Authors: Anita Brookner
It was after leaving the bright room, and after taking her leave of Mrs Duff, that the first tremor of melancholy made itself felt. The sun, bright now over the quiet streets, drew Blanche to her window, and she stood for some time in her familiar attitude, with her hand holding back the curtain. She realized how long it had taken for the sun to gain its ascendancy on this particular day and, remembering the
uncertain light of the morning, the windless air, the blackberries, and the dahlias, knew that this was truly autumn. The evening would be a short one; darkness would come early. And soon a harvest moon, the moon that was nearly golden. She would miss all that, of course, for she would be where the sun shone all day. With a sigh, which she did not hear, she moved resolutely to her desk and sat down to pay bills and to write letters, notes for the milkman and the laundryman, a note cancelling the papers, an envelope containing Miss Elphinstone’s money until the end of the year, together with the rigidly itemized account on which Miss Elphinstone insisted. She telephoned Barbara and said she would let her have an address as soon as she arrived, would in fact telephone as soon as she arrived. ‘But where will you be?’ asked Barbara anxiously, and, ‘Is this wise, Blanche?’
‘It is more than wise; it is necessary,’ Blanche replied, and she supposed that it was. After putting the receiver down she took out a suitcase and started to pack.
With the waning of the sun came the full melancholy, the melancholy of departure. She was a decisive woman and her preparations had not taken her long. She made an omelette with herbs which she would eat later, cold, with some garlic bread and the rest of the blackberries. After that there seemed very little to do. She roamed restlessly round the flat, checking her dressing-table, draping a sweater round her shoulders, pushing her suitcase out of sight. It was a relief to sit down with a bottle of Frascati, although this evening the wine was not to her taste. She was too agitated to sit quietly and thought of going for a long walk, tiring herself out, and thus ensuring a night’s sleep. For tomorrow she must pick up her ticket and take her leave, so that on the following day she could disappear silently, without witnesses. In the event she doubted whether it would be as seamless a departure as she had recently imagined it to be, but she put this down to an unusual form of nervousness, brought on by her
long reclusion from the world, and tried not to let the fear take hold.
It took hold, none the less, and she went early to bed, by now more than willing to enter the world of night, in which only the action of dreams was possible. A certain formality helped to keep misgivings at bay, and she dressed in her best nightgown, which had been laid in a drawer for over a year. With a sigh she got into bed, took up her book, and prepared to read for an hour, but after a few minutes the book fell from her hand, and her head turned to the window. There was nothing to see now, and no sound to be heard. She listened in vain for the cat with the bell round its neck, padding along on its night-time patrol. Straining her ears she heard not the sound of the cat’s bell but of the front door: a key had been inserted cautiously into the lock. For an insane moment she imagined herself pursued by the entire Beamish family – Sally, Paul, Elinor, the grandmother – each member of which had somehow managed to furnish itself with a key. She sat up in bed with a wildly beating heart until she realized that this was impossible, that her visitor could only be Mrs Duff or Miss Elphinstone, about her parochial business at the hospital and looking in as she had promised. ‘Is that you, Miss Elphinstone?’ she called out. There was no answer. ‘Mrs Duff?’ she said, in a voice from which conviction was dwindling. There was a noise of keys being dropped, and then her bedroom door slowly opened.
‘I’m back, Blanche,’ said Bertie, putting down a suitcase. ‘I’ve come back. What have you done to your hair?’
ALTERED STATES
Alan Sherwood, a quiet English solicitor, remembers when he indulged in a liaison with Sarah Miller, an intriguing but heartless distant relative—only to find himself married to Sarah’s childlike friend Angela.
Fiction/Literature/0-679-77325-8
THE BAY OF ANGELS
When Zoë Cunningham’s mother finally decides to remarry, Zoë is thrilled with her prospective stepfather, Simon Gould, who is not only well-off, but kind and generous. After a series of calamities, Zoë learns that Simon’s wealth has come at a steep price.
Fiction/Literature/0-375-72760-4
BRIEF LIVES
Brief Lives
chronicles an unlikely friendship between the flamboyant, egocentric Julia and the modest, self-effacing Fay. Thrust together by their husbands’ business partnership, Julia and Fay develop an intense bond that reflects our own uneasy compromises.
Fiction/Literature/0-679-73733-2
A CLOSED EYE
In
A Closed Eye
, Brookner explores the self-inflicted dilemmas of Harriet Lytton, a woman whose powers of submissiveness and self-denial are tested by the prospect of sexual awakening.
Fiction/Literature/0-679-74340-5
THE DEBUT
Since childhood Ruth Weiss has been escaping into books. Now Dr. Weiss, at forty, a quiet scholar, is convinced that her life has been ruined by literature and that she must make a new start.
Fiction/Literature/0-679-72712-4
DOLLY
Where Jane Manning is discreet and shy, her aunt Dolly is extroverted and unrepentantly selfish. But as the exigencies of family bring Jane and Dolly together, Brookner shows how we may end up loving people we cannot bring ourselves to like.
Fiction/Literature/0-679-74578-5
FALLING SLOWLY
As middle age settles upon the Sharpe sisters, Beatrice gives up the piano, realizing that it has not brought her love, and Miriam begins an affair with a charming—and married—man. As each awakens to her loneliness, illness threatens to steal their one happiness: each other.
Fiction/Literature/0-375-70424-8
FAMILY AND FRIENDS
Safka, an elegant widow, watches as her four children find their way into adulthood. Frederick escapes to the comforts of the Riviera while dutiful Alfred burns with unrealized longings. Pleasure-loving Betty makes her way to Hollywood, leaving her sister Mimi to languish at home, as Brookner portrays the emotional cost of everyday life.
Fiction/Literature/0-679-78164-1
FRAUD
What has happened to Anna Durrant, a solitary woman who has disappeared from her London flat? As Brookner reconstructs Anna’s life, she gives us a clever yet devastating study of self-annihilating virtue while exposing the social, fiscal, and moral frauds that are the underpinnings of terrifying rectitude.
Fiction/Literature/0-679-74308-1
A FRIEND FROM ENGLAND
Rachel Kennedy and Oscar Livingstone were not precisely friends. Part owner of a London bookshop, Rachel is thoroughly independent and somewhat distant, but above all responsible. So Oscar and his wife seek out Rachel as a mentor for their daughter, an arrangement that involves her in more and more events beyond her control.
Fiction/Literature/1-4000-9521-2
HOTEL DU LAC
The Booker Prize–winning
Hotel du Lac
tells the story of Edith Hope, a romance novelist who flees to Switzerland to get away from her life’s own plot lines. Instead of finding peace, Edith is sequestered at the Hotel du Lac with love’s casualties, where she attracts a man determined to release her unused capacity for pleasure.
Fiction/Literature/0-679-75932-8
INCIDENTS IN THE RUE LAUGIER
A young Frenchwoman and two English boys share a flat and strike up a volatile chemistry of longing and betrayal. Maud yearns to escape bourgeois modesty, and the caddish Tyler seduces her effortlessly. But when he disappears, it is up to the dutiful Edward to rescue her.
Fiction/Literature/0-679-76512-3
LATECOMERS
Latecomers
is about the fifty-year friendship of two dissimilar German refugees brought over to England as children from Nazi Germany. Their relationship becomes a funny yet touching model for the ways in which human beings come to terms with the tragedy of living.
Fiction/Literature/0-679-72668-3
LEWIS PERCY
Brookner is famous for her elegant, almost Jamesian character studies of women. But in
Lewis Percy
, she portrays a man torn between the reassuring cloister of the library and the alluring but terrifying world of the senses, populated by women who bewilder him.
Fiction/Literature/0-679-72944-5
LOOK AT ME
Fanny is a solitary librarian. Nick and Alix Fraser are a dazzling couple. In this flawlessly observed novel, Brookner explores the gulf that separates those assured of love and those condemned to yearn for it.
Fiction/Literature/0-679-73813-4
MAKING THINGS BETTER
Facing life alone at an advanced age, Julius Herz cannot shake the sense that his whole life may have gone awry. Yet after a lifetime of deferring to others’ wills, he faces a future of possibility, the only constraint the deeply ingrained habits of his mind.
Fiction/Literature/1-4000-3106-0
A PRIVATE VIEW
The young and abrasively self-assured Katy Gibb walks into the aging bachelor George Bland’s life. She may be looking for friendship or for a dupe to finance a New Age business venture, but Katy incites in George the most alarming feelings, not least of all the discovery of his capacity for compromise and self-deception.
Fiction/Literature/0-679-75443-1
PROVIDENCE
For years, Kitty Maule has been tactfully courting her colleague, an elegant English professor. Now, running out of patience, Kitty’s amorous pursuit takes her from academic committee rooms and lecture halls to French cathedrals and Parisian rooming houses, from sittings with her grandmother to séances with a grandmotherly psychic.
Fiction/Literature/0-679-73814-2
THE RULES OF ENGAGEMENT
School friends in 1950s London, Elizabeth is prudent and introspective, while Betsy, raised by a spinster aunt, is trusting and desperate for affection. After going their separate ways, the two women reconnect later in life. Elizabeth has married kind but tedious Digby, while Betsy is still searching for love and belonging.
Fiction/Literature/1-4000-7530-0
UNDUE INFLUENCE
Claire Pitt is nothing if not a practical young woman, living a life in contemporary London that is to all appearances placid and orderly. Yet she is prone to vivid speculation about others and to fantasies about her own fate that lead her into a courtship so strange that even she wonders at its power to compel her.
Fiction/Literature/0-375-70734-4
VISITORS
At seventy, Dorothea May has withdrawn, cloaking her disappointment with life in emotional remoteness from her few friends. But when her late husband’s sisters ask her to take in a reticent young man for a week, she is forced to realize that old age will require more attention to the ties of friendship than she had anticipated.
Fiction/Literature/0-679-78147-1
VINTAGE CONTEMPORARIES
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