A Body in the Bathhouse (13 page)

“Slugs and snails,” Helena elaborated to Pomponius. “Rust. Insect damage—”

“Bird nuisance!” contributed the King with an intelligent interest. Between them, Togidubnus and Helena were winding Pomponius into fits of frustration.

“So tell me more,” I interrupted: Falco, the voice of reason for once. “Your monumental entrance to the east wing clearly starts a series of impressive effects?”

“A breathtaking promenade,” agreed Pomponius. “A triple succession: awe-striking physical grandeur as one walks through the entrance salon; next, the surprising contrast of nature in the formal gardens—completely enclosed and private, yet created on a stupendous scale; then, my visionary design for the west wing. This is the climax of the experience. Twenty-seven rooms in exquisite taste will be fronted by a classic colonnade. At the center is the audience chamber. It is made the more imposing by a high stylobate base—”

“Don’t stint your stylobates,” I heard Helena muttering. Stylobates are stone block platforms giving height and dignity to colonnades and pediments. Pomponius was a man who seemed to place himself on an invisible stylobate. I cannot have been the only one who would have liked to shove him off it.

“The whole west wing is raised five feet above the level of the garden and other suites. A flight of steps against this platform fixes the eye line on the massive sedimented front—”

“Have you chosen a statue to stand before the steps?” asked the King.

“I feel …” Pomponius did hesitate, though not as awkwardly as he might. “A statue would detract from the clean lines I have planned.” Once again, the King looked annoyed. Presumably he had wanted a statue of himself—or at least of his imperial patron, Vespasian.

Pomponius rushed on: “Climbing the steps, gazing upwards, the visitor will be confronted with theatrical majesty. The royal audience chamber is to be apsidal, lined with benches in elegant contemporary woods. The floor will be created by my master mosaicist, supervising both construction and design in person. A stunning twenty-foot-wide semidome crowns the apse, with a vaulted ceiling, stuccoed, white ribs picked out in regal hues—crimson, Tyrian purple, richest blues. There, visitors will encounter the Great King of the Britons, enthroned in the manner of a divinity. …”

I glanced at the Great King. His expression was inscrutable. Still, I reckoned he was game for it. Impressing folk with his power and wealth would be all in a day’s work. If civilization meant he had to pretend to be a god enthroned among the stars—rather than simply the most accurate spearman in his group of huts—then he was all for climbing up on his plinth and arranging constellations around himself as artistically as possible. Well, it beat squatting on a wobbly three-legged stool, with chickens pecking your boots.

Pomponius was still droning on. “… My perception of the four wings is that each should be linked in style to the others, yet distinct in conception. The strong west wing/formal garden/east wing axis forms the public area. The north and south wings will be more private—symmetrical ranges with discreet entrances to exquisite room suites, set around locked-in private courts. The north wing, especially, will contain celebratory dining facilities. The south wing is lined on two sides with colonnades, one offering views of the sea. The east wing, with its grand entrance and meeting hall, serves public functions, yet lies
behind
the visitor on his progress forward. Once he enters the interior elements, the great west wing is the heart of the complex with its audience chamber and administrative offices, so that is where I have placed the royal suites—”

“No!”
This time the King had let out a roar. Pomponius stopped warbling abruptly.

There was a silence. Pomponius had finally hit big trouble. I glanced at Helena; we both watched with curiosity.

“Now we have gone over this before,” complained Pomponius, tight as a tick in a sheep’s eye. “It is essential to the unity of the concept—”

King Togidubnus tossed his apple core onto a dish. Age had not diminished his eyesight. His aim was perfect. “I disagree.” His voice was cold. “Unity may be achieved by employing common features of design. Structural details and themed decoration will tie in any disparate elements.” He was wielding the fancy abstract terms with an offhand flourish—easily the architect’s equal.

Helena was sitting extremely still. There was a thin murmur among the King’s staff; then they subsided expectantly. Grinning Verovolcus seemed half bursting with excitement. I reckoned all the Britons had known that Togidubnus had a mighty beef; they had been waiting for him to explode.

Pomponius had been aware of this subplot too. He already had the rigid air of one who knew his client spent too much spare time reading architectural manuals. “Naturally there will be areas where we need to compromise.” Nobody who says that ever believes it.

It was soon apparent what had made the King so angry. “Compromise? I, for my part, have conceded that my garden colonnade shall be ripped out, its fine rams’ horns hacked off with bolsters, and its smashed capitals stacked up haphazardly for reuse as hardcore! I make this sacrifice for integrity of form in the new complex.
That
is as far as I will go.”

“Excuse me, but including the old house is a wasteful economy. Remedying the levels—”

“I can endure that.”

“The disruption would be intolerable—but my point,” argued Pomponius in a taut voice, “is that the approved scheme envisages stripping the entire site for a clean new build.”

“
I
never approved that!” The King was dogged. Approval is always a problem when a project is to be paid for by the Roman Treasury yet constructed a thousand miles away for local occupation. Scores of liaison meetings routinely produce deadlock. Many a project founders on the drawing board. “My current palace—which was an imperial gift to symbolize my alliance with Rome—will be incorporated into your design, please.”

“The “please” was simply terse punctuation. It marked the end of the King’s speech, nothing more. The speech was meant as an order.

“Your majesty may not appreciate the finer—”

“I am not a fool.”

Pomponius knew he had patronized his client. That did not stop him. “Technical details are my sphere—”

“Not exclusively! I shall live here.”

“Of course!” It was already a hot quarrel. Pomponius tried wheedling. He ruined everything. “I intend to convince Your Majesty—”

“No, you have failed to convince me. You must honor my wishes. I had an equitable relationship with Marcellinus, your predecessor. Over many years I would appreciate his creative skill, and Marcellinus in turn knew that his skill must be allied to my needs. Architectural drawings may look beautiful and be admired by critics—but to be good, they have to work in daily use. You, if I may say so, seem to be planning only a monument to your own artistry. Perhaps you will achieve such a monument—but only if your vision is in harmony with mine!”

With a flick of his white toga, the Great King was on his feet. Gathering his entourage, he swept out of the plan room. Servants scampered in his wake as if well rehearsed. Verovolcus, who probably spent much useless effort trying to advance his master’s views in project meetings, shot the architect a triumphant glare, then strode after the King, clearly well satisfied.

I might have guessed what would happen next. As his two assistants (who had previously let him suffer unaided) now swarmed up to mutter their sympathy, Pomponius turned to me. “Well, thank you, Falco,” he snarled with bitter sarcasm. “We were in quite enough trouble before you caused all that!”

XV

H
ELENA AND
I walked out into the air. I felt subdued. This client/project manager conflict was one of the problems I was supposed to clear up. It would not be easy.

Pomponius had rushed out ahead of us, supported by one of his junior architects. The other happened to leave later, while we were still getting our breath.

“I’m Falco. Sorry, you are … ?”

“Plancus.”

“That was a bitter little scene, Plancus.”

Troubled by the tension, he seemed relieved to be approached about it. He was the one with the flash scarab. It was pinned on a tunic he had worn too many times. Crumpled, yes; probably stained too. I preferred not to check. He had a thin, bristly face, with elongated arms and legs to match.

“So does this happen all the time?” I asked quietly.

It met with embarrassment. “There are problems.”

“I was told the project is behind time and over budget. I assumed it was the old problem—the client kept changing his mind. But it looked today as though the Great King’s mind is too firmly made up!”

“We explain the concept, but the client sends along his representative, who can barely communicate. … We tell him why things must be done one way; he seems to agree with that, then later there is a huge fight.”

“Verovolcus goes back and talks to the King, who sends him back to you to argue?” Helena suggested.

“It must be a diplomatic nightmare keeping things simple—I mean, cheap!” I grinned.

“Oh yes,” agreed Plancus weakly. He did not strike me as hot on cost control. In fact, he did not strike me as more than lukewarm on any subject. He was as thrilling as a flavored custard that had been left on a shelf growing green fur on its skin. “Togidubnus demands endless impossible luxuries,” he complained. That must be their clichéd excuse.

“What, like keeping his existing house?” I reproved the man.

“It’s an emotional response.”

“Well, you can’t allow that.”

I had been inside enough public buildings to know that few architects owned or could appreciate emotions. Nor do they understand tired feet or wheezy lungs. Nor the stress of noisy acoustics. Nor, in Britain, the need for heated rooms.

“I saw no hot-air specialist on your project team?”

“We don’t have one.” Plancus was probably intelligent in some ways, but failed to apply his brain to wondering why I had asked. It ought to be a professional issue. He ought to see my point immediately.

“How long have you been out here?” I asked.

“About a month.”

“Take my word then, you need to mention it to Pomponius. If the King has to use naked fire braziers all winter, your unified concept with the fine sight lines is likely to go up in grandiose flames.”

Helena and I walked slowly, hand in hand, across the spacious site. Seeing the plans had helped. Now I was finding my way around better; I could appreciate how the different ranges of rooms had been laid out. The neat footings ended feebly near the old house; this had been left as “too difficult.” We found Magnus, the surveyor I met yesterday, pottering there. His
groma
was plunged in the ground, a long metal-tipped stave with four plumb bobs hung from two metal-cased wooden bars; it was used for measuring out straight lines and squares. While one of his assistants played with the
groma
for practice, he himself was using a more complicated gadget, a
diopter
. A sturdy post supported a revolving rod set in a circular table, marked out with detailed angles. The whole circle could be tilted from the horizontal using cogged wheels; Magnus was underneath, tinkering with the cogs and worm screws that set it. Some distance away, another assistant waited patiently beside a twenty-foot-high sighting rod with a sliding bar, ready to measure a slope.

The chief surveyor squinted up at us, then looked around longingly at the unbroken ground; he badly wanted to set out the last corner of the new palace, where the south and west wings would meet—and where the disputed “old house” stood.

I told him about the scene we had witnessed between architect and client. Crawling out from his gadget, leaning away so as not to disturb the setting, he stood upright. He reckoned the animosity was normal, confirming what Plancus had told me. Pomponius had not dared to ban King Togidubnus from meetings, but he kept him at arm’s length. Verovolcus came along instead and blustered, but he was a third party, with language problems. Pomponius took no notice of anything he said.

“Who was Marcellinus?” I enquired.

Magnus scowled. “Architect for the old house. Worked here for years.”

“Know him?”

“Before my time.” I wondered if he had paused slightly. “He was halfway through planning his own rebuild when Vespasian approved this complete redevelopment.” Magnus pointed out where areas of the site contained unfinished foundations for some vast buildings, not in the current design. “The Marcellinus scheme stopped dead. I can’t work out what his plans involved. But his foundations are hefty—a real menace to our own west wing. Not that we let a dirty great outcrop of unfinished masonry get in our way! Ours is just slapped on top …”

“Togidubnus seems to have been on good terms with Marcellinus. What happened to him? Dismissed? Died?”

“Just too old. He was retired. I think he went quietly. Between ourselves,” muttered Magnus, “I’ve got him down as an evil old bastard.”

I laughed. “He was an architect, Magnus. You would say that about any of them.”

“Don’t be cynical!” quipped the surveyor—in a tone of voice that showed he shared my view.

“Did Marcellinus go quietly?”

“He’s not entirely gone,” grumbled Magnus. “He keeps niggling at the King about our plans.”

Helena had been gazing around. I introduced her. Magnus accepted her with much better grace than had Pomponius.

“Magnus, is it feasible to incorporate the old house in the way the King wishes?” she asked.

“If it is decided at the outset, it’s perfectly possible—and will save money!” He was a problem-solver, who happily set about proving his point to us. “You understand that we had a serious problem of levels here? The natural site slopes with a big gradient to the west—plus another tilt south towards the harbor. Streams feed into the harbor. In the past there have been drainage problems, never really solved. So our new scheme raises the ground base in the lower-lying areas, hoping to rise above the damp.”

“The old house will then be left stranded too low?” I put in.

“Exactly.”