Authors: Emma Donoghue
Astray (7 page)
She chewing on her lip.
They come for us with dogs. They come with irons.
Damn you,
she say, eyes shining wet,
I can’t—
She turn round, she gone into the house.
On my own in the kitchen I gets a-thinking. She ain’t bad, for a white woman. I wouldn’t much mind her coming along. Like she say, take the carriage, show a pass, get farther faster that way. If it wasn’t impossible, it be a good plan.
My mind a-hopping about like a fly. If she could sneak out in the night without Marse knowing. If he sleep long, sleep all night and all day—but no, we’uns need more of a head start than that.
Halfway through the afternoon Missus come in again. Her eyes red but she got a hold of herself.
About supper,
I says, before she speak a word.
I don’t give a damn about supper.
I takes a breath, I says,
You don’t care for okra, do you?
I don’t say Missus.
She shrug.
Okra. It not your favorite.
Well, no. My favorite would be sweet potato,
she say,
the way you fix it with molasses.
I be sure to fix some sweet potato tonight, just for you.
Do, if you like,
say Missus, like some girl.
You be eating that sweet potato instead of that okra.
She look at me again, hard.
Since you don’t care for okra. Specially not the way I’s fixing it tonight.
She don’t say nothing.
I can’t be sure. I don’t know how much to tell her.
Marse gonna like it, though. Eat hims fill, bet you he does.
She take a step over to me.
What’s in the okra?
Never you mind,
I tell her.
I’s the cook. Yeah?
I suppose.
So leave the cooking to me.
When she gone I get the rest of supper all fixed and then I make the okra. My heart a going boom-boom. I’s never made it till now but I know how, my pappy teach me. I done pick the stuff in the woods months back, it be always in my charm bag round my neck. There come a moment I feel bad, but I says to myself,
Marse mean to leave you with this dealer tomorrow, buy some calves.
I taste the okra, just touch it to my tongue to be sure, then stir in more sugar. Marse, he like hims fixings sweet.
I bring in the supper like always. While they eating I wait outside. I think I hear talking, dishes and lids, plates and glasses. After while I don’t hear nothing. Not a word, not a holler. That’s worse. I wait.
This the moment. This’s it. I feels like some blind man. This the time my life split like a peach, and there’s a rotten side and a sweet yellow side, and which it gonna be?
Missus come out. Mary, that her name. I think maybe she gonna scream murder after all. Did we’uns understand each our selves? Did she think hims only going sleep? Or maybe she scared, now it come to it, maybe she say
Go.
Instead she put her hand in mine, real cool, smooth. No speaking.
I follow her into the room where Marse lie facedown in the okra. We stand for a little, make sure he not moving none.
Should I clear away?
I ask, not sure what I mean, except to get him out of sight.
Missus shake her head.
Never mind that.
It should be three, four day before any neighbor think to ride over to Brown’s. Maybe a week. He not a social man.
She turn, look in my face, she say
I packed my bag.
Her hand like a knot in mine.
Last Supper at Brown’s
A clipping from the
Tucson Star,
pasted in Scrapbook No. 1 at the Sharlot Hall Museum in Prescott, Arizona, records that Negro Brown, aka Nigger Brown, killed his master in Texas in 1864 and “throughout all his wanderings … he was accompanied by his slain master’s wife.”
Susan Johnson, in “Sharing Bed and Board: Cohabitation and Cultural Difference in Central Arizona Mining Towns, 1863–1873” (in
The Women’s West,
edited by Susan Armitage and Elizabeth Jameson, 1987), rounds up various newspaper accounts that suggest the wife in question was Mary Brown, aka Mary DeCrow. The runaways’ romance seems to have lasted no longer than the journey into Arizona. That state’s 1864 census lists “Negro Brown” as living with “Santa Lopez” and a baby, and “Mary Brown,” a forty-two-year-old laundress from Texas, as living with a twenty-nine-year-old Mexican blacksmith called Cornelius Ramos (or Ramez or Reamis). She married Ramos the following year; they ran a boardinghouse, then worked mining claims and set up a goat ranch.
GULF OF SAINT LAWRENCE
1849
J
ane Johnson grips the rail of the
Riverdale,
watching the estuary water heave and sink below her. She reckons the dates: nearly five weeks since she boarded at Belfast, and the city of Québec is only one more day west. The provisions might almost have lasted, if it hadn’t been for the heat and the maggots in the ham. The same journey took Henry eight weeks last year, when the seas were high. Tomorrow she will be beside him.
Today she is beside herself. On this voyage Jane has discovered herself to be a most imperfect creature. For all her weather-dried red hair and her two children, she is restless as a young goat that butts the fence. What has appalled her the most on this little floating world of the
Riverdale
is not the squalor, nor the hunger, but the dearth of news. No one has left their company, except for that old man who died of dysentery last week. No one has arrived, unless you count a stillbirth down in steerage. The only gossip is the rumble of clouds and the occasional protest of gulls. The passengers have to spend their time guessing what is happening in the real, landlocked world, now split in two for them like an apple, where on one side people weep for them and stare into
the horizon that has swallowed them up, and on the other side, others stare back, waiting for the first glimpse of them. Or at least so these passengers must believe. Unless they are longed for, why are they here, cribbed in the rancid belly of this wooden whale?
Jane reaches into her pocket for her cache of letters and loosens the ribbon. They’re too few: crumbs to her appetite. The first, bearing the postmark, Henry didn’t send till he’d been there a fortnight. He wanted to wait till he had good news to tell,
something encouraging,
he wrote, the eejit, as if she needed any message but his living scribble on the paper, between the edges that are black from a month crossing the Atlantic to her.
Henry Johnson leans against a wall in Montréal.
I am thinking great long to see you,
his wife says at various points in the creased pages. Her grammar makes him want to slap her, and take her in his arms, and cry.
He should be in the shop, helping with the dinnertime customers, but he had to step out to get a little air. Maybe the sunlight and the long shadows of the trees will settle him. Maybe he is just nervous because of the trip he must take tonight, down the sinewy St. Lawrence to Québec. When he gets back, at the end of the week, it will be with Jane and the little ones: he will be a family man once more.
Dear Henry when you and me meet we will have many an old story to tell each other.
Such weakness is slackening his limbs today. His stomach churns; he leans against the wall. Its timber frame bears the claw marks of last winter’s ice. A carriage clatters by; the
crack of the whip rings in Henry’s ears. His nerves are spiders’ webs beneath his skin. Have the months of vagabonding and working hand to mouth taken such a toll? Henry is an older man than the brash grocer who fled Antrim and debts last year. But a stronger one, surely. The bad times are over; he is going to be the husband Jane has always deserved.
She clambered onto the ship at the warm end of May, with Alex behind her, small fists full of her skirt, and Mary heavy on her hip. By the first week in June, the air had thickened. Jane had begged from everyone who shared any of her names to make up the twenty pounds for this cabin. She and the children are sharing it with two aged clergymen. The air is fetid, but anything is better than Antrim. At least on ship she doesn’t have to jam the door against whoever might knock.
In such a famine year it is better not to think about home. The town of Antrim has lidded its eyes. Most of those who are not dead have been evicted; the rest count farthings or starve in private. What overwhelms Jane, when she lets herself dwell on it, is the sense of anticlimax: the Johnsons held themselves together through four years of blight, but where is their happy-ever-after?
Down in the steaming gloom of the cabin, she hunches on the bunk with her eyes squeezed shut, and tries to find her better self. At least they have some bedding, not like some of the passengers, who sleep in the spare sails. Besides, what right has she to make a fuss about leaving for a faraway country when her uncle did it years before her, and her nephew, and her brother, and her two sisters? And her husband. Against her better judgment she let Henry go on ahead;
thirteen months without anyone to wash his shirt. What kind of wife is she? She jolts the crying girl on her lap, watching dark water punch the glass circle. What kind of a woman would be more loath to go than to part, more afraid of the crossing than the separation?
Sometimes Henry’s letters are so obstinately cheerful that they hurt her throat.
I have had rather a rough time of it,
he remarked after the storm off Liverpool. The paper was stiff with salt; the water had spewed in and nearly sunk the ship. Is his bravery a fiction, Jane sometimes wonders? When he wrote to assure her that he had not panicked like the papists who threw holy water on the waves, was it her or himself he was trying to convince?
I knew if we were to go down I might as well take it Kindly as not as crying wouldnt help me.
They all think him a cheerful character: the other fellows in the shop, his Frenchie landlady, and before that, the farmers he lodged with in exchange for kitchen work, down by the Great Falls. Henry Johnson cultivates a reputation for cheer. The way he sees it, it is only civil to Providence to seem grateful.
It would surprise him to be told that he is eaten up with anger. Or rather, that anger serves Henry, devours whatever stands in his way: tiredness, inertia, despair, and loneliness. Plowing though six-foot snowdrifts, anger has burned in his gut and kept him warm, or warm enough to keep walking anyway.
Henry credits Providence with bringing him so far, but it could be that it was anger that did it, anger that dragged him
away from Antrim in the first place. Anger has carried him halfway across the world; he hopes to seed a little patch of the soil of this vast country with it.
Something is burning in his guts now. His fingertips ache; he presses them against the wall outside the shop where he should be serving customers. He fixes his thoughts on Jane; everything will be ordinary again the minute she disembarks. Lying in Carrickfergus gaol, he used to conjure her up in the shadows: her stiff apron, her sandy hair coming out of its net, her huge laugh.
Dear Henery. I hope your not reflecting on the past but always looking forward.
His letters make casual mention of
six weeks walk
and
five hundred miles.
Some of the places he writes of or from have a familiar ring—Lucan, Hamilton, New London, where Jane’s sisters are—but others are like strange fruit in her mouth: Niagara, Montréal. Québec is her destination, but she had no idea how to pronounce it until she asked the clergyman on the opposite bunk. All she knows of this new world is words scattered on a page.
The river is beginning to narrow around the ship. Jane stares at the green hills, the fields dotted with cottages and the occasional spire that hooks the light.
I felt almost as if I was getting home again,
Henry wrote in an early letter. But other times the strangeness of the place shows through his lines. He speaks of vast waterfalls, Indians, juice leaking from the trees. He assures her they need bow to no one in this country:
The Servant eats at the Same table with his master.
But on the outside of one envelope he scrawls,
Bring the gun.
The afternoon has dimmed around him and still Henry
cannot move from the back wall. He has never felt this queasy since the days when he used to be a drinker.
There is doubt in his wife’s letters, tucked between the lines of devotion. Jane reports that his mother hopes he will come back to the old country; that her parents advise her not to make the crossing yet; that she only wishes he had found a permanent job and could send money. She offers with one hand and takes back with the other.
If you fall into your mind and would wish me to go to you I will, let the end be what it may.
He turns and is sick into a bush. Its dark leaves quiver. Some foreign species; he doesn’t know its name.
Wringing out the children’s rags in a bucket of seawater, Jane tries to imagine the country ahead of her. The ship sways, and brown water slops from the bucket onto her skirt. She wants to howl. But she will go up on deck and let it dry in the sun, then brush the worst of it out. She has no time to be weak. She is resolved not to be a burden. What is she bringing Henry, if not a capacity for endurance?
The hard fact is, she needs him more than he needs her. For the past year, he has been an adventurer; she has been paralyzed, a wife without a husband. Sometimes she hates Henry for going on ahead, for being able and willing to do without her in a strange land. But this is how Jane knows her kin, by an occasional flash of a resentment so intimate that she never feels it for outsiders: the maddening itch of the ties that bind.