A Thursday Next Digital Collection: Novels 1-5 (165 page)

Felix8 looked at me with a slight sense of amusement and gave a subtle nod of greeting.

“Where did you find him?” I asked.

“Outside your place half an hour ago. He had this on him.” Spike showed me an ugly-looking machine pistol with a delicately carved stock. “There was a single round in the chamber.”

I bent down to Felix8's level and stared at him for a moment. “Who sent you?”

Felix8 smiled, said nothing and looked at the chain that was firmly clasped around his ankle.

“What do you want?”

Still Felix8 said nothing.

“Where have you been these past sixteen years?”

All my questions were met with blank insolence, and after five minutes of this I walked back outside the cell block, Spike at my side.

“Who reported him?” I asked.

“Your stalker—what's his name again?”

“Millon.”

“Right. He thought Felix8 might have been
another
stalker and was going to warn him off, but when he noticed the absence of notebooks, cameras or even a duffel coat, he called me.”

I thought for a moment. If Felix8 was back on my trail, then somebody in the Hades family was looking for revenge—and they were big on revenge. I'd had run-ins with the Hades family before, and I thought they'd learned their lesson by now. I had personally defeated Acheron, Aornis and Cocytus, which left only Lethe and Phlgethon. Lethe was the “white sheep” of the family and spent most of his time doing charity work, which left only Phlgethon, who had dropped off the radar in the mid-nineties, despite numerous manhunts by SO-5 and myself.

“What do you suggest?” I asked. “He doesn't fall into any of the categories that might ethically give us a reason to keep him under lock and key without trial of some sort. After all, he's only wearing the
face
of Felix—under there he's an erased Danny Chance, married father of two who went missing in 1985.”

“I agree we can't keep him,” replied Spike, “but if we let him go he'll just try to kill you.”

“I live to be over a hundred,” I murmured. “I know—I've met the future me.”

It was said without much conviction. I'd seen enough of time's paradoxical nature to know that meeting the future me wasn't any guarantee of a long life.

“We'll keep him for twenty-four hours,” I announced. “I'll make a few inquiries and see if I can figure out which Hades is involved—if any. He might be simply trying to carry out the last order he was given. After all, he was under orders to kill me, but no one said anything about
when
.”

“Thursday…?” began Spike in a tone that I recognized and didn't like.

“No,” I said quickly. “Out of the question.”

“The only reason he'd mind being killed,” said Spike in an annoyingly matter-of-fact way, “is that it would mean he failed to carry out his mission—to kill you.”

“I hear you, Spike, but he's done nothing wrong. Give me a day, and if I can't find anything, we'll hand him over to Braxton.”

“Okay, then,” replied Spike, with a sulky air of disappointment.

“Another thing,” I said as we returned to the carpet storeroom. “My uncle Mycroft has returned as a ghost.”

“It happens,” replied Spike with a shrug. “Did he seem substantial?”

“As you or I.”

“How long was he materialized for?”

“Seven minutes, I guess.”

“Then you got him at first haunting. First-timers are always the most solid.”

“That might be so, but I'd like to know
why
.”

“I'm owed a few favors by the Realm of the Dead,” he said offhandedly, “so I can find out. By the way, have you told Landen about all this crazy SpecOps shit?”

“I'm telling him this evening.”

“Sure you are.”

 

I walked back to my office, locked the door and changed out of the less-than-appealing Acme Carpets uniform and put on something more comfortable. I would have to speak to Aornis Hades about Felix8, but she would probably tell me to go and stick it in my ear—after all, she was seven years into a thirty-year enloopment based on my testimony, and yours truly was unlikely to fill her evil little soul with any sort of heartwarming benevolence.

I finished lacing my boots, locked the door, refilled my water bottle and placed it in the shoulder bag. Acme Carpets might have been a cover for my clandestine work at SpecOps, but this itself was cover for
another
job that only Bowden knew about. If Landen found out about SpecOps, he'd be annoyed—if he found out about Jurisfiction, he'd go bonkers. Not long after the Minotaur's attack following the '88 SuperHoop, Landen and I had a heart-to-heart where I told him I was giving up Jurisfiction—my primary duty being wife and mother. And so it was agreed. Unfortunately, my
other
primary duty was to fiction—the make-believe. Unable to reconcile the two, I did both and lied a bit—well, a lot, actually—to plaster over the gaping crack in my loyalties. It wasn't with an easy or light heart, but it had worked for the past fourteen years. The odd thing was, Jurisfiction didn't earn me a penny and was dangerous and wildly unpredictable. There was another reason I liked it, too—it brought me into close contact with
story
. It would have been easier to get a registered cheesehead off a five-times-a-day Limburger habit than to keep me away from fiction. But, hey—I could handle it.

 

I sat down, took a deep breath and opened the TravelBook I kept in my bag. It had been given to me by Mrs. Nakajima many years before and was my passport in and out of the world on the other side of the printed page. I lowered my head, emptied my mind as much as possible and read from the book. The words echoed about me with a resonance that sounded like wind chimes and looked like a thousand glowworms. The room around me rippled and stretched, then returned with a
twang
to my office at Acme. Blast. This happened more and more often these days. I had once been a natural bookjumper, but the skill had faded with the years. I took a deep breath and tried again. The wind chimes and glowworms returned, and once more the room distorted around me like a barrel, then faded from view to be replaced by a kaleidoscope of images, sounds and emotions as I jumped through the boundary that separates the real from the written, the actual from the fable. With a rushing sound like distant waterfalls and a warm sensation that felt like hot rain and kittens, I was transported from Acme Carpets in Swindon to the entrance hallway of a large Georgian country house.

I
t was a spacious hallway, with deep picture windows that afforded a fine view of the extensive parklands beyond the gravel drive and perfectly planted flower beds. Inside, the walls were hung with delicate silks, the woodwork shone brightly, and the marble floor was so polished I could see myself in it. I quickly drank a pint of water, as the bookjumping process could leave me dangerously dehydrated these days, and dialed TransGenre Taxis on my mobilefootnoterphone to order a cab in a half hour's time, since they were always busy and it paid to book ahead. I then looked around cautiously. Not to check for impending danger, as this was the peaceful backstory of Jane Austen's
Sense and Sensibility.
No, I was making quite sure my current Jurisfiction Cadet wasn't anywhere in sight. My overriding wish at present was not to have to deal with her until roll call had finished.

“Good morning, ma'am!” she said, appearing in front of me so abruptly I almost cried out. She spoke in the overeager manner of the terminally keen, a trait that began to annoy soon after I'd agreed to assess her suitability, twenty-four hours before.

“Do you have to jump in so abruptly?” I asked her. “You nearly gave me a heart attack!”

“Oh! I'm sorry. But I did bring you some breakfast.”

“Well, in that case…” I looked into the bag she handed me and frowned. “Wait a minute—that doesn't look like a bacon sandwich.”

“It isn't. It's a crispy lentil cake made with soy milk and bean curd. It cleanses the bowels. Bacon definitely
will
give you a heart attack.”

“How thoughtful of you,” I remarked sarcastically. “The body is a temple, right?”

“Right. And I didn't get you coffee because it raises blood pressure. I got you this beetroot-and-edelweiss energy drink.”

“What happened to the squid ink and hippopotamus milk?”

“They were out.”

“Look,” I said, handing back the lentil animal-feed thing and the drink, “tomorrow is the third and last day of your assessment, and I haven't yet made up my mind. Do you want to be a Jurisfiction agent?”

“More than anything.”

“Right. So if you want me to sign you out for advanced training, you're going to have to do as you're told. If that means killing a grammasite, recapturing an irregular verb, dressing Quasimodo or even something as simple as getting me coffee and a bacon roll, then that's what you'll do. Understand?”

“Sorry,” she said, adding as an afterthought, “Then I suppose you don't want this?” She showed me a small lump of quartz crystal.

“What do I do with it?”

“You wear it. It can help retune your vibrational energy system.”

“The only energy system I need right now is a bacon roll. You might be a veggie, but I'm not. I'm not
you
—you're a version of
me.
You might be into tarot and yogurt and vitamins and standing naked in the middle of crop circles with your eyes closed and your palms facing skyward, but don't think that I am as well, okay?”

She looked crestfallen, and I sighed. After all, I felt kind of responsible. Since I'd made it into print, I'd been naturally curious about meeting the fictional me, but I'd never entertained the possibility that she might want to join Jurisfiction. But here she was—the Thursday Next from
The Great Samuel Pepys Fiasco.
It was mildly spooky at first, because she wasn't similar just in the way that identical twins are similar, but physically
indistinguishable
from me. Stranger still, despite
Pepys Fiasco
's being set six years before, she looked as old as my fifty-two years. Every crag and wrinkle, even the flecks of gray hair I pretended I didn't care about. For all intents and purposes, she
was
me. But only, I was at pains to point out, in facial appearance. She didn't act or dress like me; her clothes were more earthy and sustainable. Instead of my usual jeans, shirt and jacket, she wore a naturally dyed cotton skirt and a homespun crocheted pullover. She carried a shoulder bag of felt instead of my Billingham, and in place of the scarlet scrunchie holding my ponytail in place, hers was secured with a strip of hemp cloth tied in a neat bow. It wasn't by accident. After I had endured the wholly unwarranted aggression of the first four Thursday books, I'd insisted that the fifth reflect my more sensitive nature. Unfortunately, they took me a little too seriously, and Thursday5 was the result. She was sensitive, caring, compassionate, kind, thoughtful—and unreadable.
The Great Samuel Pepys Fiasco
sold so badly it was remaindered within six months and never made it to paperback, something I was secretly glad of. Thursday5 might have remained in unreadable retirement, too, but for her sudden wish to join Jurisfiction and “do her bit,” as she called it. She'd passed her written tests and basic training and was now with me for a three-day assessment. It hadn't gone that well—she was going to have to do something pretty dramatic to redeem herself.

“By the way,” I said as I had an unrelated thought, “can you knit?”

“Is this part of my assessment?”

“A simple yes or no will suffice.”

“Yes.”

I handed her Pickwick's half-knitted sweater. “You can finish this. The dimensions are on that piece of paper. It's a cozy for a pet,” I added as Thursday5 stared at the oddly shaped stripy piece of knitting.

“You have a deformed jellyfish for a pet?”

“It's for Pickwick.”

“Oh!” said Thursday5. “I'd be delighted. I have a dodo, too—she's called Pickwick5.”

“You don't say.”

“Yes—how did yours lose her plumage?”

“It's a long story that involves the cat next door.”

“I have a cat next door. It's called…now, what
was
her name?”

“Cat Next Door5?” I suggested.

“That's right,” she said, astonished at my powers of detection. “You've met her, then?”

I ignored her and pushed open the doors to the ballroom. We were just in time. The Bellman's daily briefing was about to begin.

 

Jurisfiction's offices were in the disused ballroom of Mr. and Mrs. John Dashwood's residence of Norland Park, safely hidden in the backstory of Jane Austen's
Sense and Sensibility.
Wagging and perhaps jealous tongues claimed that it was for “special protection,” but I'd never seen any particular favors shown myself. The room was painted pale blue, and the walls, where not decorated with delicate plaster moldings, were hung with lavish gold-framed mirrors. It was here that we ran the policing agency that functioned
within
books to keep order in the dangerously flexible narrative environment. We called it Jurisfiction.

The offices of Jurisfiction had long been settled at Norland. It had been many years since they had been used as a ballroom. The floor space was liberally covered with tables, chairs, filing cabinets and piles of paperwork. Each desk had its own brass-horned footnoterphone, a typewriter and an in-tray that always seemed larger than the out. Although electronics were a daily part of life in the real world, here in fiction there was no machine so complicated that it couldn't be described in a line or two. It was a different story over in nonfiction, where they had advanced technology coming out of their ears—it was a matter of some pride that we were about eight times more efficient with half the workforce. I paused for a moment. Even after sixteen years, walking into the Jurisfiction offices always gave me a bit of a buzz. Silly, really, but I couldn't help myself.

“Just in time!” barked Commander Bradshaw, who was standing on a table so as to be more easily seen. He was Jurisfiction's longest-serving member and onetime star of the Commander Bradshaw colonial ripping adventure stories for boys. His jingoistic and anachronistic brand of British Empire fiction wasn't read at all these days, which he'd be the first to admit was no great loss and freed him up to be the head of Jurisfiction, or Bellman, a post he was unique in having held twice. He and Mrs. Bradshaw were two of the best friends I possessed. His wife, Melanie, had been Friday and Tuesday's au pair, and even though Jenny was now ten and needed less looking after, Mel was still around. She loved our kids as if they were her own. She and Bradshaw had never had children. Not surprisingly, really, since Melanie was, and had always been, a gorilla.

“Is everyone here?” he asked, carefully scanning the small group of Jurisfiction agents.

“Hamlet's dealing with a potentially damaging outbreak of reasonable behavior inside
Othello,
” said Mr. Fainset, a middle-aged man dressed in worn merchant navy garb. “He also said he needed to see Iago about something.”

“That'll be about their Shakespeare spin-off play
Iago v. Hamlet,
” said the Red Queen, who was actually not a real queen at all but an anthropomorphized chess piece from
Through the Looking Glass.
“Does he really think he's going to get the Council of Genres to agree to a thirty-ninth Shakespeare play?”

“Stranger things have happened.” Bradshaw sighed. “Where are Peter and Jane?”

“The new feline in
The Tiger Who Came to Tea
got stage fright,” said Lady Cavendish, “and after that they said they needed to deal with a troublesome brake van in
The Twin Engines.
”

“Very well,” said Bradshaw, tingling a small bell. “Jurisfiction meeting number 43,369 is now in session. Item One: The number of fictioneers trying to escape into the real world has increased this month. We've had seven attempts, all of them rebuffed. The Council of Genres has made it abundantly clear that this will not be tolerated without a Letter of Transit, and anyone caught moving across or
attempting
to move across will be reduced to text on sight.”

There was silence. I was the only one who crossed over on a regular basis, but no one liked the idea of reducing people to text, whether they deserved it or not. It was irreversible and the closest thing there was to death in the written world.

“I'm not saying you
have
to do that,” continued Bradshaw, “and I want you to pursue all other avenues before lethal force. But if it's the only way, then that's what you'll do. Item Two: It's been six months, and there's still no sign of the final two volumes of
The Good Soldier Å vejk.
If we don't hear anything more, we'll just bundle up the four volumes into one and reluctantly call it a day. Thursday, have you seen anything around the Well that might indicate they were stolen to order to be broken up for scrap?”

“None at all,” I replied, “but I spoke with our opposite number over at Jurisfiktivní, and he said they'd lost it over there, too.”

“That's wonderful news!” breathed Bradshaw, much relieved.

“It is?”

“Yes—it's someone else's problem. Item Three: The inexplicable departure of comedy from the Thomas Hardy novels is still a cause for great concern.”

“Hadn't we put a stop to that?” asked Emperor Zhark.

“Not at all,” replied Bradshaw. “We tried to have the comedy that was being leached
out
replaced by fresh comedy coming
in,
but because misery has a greater natural affinity for the Wessex novels, it always seems to gain the ascendancy. Hard to believe
Jude the Obscure
was once the most rip-roaringly funny novel in the English language, eh?”

I put up my hand.

“Yes, Thursday?”

“Do you think the Comedy genre might be mining the books for laughs? You know how those guys will happily steal and modify from anything and everywhere for even the most perfunctory of chuckles.”

“It's possible, but we need hard evidence. Who wants to have a trawl around Comedy for a Thomas Hardy funnyism we can use to prove one way or the other?”

“I will,” said the Red Queen, before I could volunteer.

“Better get busy. If they
are
sucking the comedy out of
Jude,
we don't have much time. Now that the farce, rib-cracking one-liners and whimsical asides have all been removed, a continued drain on the novel's reserves of lightheartedness will place the book in a state of negative funniness. Insufferably gloomy—miserable, in fact.”

We thought about it for a moment. Even until as little as thirty years ago, the whole Thomas Hardy series was actually very funny—pointlessly frivolous, in fact. As things stood at the moment, if you wanted a happy ending to anything in Hardy, you'd be well advised to read it backward.

“Item Four,” continued Bradshaw, “a few genre realignments.”

There was an audible sigh in the air, and a few agents lost interest. This was one of those boring-but-important items that, while of little consequence to the book in question, subtly changed the way in which it was policed. We had to know what novel was in what genre—sometimes it wasn't altogether obvious, and when a book stretched across two genres or more, it could open a jurisdictional can of worms that might have us tied up for years. We all reached for our note pads and pencils as Bradshaw stared at the list.

“Erich von Däniken's
Chariots of the Gods?
has been moved from nonfiction to fiction,” he began, leaving a pause so we could write it down, “and Orwell's
1984
is no longer
truly
fiction, so has been reallocated to nonfiction. Vonnegut's
The Sirens of Titan
is no longer Sci-fibut Philosophy.”

This was actually good news; I'd thought the same for years.

“The subgenre of Literary Smut has finally been disbanded, with
Fanny Hill
and
Moll Flanders
being transferred to Racy Novel and
Lady Chatterley's Lover
to Human Drama.”

We diligently wrote it all down as Bradshaw continued:

“
The History of Tom Jones
is now in Romantic Comedy, and
The Story of O
is part of the Erotic Novel genre, as are
Lolita
and
The Autobiography of a Flea.
As part of a separate genre reappraisal, Orwell's
Animal Farm
belongs not just to the Allegorical and Political genres but has expanded to be part of Animal Drama and Juvenilia as well.”