas Fairbanks opening big gates; it was indeed his; he published the
Morgana-MacLain Weekly Bugle
and Mr. Voight had no place in it.

"Live and let live, Cassie," her mother said, meaning it mischievously. She showed no repentance, such as Cassie felt, for her inconsistencies. She had sometimes said passionately, "Oh, I hate that old MacLain house next door to me! I hate having it there all the time. I'm worn out with Miss Snowdie's cross!" Later on, when Miss Snowdie finally had to sell the house and move away, her mother said, "Well, I see Snowdie gave up." When she told bad news, she wore a perfectly blank face and her voice was helpless and automatic, as if she repeated a lesson.

Virgie told on Mr. Voight too, but she had nobody to believe her, and so Miss Eckhart did not lose any pupils by that. Virgie did not know how to tell anything.

And for what Mr. Voight did there were no ready words—what would you call it? "Call it spontaneous combustion," Cassie's mother said. Some performances of people stayed partly untold for lack of a name, Cassie believed, as well as for lack of believers. Mr. Voight before so very long—it happened during a sojourn home of Mr. MacLain, she remembered—was transferred to travel another seven states, ending the problem; and yet Mr. Voight had done something that amounted to more than going naked under his robe and calling alarm like a turkey gobbler, it was more belligerent; and the least describable thing of all had been a look on his face; that was strange. Thinking of it now, and here in her room, Cassie found she had bared her teeth and set them, trying out the frantic look. She could not now, any more than then, really describe Mr. Voight, but without thinking she could
be
Mr. Voight, which was more frightening still.

Like a dreamer dreaming with reservations, Cassie moved over and changed the color for her scarf and moved back to the window. She reached behind her for a square of heavenly-hash in its platter and bit down on the marshmallow.

There was another man Miss Eckhart had been scared of, up until the last. (Not Mr. King MacLain. They always passed without touching, like two stars, perhaps they had some kind of eclipse-effect on each other.) She had been sweet on Mr. Hal Sissum, who clerked in the shoe department of Spights' store.

Cassie remembered him—who didn't know Mr. Sissum and all the Sissums? His sandy hair, parted on the side, shook over his ear like a toboggan cap when he ambled forward, in his long lazy step, to wait on people. He teased people that came to buy shoes, as though that took the prize for the vainest, most outlandish idea that could ever come over human beings.

Miss Eckhart had pretty ankles for a heavy lady like herself. Mrs. Stark said what a surprise it was for Miss Eckhart, of all people, to turn up with such pretty ankles, which made it the same as if she didn't have them. When she came in she took her seat and put her foot earnestly up on Mr. Sissum's stool like any other lady in Morgana and he spoke to her very nicely. He generally invited the bigger ladies, like Miss Nell Loomis or Miss Gert Bowles, to sit in the children's chair, but he held back, with Miss Eckhart, and spoke very nicely to her about her feet and treated them as a real concern; he even brought out a choice of shoes. To most ladies he brought out one box and said, "There's your shoe," as though shoes were something predestined. He knew them all so well.

Miss Eckhart might have come over to his aisle more often, but she had an incomprehensible habit of buying shoes two or even four pairs at a time, to save going back, or to take precaution against never finding them again. She didn't know how to do about Mr. Sissum at all.

But what could they either one have done? They couldn't go to church together; the Sissums were Presbyterians from the beginning of time and Miss Eckhart belonged to some distant church with a previously unheard-of name, the Lutheran. She could not go to the picture show with Mr. Sissum because he was already at the picture show. He played the music there every evening after the store closed—he had to; this was before the Bijou afforded a piano, and he could play the cello. He could not have refused Mr. Syd Sissum, who bought the stable and built the Bijou.

Miss Eckhart used to come to the political speakings in the Starks' yard when Mr. Sissum played with the visiting band. Anybody could see him all evening then, high on the fresh plank platform behind his cello. Miss Eckhart, the true musician, sat on the damp night grass and listened. Nobody ever saw them really together any more than that. How did they know she was sweet on Mr. Sissum? But they did.

Mr. Sissum was drowned in the Big Black River one summer—fell out of his boat, all alone.

Cassie would rather remember the sweet soft speaking-nights in the Starks' yard. Before the speakings began, while the music was playing, Virgie and her older brother Victor ran wild all over everywhere, assaulting the crowd, where couples and threes and fives of people joined hands like paperdoll strings and wandered laughing and turning under the blossoming China trees and the heavy crape myrtles that were wound up in honeysuckle. How delicious it all smelled! Virgie let herself go completely, as anyone would like to do. Jinny Love Stark's swing was free to anybody and Virgie ran under the swingers, or jumped on behind, booting and pumping. She ran under sweethearts' twining arms, and nobody, even her brother, could catch her. She rolled the country people's watermelons away. She caught lightning bugs and tore out their lights for jewelry. She never rested as long as the music played except at last to throw herself hard and panting on the ground, her open mouth smiling against the trampled clover. Sometimes she made Victor climb up on the Starks' statue. Cassie remembered him, white face against dark leaves, a baseball cap turned backwards with the bill behind, and long black-stockinged legs wound over the snowy limbs of the goddess, and slowly, proudly sliding down.

But Virgie would not even watch him. She whirled in one direction till she fell down drunk, or turned about more slowly when they played
Vienna Woods.
She pushed Jinny Love Stark into her own lily bed. And all the time, she was eating. She ate all the ice cream she wanted. Now and then, in the soft parts of
Carmen
or before the storm in
William Tell
—even during dramatic pauses in the speaking—Mrs. Ice Cream Rainey's voice could be heard quickly calling, "Ice cream?" She had brought a freezer or two on Mr. Rainey's wagon to the foot of the yard. This time of year it might be fig. Sometimes Virgie whirled around with a fig ice cream cone in each hand, held poised like daggers.

Virgie would run closer and closer circles around Miss Eckhart, who sat alone (her mother never came out that far) on a
Bugle
, all four pages unfolded on the grass, listening. Up above, Mr. Sissum—who bent over his cello in the Bijou every night like an old sewing woman over the machine, like a shoe clerk over another foot to fit—shone in a Palm Beach coat and played straight-backed in the visiting band, and as fast as they did. The lock of hair was no longer hiding his eyes and nose; like the candidate for supervisor, he looked out.

Virgie put a loop of clover chain down over Miss Eckhart's head, her hat—her one hat—and all. She hung Miss Eckhart with flowers, while Mr. Sissum plucked the strings up above her. Miss Eckhart sat on, perfectly still and submissive. She gave no sign. She let the clover chain come down and lie on her breast.

Virgie laughed delightedly and with her long chain in her hand ran around and around her, binding her up with clovers. Miss Eckhart let her head roll back, and then Cassie felt that the teacher was filled with terror, perhaps with pain. She found it so easy—ever since Virgie showed her—to feel terror and pain in an outsider; in someone you did not know at all well, pain made you wonderfully sorry. It was not so easy to be sorry about it in the people close to you—it came unwillingly; and how strange—in yourself, on nights like this, pain—even a moment's pain—seemed inconceivable.

Cassie's whole family would be at the speakings, of course, her father moving at large through the crowd or sometimes sitting on the platform with Mr. Carmichael and Mr. Comus Stark with the rolling head and Mr. Spights. Cassie would try to stay in sight of her mother, but no matter how slightly she strayed, only to follow Virgie around the backyard and find croquet balls in the grass, or down the hill to get a free cone, when she got back to their place her mother would be gone. She always lost her mother. She would find Loch there, rolled in a ball asleep in his sailor suit, his cheek holding down the ribbon of her softly removed hat. When she was back again, "I've just been through yonder to speak to my candidate," she said. "It's you that vanishes, Lady Bug, you that gets away."

It appeared to Cassie that only the figure of Miss Eckhart, off there like a vast receptacle in its island of space, did not move or sway when the band played
Tales of Hoffmann.

One time Mr. Sissum gave Miss Eckhart something, a Billikin. The Billikin was a funny, ugly doll that Spights' store gave free to children with every pair of Billikin shoes. Never had Miss Eckhart laughed so hard, and with such an unfamiliar sound, as she laughed to see Mr. Sissum's favor. Tears ran down her bright, distorted cheeks every time one of the children coming into the studio picked the Billikin up. When her laughter was exhausted she would sigh faintly and ask for the doll, and then soberly set it down on a little minaret table, as if it were a vase of fresh red roses. Her old mother took it one day and cracked it across her knee.

When Mr. Sissum was drowned, Miss Eckhart came to his funeral like everybody else. The Loomises invited her to ride with them. She looked exactly the same as ever, round and solid, her back a ramrod in her dress that was the wrong season's length and her same hat, the home-made one with cambric flowers sticking up on it. But when the coffin was lowered into Mr. Sissum's place in the Sissum lot under a giant magnolia tree, and Mr. Sissum's preacher, Dr. Carlyle, said burial service, Miss Eckhart broke out of the circle.

She pressed to the front, through Sissums from everywhere and all the Presbyterians, and went close to get a look; and if Dr. Loomis had not caught her she would have gone headlong into the red clay hole. People said she might have thrown herself upon the coffin if they'd let her; just as, later, Miss Katie Rainey did on Victor's when he was brought back from France. But Cassie had the impression that Miss Eckhart simply wanted to see—to see what was being done with Mr. Sissum.

As she struggled, her round face seemed stretched wider than it was long by a feeling that failed to match the feelings of everybody else. It was not the same as sorrow. Miss Eckhart, a stranger to their cemetery, where none of her people lay, pushed forward with her unstylish, winter purse swinging on her arm, and began to nod her head—sharply, to one side and then the other. She appeared almost little under the tree, but Mr. Comus Stark and Dr. Loomis looked more shrunken still by the side of her as they—sent by ladies—reached for her elbows. Her vigorous nods included them too, increasing in urgency. It was the way she nodded at pupils to bring up their rhythm, helping out the metronome.

Cassie remembered how Miss Snowdie MacLain's grip tightened on her hand and stayed tightened until Miss Eckhart got over it. But Cassie remembered her manners better than to seem to watch Miss Eckhart after one look; she stared down at her Billikin shoes. And her mother had slipped away.

It was strange that in Mr. Sissum's life Miss Eckhart, as everybody said, had never known what to do; and now she did this. Her sharp nodding was like something to encourage them all—to say that she knew now, to do this, and that nobody need speak to her or touch her unless, if they thought best, they could give her this little touch at the elbows, the steer of politeness.

"
Pizzicato.
"

Once, Miss Eckhart gave out the word to define in the catechism lesson.

"
Pizzicato
is when Mr. Sissum played the cello before he got drowned."

That was herself: Cassie heard her own words. She had tried—she was as determined as if she'd been dared—to see how that sounded, spoken out like that to Miss Eckhart's face. She remembered how Miss Eckhart listened to her and did nothing but sit still as a statue, as she sat when the flowers came down over her head.

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