Read How to Teach Your Children Shakespeare Online

Authors: Ken Ludwig

Tags: #Education, #Teaching Methods & Materials, #Arts & Humanities, #Literary Criticism, #Shakespeare, #Language Arts & Disciplines, #General

How to Teach Your Children Shakespeare (42 page)

BOOK: How to Teach Your Children Shakespeare
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and Hamlet answers,

O throw away the worser part of it
,
And live the purer with the other half
.

(If your children ever use the word
worser
for “worst,” they can now defend themselves by reminding you that Hamlet said it first.) Claudius, now aware of the threat to his life, sends Hamlet to England and tries to have him killed. While on his way, Hamlet sees an army marching past and hears of the brave deeds of the Prince of Norway who is leading his men into war. Hamlet compares his own cowardice to the bravery of the Norwegian prince and his followers, and this is the trigger for Hamlet’s final soliloquy.

Soliloquy 5

How all occasions do inform against me
.

Like the other soliloquies, this one is filled with Hamlet’s inner struggle: his effort to cope with his own inaction at a time when action is called for. The example of the soldiers going off to fight
even for an eggshell
makes him ashamed of himself, and the soliloquy ends with a declaration of future action no matter what:

O, from this time forth
,
My thoughts be bloody or be nothing worth!

This renewed determination to avenge his father’s murder ends Part 2 of the play and catapults us into Part 3.

Part 3

Events move quickly now. On his way to England, Hamlet escapes (his ship is boarded by pirates!), and he makes his way back to Denmark to
confront his destiny. Meanwhile, at Elsinore, Ophelia goes mad with grief over her father’s death (and, presumably, the loss of Hamlet’s love) and dies by drowning herself in a stream. Her brother Laertes has by now returned from France, and when he hears that Hamlet is on his way back to Denmark, he vows to kill him to avenge the deaths of his father and sister.

Laertes and Claudius now hatch a plan together: Laertes will challenge Hamlet to a duel, and Laertes’s sword will be tipped with poison. Meanwhile, in case that fails, Claudius will put poison in a cup of wine for Hamlet to drink.

Hamlet does return from England, and he nears Elsinore on the day of Ophelia’s funeral. In one of the greatest scenes in the play, Hamlet chats with the grave digger, a comic fellow who doesn’t give a fig for death—he’s seen too much of it. This is where Hamlet, famously, finds the skull of his father’s jester in the ground, holds it up, and says
Alas, poor Yorick
. Although this moment has become a cliché, the Yorick speech is in fact tremendously moving. It is another example of a great genius writing a speech for another great genius.

HAMLET

(
taking the skull
)

Alas, poor Yorick! I knew him, Horatio—a fellow of infinite jest, of most excellent fancy. He hath borne me on his back a thousand times.… Here hung those lips that I have kissed I know not how oft
[often].
Where be your gibes
[jokes]
now? your gambols
[dances]?
your songs? your flashes of merriment that were wont
[likely]
to set the table on a roar? Not one now to mock your own grinning? Quite chapfallen?

When Laertes and the other mourners show up for the funeral, Laertes jumps into Ophelia’s open grave, Hamlet comes forward, and they grapple with each other.

The next day they meet for the duel, where things almost turn out as Claudius planned. But not quite. When Hamlet and Laertes begin their duel, Gertrude insists on drinking from the nearby (poisoned) cup of wine—and dies from it. Meanwhile Hamlet is scratched by the poisoned sword and realizes the trick. He changes swords with Laertes and stabs him. Then he attacks Claudius, stabs him with the sword, and forces him
to drink the rest of the poison from the cup. As you can tell, even from this short description, it is one of the most thrilling scenes in all of literature, and your children should watch it. The breathless sense of peril that it creates is astonishing.

As Hamlet is dying, Horatio, Hamlet’s loyal friend, grabs the cup of poison and tries to drink it himself so that he can join Hamlet in death. Hamlet wrestles it out of Horatio’s hand:
HAMLET

Give me the cup. Let go! By heaven, I’ll h’at
[have it].
O God, Horatio, what a wounded name
,
Things standing thus unknown, shall I leave behind me!
If thou didst ever hold me in thy heart
,
Absent thee from felicity
[happiness]
awhile
And in this harsh world draw thy breath in pain
To tell my story
.

Have your children act out this speech. Hamlet is dying. He’s saving his best friend from dying with him. His soul is in torment over the wounded reputation he leaves behind him, and yet perhaps his soul is finally at rest because he has, at last, killed his father’s murderer. What great heroics can here be played.

The play ends a few moments later, after the Prince of Norway enters and claims the crown of Denmark. He does honor to Hamlet; and the final image of the play is of Hamlet in death, having at last avenged the murder of his father.

CHAPTER 38

Passage 24
The Most Famous Words in the World

To be, or not to be; that is the question:
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
,
Or to take arms against a sea of troubles
,
And, by opposing, end them. To die, to sleep—
No more—and by a sleep to say we end
The heartache and the thousand natural shocks
That flesh is heir to—’tis a consummation
Devoutly to be wished. To die, to sleep—
To sleep, perchance to dream. Ay, there’s the rub
,
For in that sleep of death what dreams may come
,
When we have shuffled off this mortal coil
,
Must give us pause
.
(
Hamlet
, Act III, Scene 1, lines 64–76)

T
hese words are so famous that they’ve become a cliché. Actors find it hard to speak them because audiences have heard them so many times before. Even professionals tend to dismiss the speech, resigned that no one is going to listen because they think they know what it says. But the speech is famous for a reason. It is staggeringly well written and immensely touching, and you should take time to read it to your children
and explain what it means. As you do, have them memorize at least the first third, which will take them through the most famous part of the speech and get them to its central meaning.

Let’s begin by reviewing the whole speech, making sure we understand all the words. Go over it slowly with your children, reading them Shakespeare’s words, then the paraphrase.

 

Shakespeare’s Lines
My
Paraphrase
To be, or not to be—that is the question:
To live or not to live. Is it more honorable to live or to end one’s life? Is it
nobler
to suffer by living through all of the
slings and arrows
that life shoots at you, or is it better to fight against that
sea of troubles
by ending your life?
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
,
Or to take arms against a sea of troubles
And, by opposing, end them
.
To die, to sleep—
Dying is an ending (
a consummation
) to be wished for. It means we can sleep through all those thousand shocks that we humans must suffer (
that flesh is heir to
).
No more—and by a sleep to say we end
The heartache and the thousand natural shocks
That flesh is heir to—’tis a consummation
Devoutly to be wished
.
To die, to sleep—
The sleep of death might mean that we can dream. But there’s an obstacle (
the rub
): Perhaps when we have died—when we have
shuffled off this mortal coil
, untangled ourselves from human affairs—our dreams will be nightmares. That gives us pause.
To sleep, perchance to dream. Ay, there’s the rub
,
For in that sleep of death what dreams may come
,
When we have shuffled off this mortal coil
,
Must give us pause
.
There’s the respect
That’s the consideration that makes us put up with suffering for such a long time. Because who could bear all the evils of life—the tortures of time, oppression, insulting language (
contumely
) from the overproud, the pangs of unrequited love, the delays of the law, the insolence of people in office, and being spurned by unworthy people whom you try to be patient with? Why bear all this when you can make peace through death (
quietus
) with the help of a mere unsheathed dagger (
bodkin
)?
That makes calamity of so long life
.
For who would bear the whips and scorns of time
,
Th’ oppressor’s wrong, the proud man’s contumely
,
The pangs of despised love, the law’s delay
,
The insolence of office, and the spurns
That patient merit of th’ unworthy takes
,
When he himself might his quietus make
With a bare bodkin?
Who would these fardels bear
,
Who would bear these burdens (
fardels
) of grunting and sweating under a weary life, if it weren’t for the dread of something worse after death—the
undiscovered country
from which travelers never return? That dread of death paralyzes
(puzzles
) our will and makes us bear what we suffer rather than fly to what we don’t know.
To grunt and sweat under a weary life
,
But that the dread of something after death
,
The undiscovered country from whose bourn
No traveler returns, puzzles the will
,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all
,
Thus awareness, or consciousness (
conscience
), makes us all into cowards, and thus our resolution is made weaker by our thinking; and great enterprises (like killing ourselves) aren’t acted upon.
And thus the native hue of resolution
Is sicklied o’er with the pale cast of thought
,
And enterprises of great pith and moment
With this regard their currents turn awry
,
And lose the name of action
.
BOOK: How to Teach Your Children Shakespeare
7.52Mb size Format: txt, pdf, ePub
ads

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