A Lily Among Thorns

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Authors: Rose Lerner

Tags: #Fiction, #Romance, #General, #Historical, #Regency

BOOK: A Lily Among Thorns
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CRITICS PRAISE ROSE LERNER’S DEBUT
IN FOR A PENNY

“Georgette Heyer, watch out! Rose Lerner serves up a sprightly and splendid Regency romance.”

—Lauren Willig, author of
The Secret History of the Pink Carnation

“The grit of Dickens and the true-to-life, breathing characters of Austen. Rose Lerner is a new star in the Regency firmament.”

—Judith Laik, author of
The Lady Is Mine

“As a debut Regency novel,
In for a Penny
really hits the mark. Unlike so many other Regency novels, this one really dealt with the grit of day-to-day life for a lord and lady. I was drawn into the story from page one . . . beautifully drawn characters in a richly painted setting.”

—Book Binge

“Rich in subtle characterization, deftly seasoned with danger, and tempered with just the right dash of tart wit and historical grit, Lerner’s historical romance is to be savored.”


Booklist

“Not infrequently, I find myself reading debut novels with heart. However, finding a brand-new author who writes a first novel that not only has life, but also beautiful writing, charming characters, and attention to the small details happens far less often.
In for a Penny
is just such a book, and I adored it.”

—All About Romance

“Lerner’s prose is apropos of the era, yet updated enough to delight today’s reader. Her debut’s quick pace and smart dialogue are perfect as the adventure and passion unfold.”


RT Book Reviews


In for a Penny
is a wonderful, unusual, well-written Regency romance that is easily one of the best of the year so far. Leisure has a real gem in Rose Lerner and I can’t wait for her next release.”

—The Romance Reader


In for a Penny
is a charming and original Regency that will make you wish a man like Nev would stroll through your front door.”

—Eloisa James, Barnes and Noble review columnist

 

 

 

 

Other books by Rose Lerner:

IN FOR A PENNY

R
OSE
L
ERNER

A Lily Among Thorns

 

 

 

For Masha, the first to be enthusiastic about this book, and the best friend I could have asked for during the worst time in my life.

 

 

 

 

 

DORCHESTER PUBLISHING

Published by

Dorchester Publishing Co., Inc.
200 Madison Avenue
New York, NY 10016

Copyright © 2011 by Susan Roth

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, without the written permission of the publisher, except where permitted by law. The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.

This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

ISBN 13: 978-1-4285-1176-7

E-ISBN: 978-1-4285-0989-4

First Dorchester Publishing, Co., Inc. edition: September 2011

The “DP” logo is the property of Dorchester Publishing Co., Inc.

Printed in the United States of America.

Visit us online at
www.dorchesterpub.com
.

Contents

ACKNOWLEDGMENTS

Prologue

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

ACKNOWLEDGMENTS

This book had two editors. I’d like to thank the first, Leah Hultenschmidt, for caring so much about this book’s success and for spotting exactly what it was missing, and the second, Chris Keeslar, for being kind and welcoming to an author nervous about change. I’d like to thank Tanya at Dorchester’s marketing department for making things much less scary for a newbie author, and Renee in production for making my books so pretty. I’d also like to thank my fabulous copyeditor, Kim Runciman, for asking good questions and saving me from many embarrassing errors and anachronisms.

Thank you, of course, to my agent, Kevan Lyon, for being unfailingly even-keeled and good at your job, and just all-around awesome.

Thank you to this book’s first readers and cheerleaders: Matti Klock, Dina Aronzon, Greg Holt, Steve Holt, and my mother, who all provided key pieces and made me believe the story had a future. Thank you to more recent ones: Gwen Mitchell for helping get the first three chapters in shape, Sonia Portnoy-Leemon for getting me through that nerve-racking time between submission and the revision letter, and Kate Addison for helpful feedback, helpful squee, and explaining why Serena couldn’t be eating a hot cross bun.

Thank you to my fellow members of the Greater Seattle RWA for your advice, support, and friendship, and for putting on an amazing conference every year. I can’t even begin to list the ways you’ve helped me. Thank you to all my friends and family for believing in me, for being fabulous, funny, and generous, and for making my heart grow three sizes on a regular basis.

And, finally and always, thanks to the Demimondaines: Alyssa Everett, Karen Dobbins, Vonnie Hughes, and especially Susanna Fraser, for seeing this book through several drafts and more than one identity crisis. I am so lucky to belong to a group of not just talented writers and wonderful friends, but also talented critiquers, who understand how a book fits together under its skin, and week after week tell me the hard truth kindly and tactfully.

Prologue

September 29, 1809

Solomon Hathaway was drunk. He was drunk, and he didn’t want to go to a brothel. On the other hand, Mme Deveraux’s front steps were cold and windy. “‘The mouth of strange women is a deep pit: he that is abhorred of the Lord shall fall therein,’” he said, and clung to the wrought-iron railing.

Ashton and Braithwaite shared a disbelieving look. “Is the parson’s son quoting Scripture again?” said Ashton.

“Don’t—don’t call me that.”

“D’you prefer ‘tailor’s nephew’?” Braithwaite asked. Drink always made him cruel.

Ashton snickered. “Leave off. It’s normal for a virgin to be nervous.”

Solomon straightened. The motion made his head whirl. “I’m going back to the hotel.”

Ashton grabbed his sleeve. “Oh, don’t take it like that, Hathaway. Come along, this is the best house in London! This is why we came up to town on quarter day, isn’t it? To spend our blunt on things we can’t get in Cambridge?”

“Yes . . .” Solomon was already regretting it. He should have gone home and let Elijah lecture him on obscure French poetry instead. “I was going to buy a cal—calor—calorimeter.”

“A what?”

“It measures heat. Lavoisier disproved the existence of phlogiston with it. No, wait—I’m getting my experiments confused—”

Braithwaite pushed open the door of the brothel. “He’s just
making up words now. I’m going in. If Hathaway wants to turn twenty-one without ever knowing the touch of a woman, let him.” Heat gusted out in his wake, and after a moment his two friends followed him.

Inside, Solomon took a deep breath into his cold lungs—and choked on an attar-of-roses fog. Scalding tears sprang to his eyes, refracting the room into red and gilt and skin. A great deal of skin, multiplied by dozens of elegant mirrors. He averted his eyes, but not before a flash of petticoat revealed raised red welts on a smooth thigh.

A girl touched his arm, startling him. She was pale and dark and hit him like a fever, hot and cold at once. But even that chill grounded him, blocking out the heat of the salon. Were the fires kept too high, or had the brandy affected his senses? It would be an interesting experiment, the exact effects of alcohol on the blood—

“Come upstairs,” she said.

Solomon blinked, focused his eyes on her again. She was looking at him, but her eyes were empty. Nothing there. No human connection at all. He swallowed, trying to keep the bile down. “I think I should go.”

“You’ll like it.”

He followed her up a red-carpeted stair; she never once looked back, even when he stumbled. She wore a thin lavender percale, inexpertly embroidered with seed pearls. Its single muslin petticoat revealed every angle of her legs—or would have if he could have taken his eyes off the stairs long enough to see much above her ankles. They were neat ankles.

The gown was stylish and becoming, but second-rate, he decided as they went down a dimly lit corridor. The muslin was not quite of the best quality. It wasn’t well-fitted either, but maybe she’d lost weight. She was very thin. His mother would want to feed her, give her bread with extra cheese and bowls of clotted cream the way she’d done to Solomon and Elijah when
they were younger, “to put meat on their bones”—oh Lord, why was he thinking about his mother
now
?

She went through an open door into an unoccupied room. The fire lit an enormous bed with hangings the color of red lead. He pressed his hand against the door frame, trying to stop his head from spinning. “It’s very warm downstairs.” It was warmer here. Only the girl’s cold face and the cool of the corridor against his back steadied him. There was a tiny round birthmark above her left eyebrow. He wanted to touch it.

“It’s nearly October. Gentlemen don’t like gooseflesh. Just take off your coat.”

He nodded. “Of course.” She met his eyes then. Hers were gray, gray and still empty. He was fairly sure she hated him. “We really needn’t—”

There was a flash of scorn in her face. “Come in.” She wrapped her pale fingers around his arm and pulled him into the room. Her breasts pressed against the front of his coat as she reached behind him to pull the door shut.

A tremor ran through him, a tremor that was all heat. This wasn’t how he’d imagined his first time with a woman, but maybe—

She went backward, and he followed—but the bed took up most of the room, and he didn’t notice when she stopped moving. Suddenly he was pressed up hard against her, the busk of her stays jabbing into his stomach and her legs trapped between his own and the bed. They both grabbed at the bedpost for balance; his fingers meshed accidentally with hers and she kissed him. Her lips were warm and soft. She smelled like almonds and cheap perfume.

She leaned back. Dazed, he tried to follow, but she’d brought her arm up between them to pop the buttons at her shoulders. Her bodice fell away entirely, revealing bare shoulders and arms and the tops of her breasts swelling above her stays. There was a little round birthmark there, too.

The curtains were imperfectly drawn; a beam of moonlight fell starkly across her skin. That strip of moonlit flesh stood out like the mark of a whip. It shone with the faint bluish-white sheen of arsenic.

Everything came to a head—the brandy and the sickening stench of roses, her distaste and his nerves, and most of all his uneasy guilt at trafficking in human flesh. He was in hell, and she was a damned soul sent to tempt him. Solomon stumbled back, his gorge rising. Hardly knowing what he did, he tugged his purse out of his greatcoat pocket. His entire quarterly allowance was in it, one hundred and twenty-five pounds lovingly counted out that morning at his uncle’s solicitor’s, and he held it out like a beggar with his alms cup.

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