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Authors: Mary Daheim

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When Judith and Renie arrived at the airport Tuesday, Bill met them in the baggage area.

“Joe's in court,” Bill explained. “He's been so tied up with his testimony that I've hardly talked to him. What happened to Magglio Cruz? There wasn't much in the local paper except that he died.”

Renie did a double take. Judith was glad that Bill was watching the baggage conveyer belt rather than his wife.

“No details about him dying?” Judith inquired in a casual tone.

“I don't think so.” Bill's attention was still riveted on the procession of suitcases, golf bags, ski equipment, and satchels passing by. “You know our media—they got mad when Cruz moved the headquarters out of town. When that happens around here, the person and the company cease to exist.”

“Yes,” Judith said softly. “That's true. Oh—there's one of my bags, with the yellow sticker on it.”

“Good,” Bill said. “Grab it.”

“Huh?”

Bill gave her a helpless look. “I can't. I threw my back out after I got here.”

Judith had no time to hesitate. The suitcase was going around the curve, starting back up the belt. She stumbled and would have fallen if a bearded young man hadn't caught her. He also snagged the suitcase.

“Thanks,” Judith said, slightly rattled. She turned to Bill, who was watching Renie collect one of her luggage pieces. “What happened to you?”

“I was fine until I had to unload the steamer trunk.”

“What steamer trunk?” Judith asked as Renie hauled her big green suitcase away from the conveyer belt.

“Your mother's,” Bill replied.

Judith stared. “My mother's?”

“Oh.” Bill's blue eyes were again fixed on the moving baggage. “I guess you wouldn't know. By coincidence, I had to bring your mothers out here today for a flight to Miami. They're going on a cruise.”

“What?”
Renie shouted, her ears still plugged from the plane's final descent.

Bill nodded. “Aunt Gertrude decided to take that money she got from the movie people and go on a cruise. She talked Deb into going along. It was spur-of-the-moment, I guess. Hey,
there's another one of your bags,” he said to his wife. “And the last one. Be quick. I've got to go to the chiropractor.”

Renie picked up the bags and lugged them away. “That's it,” she said in an overly loud voice.

“Okay,” Bill said, turning toward the escalator that led to the parking garage. “Let's go, let's hit it, let's get
boppin'
!”

Judith would have preferred bopping Bill.

 

Judith was not in a good mood upon arriving home shortly after three o'clock. She found Joe lying on the living-room sofa, reading
Sports Illustrated
.

“Welcome back,” he said, not getting up. “Feeling rested?”

“No.” Judith dumped the luggage in the middle of the entry hall. “What are you doing home? Aren't you going to help me?”

“Oh. Sure.” He got up, slowly walked across the room, and kissed Judith. “We had an early recess. I've been sitting for two days in that damned courtroom. I'm stiff as a board and my cold's still bad. Funny, I've been so busy that it hardly seems like you've been gone at all. What was it four, five days?”

Judith scowled at her husband. “It seems like a month.”

Joe looked down at her luggage. “I'll take that up later,” he said, going back into the living room and resuming his place on the sofa. “None of the guests are here yet. It's really peaceful, especially with your mother gone. Hey, sorry you missed the cruise, but a few days in San Francisco can't be all bad. Did you have a good time?”

“I…” Judith flopped down on the matching sofa. “No. It was like a screwball movie from the thirties, with three people murdered, a man named Blackie, a blond bombshell, a snobbish old bat, and a bumbling cop. We would have been shot if it hadn't been for Rick St. George, an amateur sleuth, and his rich wife, Rhoda—who, by the way, own a dog named Asthma.”

Joe chuckled. “That's cute.” He picked up the newspaper from the coffee table and flipped to the TV listings. “That re
minds me, let's kick back tonight. There's an old
Thin Man
movie on.”

Judith stared at Joe. She started to rant, but changed her mind.

“Sounds good,” she said. “I like fantasy.”

About the Author

Seattle native
MARY RICHARDSON DAHEIM
began reading mysteries when she was seven. She started writing them when she was eleven, but her career as a published novelist didn't begin until much later. After graduating from the University of Washington's School of Communications, Daheim worked on small-town newspapers and in corporate public relations. Her goal to write fiction remained in place, however, and she began publishing the Bed-and-Breakfast series in 1991, adding the Alpine mysteries a year later. The author is married to David Daheim, and the couple, who live in Seattle, have three grown daughters—Barbara, Katherine, and Magdalen. Daheim received the Pacific Northwest Writers Association 2000 Achievement Award “for distinguished professional achievement and for enhancing the stature of the Northwest literary community.”

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

Cheers
for
MARY DAHEIM
and her hilarious
BED-AND-BREAKFAST MYSTERIES!

“D
elightful mysteries.”

Kansas City Star

“D
aheim writes with wit, wisdom, and a big heart…Judith and Renie are sleuths to treasure.”

Carolyn Hart

“L
ike Joan Hess' Maggody series, Daheim's bed-and-breakfast mysteries show a funny and often stinging insight into people's relationships and behavior.”

Houston Chronicle

“M
ary Daheim is one of the brightest stars.”

Seattle Times

“S
he is really good at what she does.”

Statesman Journal
(OR)

“Kick off your shoes by the fire and get cozy with Mary Daheim.”

Portland Oregonian

Bed-and-Breakfast Mysteries by
Mary Daheim

D
EAD
M
AN
D
OCKING

T
HIS
O
LD
S
OUSE

H
OCUS
C
ROAKUS

S
ILVER
S
CREAM

S
UTURE
S
ELF

A S
TREETCAR
N
AMED
E
XPIRE

C
REEPS
S
UZETTE

L
EGS
B
ENEDICT

S
NOW
P
LACE TO
D
IE

W
ED AND
B
URIED

S
EPTEMBER
M
OURN

N
UTTY AS A
F
RUITCAKE

A
UNTIE
M
AYHEM

M
URDER
, M
Y
S
UITE

M
AJOR
V
ICES

A F
IT OF
T
EMPERA

B
ANTAM OF THE
O
PERA

D
UNE TO
D
EATH

H
OLY
T
ERRORS

F
OWL
P
REY

J
UST
D
ESSERTS

Available in hardcover

S
AKS AND
V
IOLINS

This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author's imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

DEAD MAN DOCKING
. Copyright © 2005 by Mary Daheim. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

ePub edition May 2007 ISBN 9780061742019

10 9 8 7 6 5 4 3 2 1

About the Publisher

Australia

HarperCollins Publishers (Australia) Pty. Ltd.

25 Ryde Road (PO Box 321)

Pymble, NSW 2073, Australia

http://www.harpercollinsebooks.com.au

Canada

HarperCollins Publishers Ltd.

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Toronto, ON, M5R, 3L2, Canada

http://www.harpercollinsebooks.ca

New Zealand

HarperCollinsPublishers (New Zealand) Limited

P.O. Box 1

Auckland, New Zealand

http://www.harpercollinsebooks.co.nz

United Kingdom

HarperCollins Publishers Ltd.

77-85 Fulham Palace Road

London, W6 8JB, UK

http://www.harpercollinsebooks.co.uk

United States

HarperCollins Publishers Inc.

10 East 53rd Street

New York, NY 10022

http://www.harpercollinsebooks.com

BOOK: Dead Man Docking
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