Agent 6 (3 page)

— Tell me, if she’s innocent, why did she hide the diary?

Seeming to sense that Leo’s attitude towards her was thawing, Grigori became excited. He spoke quickly, rushing through a possible explanation.

— She lives with her mother and two younger brothers. She doesn’t want them snooping through it. Perhaps they’d make fun of her. I don’t know. She talks of love, maybe such thoughts embarrass her. It’s nothing more than that. We must be able to distinguish when something is not important.

Leo’s thoughts wandered. He could imagine Grigori approaching the young woman. Yet he struggled to imagine her responding fondly to a stranger’s question. Why didn’t she tell him to leave her alone? It seemed wildly imprudent of her to be so open. He leaned forward, lowering his voice, not because he feared being overheard but to signal that he was no longer talking to him formally, as a secret-police officer.

— What happened between the two of you? You walked up to her and started talking? And she . . .

Leo hesitated. He didn’t know how to finish the sentence. Finally, stumbling, he asked:

— And she responded . . .?

Grigori seemed unsure whether the question was put to him by a friend or by a superior officer. When he understood that Leo was genuinely curious, he answered:

— How else do you meet someone except to introduce yourself? I spoke about her art. I told her that I’d seen some of her work – which is true. The conversation continued from there. She was easy to talk to, friendly.

Leo found this extraordinary.

—
She wasn’t suspicious?

—
No.

—
She should have been.

Briefly they’d been speaking as friends, about matters of the heart, now they were agents again. Grigori sank his head.

— Yes, you’re right, she should have been.

He wasn’t angry with Leo. He was angry with himself. His connection with the artist was built on a lie: his affection was founded on artifice and deception.

Surprising himself, Leo offered the diary to Grigori.

— Take it.

Grigori didn’t move, trying to figure out what was happening. Leo smiled.

—
Take it. She is free to continue her work as an artist. There’s no need to press the case further.

—
You’re sure?

—
I found nothing in the diary.

Understanding that she was safe, Grigori smiled. He reached out, pulling the diary from Leo’s hands. As the pages slipped out of his grip, Leo felt an outline pressed into the paper – it wasn’t a letter or a word but some kind of shape, something he hadn’t seen.

— Wait.

Taking the diary back, Leo opened the page, examining the top right-hand corner. The space was blank. Yet when he touched the other side he could feel the indented lines. Something had been rubbed out.

He took a pencil, brushing the side of the lead against the paper, revealing the ghost of a small doodle, a sketch not much larger than his thumb. It was a woman standing on a plinth holding a torch, a statue. Leo stared blankly until realizing what it was. It was an American monument. It was the Statue of Liberty. Leo studied Grigori’s face.

Grigori stumbled over his words:

— She’s an artist. She sketches all the time.

— Why has it been rubbed out?

He had no answer.

— You tampered with evidence?

There was panic in Grigori’s reply.

— When I first joined the MGB, on my first day, I was told a story about Lenin’s secretary, Fotievam. She claims that Lenin asked his chief of security, Felix Dzierzynski, how many counterrevolutionaries he had under arrest. Dzierzynski passed him a slip of paper with the number one thousand five hundred written on it. Lenin returned the paper, marking it with a cross. According to his secretary, a cross was used by Lenin to show he had read a document. Dzierzynski misunderstood and executed all of them. That is why I had to rub it out. This sketch could have been misunderstood.

Leo thought it an inappropriate reference. He’d heard enough.

—
Dzierzynski was the father of this agency. To compare your predicament with his is ludicrous. We are not permitted the luxury of interpretation. We are not judges. We don’t decide what evidence to present and destroy. If she is innocent, as you claim, that will be found out during further questioning. In your misguided attempt to protect her, you’ve incriminated yourself.

—
Leo, she’s a good person.

— You’re infatuated with her. Your judgement is compromised.
Leo’s voice had become harsh and cruel. He heard himself and softened his tone.

— Since the evidence is intact, I see no reason to draw attention to your mistake, a mistake that would certainly end your career. Write up your report, mark the sketch as evidence and let those more experienced than us decide.

He added:

— And Grigori, I cannot protect you again.

Moscow
Moskvoretsky Bridge
KM Tramcar
Same Day

Leo exhaled on the window, causing it steam up. Childlike, he pressed his finger against the condensation and without thinking traced the outline of the Statue of Liberty – a crude version of the sketch he’d seen today. He hastily rubbed it away with the coarse cuff of his jacket and glanced around. The sketch would have been unrecognizable to anyone except himself and the tramcar was almost empty: there was only one other passenger, a man seated at the front, wrapped up against the cold in so many layers that the smallest patch of his face was visible. Having made sure no one had witnessed his sketch he concluded there was no reason to be alarmed. Usually so careful, he found it hard to believe he’d made such a dangerous slip. He was running too many late-night arrests and even when he wasn’t working, he was finding it difficult to sleep.

Except for early in the morning and late at night, tramcars were crowded. Painted with a thick stripe in their centre, they rattled around the city like giant boiled sweets. Often Leo had no choice except to force his way on. With seating for fifty, there were typically twice that number, the aisles filled with commuters jostling for position. Tonight Leo would’ve preferred the discomfort of a busy carriage, elbows jutting into his side and people pushing past. Instead he had the luxury of an empty seat, heading home to the privilege of an empty apartment – accommodation he was not obliged to share, another perk of his profession. A man’s status had become defined by how much empty space surrounded him. Soon he’d be designated his own car, a larger home, perhaps even a dacha, a country house. More and more space, less and less contact with the people he was charged with keeping watch over.

The words dropped into Leo’s head:

How Love Begins.

He’d never been in love, not in the way described in the diary – excitement at the prospect of seeing someone again and sadness as soon as they went away. Grigori had risked his life for a woman he barely knew. Surely that was an act of love? Love did seem to be characterized by foolhardiness. Leo had risked his life for his country many times. He’d shown exceptional bravery and dedication. If love was sacrifice then his only true love had been for the State. And the State had loved him back, like a favourite son, rewarding and empowering him. It was ungrateful, disgraceful, that the thought should even cross his mind that this love was not enough.

He slid his hands under his legs, mining the space for any trace of warmth. Finding none, he shivered. The soles of his boots splashed in the shallow puddles of melted snow on the steel carriage floor. There was heaviness in his chest as if he were suffering from the flu with no symptoms except fatigue and dullness of thought. He wanted to lean against the window, close his eyes and sleep. The glass was too cold. He wiped a fresh patch of condensation clear and peered out. The tram crossed the bridge, passing through streets heaped with snow. More was falling, large flakes against the window.

The tramcar slowed to a stop. The front and back doors clattered open, snow swept in. The driver turned to the open door, calling out into the night:

— Hurry up! What are you waiting for?

A voice replied:

— I’m kicking the snow off my boots!

— You’re letting more snow in than you’re kicking off. Get in now or I’ll shut the doors!

The passenger boarded, a woman carrying a heavy bag, her boots clad in clumps of snow. As the doors shut behind her she remarked to the driver:

— It’s not that warm in here anyway.

The driver gestured outside.

— You prefer to walk?

She smiled, defusing the tension. Won over by her charm, the gruff driver smiled too.

The woman turned, surveying the carriage and catching Leo’s eye. He recognized her. They lived near each other. Her name was Lena. He saw her often. In fact, she’d caught his eye precisely because she behaved as if she did not wish to be noticed. She would dress in plain clothes, as most women did, but she was far from plain herself. Her desire for anonymity struggled against the pull of her beauty and even if Leo’s job hadn’t been to observe people he would surely have noticed her.

A week ago he’d chanced across her on a metro. They’d been so close together that it had felt rude not to say hello. Since they’d seen each other several times, it was polite to at least acknowledge that fact. He’d been so nervous it had taken him several minutes to pluck up the courage to talk to her, delaying for so long that she’d stepped off the carriage and Leo, frustrated, followed her even though it wasn’t his stop, an impulsive act quite out of character for him. As she walked towards the exit he’d reached out and touched her on the shoulder. She’d spun around, her large brown eyes alert, ready for danger. He’d asked her name. She’d assessed him in a glance, checking the passengers passing by, before telling him it was Lena and making an excuse about being in a rush. With that, she was gone. There was not the slightest trace of encouragement, nor the slightest trace of impoliteness. Leo hadn’t dared follow her. He’d sheepishly backtracked to the platform, waiting for the next train. It had been a costly endeavour. He’d turned up to work late that morning, something he’d never done before. It was some consolation that he had finally found out her name.

Today was the first time he’d seen her since that awkward introduction. He was tense as she moved down the aisle, hoping she’d take the seat beside him. Rocking with the motion of the tramcar she passed him by without a word. Perhaps she hadn’t recognized him? Leo glanced back. She took a seat near the rear of the carriage. Her bag was on her lap, her eyes fixed on the snowfall outside. There was no point in lying to himself: of course she remembered him, he could tell from the way she was studiously ignoring him. He was hurt at the distance she’d placed between them; each metre was a measure of her dislike for him. If she wanted to talk she would’ve sat closer. On consideration, that would have been too assertive. It was up to him to go to her. He knew her name. They were acquaintances. There was nothing improper with striking up a second conversation. The longer he waited the more difficult it would become. If the conversation fell flat, all he would lose was a little pride. He joked to himself that he could afford such a loss: perhaps he carried around too much pride in any case.

Standing up abruptly, committing himself to a course of action, he de towards Lena with a false air of confidence. He took the seat in front of her, leaning over the back of the seat:

— My name’s Leo. We met the other day.

She took so long to respond that Leo wondered if she was going to ignore him.

— Yes. I remember.

Only now did he realize that he had nothing to talk about. Embarrassed, hastily improvising, he remarked:

— I heard you say just now that it’s as cold on this tram as off it. I was thinking the same thing. It is very cold.

He blushed at the inanity of his comments, bitterly regretting not having thought this conversation through. Looking at Leo’s coat, she commented:

— Cold? Even though you have such a nice coat?

Leo’s status as an agent provided him access to a range of fine jackets, hand-crafted boots, thick fur hats. The coat was tantamount to a declaration of his status. Not wishing to admit he worked for the secret police, he decided on a lie.

—
It was a gift from my father. I don’t know where he bought it.

Leo changed the topic of conversation.

—
I see you around a lot. I wonder if we live close to each other.

—
That seems likely.

Leo puzzled over the response. Evidently Lena was reluctant to tell him where she lived. Such caution was not uncommon. He shouldn’t take it personally. He understood it better than anyone. In fact, it appealed to him. She was shrewd and that was part of her appeal.

His eyes came to rest on her bag, filled with books, notebooks – school exercise books. Trying to strike a pose of easy familiarity, he reached out, taking one of the books.

— You’re a teacher?

Leo glanced at the information on the written on the front. Lena seemed to straighten slightly.

—
That’s right.

—
What do you teach?

Lena’s voice had become fragile.

— I teach . . .

She lost her train of thought, touching her forehead.

— I teach politics. Sorry, I’m very tired.

There was no ambiguity. She wanted him to leave her alone. She was straining against her desire to remain polite. He returned the book.

— I apologize. I’m disturbing you.

Leo stood up, feeling unsteady, as if the tramcar were travelling across a stormy ocean. He walked back to his seat grabbing the bar for support. Humiliation had replaced the blood in his veins, the sensation pumped around his body – every part of his skin burning. After several minutes of being seated, jaw locked, staring out the window, her soft rejection ringing through his head, he noticed that his hands were clenched so tight there was a series of curved fingernail impressions embedded in his palms.