The Killing of Olga Klimt (2 page)

I am sorry, Charlie, but I am thinking and I decide that we don’t see each other any more. No, I can’t tell you why not. I am sorry. Please, do not call me ever again. I don’t want to see you. I am sorry. It is difficult, I know, but it is all over. I am going. You won’t find me at Philomel Cottage. Don’t start looking for me, because you’ll never find me. It is all over.

That was what Olga had said to him on the phone. She hadn’t given a word of explanation. She hadn’t offered him any reason. Just when he thought nothing could possibly go wrong between them! It had been a shock. He had felt sick. He had felt faint. He had rung back at once, he had kept calling her, but she never answered.

There was somebody else, there must be. That was the obvious reason. The thought had always been there, if he had to be honest, at the back of his mind,
the fear
. Olga had mentioned a former boyfriend once, someone in Lithuania. Perhaps the former boyfriend had reappeared. The former boyfriend had come to England. Yes. That was it. That’s what must have happened. The former boyfriend had claimed Olga back. Perhaps the former boyfriend was a better lover than he would ever be?

How sordid it all was. Good riddance to bad rubbish. He was a fool to care. She wasn’t worth it.

I hate her, Charles whispered. I detest her. I despise her. Wayward and feckless, fickle beyond belief. Lying whore. Mercenary slut. I hate her.

No, that was not true –
he loved her
. He felt his eyes filling with tears. He would die if he couldn’t have her …

Bedaux had already suggested that they go away as soon as possible, so that Mr Eresby could forget. Bedaux meant abroad. Bedaux always imagined he had all the answers. Go where exactly, Bedaux? To the Continent, sir. Bedaux had suggested Carlsbad. Bedaux seemed to have a thing about old-world European spas of the statelier kind. Bedaux was particularly keen on Carlsbad, for some reason. But that was ridiculous. No one went to Carlsbad these days, did they?

He hated Bedaux. It was thanks to Bedaux that he had met Olga. It was all Bedaux’s fault. Bedaux was a duplicitous bastard, well apart from being an anachronism and a bloody fake. Bedaux was his own invention. The gentleman’s personal
gentleman was an inane absurdity, an idealised nostalgic concept, nothing but a carefully cultivated phantasm. Charlie couldn’t stand the look and sound of him, his carefully brushed hair, his blank crash-dummy face, his voice, which was of the silkily sinister variety and brought to mind a viper slithering through velvet. Bedaux had such an annoying way of saying ‘sir’ – he pronounced it ‘sah’– another deliberate affectation.

Earlier on, at the house, after Olga’s call which had caused Charlie to collapse on the sofa in the large gold-painted barrel-vaulted drawing room, Bedaux had stood gazing at him with a clinical unsympathetic eye, with more than a hint of ironic detachment. Charlie had had the sense of being coldly appraised. He might have been a specimen on a dissecting table. He had started to light a cigarette, to calm his nerves, only the match had jumped from between his shaking fingers and fallen among the sofa cushions. He had made no attempt to retrieve it. He remembered his thoughts.
An all-consuming conflagration would be a most welcome development. It would be marvellous if I went up in flames
. But then he had heard Bedaux clear his throat.

‘Do not be alarmed, sir. I have been able to locate the fugitive ember. There will be no fiery consequences.’

That Bedaux should have chosen to act the stage butler at a moment like that! Perhaps he should sack him? Yes, why not? A bloody marvellous idea. Mummy wouldn’t like it but Charlie really didn’t care. If Mummy was so frightfully keen on Bedaux, she could offer him employment herself, couldn’t she? Mummy could make Bedaux her butler or something. Mummy had been complaining about not having a butler. No, old Collingwood wouldn’t allow it. Old Collingwood disapproved of Bedaux. He had warned Charlie against Bedaux. His stepfather was an interfering old fool, but he might be right this time …

A sound came from behind. It was Bedaux clearing his throat. Bedaux was reminding him of his presence, in case the young master decided he might need him after all.

Charlie blinked. He had seen the word ‘nursery’ in front of him. There was a sign on his left, saying ‘SYLVIE & BRUNO NURSERY SCHOOL’. How funny. He seemed to know who Sylvie and Bruno were. Of course he knew. Lewis Carroll. Why, at one time he had known ‘The Mad Gardener’s Song’ by heart! Absolute ages ago, but he believed he could still recite it!

Charlie stood gazing at the building. It was made of fine red brick. There was a picture window and framed in it he saw a woman. She was sitting at an important-looking desk and she was talking to someone. She was wearing a perfectly tailored suit amd exuded great authority and confidence. She looked stolid. Not a type he admired. Who was she? The head nanny – if there was such a thing?
Supernanny
. Charlie had watched a TV programme of that name, all about a super nanny who helped ineffectual parents cope with their difficult ultra-feral offspring.

For some reason Charlie couldn’t tear his eyes from the picture window.

‘A fact so dread,’ he faintly said, ‘extinguishes all hope.’

It was the Mad Gardener in
Sylvie and Bruno
who said that. Extinguish all hope, eh? Charlie laughed. He couldn’t help himself. He hadn’t meant to. He was feeling rather wobbly, actually. A touch of vertigo. More than a touch. Unwise to laugh. It was so terribly hot. Hot and stuffy.

Who was the super nanny talking to? There was someone in the room with her.

Suddenly a little boy appeared at the window. He stood there, looking at Charlie.

Charlie tried waving at the boy but his hand refused to obey him. He frowned. He knew that something was about to happen. Something momentous –

He shouldn’t have laughed – it was wrong to laugh when he felt like weeping – his head felt bad – everything had started whirling around him – turning black – bright spots dancing before his eyes – all the hues of the rainbow – Olga loved dancing –

What was that? The sound of rushing water? Or was it footsteps? Someone – running?

I manage to catch Mr Eresby as he falls.

He feels as light as the proverbial feather. Despite my best efforts, he hasn’t been eating properly.

I hold Mr Eresby in my arms and for a moment time stands still. I imagine we look like that famous picture,
Death of Nelson
. The heroic admiral, mortally wounded, uttering his last words, ‘Kiss me Hardy.’ Or did he really say, ‘Kismet, Hardy’ – as some claimed?

(Would I kiss Mr Eresby if he asked me to?)

‘Ah, Bedaux. Good man. You caught me, didn’t you? I knew you would. Always there for me, the way you promised Mummy … I think there was someone dancing, wasn’t there? Rushing water. I am thirsty, actually …’ Mr Eresby’s hand creeps up to his forehead. His eyelids flutter. ‘The sound of rushing water – yes – there it is again – can you hear it?’

I look round – I might need help – I might have to call an ambulance – I seem to have left my mobile behind and it doesn’t look as if Mr Eresby’s got his either – what’s that building – a nursery?

‘Look here, Bedaux, I did you an injustice. I thought of you as an anachronism. I apologise. I thought I’d sack you but of course I won’t. I am not myself today. Would you do something for me?’

‘Certainly, sir.’

‘Do you promise?’

‘I promise.’

‘On your honour?’

‘On my honour.’

‘You sound as though you are humouring me. Do let’s be serious, shall we? I want you to contact the Home Office.’

‘The Home Office, sir?’

‘That’s what I said. The Home Office … ’

It is clear to me the strain on Mr Eresby’s mind and the emotions have taken their toll. Mr Eresby appears to be losing his grip on reality. I believe he is delirious.

Who would have thought he would take Olga’s rejection so badly?

For a split second I feel a stab of what I imagine is guilt. A glimmer of remorse daintily running along the steel of my conspiratorial dagger. It is a most unaccustomed sensation and I am surprised at myself. I wonder whether to tell him the truth, which of course, will be only
part
of the truth – namely, that his misery will soon be at an end …

No, I can’t. I mustn’t. Not the truth.

It would mean revealing the plot. Or rather, the Plot.

‘I want you to call the Home Office and tell them she is an illegal alien – that she must be punished – no, deported – tell them that she’s got a false passport. That’s a criminal offence. Actually, no. I’ve changed my mind. Don’t tell them anything. I would probably want to go after her. I am weak, you see. I am emotionally immature. That’s what old Collingwood says. I may be a little crazy too. I am in love with her. I’ll go after her. Then – then the misery will continue –’ Mr Eresby breaks off. ‘I have changed my mind, you see.’

‘Sir?’

‘I might decide to follow her all the way to the Baltic, Bedaux … That’s where she comes from … The Baltic … She said she would take me there … She promised to introduce me
to her mother … It hurts so much, Bedaux –
here
.’ Mr Eresby points to his chest. ‘You can’t imagine how much it hurts. I feel ill. I can’t stand it any longer – the misery.’

‘Shall I call an ambulance, sir?’

‘Actually, I’ve got a better idea. I want her dead, Bedaux. Dead, yes. I mean it. I am not delirious or anything of the sort.
I want Olga dead
. Stop looking round and listen. I am not afraid of killing her, only if I did kill her, I would be the first to be suspected. Do you see? But if I were to have an alibi …’ Mr Eresby licks his lips. ‘If I were to go away … To Baden-Baden, as you suggested – or to good old anachronistic Carlsbad – but I’ll go on my own – without you.’

‘Without me, sir?’

‘Yes. You will stay in London. I will give you money – a lot of money – any sum you wish to name –’

‘Money?’

‘Yes.’ Mr Eresby grips my hand. ‘You like money, don’t you? I want you to kill her, Bedaux. That’s the only way to stop the pain – stop the misery. Would you do it? Would you kill Olga for me?’

‘Are you Sylvie?' Eddy asked.

‘I am afraid I am not.'

‘Why are you afraid you are not?'

‘Because ‘Sylvie' is a lovely name and I wish it were mine but it isn't.'

‘Are you Miss Bruno then?'

‘No –'

‘What is your name?'

‘Stop asking questions, Eddy,' Antonia said.

‘No, that's all right, Miss Darcy. We tend to encourage inquisitive minds here. I must say I find his lack of bashfulness refreshing. Most of the children I meet for the first time are too shy and too tongue-tied for my liking. Besides, Eddy does need to know my name since I am going to be his headmistress.'

‘But you know Miss Frayle's name, Eddy. We told you. We told him.' Antonia gave an apologetic smile.

‘He must have forgotten,' Miss Frayle said easily.

Eddy was Antonia's second grandchild. He was nearly five and it was going to be his first day ‘at school'. A lot had been made of it at home, by both Eddy's mother and father – Antonia's son by her first husband. They had reassured Eddy he had nothing to worry about, certainly nothing to fear, that he would enjoy it, that
it would be a truly memorable experience. They had frowned and shaken their heads when Hugh had said he had absolutely detested his first day at school. It had been hellish. Hugh had of course meant his prep school – or was it his public school?

‘Miss Frayle,' Eddy said slowly and for some reason he sighed.

Must tell him it's ill-mannered to sigh, Antonia thought.

‘Makes me want to sigh too!' Miss Frayle said with a loud laugh.

She doesn't look like a Miss Frayle at all, Antonia thought. Nothing
frail
about her, quite the reverse. Actually, she looks like a Miss Bruno. There was something reassuringly solid and dependable about the name of Bruno. Associations with ‘brawny' and ‘brunt' – as in the phrase ‘to bear the brunt'. She must be a very patient woman too, Antonia decided.

Fenella Frayle might have read Antonia's thoughts for she gave her a nod and a conspiratorial smile then pulled a droll face while at the same time slightly hunching up her shoulders. She exuded a blend of reliability, competence and good humour. Antonia decided she rather liked her.

How old was she? Mid-thirties? Her hair was a glossy brown (
brun
?) and she had apple cheeks. She appeared to be in glowing health. She had a compact capable body and was clad in a smart dark blue suit, with a little gold-and-diamond brooch on the lapel. Her eyes were aquamarine blue, very bright, slightly exophthalmic, her chin well shaped and determined-looking. Her expression was unflaggingly cheerful.

Eddy will be in safe hands, Antonia thought.

‘Is this your nursery school?' Eddy asked.

‘It is mine, yes.' Something like a shadow crossed her face. Antonia saw her frown down at a sheet of paper.

‘The house is called “Jevanny Lodge”. It looks very old,' Eddy said. ‘The name's written above the door – “Jevanny Lodge”. I can read, you see. It looks spooky.'

‘The house is very old, you are absolutely right, eighteenth century, a listed building, but it's completely renovated inside. It cost me a pretty penny to have it done up!' She laughed – a little ruefully, Antonia thought.

‘Do you live here?'

‘I do. My snuggery is upstairs.'

‘What is “snuggery”?'

‘My quarters.'

‘Why do you call it “snuggery”?'

‘Because it's terribly snug. I can put up my feet and have a cup of tea.'

‘Do you like putting up your feet?'

‘Eddy,' Antonia said. Really, the boy should be working for the Spanish Inquisition.

‘Oh very much. I like it awfully. I am often tired, you know.'

‘Can I see your snuggery?'

‘I am afraid children are not allowed there. My quarters are out of bounds. As head mistresses go, I am fairly liberal but I do draw the line somewhere.' Miss Frayle laughed again. ‘Anyhow. I am sure you will have a jolly good time with us.'