A Rage to Kill (7 page)

“Stewart Coltrane” was given a “cash only” bail of $1,000. He wasn’t in jail long. Someone in New Jersey contacted a bail bondsman in Seattle who provided the $1,000 bail. Stewart Coltrane, the alias for Steve Coole, walked out of the Lynnwood Jail a free and unidentified man.

O’Leary and Nordlund found the latest information confusing. If the dead man from the bus crash was both the shooter and the suspected child molester in Lynnwood, it made no sense. The M.O.s were completely different, and they both knew that the profiles for sex offenders and mass killers weren’t the same.

Even so, the Seattle homicide detectives were getting closer to finding out who the dead man really was. They ran the name Stewart Coltrane and found an address on 15th N.E. Gene Ramirez, O’Leary and Nordlund headed out there at 10:30 Friday night. They found the Ponderay Apartments easily enough, a four-story, square building in the University District.

It wasn’t difficult locating Coltrane’s unit; he was listed as the manager of the apartment house there.
That
was a bit of a surprise. They knocked, not really expecting anyone to answer; they figured Coltrane was lying on a slab at the M.E.’s office.

But someone answered the door, a large man with glasses. His hair wasn’t shot with gray and he was neither tall nor slender. “I’m Stewart Coltrane,” he acknowledged. “How can I help you?”

Coltrane gave his birthdate, and it wasn’t even close to the ones given by the man at the public pool in Lynnwood. He looked as puzzled as the investigators until John Nordlund mentioned the name “Coole.” Coltrane nodded. He knew a man named Cool.
“Silas Cool,”
he said. “You must mean Silas Cool. He’s one of the tenants here. I hardly know him, but let me take a look at his records.”

Coltrane checked the rent ledger. “Cool moved into Apartment 209 on June 18, 1985. He pays rent of $475 a month.”

“What’s he like?” O’Leary asked.

“I couldn’t tell you.”

“He’s lived here for more than thirteen years, and you don’t know what he’s like?”

“I never see him. He keeps to himself. I see him maybe two, three times a year, tops.”

Ironically, the real Stewart Coltrane’s career dealt with people who were mentally and emotionally disturbed and he considered himself fairly good at recognizing people who were on the edge. He had never seen anything that unusual about Silas Cool, save for the fact that he was a loner. Coltrane said Cool paid his rent on time, minded his own business, and always kept his windows covered. As far as he knew, nobody in the apartment house knew Cool any better than he did.

It was with a mixture of anticipation and apprehension that Coltrane and the three homicide detectives headed up the stairs to the south side of the building. They noted two small windows in the back of the unit as they stood outside the door to Apartment 209. They knocked, but no one answered. They hadn’t really expected that anyone would. Then Coltrane slipped the master key into the lock and turned the knob.

Ramirez, Nordlund, and O’Leary entered a dark apartment that smelled of dead air, dust, dirty clothes, and a strange sweet-sour mediciney odor. Even when they switched on a light, it was still dim; the bulbs were only forty watt. But they could see that this was a very small one bedroom unit. A short entry hallway led to the living room. There was a combination dining-room/kitchen area adjoining that, and a door led back to a bedroom and bathroom. The place was unkempt and dreary, and it had only a few cheap pieces of furniture. It looked lonely, and had a flat, lifeless quality about it.

Nordlund, Ramirez and O’Leary were looking for answers to what seemed an unsolvable mystery. If Silas Cool
was
the second fatality of the bus crash, they would never be able to ask him what had happened. All they could do was hope that there were some clues in his drab apartment.

They didn’t have to move far inside before they spotted something that gave them goosebumps. There on the cluttered divider between the entry hall and the dining area were stacks of Metro Transit schedules, far too many for an average bus rider to have kept. They towered more than a foot high, and had begun to tumble down onto the dining room floor. They were for many different bus routes, all over the City of Seattle, and for other cities, too. Here, too, were notes Cool had written to himself, reminders that if he missed a Number 6 bus, he could catch a Number 40 within minutes. It looked as if Silas Cool’s life had revolved around buses.

A man’s wallet lay on the divider, too, with a driver’s license inside made out to Silas Garfield Cool, born on May 14, 1955. That was a familiar date; the suspect at the pool had apparently given his correct birthdate—but with the wrong year, and his apartment manager’s name instead of his own. However, this driver’s license had expired in 1987,
eleven years earlier.

The whole apartment had that lifeless feeling, like a place out of a William Faulkner story. The picture on the license was of a very handsome young man, a man probably in his late twenties. He
looked
like a younger version of the man in the ER, but it was hard to be sure.

They walked through the apartment, aware of their own footsteps, half-holding their breaths against the stale odor. There was a jumble of papers on the dining room table. Among them, O’Leary found a card from an attorney in North Plainfield, New Jersey. On the back, someone had jotted down a man’s name and a Bainbridge Island, Washington, address.

The living room was sparsely furnished, although it was cluttered with papers, clothes, bags and boxes. There was a single, uncomfortable-looking chair with an ottoman in the living room, and two black-and-white television sets. There was a bookcase, but there were no books or magazines, no newspapers—nothing to keep the man who lived in the apartment up with current events. On one of the bookcase shelves, Gene Ramirez located a gun holder for an AMT .38 caliber pistol, a holster for a derringer, and a cigar box that held nine live rounds for a .38 caliber weapon.

The detectives photographed the room and the items of interest with a digital camera, and moved on to the bedroom.

There was no bed; rather, they found a blow-up mattress of the sort that campers sometimes carry on hiking trips. It was leaning against the south wall of the bedroom. A jerry-rigged screen made of a blanket hanging on a wire covered the north bedroom wall. When they moved the air bed and pulled the blanket aside, they saw that the walls were covered with photographs of naked or half-naked women. They looked up at the ceiling and found that it, too, was covered with nude photographs. When the doors were closed, there were more naked women on the other two walls; most of the shots appeared to have been torn from
Penthouse, Playboy,
or similar men’s magazines; they weren’t overtly salacious, but more the kind of thing that a teenage boy might collect.

“When he went to bed,” Nordlund said, “He had his own gallery of women to stare at anywhere he looked.”

“Yeah,” O’Leary said. “He could choose his date for the night.”

In the corner of the bedroom, they found both Beta and VHS video recorders and a stack of pornographic video tapes. It looked as if Cool had been rerecording the Beta tapes onto the VHS machine. The man, who had apparently communicated with no one in the real world, had led a rich fantasy life behind the door to his apartment.

Thong underwear, like that the dead man tagged “Whiskey Doe” had worn, but in garish patterns of animal prints and exotic colors, was scattered in the bedroom. “I wonder if he posed in that mirror?” O’Leary mused.

All of Cool’s windows were covered, some with aluminum foil and some with dark green plastic garbage bags so that no natural light could get in and, perhaps most particularly, to prevent anyone from looking into his world.

The mediciney smell was explained when the investigators checked the bathroom. They had seen a number of containers of drugstore items in the living room, but nothing like the proliferation of bottles, jars, boxes and vials of nonprescription vitamins, pain-killers, herbal remedies, sports rubs, patent medicines, skin tonic, mens’ cologne, hair dressing, and lotions that littered the counters and the sink and were jammed into the bathroom cabinets. The sink was too full to use, and to accommodate the overflow of products, Cool had fashioned a box that fit in the shower and he’d piled more of the stuff in there. The containers in the medicine cabinet had been there so long that their bottoms had rusted to the shelves. Most of the tops were also rusted or dried shut. This looked more like the bathroom of a very old man than it did that of an athletic-looking man in his early forties.

They found two pellet guns, and several knives—both hunting knives and switchblades. The man who had lived here seemed prepared to protect his bleak lodgings.

The kitchen was pretty much what they expected; dirty dishes and accumulated boxes covered the counter tops and filled the sink. The refrigerator’s contents looked as if no one had really made a home here. The crowded shelves had the remainders of take-out dinners from a supermarket deli—fast food, half-eaten and moldering. There were many tiny bottles of alcoholic beverages, the kind that airlines serve. The oven and stove were filthy, covered with baked-on grease.

Only the refrigerator gave a clue about the man who had lived here. He had left notes to himself, anchored with magnets, some of which must have made sense only to him.

Who
was
Silas Cool? Or, rather, who had he been? Where had he worked, and with whom had he spent his time? Did anyone else know about this musty, pornography-filled apartment where he had apparently lived for almost fourteen years?

Silas Cool was dead, quite probably by his own hand. Seeing the .38 caliber bullets and the gun box, the three detectives suspected that he had also killed Mark McLaughlin, and attempted to take a bus load of thirty-three strangers down into the depths of the Lake Washington Ship Canal with him.

*   *   *

It was very late. After a last check with the hospitals to query the condition of the survivors, John Nordlund, Steve O’Leary and Gene Ramirez signed out of Homicide for the night. Tomorrow, they would hope to find someone who had actually interacted with Silas Cool—someone who might explain what forces had driven him. The man had lived in Seattle for at least thirteen years.
Somebody
had to know him.

“It was strange,” Steve O’Leary would recall. “Usually, we get lots of calls after something like this from people who have something to share with us. Not one person from his neighborhood ever called us about Silas Cool—not one clerk at the supermarket to say she had rung up his groceries, nobody who knew him from the Laundromat, no one who talked with him on the corner. No neighbors. No one who should have been at least tangentially close to him. It was almost as if he had existed in a vacuum. An invisible man.”

By Saturday morning, the reality of the bus tragedy had begun to sink in. Miraculously, there had been no more deaths although many of the survivors were still in critical condition. When the bus was lifted by cranes, the worst fears of the rescue teams didn’t come true; there was no one underneath. Those who had literally walked away from the bus to nowhere caught themselves wondering if it had all been a nightmare. But the headlines on the
Seattle Times
and the
Seattle Post-Intelligencer
blazed that it really
had
happened. Color photographs of the destroyed sections of the articulated bus took up half a page. It rested there so close to the apartment house, so close to the giant Troll who lived under the Aurora Bridge, the wreckage like two sides of a giant triangle, its accordioned midsection stretched and torn.

Still, it had landed on the ground amidst the last browning leaves of autumn and not in the deep water beneath the bridge. The ruined hulk would be lifted onto a truck and taken to the bus garage where it would be treated as a crime scene by Seattle detectives.

The postmortem examination on the body of Silas Cool was performed by King County Assistant Medical Examiner Dan Straathof shortly after 7
A.M.
on Saturday. The body still wore the yellow identification band around the right wrist reading “Whiskey Doe.” It was simply an accident that he had happened to get the “Whiskey” label from the paramedics. There were so many “Does” at the accident scene that they all had to get names that went with letters of the alphabet. There was no odor of alcohol about his body. The triage team who had moved swiftly through the accident scene locating victims and evaluating their condition and had placed a strip of white adhesive tape on his right chest that read “13.” As it turned out, he had, indeed, been unlucky 13.

Silas Cool weighed 198 pounds and measured just under six feet—although earlier descriptions had listed him as several inches taller. His hair was brown with thick swatches of gray, he was clean-shaven with clipped sideburns, and his teeth were in good repair. His body was clean and well-kept. He looked for all the world like a normal man in his early forties, who was in good shape and good health, but who had been in a very bad accident.

Silas Cool had suffered numerous wounds, commensurate with that accident; the question was whether they had occurred before or after his fatal gunshot wound. His spinal column was fractured at the C-6 level due to a blunt force injury. Had he lived, he might well have been paralyzed to some extent. Other passengers had suffered similar injuries; it was what happened to a body if it fell from a great height.

Cool had bitten through his tongue, and his lungs and liver had hemorrhages from impact wounds. There were multiple abrasions and contusions. He had probably been brain-dead, but technically alive, as the bus fell to earth.