The Complete Works of Stephen Crane (167 page)

Read The Complete Works of Stephen Crane Online

Authors: Stephen Crane

Tags: #Classic, #Fiction, #Historical, #Military, #Retail, #War

BOOK: The Complete Works of Stephen Crane
4.28Mb size Format: txt, pdf, ePub

It now becomes the duty of the unfortunate writer to exhibit these children to their fond parents. “Come on, Jimmie,” cried little Cora, “let’s go show mamma.” And they hurried off, these happy children, to show mamma.

The Trescotts and their guests were assembled indolently awaiting the luncheon-bell. Jimmie and the angel child burst in upon them. “Oh, mamma,” shrieked little Cora, “see how fine I am! I’ve had my hair cut! Isn’t it splendid? And Jimmie too!”

The wretched mother took one sight, emitted one yell, and fell into a chair. Mrs. Trescott dropped a large lady’s journal and made a nerveless mechanical clutch at it. The painter gripped the arms of his chair and leaned forward, staring until his eyes were like two little clock faces. Dr. Trescott did not move or speak.

To the children the next moments were chaotic. There was a loudly wailing mother, and a pale-faced, aghast mother; a stammering father, and a grim and terrible father. The angel child did not understand anything of it save the voice of calamity, and in a moment all her little imperialism went to the winds. She ran sobbing to her mother. “Oh, mamma! mamma! mamma!”

The desolate Jimmie heard out of this inexplicable situation a voice which he knew well, a sort of colonel’s voice, and he obeyed like any good soldier. “Jimmie!”

He stepped three paces to the front. “Yes, sir.”

“How did this — how did this happen?” said Trescott.

Now Jimmie could have explained how had happened anything which had happened, but he did not know what had happened, so he said, “I — I — nothin’.”

“And, oh, look at her frock!” said Mrs. Trescott, brokenly.

“‘LOOK!’ SHE DECLAIMED”

The words turned the mind of the mother of the angel child. She looked up, her eyes blazing. “Frock!” she repeated. “Frock! What do I care for her frock? Frock!” she choked out again from the depths of her bitterness. Then she arose suddenly, and whirled tragically upon her husband. “Look!” she declaimed. “All — her lovely — hair — all her lovely hair — gone — gone!” The painter was apparently in a fit; his jaw was set, his eyes were glazed, his body was stiff and straight. “All gone — all — her lovely hair — all gone — my poor little darlin’ — my — poor — little — darlin’!” And the angel child added her heart-broken voice to her mother’s wail as they fled into each other’s arms.

In the mean time Trescott was patiently unravelling some skeins of Jimmie’s tangled intellect. “And then you went to this barber’s on the hill. Yes. And where did you get the money? Yes. I see. And who besides you and Cora had their hair cut? The Margate twi — Oh, lord!”

Over at the Margate place old Eldridge Margate, the grandfather of the twins, was in the back garden picking pease and smoking ruminatively to himself. Suddenly he heard from the house great noises. Doors slammed, women rushed up-stairs and down-stairs calling to each other in voices of agony. And then full and mellow upon the still air arose the roar of the twins in pain.

Old Eldridge stepped out of the pea-patch and moved towards the house, puzzled, staring, not yet having decided that it was his duty to rush forward. Then around the corner of the house shot his daughter Mollie, her face pale with horror.

“What’s the matter?” he cried.

“Oh, father,” she gasped, “the children! They—”

Then around the corner of the house came the twins, howling at the top of their power, their faces flowing with tears. They were still hand in hand, the ruling passion being strong even in this suffering. At sight of them old Eldridge took his pipe hastily out of his mouth. “Good God!” he said.

And now what befell one William Neeltje, a barber by trade? And what was said by angry parents of the mother of such an angel child? And what was the fate of the angel child herself?

There was surely a tempest. With the exception of the Margate twins, the boys could well be eliminated from the affair. Of course it didn’t matter if their hair was cut. Also the two little Phelps girls had had very short hair, anyhow, and their parents were not too greatly incensed. In the case of Ella Earl, it was mainly the pathos of the little girl’s own grieving; but her mother played a most generous part, and called upon Mrs. Trescott, and condoled with the mother of the angel child over their equivalent losses. But the Margate contingent! They simply screeched.

“AROUND THE CORNER OF THE HOUSE CAME THE TWINS”

Trescott, composed and cool-blooded, was in the middle of a giddy whirl. He was not going to allow the mobbing of his wife’s cousins, nor was he going to pretend that the spoliation of the Margate twins was a virtuous and beautiful act. He was elected, gratuitously, to the position of a buffer.

But, curiously enough, the one who achieved the bulk of the misery was old Eldridge Margate, who had been picking pease at the time. The feminine Margates stormed his position as individuals, in pairs, in teams, and
en masse
. In two days they may have aged him seven years. He must destroy the utter Neeltje. He must midnightly massacre the angel child and her mother. He must dip his arms in blood to the elbows.

Trescott took the first opportunity to express to him his concern over the affair, but when the subject of the disaster was mentioned, old Eldridge, to the doctor’s great surprise, actually chuckled long and deeply. “Oh, well, look-a-here,” he said. “I never was so much in love with them there damn curls. The curls was purty — yes — but then I’d a darn sight rather see boys look more like boys than like two little wax figgers. An’, ye know, the little cusses like it themselves.
They
never took no stock in all this washin’ an’ combin’ an’ fixin’ an’ goin’ to church an’ paradin’ an’ showin’ off. They stood it because they were told to. That’s all. Of course this here Neel-te-gee, er whatever his name is, is a plumb dumb ijit, but I don’t see what’s to be done, now that the kids is full well cropped. I might go and burn his shop over his head, but that wouldn’t bring no hair back onto the kids. They’re even kicking on sashes now, and that’s all right, ‘cause what fer does a boy want a sash?”

Whereupon Trescott perceived that the old man wore his brains above his shoulders, and Trescott departed from him rejoicing greatly that it was only women who could not know that there was finality to most disasters, and that when a thing was fully done, no amount of door-slammings, rushing up-stairs and down-stairs, calls, lamentations, tears, could bring back a single hair to the heads of twins.

AT THE RAILWAY STATION

But the rains came and the winds blew in the most biblical way when a certain fact came to light in the Trescott household. Little Cora, corroborated by Jimmie, innocently remarked that five dollars had been given her by her father on her birthday, and with this money the evil had been wrought. Trescott had known it, but he — thoughtful man — had said nothing. For her part, the mother of the angel child had up to that moment never reflected that the consummation of the wickedness must have cost a small sum of money. But now it was all clear to her. He was the guilty one — he! “My angel child!”

The scene which ensued was inspiriting. A few days later, loungers at the railway station saw a lady leading a shorn and still undaunted lamb. Attached to them was a husband and father, who was plainly bewildered, but still more plainly vexed, as if he would be saying: “Damn ‘em! Why can’t they leave me alone?”

LYNX
-
HUNTING

JIMMIE lounged about the dining-room and watched his mother with large, serious eyes. Suddenly he said, “Ma — now — can I borrow pa’s gun?”

She was overcome with the feminine horror which is able to mistake preliminary words for the full accomplishment of the dread thing. “Why, Jimmie!” she cried. “Of al-l wonders! Your father’s gun! No indeed you can’t!”

He was fairly well crushed, but he managed to mutter, sullenly, “Well, Willie Dalzel, he’s got a gun.” In reality his heart had previously been beating with such tumult — he had himself been so impressed with the daring and sin of his request — that he was glad that all was over now, and his mother could do very little further harm to his sensibilities. He had been influenced into the venture by the larger boys.

“‘MA — NOW — CAN I BORROW PA’S GUN?’”

“Huh!” the Dalzel urchin had said; “your father’s got a gun, hasn’t he? Well, why don’t you bring that?”

Puffing himself, Jimmie had replied, “Well, I can, if I want to.” It was a black lie, but really the Dalzel boy was too outrageous with his eternal bill-posting about the gun which a beaming uncle had intrusted to him. Its possession made him superior in manfulness to most boys in the neighborhood — or at least they enviously conceded him such position — but he was so overbearing, and stuffed the fact of his treasure so relentlessly down their throats, that on this occasion the miserable Jimmie had lied as naturally as most animals swim.

Willie Dalzel had not been checkmated, for he had instantly retorted, “Why don’t you get it, then?”

“Well, I can, if I want to.”

“Well, get it, then!”

“Well, I can, if I want to.”

Thereupon Jimmie had paced away with great airs of surety as far as the door of his home, where his manner changed to one of tremulous misgiving as it came upon him to address his mother in the dining-room. There had happened that which had happened.

When Jimmie returned to his two distinguished companions he was blown out with a singular pomposity. He spoke these noble words: “Oh, well, I guess I don’t want to take the gun out to-day.”

They had been watching him with gleaming ferret eyes, and they detected his falsity at once. They challenged him with shouted gibes, but it was not in the rules for the conduct of boys that one should admit anything whatsoever, and so Jimmie, backed into an ethical corner, lied as stupidly, as desperately, as hopelessly as ever lone savage fights when surrounded at last in his jungle.

Such accusations were never known to come to any point, for the reason that the number and kind of denials always equalled or exceeded the number of accusations, and no boy was ever brought really to book for these misdeeds.

In the end they went off together, Willie Dalzel with his gun being a trifle in advance and discoursing upon his various works. They passed along a maple-lined avenue, a highway common to boys bound for that free land of hills and woods in which they lived in some part their romance of the moment, whether it was of Indians, miners, smugglers, soldiers, or outlaws. The paths were their paths, and much was known to them of the secrets of the dark green hemlock thickets, the wastes of sweet-fern and huckleberry, the cliffs of gaunt bluestone with the sumach burning red at their feet. Each boy had, I am sure, a conviction that some day the wilderness was to give forth to him a marvellous secret. They felt that the hills and the forest knew much, and they heard a voice of it in the silence. It was vague, thrilling, fearful, and altogether fabulous. The grown folk seemed to regard these wastes merely as so much distance between one place and another place, or as a rabbit-cover, or as a district to be judged according to the value of the timber; but to the boys it spoke some great inspiring word, which they knew even as those who pace the shore know the enigmatic speech of the surf. In the mean time they lived there, in season, lives of ringing adventure — by dint of imagination.

The boys left the avenue, skirted hastily through some private grounds, climbed a fence, and entered the thickets. It happened that at school the previous day Willie Dalzel had been forced to read and acquire in some part a solemn description of a lynx. The meagre information thrust upon him had caused him grimaces of suffering, but now he said, suddenly, “I’m goin’ to shoot a lynx.”

The other boys admired this statement, but they were silent for a time. Finally Jimmie said, meekly, “What’s a lynx?” He had endured his ignorance as long as he was able.

The Dalzel boy mocked him. “Why, don’t you know what a lynx is? A lynx? Why, a lynx is a animal somethin’ like a cat, an’ it’s got great big green eyes, and it sits on the limb of a tree an’ jus’ glares at you. It’s a pretty bad animal, I tell you. Why, when I—”

“Huh!” said the third boy. “Where’d you ever see a lynx?”

“Oh, I’ve seen ’em — plenty of ‘em. I bet you’d be scared if you seen one once.”

Jimmie and the other boy each demanded, “How do you know I would?”

They penetrated deeper into the wood. They climbed a rocky zigzag path which led them at times where with their hands they could almost touch the tops of giant pines. The gray cliffs sprang sheer towards the sky. Willie Dalzel babbled about his impossible lynx, and they stalked the mountain-side like chamois-hunters, although no noise of bird or beast broke the stillness of the hills. Below them Whilomville was spread out somewhat like the cheap green and black lithograph of the time—”A Bird’s-eye View of Whilomville, N. Y.”

THE DALZEL BOY TAKING THE PART OF A BANDIT CHIEF

In the end the boys reached the top of the mountain and scouted off among wild and desolate ridges. They were burning with the desire to slay large animals. They thought continually of elephants, lions, tigers, crocodiles. They discoursed upon their immaculate conduct in case such monsters confronted them, and they all lied carefully about their courage.

The breeze was heavy with the smell of sweet-fern. The pines and hemlocks sighed as they waved their branches. In the hollows the leaves of the laurels were lacquered where the sunlight found them. No matter the weather, it would be impossible to long continue an expedition of this kind without a fire, and presently they built one, snapping down for fuel the brittle under-branches of the pines. About this fire they were willed to conduct a sort of play, the Dalzel boy taking the part of a bandit chief, and the other boys being his trusty lieutenants. They stalked to and fro, long-strided, stern yet devil-may-care, three terrible little figures.

Jimmie had an uncle who made game of him whenever he caught him in this kind of play, and often this uncle quoted derisively the following classic: “Once aboard the lugger, Bill, and the girl is mine. Now to burn the château
and destroy all evidence of our crime. But, hark’e, Bill, no wiolence.” Wheeling abruptly, he addressed these dramatic words to his comrades. They were impressed; they decided at once to be smugglers, and in the most ribald fashion they talked about carrying off young women.

At last they continued their march through the woods. The smuggling
motif
was now grafted fantastically upon the original lynx idea, which Willie Dalzel refused to abandon at any price.

Once they came upon an innocent bird who happened to be looking another way at the time. After a great deal of manœvering and big words, Willie Dalzel reared his fowling-piece and blew this poor thing into a mere rag of wet feathers, of which he was proud.

Afterwards the other big boy had a turn at another bird. Then it was plainly Jimmie’s chance. The two others had, of course, some thought of cheating him out of this chance, but of a truth he was timid to explode such a thunderous weapon, and as soon as they detected this fear they simply overbore him, and made it clearly understood that if he refused to shoot he would lose his caste, his scalp-lock, his girdle, his honor.

They had reached the old death-colored snake-fence which marked the limits of the upper pasture of the Fleming farm. Under some hickory-trees the path ran parallel to the fence. Behold! a small priestly chipmonk came to a rail, and folding his hands on his abdomen, addressed them in his own tongue. It was Jimmie’s shot. Adjured by the others, he took the gun. His face was stiff with apprehension. The Dalzel boy was giving forth fine words. “Go ahead. Aw, don’t be afraid. It’s nothin’ to do. Why, I’ve done it a million times. Don’t shut both your eyes, now. Jus’ keep one open and shut the other one. He’ll get away if you don’t watch out. Now you’re all right. Why don’t you let’er go? Go ahead.”

“THERE WAS A FRIGHTFUL ROAR”

Jimmie, with his legs braced apart, was in the centre of the path. His back was greatly bent, owing to the mechanics of supporting the heavy gun. His companions were screeching in the rear. There was a wait.

Then he pulled trigger. To him there was a frightful roar, his cheek and his shoulder took a stunning blow, his face felt a hot flush of fire, and opening his two eyes, he found that he was still alive. He was not too dazed to instantly adopt a becoming egotism. It had been the first shot of his life.

But directly after the well-mannered celebration of this victory a certain cow, which had been grazing in the line of fire, was seen to break wildly across the pasture, bellowing and bucking. The three smugglers and lynx-hunters looked at each other out of blanched faces. Jimmie had hit the cow. The first evidence of his comprehension of this fact was in the celerity with which he returned the discharged gun to Willie Dalzel.

They turned to flee. The land was black, as if it had been overshadowed suddenly with thick storm-clouds, and even as they fled in their horror a gigantic Swedish farm-hand came from the heavens and fell upon them, shrieking in eerie triumph. In a twinkle they were clouted prostrate. The Swede was elate and ferocious in a foreign and fulsome way. He continued to beat them and yell.

From the ground they raised their dismal appeal. “Oh, please, mister, we didn’t do it! He did it! I didn’t do it! We didn’t do it! We didn’t mean to do it! Oh, please, mister!”

In these moments of childish terror little lads go half-blind, and it is possible that few moments of their after-life made them suffer as they did when the Swede flung them over the fence and marched them towards the farm-house. They begged like cowards on the scaffold, and each one was for himself. “Oh, please let me go, mister! I didn’t do it, mister! He did it! Oh, p-l-ease let me go, mister!”

“‘I THOUGHT SHE WAS A LYNX’”

The boyish view belongs to boys alone, and if this tall and knotted laborer was needlessly without charity, none of the three lads questioned it. Usually when they were punished they decided that they deserved it, and the more they were punished the more they were convinced that they were criminals of a most subterranean type. As to the hitting of the cow being a pure accident, and therefore not of necessity a criminal matter, such reading never entered their heads. When things happened and they were caught, they commonly paid dire consequences, and they were accustomed to measure the probabilities of woe utterly by the damage done, and not in any way by the culpability. The shooting of the cow was plainly heinous, and undoubtedly their dungeons would be knee-deep in water.

Other books

A Christmas Bride by Hope Ramsay
Radigan (1958) by L'amour, Louis
The Guardian by Jack Whyte
You Can See Me by A. E. Via
The Body Human by Nancy Kress
The Howler by R. L. Stine
Earth by Shauna Granger