Authors: Jeffrey Cook,Katherine Perkins
Foul is Fair (25 page)
A thought hit her, and she stopped humming. The wind died down, and the leaves settled back onto the floor. She started with a quiet voice, teasing about silly, fluffy pop songs and starting to bounce and shift. Sure enough, the leaves picked up again, this time, on their own, darting and weaving around.
She paused, and again the leaves dropped. She crouched and started tying stems together, binding each set of two leaves into little wings. The song picked up again, Megan unable to resist bouncing along as she sang 'Yet Another Song About Jumping' to herself. And even in the cautious, hushed tones, the leaves picked up, and her Autumn Butterflies danced for their Princess.
Street Fair
Chapter 1: Evaluation
"Conflict in Gaelic Cultures is a 400-level course, Mr. Thomas. They knew it was going to be difficult when they signed up.” Dr. Brian O'Neill paused just long enough to let the other voice on the phone utter two and a half sentences before interrupting. "Do any of them discuss all nine salient points covered in class?” This time the pause was only for two and a half syllables before he interrupted his TA again. "Then no one earned an A. I don't think the instructions could be any clearer.”
He allowed a few more words as he walked briskly through the mostly empty halls, then continued, speaking just as briskly. “All the more so for the first test of the Summer quarter. A bit of tactical advice, Mr. Thomas: always set the bar clearly high from the beginning of the term, when they still have time to do better quality work.” He began the first of three flights of stairs, his free hand clutching the duffle bag over his shoulder to keep it from jostling irritatingly. “And their electing to take the class in what could have been a vacation term is commendable, but it does not change the grading standards of the university.”
He was intent on not letting his breathing get too much heavier as he spoke. “I'm sure you'll handle those questions ably in your own office hours. Mine will not resume until the autumn. My current research is very time-consuming. I'll see you Monday.” He hung up as he reached the third flight of stairs, then the final hallway.
Dr. O'Neill reached his office. He took a deep breath, whispered a few syllables in an old dialect of Gaelic, and shifted his foot in one shoe a little to make sure the penny he'd placed in the heel was still there, even if he'd been vaguely aware of it throughout the long walk. Caution was critical. Finally, he reached for the doorknob, turned—then paused, looking about to make sure he was actually alone, before he slipped into his office.
As he closed the door, he checked to make sure the horseshoe was still nailed perfectly above it. Over the window, he'd gone with daisy chains to complement the salt on the windowsill. He set the filthy duffel bag on the desk and opened it, removing stack after stack of damp $20 bills. His thumb brushed off some of the grime from the top bill of each stack.
He lifted one closer in the florescent light. "L-7-2..." His voice rang clear, even when just reading a serial number. "525..." Precision was important—so, so important—but it wasn't everything. "383..." He should be able to command attention if he were reading the phone book. "...B. Exactly so. For the first."
Then he replaced the bills in the bag, set it down, and took his seat at his desk.
Fifteen centuries of genealogy charts, on various qualities of paper and various things that technically were not paper at all, covered the left wall of the office. He glanced over at them, studying name after name. He looked at one of the lowest ones, printed out in a calligraphic font on multipurpose laser paper:
Brian Angus Ui Niall.
He refocused. He opened drawers, taking out antique coins from one and an old book from another. He laid the coins out on his desk and stared a while, then carefully perused a few pages of the book. Frowning, he put the coins away. He rose and stepped over to the right wall of his office. Taking down a framed certificate, he studied it for a few moments as he returned to his seat.
This is to certify that BRIAN ANGUS O'NEILL, having submitted a thesis entitled
The Wielding of Sacred Power in Ancient Ireland
and having satisfied all the conditions prescribed by the Statues of the University, was on 1 June 2002 admitted to the degree of DOCTOR OF PHILOSOPHY.
Very slowly, he took apart the frame and ran his fingers over the certificate—over the historic seal, the name, the title—with a look of regret. He stared for a while at the left wall. He took a deep breath, put the certificate into a folder, and put the folder in the book.
The resulting melancholy of the room was broken by an inordinately chipper voice. “Did you remember to check that the bills were 1969
A
? You try to pass on knockoffs to people like this, and…Well, actually, I'd love to see that. Don't check.”
Dr. O'Neill nearly knocked over his chair as he scrambled up. “But …
how?
”
The boyish figure standing there, shaking out a shaggy mane of tawny hair, smiled too big. “The daisy chains are a nice touch, but you need some along the floorboards. You've got a mouse-hole behind the mini-fridge. So, what about my retainer?”
Having regained his composure—pointedly so—Dr. O'Neill strode over and opened said mini-fridge. He removed a tall, frosty glass of milk and handed it over. Then he ventured, “Not to inquire too much, Rob, but isn't a glass of milk for a retainer in keeping with brownie protocols?”
“Them, certain dime-novel detectives, mice who also want cookies, ultraviolent dystopian thugs—don't even try to label me, Doc. I can go from milk to a nice Chianti in nothing flat.”
“Noted.” Dr. O'Neill, attempting to be ever so casual, also checked the bag of $20 bills once more, to make sure the year was right.
“Of course it is. So how's the master plan going?”
"Well enough. I'll let you know when I need you. The first part's just going to be coordination, finding the nexus point, making the initial deals, setting out, and...” He trailed off, before trying to smoothly trail into another sentence entirely. “And it doesn't trouble you?” He picked something off a far corner of his desk. “What I've done? What I may do?”
'That's just it, oh Captain, my Captain, or ...” Rob took a look at the left wall of the room, then gave him a mocking bow. “...whatever it will be. What you're doing will trouble everyone. And that's more fun.” He smiled, again too big. “Why do you ask, Doc? Do you think I'm scared of what you chipped off of old gates?” He stepped closer than any concept of personal space—and closer than someone fidgeting with slivers of wrought iron might expect. “Do you think I'll stab you in the back?”
“Rob, buddy,” Dr. O'Neill spread his arms as much as possible while being careful with what he was holding. “No need to worry at all.” He met the yellow eyes evenly. “I
know
you're going to stab me in the back. Just not yet.”
Rob stepped back, still smiling. “That's why you're the smart guy. Remember, though, you're calling in a solid, not a guided tour. I'll be a distraction when you need it, but I'm not going to hold your hand. Making sure people
don't
get lost isn't any of my schticks.”
Dr. O'Neill nodded. "Provided I get all the information I need, triangulating the locations should not be a problem," he said as he looked to examine the tiny scraps of wing-membrane pinned to the butterfly board.
Street Fair
is expected to be released in 2016
We’d like to thank our spouses, Cody Armond and Jennifer Wolf, for their support, as well as our families: Bill, Carmen, Sam, Maggie, Ben, Jeanne, and Kiera Perkins, Gerry Cook, Carol Wells-Reed, Kelly and Scott Hendrix, and Matthew Lewis, who counts.
Thanks particularly to Matt and his fellow intense beta reader, Creel Gallagher Java, for their careful attention and invaluable feedback.
Thanks to artist Christopher Kovacs for the title page logo and to A.J. Downey for her assistance and perspective.
Thanks to the unnameable amount of friends and neighbors for sticking by us to this point. Thanks to those, particularly Crawford Comeaux, who provided resources on ADHD.
Thanks to all those who took the time to review any of our published works so far, with particular thanks to Amanda Hopkins for her swiftness and enthusiasm. Thanks to the New Authors community and the Writerpunk community for all the rallying. Thanks as ever to the AFK Elixirs and Eatery in Renton, Washington, for being such a great venue for book events.
And thanks to everyone who bothered to read this far.
We hope you’ll join us again in each of the Four Lost Cities, which are a story admittedly much older than ours.
Jeffrey Cook lives in Maple Valley, Washington, with his wife and three large dogs. He was born in Boulder, Colorado, but has lived all over the United States. He's the author of the
Dawn of Steam
trilogy of alternate-history/emergent Steampunk epistolary novels and of the YA Sci-fi thriller
Mina Cortez: From Bouquets to Bullets.
He’s a founding contributing author of Writerpunk Press and has also contributed to a number of role-playing game books for Deep7 Press out of Seattle. When not reading, researching, or writing, Jeffrey enjoys role-playing games and watching football.
Katherine Perkins lives in Coralville, Iowa, with her husband and one extremely skittish cat. She was born in Lafayette, Louisiana, and will defend its cuisine on any field of honor. She is the editor of the
Dawn of Steam
series and serves as Jeff’s co-author of various short stories, including those for the charity anthologies of Writerpunk Press. When not reading, researching, writing, or editing, she tries to remember what she was supposed to be doing.