A Treasury of Foolishly Forgotten Americans (23 page)

BOOK: A Treasury of Foolishly Forgotten Americans
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For Elizabeth to remain compelling, though, she had to keep telling lies, which battered her credibility. So many questions were raised about her that J. Edgar Hoover was forced to publicly defend his informant before Senator William Jenner's Internal Security Subcommittee in 1954. “All information furnished by Miss Bentley, which was susceptible to check, has proven to be correct,” he testified. The director's endorsement thrilled Elizabeth and, she said, “made her feel like a different person.” Nevertheless, she became increasingly marginalized and sank deeper into an alcoholic stupor. A series of teaching jobs all ended the same way—with her dismissal—until she finally landed a position with a penal institution for girls. It was an ignominious end for the Red Spy Queen who had once commanded the attention of the nation and helped set its course during the early Cold War. On December 3, 1963, at age fifty-five, she died of abdominal cancer, already well on her way to obscurity.

30
Dick Fosbury: Father of the Flop

The obscure Americans chronicled thus far all have the distinction of being dead. The fact that Dick Fosbury is alive and well (as of 2007) should probably have been an impediment to his inclusion here, since time is the ultimate arbiter of historical status. But Fosbury bent over backward to get in anyway—with an awkward maneuver known as the Fosbury Flop. It was a technique that transformed a third-rate athlete into an Olympic champion, and in the process revolutionized the sport of high jumping. Roy Blount Jr. described the still-unconventional flop in a 1969 edition of
Sports Illustrated:

In detail, Fosbury charges up from slightly to the left of center with a gait that may call to mind a two-legged camel, hooks to the right at the last moment, plants his outside (or right) foot action of a “screw,” as he says, so that his back turns abruptly to the bar and, ideally, rises seven feet and change into the air. Then, cocking an eye over his shoulder at the bar, he extends himself like a slightly apprehensive man lying back on a chaise lounge that's too short for him and finally kicks his legs up—and falls flat on his back.

Before the flop became standard, high jumpers cleared the bar with the traditional straddle method—kicking the outside leg straight up, ascending after it, stretching out facedown along the bar, and swiveling over it. Fosbury, a self-described gangly and uncoordinated wannabe athlete, never could master the straddle. To compensate, he adopted an antiquated style as a young jumper known as “the scissors,” where the athlete runs at the bar and goes over sitting up, with the legs positioned like an open pair of sheers. It was terribly inefficient, as the center of gravity was too high to achieve competitive results. But Fosbury began to modify the scissors jump by laying out more and landing on his back—the larval form of what would become the flop. The evolution of the unique form was gradual and intuitive.

“You'll read that I'm a gymnast,” Fosbury told Roy Blount in 1969. “You'll read that I'm a physicist and that I sat down one day and figured out a better way to jump. You'll read that I ran up and tripped one day and fell backward over the bar.” In reality, he said, “I didn't change my style. It changed inside me.”

Fosbury and his slightly ridiculous flop reached their apotheoses at the 1968 Olympics in Mexico, when the twenty-one-year-old cleared the bar with a record jump (7 feet; 4
1
/4 inches) and won the gold medal. Spectators roared their approval. Traditionalists were aghast. “Kids imitate champions,” U.S. Olympic coach Payton Jordan said at the time. “If they try to imitate Fosbury, he will wipe out an entire generation of high jumpers because they will all have broken necks.”

The kids did indeed mimic Fosbury, hurling themselves over sofas and landing on their backs. But instead of maiming themselves, they eventually helped make the Fosbury Flop the standard it is today. Still, the man behind it all—now an engineer in Ketchum, Idaho—has a rather subdued legacy, perhaps because the sport he transformed lacks the rabid following others have. That may change someday, and millions will gather to watch
Monday Night High Jumping
. But until that happens, Dick Fosbury's place here among some of America's more overlooked characters seems fairly secure. He's certainly in good company.

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