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Authors: Jane Urquhart

Tags: #Literature & Fiction, #Literary, #Contemporary Fiction, #Literary Fiction

A Map of Glass (16 page)

BOOK: A Map of Glass
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This was the scene she had stared at while Andrew slept after their lovemaking, while Andrew slept and late-afternoon light entered the cottage. Her first landscape after love. Afterwards she would step outside the door of the cottage, walk past the foundations of the house that had once stood on the hill, and, before climbing into the car, would look into the far distance. The long arm of the peninsula where she lived would be visible, and the pale blemishes at the southern end of it which were the dunes. Sometimes she could see the small white finger of a lighthouse on the lakeshore. And then, under the surface of the lake, she would sense the presence of wrecked schooners – some of them launched a hundred and fifty years ago at Timber Island.

Sylvia removed the two journals. She turned to Jerome. “Perhaps,” she said quietly, “you might be interested in these.”

Jerome looked at the notebooks in Sylvia’s slightly trembling hands. “What are they?” he asked.

“A record,” Sylvia said, “a story. Everything that Andrew wrote about Timber Island, the story of his family. But, you may not be interested, you may not have time, or…” She hesitated, was worried suddenly that the stories that had engaged her, the sentences that had so affected her, might not be understood by this young man, might not be understandable.

Jerome reached forward to accept the notebooks from her.

Once, she had included Timber Island on a map she had made for Julia when her friend was going to visit the famous Thousand Islands scattered throughout the river downstream from Kingston, the same islands that the Woodman timber rafts would have sailed by on their journey to Quebec. Technically Timber Island need not have been on the map at all, but it had given her private pleasure to include it. “This is where the river begins,” she had said to her friend, drawing her hand toward the spot on the map, “right here where this small island is situated.” She had made Timber Island from a piece of fabric quite different than that which she used for the vast anthology of islands downriver in the same way that she had used cotton for the lake and then linen for the river. “Will I be near this small island?” Julia had asked, and when Sylvia had replied in the negative Julia had added “then you must have put it here for some other reason altogether. Maybe someday you will tell me why.”

She stared at the notebooks resting now on the crate that Jerome used for a coffee table. How odd, Sylvia thought, to see them here, in this place, a place that neither she nor Andrew could have ever imagined.

Later, as she walked out of the alley and down the street toward the hotel, her anxiety lifted somewhat. She could not lose the writing, really: she could recall, almost exactly, every word Andrew had used. In the beginning, it hadn’t occurred to her that she would want the young man who found him to read Andrew’s words. But later, after the idea of the trip to the city had taken hold of her, she had become aware of the hope that this would happen. It was the body, she supposed, the physical fact of Andrew’s anatomy, so carefully learned by her, and now presented to this young person in such a shocking, unforgettable way that made this, to her mind, something she needed to do. She wanted Jerome to know Andrew, the man he had been.

As this thought entered her, she was rocked by a wave of grief so intense it caused her to stop walking, to stand quite still on the sidewalk, with a river of strangers passing swiftly on either side of her.

Timber Island is situated at the spot where the Great Lake Ontario begins to narrow
, she thought, allowing the sentence to unfurl in her mind,
so that it can enter the St. Lawrence River
.

By the time Sylvia had passed through the glass doors that lead to the lobby of the hotel, she had mentally turned seven or eight pages of the first notebook. She saw the shape that the paragraphs made on the lined paper, the different colors of ink Andrew had used, the places where he had angrily stricken imperfect phrases from the record. All this – every flaw, each hesitation, his changes of mind and mood, his humor, his diagrams of interiors, his efforts to depict emotion – would be evident now to someone other than herself. “
The last raft of the season was being constructed in the small harbor
,” she whispered to herself, and then, “
continued to paint the burning hulks and smashed schooners of which she was so fond
.”

Just after the elevator doors closed she spoke the sentence “
They walked with the horse out of the darkness of the stable and into the vivid autumn light.
” Often in the past six months she had risen at two or three in the morning, had descended the stairs, and had read and reread the journals with such concentration that when she paused to look at the kitchen clock, two or three hours would have passed. Several hours of exhausted sleep would most times follow this, so that when she awoke late in the morning she would be unsure if the world she had entered on the page hadn’t been one built by a dream. And then, the following day, when she was alone, Sylvia would say certain sentences aloud, knowing that by doing so she could evoke a scene quite different than the one in which she stood or walked, could make her own kitchen disappear, for instance, and cause the shadow of a barn door on sandy ground, the glint of lake, leaves twisting in a breeze appear in its place.

J
erome was stretched out on the futon, but he was not asleep. In the semi-darkness of the early evening he was listening to Mira describe the three vows that a monk must take upon becoming part of a religious community. Lately she had been reading Thomas Merton.

Was his namesake, Saint Jerome, a Benedictine? he wanted to know. He was lying on his back, staring at the ceiling. They had been dressing to go to a party in another area of the city but had found themselves making love instead. It was quite early in the evening: the intention to leave the studio was still with them, but it was fading fast.

“No” she told him, “Saint Benedict was the famous Benedictine. He founded the Benedictine order.” She was curled on her side, facing him, with both small arms wrapped around his larger one. He could feel her lips moving near his shoulder, the way her torso shook in a soft explosion of silent laughter. So this had nothing to do with him, these were not vows that she secretly hoped he would take.

“There is the vow of stability,” she was saying. “That means that you must stop, once you have entered a community, you must stop imagining that there is a monastery somewhere else that would be better than the one you are living in, stop thinking that you would be happier in another place. You must enter fully and completely each day of the life you have chosen, or the one that has been assigned to you.” She paused. Jerome said nothing, but he knew she could sense his attention in the dark. “Then there is the vow of the Convergence of Life.”

“Wait,” he said, “that last vow. Smithson said in an interview that one pebble moving six inches over the period of four million years was enough for him, enough to keep him interested.”

“He would have made a good Hindu.”

“Not sure…probably a meat eater. The other vow?”

Mira had rolled away from him now onto her left side, and he adjusted himself so that he could put one arm over her waist, their thighs touching, his kneecaps pressing slightly into the smooth hollows of her bent legs. “The next vow,” she corrected, “the Convergence of Life. I think it might mean that, while you remain stable, you must also accept that the world will change around you, and that you should remain open to and aware of those changes, though it also suggests that your life will converge with God’s, or something along those lines.”

Jerome remembered Sylvia’s suggestion that the relentless stability of her surroundings might have somehow caused her mysterious condition, that and what she said about being trapped, imprisoned by geography. “Aren’t those two vows contradictory?” he asked.

“A bit. But I’ve thought about that and they seem to work together somehow. The first vow has to do with what can be controlled – you can control yourself – the second is about accepting what you can’t control.”

Grant me the serenity
, Jerome remembered,
to accept things I can’t change, the courage to change things I can, and the wisdom to know the difference
. His father, returning from a meeting, had told Jerome about this. At the time this directive had seemed to the fourteen-year-old boy to be a miraculous solution to the chaos of a family made miserable by his father’s binges. He had allowed himself to become certain, as he had been so many times in the past, that his father would stop drinking forever, that sanity and predictability would visit their household even though, by then, he had forgotten – if he ever knew – what sanity and predictability looked like, what form they took, how they would feel. But, in the end, the prayer was of little use anyway. Within weeks his father had entered the prolonged bout of inebriation that would be his last. Jerome could recall the horror; the older man weeping, or shouting in anger, his own terror when he was wakened in the night by the sounds of retching in the bathroom, the terrible accusations, the furious silences. “What was the third vow?” he asked.

“Oh, that,” she said, and he could again feel the tremor of her laughter, “is the vow of chastity.”

“Too late for that now.”

“Yes,” she agreed, “far too late.”

His father had used those words. “It’s too late,” he had shouted when Jerome’s mother had begged him to stop. “It’s far too late to stop.” Jerome, wakened by the argument, had stood trembling with rage in a pair of old flannelette pajamas that, in the past year, had tightened around his chest and thighs in the same way that the apartment, his parents’ drama, and all the cheap furniture of their lives had tightened around him. His father had turned to him then and had said in a voice suddenly calm and cold, “It’s too late for you too, pal. Don’t think that you are immune. Don’t think for a second that you are exempt, you judgmental little shit.”

There had been nothing left to break in the room, nothing that didn’t already bear the mark of his father’s anger, nothing of his own, so Jerome had wrenched open the glass door and had gone out onto the freezing balcony in his bare feet. He had dug with his hands though layers of snow, then had pulled the frozen, rusted bicycle from the corner where it lay and, only peripherally aware of his father’s attempts to restrain him, had tried to smash up this final piece of evidence of his childhood with his fists.

As he thought about this, an image of his mother’s ashen face and wide eyes came into his mind, but he willed himself away from the memory, turned instead back to the girl and placed his forehead against the warm skin on her back. He could tell by the small, involuntary twitches that passed through her body that Mira was asleep, and soon he began to drift into a dream where it was his father, not Andrew Woodman, that he found trapped in the ice near the docks of Timber Island, trapped but still alive. On his ravaged features was an expression of such tenderness that Jerome reached forward to touch the frost-covered face. But when his fingers made contact with his father’s cheek, the whole head fragmented, collapsing into a confusion of thin transparent pieces on a flat surface, and suddenly he was looking at Smithson’s
Map of Broken Glass
. Each shard reflected something he remembered about his father: a signet ring, a belt buckle, a dark green package of cigarettes, an eye, a cufflink, the back of his hand, and Jerome knew his father was broken, smashed. The toe of a shoe, a plaid sleeve, the seam of a pair of pants, an Adam’s apple. In the dream this was satisfying rather than distressing. In the dream it seemed that this alteration in his father was what he had wanted all along. And yet, when he awoke in the dark, he was weeping.

That evening, after adding a few more sentences to the sheet of paper on the desk, Sylvia worked on the map of the route to the lighthouse, an occupation that she hoped would both soothe her and permit her partly to overlook the fact that Andrew’s journals – his thoughts, his memories, his imaginings – were no longer close at hand. Jerome might even now be reading the words, the way she had read them night after night while Malcolm slept and rain or snow fell through the ocher path cast into the yard by the kitchen light. When she returned to bed those early mornings just before dawn, she would close her eyes and envision a world made up of islands, a world dependent on flotation. Andrew had written that on each island there had been a spot called Signal Point and that when significant messages needed to be sent quickly down the lake or up the river a fire would be lit on the shore of one island after another, a sort of telegraph of flame. Marriages and deaths were often announced this way, particularly during late fall and early spring, times when the ice was too dangerous for navigation yet not strong enough to support a horse.

There had been no such fires lit for her. The answer to the final question, the source of her grief, had been presented to her in an impersonal way on a flimsy sheet of newsprint destined for the recycling box.

“It presents in a very odd way,” Malcolm had often said, referring to some disease or another, and she remembered thinking that diseases were almost always in the present, in the now, unless they were cured, or unless they were in remission waiting to recur. Her own incurable love had been like that; it had shocked her with its insistence on the present, and with its persistence, how it had presented itself, and continued – along with the grief – to present itself to her each morning when she woke. It had always been and continued to be one of her few connections to the present tense.

BOOK: A Map of Glass
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