A Whistling Woman

Table of Contents

Title Page

Dedication

Epigraph

Praise

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Acknowledgments

About the Author

ALSO BY A. S. BYATT

Copyright Page

For Steve Jones and Frances Ashcroft

 

 

A Whistling Woman and a Crowing Hen
Is neither good for God nor Men.

—A frequent saying of my maternal grandmother

“And just as I'd taken the highest tree in the wood,” continued the Pigeon, raising its voice to a shriek, “and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!”

“But I'm
not
a serpent, I tell you!” said Alice. “I'm a—I'm a—”

“Well!
What
are you?” said the Pigeon. “I can see you're trying to invent something!”

“I—I'm a little girl,” said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day.

“A likely story indeed!” said the Pigeon, in a tone of the deepest contempt. “I've seen a good many little girls in my time, but never
one
with such a neck as that! No, no! You're a serpent; and there's no use denying it.”

—Lewis Carroll,
Alice in Wonderland

Here, at the Fountains sliding foot,
Or at some Fruit-trees mossy root,
Casting the Bodies Vest aside,
My soul into the boughs does glide:
There like a Bird it sits and sings,
Then whets, and combs its silver Wings;
And, till prepar'd for longer flight,
Waves in its plumes the various Light.

—Andrew Marvell, “The Garden”

ACCLAIM FOR A. S. BYATT'S A Whistling Woman

“Messy, smart, delicious... . [Byatt] has written a compulsive plot that makes you want to read all night, for several nights.”

—
The Seattle Times/Post-Intelligencer

“A. S. Byatt is one of the few contemporary fiction writers—Don DeLillo is another—for whom the conceptual world is almost as important as the characters they invent and the passions they explore... . There is no other writer alive who is as interested as Byatt in creating characters who are thinking women and men.”

—The New York Times Book Review

“
A Whistling Woman
is a sexy, spine-tingling novel suffused with scientific discoveries and ethical conflicts.”

—
Vanity Fair

“Warm and eccentric, nostalgic and brainy, Byatt's book is a saga of friends and family but also a portrait of Britain in the 1960s.”

—
St. Louis Post-Dispatch

“In
A Whistling Woman
, as in all of her best books, Byatt's spine-chilling narrative and complex characters render its daunting intellectual heft almost weightless.”

—
The Baltimore Sun

“
A Whistling Woman
is a novel of ideas and an experiment in cultural paleontology... . There are moments ... when Byatt's novel does not just whistle. It sings.”

—
The Atlanta Journal-Constitution

“One of the most detailed portraits of English life in the second half of the 20
^th
century... . There are few other living English novelists whose works are so abundantly loaded with art, learning, life, and discernment.”

—
The Boston Globe

“Stuffed with vivid characters and some scenes of violence and cruelty, but also with ideas... .
A Whistling Woman
keeps you turning the pages and chewing on the book's perceptions... . Intelligent entertainment.”

—San Jose Mercury News

“The plot has a driving ferocity, the huge and extraordinary cast marshaled with exceptional dexterity.”

—The Spectator

“A. S. Byatt is our postmodern Mary Poppins, her mind a bottomless carpetbag of tricks, out of which she pulls an unending stream of ideas from Augustine, Shakespeare, Darwin, Freud, Wittgenstein—as well as a vivid array of characters.”

—Elle

Chapter 1

... “This is the last tree,” said the thrush. The last tree was a dwarf thorn,
its black branches shaped one way by the wind, pointing back the way they
had come. “Formerly,” said the thrush, “there was a last tree further out.
And in earlier times there was a stunted wood, the Krumholz. The waste is
advancing.”

They looked into iron twilight. They could barely make out the bluff
where the wood had once been rooted.

“No one goes out there,” said the thrush. “In former days, there were
travellers, until winter set in. But now they are afraid of the Whistlers. The
winters have lengthened. And in the light days the land is infested by
the Whistlers.”

“The place we seek is on the other side,” said Artegall. “According to
the maps and the histories. We must go, and quickly, before winter sets in.”

“And before the hunters catch up with us,” said Mark.

“No one has set out, or come from there, in my life-time,” said the thrush,
fluffing out his spotted feathers. His life-time was not very long, and his territory was small. He was a wiry, thick-quilted thrush.

“What is the land like?” asked Artegall.

“Scrub and stones, mosses, and lichens, deep pools with ice-covers, frozen
rivers. There are white creatures there, I've been told, that scutter in the snow
and hide in holes. And slick, grey efts, in the pools. They used to say the lichens
were edible, if not palatable. All hearsay. I haven't been there.”

“And the Whistlers?”

“No one has seen them and lived,” said the thrush. “Indeed, to hear them
is mostly fatal. They fly or glide like grey shadows and make a sound—a
sound—”

“A sound?”

“So it is said, a high, whistling sound, at the extreme edge of what any
creature can hear, yet all must hear it. A dog can hear whistles that you hear
as disturbed silence. But these creatures have the power to pierce any ear—
bird and man, bear and snowcock, even your sleeping stone reptile who
appears to be lifeless.”

Artegall looked at Dracosilex, who had shown no sign of life since the Bale
Fires of the last village.

“I could do with his counsel,” said Artegall. “If he could be wakened.”

“If the Whistlers woke him,” said the thrush, “you would not live to hear
his counsel. And your bones would be picked in an instant.”
They built a shelter near the last tree, and set up their tents, before night fell.
Noises howled and hummed round them, fine, glassy sounds and a regular
quavering boom, and the icy blasts of the wind, blowing and flowing over
the dry rattling twigs of the last tree. There were also shrill notes that could
have been whistling, human or inhuman. Mark said that he had heard that
the porpoises and the dolphins sang to each other in the blue summer waters
of the south, from which they had come. “There is needles and knives in this
wind,” said Dol Throstle. “And talons and claws.” They chewed dried meat,
and sweet dried grapes, too few, gone too quickly.
In the morning a fine dry snow fell, gusting and eddying in the wind. They
could not see very far. They discussed who should scout and who should stay.
Mark asked if Artegall's geography books had contained maps of this land.
There were a few maps of the Northern Empire, he said, vague shapeless
spaces with a few rivers and many drawings of fabulous beasts, with twenty
legs, or curving claws. It was written, White Waste. I remember one or two
trails without issue, and arrows pointing out of the page, To the North. The
pages were very richly decorated, bordered with golden apples and crimson
cherries and emerald vine-leaves. And iron axes, and flakes of fire.

Dol Throstle remembered how Mark the page-boy had mocked the young
prince at the outset, with his stories of the books of venery, history, geography,
dutifully committed to memory in the study-prison of his white tower in the
south. And how Artegall's knowledge had led them through forests, and his
languages had made it possible to speak to strangers, and his books of tracking
and stalking had found food in hard places. And Mark for his part had taught
Artegall the knack of tickling trout, and stealing from bees, and chattering
like a naïf lad to soldiers in inns. And now they were no longer prince and
whipping-boy and nursemaid, but three leathery, weathered creatures, all
muscle and quickened eyes, bundled in borrowed skins. A snake had taught
Artegall the language of the beasts, but they were all, Dol thought, part of the
animal kingdom now, they could melt into woodland like foxes, lie lost in
grassland like hares, they could flow along hillsides like wolves.

Mark said they could not travel at night, using the stars, because of
the cold.

And then they heard, for the first time, in the noises of the wind and the
clack of the twigs, the whistle, that rose and fell and then rose and rose, out of
pitch, so they knew they were still hearing it though the sound disturbed only
their brains. And Dol's courage failed, and she thought she was a fool and a
madwoman to bring two mere boys so far, in search of a kingdom that was
perhaps only a fantasy out of legend. And Mark thought, numbed, that this
time maybe there was no way forward, only snow-blindness and frost-bite,
and behind were the steady hunters, beating them out of cover like fowls. And
Artegall thought that the voices were terrible, and would destroy the brain
in the skull. And then the sound died down, and released them. Artegall had
the idea of making little balls of lambswool to put in their ears, under their
skin hoods.
In the morning the two boys set out, leaving Dol under the thorn. “If we do
not come back within three days,” said Artegall, “you must turn back. The
soldiers may not harm you if I am not there.”

“Nonsense,” said Dol. “I will come after you, whatever may befall. I am
no mean tracker, by now.”

They found, after a mile or two of careful advance over characterless scrub
and crackling frost, that they needed their ears in the ice-gloom, both to test
brittle crusts over deep crevices and to listen to the land, for footfalls, for the
snap of branches, for the beat of wings. They found a kind of goat-path,
among the little junipers and ling, which widened into a track. They stumped
steadily on; Mark singled out prominent stones along the track which might
be pointers, put there by human hands. The cloud-cover was lowering
and thickening. They examined the stones, and found scratches—an arrow
perhaps, a bird's-foot, three-toed, on one, and then on another. They decided if
they found a third to turn back, and fetch Dol, and their provisions, and try
this road. A little wind got up, and blew ice in their faces, in sharp splinters.
They could hear singing in this wind. At first they did not speak of it, taking it
for an interior humming, that kept time with their footsteps and the beat of
blood. Mark said, in the end,

“Do you hear sweet voices in the wind?”

“So you hear them too. Voices, thin and high, and a kind of flute, or maybe
another voice.”

“Maybe an ice equivalent of a mirage in a desert.”

“Maybe the voices of the Whistlers.”

“Or the spirits of their victims.”

They struggled on, and the track became less definite. There were no more
markers. The wind pelted them with frozen snow. Mark said

“The singing is unbearably sad, unbearably—” and fell over in the snow
behind Artegall. As Artegall turned, the perfectly-pitched music in his head
turned to an undulating whistle. He reached to put the bulb of wool in his
ears, fumbling with his fur-gloved fingers, before he knelt by his friend. The
wool did not wholly exclude the whistling, but reduced it to a whisper of a
shriek. And he saw them coming at him through the gloom, one, two, three,
five, eight, thirteen of them, sailing on outstretched grey wings, almost indistinguishable from the cloud, their long, slender necks held out before them like
swans', their thin legs trailing like herons', their bright beaks like curving
scimitars, pale red-gold. They landed in a circle round the two, and Mark saw
with horror that their faces above their beaks were human, that they had
dark, human, forward-looking eyes under arched eyebrows, that their
feather-hoods covered, or flowed into, long hair, which they shook out over
their shoulders, that the legs above the bird-talons that struck and gripped the
icy stones were human above the feathered ankles, that the bodies inside the
great cloaks of grey pinioned wings were human, female, with high breasts
and slender waists, but covered in white down. Artegall found that he could
not move, though he could see and hear.

The Whistlers began a kind of strutting dance, moving stiffly on their
claws, winding their long necks gracefully like charming serpents, bowing and
pointing and singing at the two humans, on the white earth in the gathering
darkness. Artegall understood that they were singing, over and under the terrible whistle, but he could make no sense of the words. He tried to listen as he
listened to the speech of birds, and heard cackle and hiss; he tried to listen as he
would listen to women, and heard meaningless babble of airy syllables. He saw
then that their song was somehow spinning a cocoon of icy threads round and
over his friend's body, like a glassy shroud hardening into a coffin. His own
hands and feet were threaded with filaments which he was powerless to cast
o f. It came numbly to him, he must understand their language, or speak to
them, or he must die. He listened as he had never listened in his life, and
began to make out that their language, like their bodies, was a dreadful
hybrid, feather-words and skin-words grown into each other, beak-words and
tongue- and teeth-words fused. He could hear it, he could even construct it,
by some terrible operation inside his own skull of simultaneous separation
and stitching, so that he was, as it were, dividing the two fronts of a leather
jerkin and then, between the two parts of his brain, threading them together
with a thong of thought. “Pity,” he said, in this strange new speech, his tongue
like leather. “Pity, women-birds, bird-women—kind—creatures—this—
man—too—is—kind.” No hurt, he cried, small, promising and asking, no
hurt. And one Whistler said

“He hears us.”

“I hear you.”

“He hears words in whistling.”

“I hear your words, Whistlers. I hear, I speak.”

He said, in bird speech, “The King of the snakes taught me this speech.”
He said, in human speech, “Do not hurt us, we are lost, we mean good.” He
repeated, in their speech, “I hear you, you hear me.” It was like a blade in the
brain, dividing and touching both divided parts.

They stopped singing, then, and moved together in a circle, whistling to each
other with bowed heads. They came back, and one, whistling hesitant and low,
said

“We will carry you to a safe place for the night. We will not harm you. Do
you hear me?”

“I can hear you.”

“We will carry your friend, too. He is not harmed. He will wake.”

They snatched up Mark, three pairs of claws, and flew away. Then Artegall felt the scaled grip, through all his furs, and the cold air inside his hood as
they rose, and wheeled north, into the gathering dark and the blast of the
wind. He knew no more.
He woke by a glowing fire, deep in a cave. Mark slept beside him, the ice-cocoon melted. The bird-women roosted on rocky ledges, preening grey wings
with wicked beaks. They brought him soup, grey, bitter, gluey, in a tall jar.
They gathered round and asked who he was, where he was going? He told
them, for he saw no help in concealing it, who he was—Artegall, prince of
Harena—and of his escape from the South when the black ships poured into
the harbour, and of his companions, Dol Throstle, who was his nurse, and
Mark, and some others, who had not survived. And he spoke of Hamraskir
Kveld-Ulf, his father's legendary northern cousin, whom Dol had told him
might provide a sure refuge from the spies and assassins sent out from
Mormorea by Barbasangue. He said doubtfully that maybe the Northern
Kingdom was only legend. Dol had spoken of it with certainty when she hid
him in the laundry-cart, but the certainty had diminished with the rough
journey. Maybe there was nothing north of the wasteland except ice-floes, and
cold dancing lights.

“It is there,” said one of the Whistlers. Her name was Hvanvit. “In a valley in the ice-mountains, beyond this land. It goes by many names. Hofgarden,
Harreby, Veralden. We call it Veralden. The kings of Veralden have always
been powerful wizards. They are shape-shifters, who can become wolves, or
bears, at will, and travel out into the badlands, watching the borders, talking to the wind-spirits, listening to the advances and retreats of the ice. In
Veralden, only men were shape-shifters. Women stayed in the valley, spinning
and teaching, tending fruit-trees and flowers. They never left the valley. We
wanted to go out, we wanted the speed and the danger of the wind and the
snow and the dark. We charmed a young student into parting with his knowledge, and we made feather-coats, as you see, and rode the storm-winds at
night. We flew in, over the mountain-wall, before dawn, plaited our wild
hair, put on gown and slippers, and went to sing sweetly to the fruit-trees. But
we were spied on, by a traitress, and shamed. And an angry crowd burned
our women's clothes outside the gates of Veralden, and almost burned us. But
we put a little fear into them, and whistled in their minds, so that they merely
drove us away like a flock of geese, calling us evil, and unclean. So we have
lived here, where nothing lives, riding the winds, evading hunters and snow-eagles. We have grown angry because no one could hear our speech. Until
you came.”