The Blood Oranges (11 page)

“Look, baby. A little goat!”

But was it possible? Had I heard her bright words correctly? Had Fiona actually spoken somewhere outside the no doubt pedestrian aura of the muttered sounds of contentment I must have been making while kissing Catherine? Was it dream, change, coincidence, or was my state of mind a menagerie of desire from which real animals
might spring? Could it be that one of my speechless creatures of joy and sentiment had torn itself loose from the tapestry that only I could see? Was it now bearing down upon us with blue eyes and the wind in its hair? Was the little goat that had danced among us in my mind now going to leave its little hoofprints in the center of Fiona’s blanket or come rushing and butting between our legs? It did not seem possible. But of course it was.

“Oh, baby, look, he’s wonderful!”

We separated, climbed to our feet, stood apart, all four of us, and together stared in the direction indicated by Fiona’s outstretched arm and waving hand. And of course Fiona’s excitement was justified and the goat was real. But he was not white, as I had thought, but cream-colored, a small long-legged creamy animal splashed on the forelegs and masked around his eyes with brown. At first glance he was in the air, hung suspended at the height of his second leap from the gloomy pines, and even from where we stood we could see his bright blue eyes and the nubile horns embedded in soft down. At least I had been right about the color of his eyes, I thought, and smiled.

Then he sprang, leapt, danced his soaring stiff-legged dance. And while Hugh romped with the goat and I squatted beside the distasteful Eveline, comforting her and helping her climb back into the discarded pants, I glanced up and saw that Meredith had stripped off her modest trunks and halter at last and with both thin arms raised above her head was leaping up and down in the black water. She had kept her back to us and now her thin body was slick and brown, her little white porcelain buttocks were winking at me through the sheaves of spray.

“Meredith,” Catherine called over her shoulder, “come look at the baby goat.”

But their oldest daughter danced on and it occurred to me that after all there was hope for Meredith and even for Hugh. And Fiona was still sharing my thoughts because suddenly there she was, kneeling where I squatted with the child, and Fiona’s whisper was filled with pleasure, confidence, elation, the smell of jasmine.

“Isn’t he wonderful? I want him for my own, I really do.”

“Goat or man?”

“The man, baby. The man.”

L
AST NIGHT (ONLY LAST NIGHT) I LAY UNACCOUNTABLY
awake on my narrow iron bed in my small vaulted room and listened to Rosella snoring in the darkness at the other end of the villa. I was amused at the sound and in passing decided that it could only be the latent old peasant woman already snoring inside Rosella and that the sound was no doubt comforting to their partially domesticated animals. But what of myself? Why was I, who was always a heavy sleeper, now lying awake?

Slowly I raised my arms and clasped my large dry weathered hands behind my head. I had not been dreaming, there was no wind in the cypresses, the noises from Rosella’s little open mouth were distant, faint, and could not have awakened me. Why then my open eyes, my slow ordered speculations? What had become of my ponderous
capacity for peaceful sleep? After all, I thought then with amusement and mild nostalgia, Fiona used to resort to little kicks and punches to wake me out of total darkness, used to thrust a lighted cigarette between my still sleeping lips, used to tug at my hair and pound my chest, in mock fury fight my pajama buttons before I managed to open my eyes and speak a few thick golden words of reassurance and with my own fingers pull what she used to call the rip cord of my pajama bottoms. How different I was from Fiona, how different I was from Hugh who claimed that he spent all the nights of his life in sleepless writhing.

The bedstead trembled, I could hear its rust flaking onto the stone floor. At that moment I knew that even if I raised myself on one elbow and glanced at the window I would not be able to distinguish the blackness of the funeral cypresses from the blackness of the night. Lying in the very darkness in which Hugh and Fiona had suffered both together and separately, I admitted to myself that even while laving my memories of them in silent thought I could not blame my wakefulness on Fiona’s long leaps through the night or on Hugh’s torment. But was it even a question of blame? I thought not. And suddenly I knew with a kind of certainty that whatever in fact accounted for my wakefulness it was somehow pleasant—immediate, obvious, pleasant. Something had happened, something had changed, and I knew that in the thick neutral night of my middle age I had only to think, to wait another few moments in order to know why I was awake in this darkness of measured expectancy.

I listened, I concentrated all my receptivity on the nearly invisible crude contours of my low stone vaulted
ceiling. Beyond the wall of funeral cypresses the black inhospitable sea was unaccountably silent. Out there beyond the other darkened villa my pair of little owls was sleeping. My solid bed was just large enough for one, its lumpy mildewed mattress was a denial of love, my weight was extracting some kind of faint lonely music from its rows of archaic rusty springs. And then I realized that I had lain awake once before in exactly this same state of suspended lucidity. Rarely a dreamer, blind forever to the possibilities of insomnia, nonethless I had somewhere, sometime spent another night lying awake in the presence of some unidentifiable delight. But where? When? The narrow bed, the springs, my unrumpled pajamas, the absence of sheet or blanket—all these, I thought, were clues.

In the darkness I made fish lips, frowned. Why was I, with my memory, my self-understanding, my ability to expose the logic sewn into the seams of almost all of our precious sequences of love and friendship, now at a loss to locate two separate but similar sources of warmth, surprise, pleasure? What bed could I be trying to recall? What night?

The marriage bed, of course, the couch of love, the first formal gift of conjugal darkness. For a moment I felt a sensation of relief and shades of triumph, and told myself once more that Psyche was on my side and that given time and thought I could always count on myself for answers. At least I was now recalling exactly what I had been attempting to recall: the sight of the mid-thigh silver wedding dress, the white stockings, the hot medicinal taste of the brandy I drank rather foolishly perhaps from her silver shoe, the late moment when finally I unzipped the metallic
dress and helped her strip off the stockings and then carried her nude to the edge of the warm dark fountain amidst the appreciative sounds of our most loyal friends.

Don’t bother being a husband, baby. Just be a sex-singer
.
OK
?

Were those her words, her magic words? Again I heard them, again the stark ceremonial details returned, though lying there in the center of my night of analytical revery, I was amused to realize that as a matter of fact I could not remember the last time I had thought about this occasion, the exact identification of which would remain forever buried on the inside surface of the ring that served as its reminder. Then why now?

The answer was mine even before this last question was fully formulated, because suddenly and with total relief I remembered living through precisely this same perplexing night once before when, several hours after I had carried Fiona to the fountain, I rolled onto my back and discovered that I was awake and that my mind was as clear as usual but that something had changed, and that whatever had awakened me was immediate, obvious, yet in this instant unidentifiable. But I had overcome Psyche’s little dramatic ruse and had thought my way backward to the sudden fact of marriage and forward to the gift of Fiona, to the sudden recognition that I was lying in the conjugal darkness with my wife. And now Catherine, of course. My logical associations abruptly flowered, giving me not Fiona but Catherine, not the fact of marriage but the promise of sexless matrimony, not the bottle of champagne embedded in a basket of flowers but the rabbit waiting out this sleepless night in his new cage between the well house and the
overgrown remains of my ruined bicycle. Not the couch of love but my single bed. Not wife but former mistress on her narrow iron bed like mine in the small white room next to mine. The waving matron, Rosella’s sullen greeting, my decision against touching Catherine’s elbow in the door to her room, Catherine staring at the empty villa through the funeral cypresses—lying there in the darkness I at last reviewed all the details of Catherine’s sunset arrival and thought that the two nights were oddly similar and that I was now as grateful to Catherine for coming to share my speculations on the painted bones of Love as I had once been to Fiona for feasting with me on the marrow.

On the night I had remembered Fiona in a shower of mental fireworks, so to speak, I had fallen again into the peace of my brandy-soaked sleep immediately. And now, remembering Catherine and knowing that I had only to grope my way along a few feet of whitewashed stone to confirm that this was in fact the first night of Catherine’s muted presence on the other side of my crude bedroom wall, I did the same and relaxed my feet, withdrew both hands from behind my head, rolled over and immediately fell into the bemused contentment of deep sleep.

T
HE NIGHT WAS GOING TO BE A LONG ONE, I DECIDED, AND
began to feel that the kiss Fiona had impetuously planted on the cheek of our one-armed hero was infusing the darkness with even greater expectancy than Fiona herself had
hoped for. The strangers were saved, the old motorbus was only hours into its first invasion by the curious water rats and but a few hours into what would surely be its long life of deterioration in the black canal, the unattractive children were sleeping at last, the adventure was more clearly defined and further along than I had thought it would be by the middle of what was only our first night together. The darkness was like a warm liquid poured from the throat of an enormous bird, and above our heads and within easy reach of our mouths vast clusters of stars and tumultuous bunches of black grapes were merging. Each grape contained its bright star, each star its grape. My mouth was brazen with the long slow taste of white wine.

“Cyril, baby, are you all right?”

“Sure,” I called softly toward the two figures momentarily visible among the lemon trees, “we’re fine.”

But already they had moved away from us once more, already the clear voice had lapsed again into a laughing, preoccupied frosty whisper, again we heard the playful confusion of footsteps and then the silence that told me that Fiona’s happiness was dripping between the lemon trees again like dew. The surprise of the second kiss was drawing near, I thought. Or was it the third?

In the darkness I groped for another bottle, pulled the cork and filled our two small invisible glasses. The stone bench we sat on was chalky and warm, overhead the grape arbor was a sagging foot-thick blanket of hanging grapes and climbing roses. I sipped, listened to the breathing of the large woman seated within easy reach of my hip, my knee, the toe of my bone-white tennis shoe. I cleared my throat and smiled to think that it was like Fiona, exactly
like Fiona, to set the first stage of her impending adventure in nothing less than a small lemon grove where she could run at will, and exactly like myself to settle for an unobtrusive niche in a grape arbor. Fiona always spent first nights giving literal chase to her dreams, whereas I, of course, preferred to muse on approaching possibilities and to wait, to listen, to sit out the preliminaries in quiet thought. Again I cleared my throat and glanced at the woman beside me who, in the darkness, was audible rather than visible, a large soft black-and-white image blurred at the edges and rustling with bodily sounds that expressed not meaning but presence. She was breathing, swallowing, twisting to peer over her shoulder. Was she sighing also? Perhaps. I waited and knew that like the stone bench I too was warm to the touch, seemed to be giving off broad waves of pleasing heat.

“You’re not shivering, are you,” I said, stirring the embers, allowing my voice to drift again toward lower, more reassuring registers. “My wife thinks you must be exhausted. She’s worried about you.”

Beyond the arbor and through the funeral cypresses I could see traces of the light from the old kerosene lantern they had left burning for their children. Beside me the woman was sitting quietly in remoteness, loneliness, indecision. A lemon struck the ground behind us and I thought I caught sight of Fiona’s white hand waving at me from a slit in the darkness.

I sipped my wine and thought that the shoulder of the woman beside me was broad, soft, unknown. Unknown yet oddly familiar too. A warm shoulder, I thought, that was growing cool. Would the woman beside me manage
unwittingly to earn my attention and find out for herself that she needed it? Had Love determined that this woman’s shadow was to cross the white path of my capability? Or were we to separate forever at our very moment of meeting? At least these questions presented themselves. At least we could continue turning the pages together for a while longer.

“My wife admires your courage,”I murmured. “Fiona’s character judgments are always right.”

The grape arbor and lemon grove were complementary, of course, and now our momentary silence in the arbor was equaled, exceeded by the silence that was again saturating the grove of twisted trees. I listened, began to dip my hand toward the wicker wine basket somewhere at my feet. It was a question of pantomime as opposed to orchestration, I thought, and waited patiently while out there the second or perhaps third kiss grew into a reality of held breaths. The very fact that we heard nothing determined the kiss. Did my companion know what was happening? Was she also able to enjoy the invisible kiss which we, seated open-eyed as we were in the darkness, might have been dreaming? But perhaps for now her appreciation of that kiss was too much to ask, because suddenly I knew that she was looking at me directly, silently, while I continued to stare down at the moldy cork I could not see. And then her husband laughed once and stumbled, called out Fiona’s name, again was looping his way among the trees.