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10. Nick Groom, quoted in Groom, pp. 55–6.

11. Inga Bryden, “The Mythical Image: Chatterton, King Arthur and Heraldry,” in Groom, p. 64.

12. ibid., p. 65.

13. Nick Groom, “Introduction,” in Groom, p. 7.

14. Alexandra Wedgewood, “Architecture,” in
The Romantic Age in Britain
, ed. Boris Ford, p. 208.

15. Georges Lamoine, “The Originality of Chatterton’s Art,” in Groom, p. 38.

16. Quoted Stephen B. Dobranski, “Milton’s Social Life,” in
The Cambridge
Companion to Milton
, ed. Dennis Danielson, p. 21.

17. Arden Reed,
Romanticism and Language
, p. 19.

52. THE ROMANTIC FALLACY

1. Eric Rothstein,
Restoration and Eighteenth-Century Poetry
, p. 145.

2. T. S. R. Boase, English Art 1800–1870, p. 12.

3. David Simpson, “Romanticism, Criticism and Theory,” in
The Cambridge
Companion to British Romanticism
, ed. Stuart Curran, p. 17.

4. ibid.

5. Geoffrey Thurley,
The Romantic Predicament
, p. 113.

6. ibid., p. 139.

7. Terry Castle,
Masquerade and Civilisation
, p. 184.

8. ibid., p. 333.

9. Judith N. Shklar,
After Utopia: The Decline of Political Faith
, pp. 15–16.

10. Geoffrey Hartman,
Beyond Formalism
, pp. 300 and 303.

11. J. O. Hayden (ed.), William Wordsworth: Poems, Volume One.

12. Thurley, p. 138.

13. Thomas McFarland,
Romantic Cruxes: The English Essayists and the Spirit of the
Age, pp. 11 and 13.

53. ENGLISH MUSIC

1. A. L. Bacharach (ed.), British Music of Our Time, p. 52.

2. Fuller Maitland in
The Times
, quoted in Michael Kennedy,
The Works of Ralph
Vaughan Williams
, p. 93.

3. R. Palmer (ed.),
Folk Songs Collected by Ralph Vaughan Williams
, p. ix.

4. John Caldwell (ed.),
The Oxford History of English Music
, Volume 1, p. 63.

5. ibid., p. 131.

6. ibid., p. 135.

7. ibid., p. 191.

8. ibid., p. 484.

9. ibid., p. 178.

10. ibid., Volume 2, p. 15.

11. Kennedy, p. 131.

12. ibid., p. 137.

13. ibid., p. 169.

14. ibid., p. 170.

15. ibid., p. 347.

16. J. Day,
Englishness in Music
, p. 18.

17. ibid., p. 25.

18. Simon Heffer,
Vaughan Williams
, p. 9.

19. Kennedy, p. 5.

20. C. Palmer, Delius: Portrait of a Cosmopolitan, p. 160.

21. ibid., p. 150.

22. Paul Holmes,
Vaughan Williams
, p. 57.

23. Kennedy, p. 370.

24. Palmer, p. 160.

25. ibid., p. 199.

26. ibid., p. 202.

27. Caldwell (ed.), Volume 1, p. 31.

28. ibid., Volume 2, p. 284.

29. Heffer, p. 37.

30. Kennedy, p. 157.

31. ibid.

32. ibid., p. 302.

33. Kennedy, p. 211.

34. Caldwell (ed.), Volume 1, p. 22.

35. ibid., p. 120.

36. Day, pp. 51 and 158.

Acknowledgments

Cover
: music-hall artist (reproduced by courtesy Hulton/Archive); Mr. Monks from
Oliver Twist
by Charles Dickens published by B. Pollock, from Dickens House Museum, London; needlework picture embroidered in silk from the Victoria and Albert Museum, London; Monk from
The Canterbury Tales
by Geoffrey Chaucer from the Huntingdon Library, San Marino, California; child up a tree picking fruit from the Luttrell Psalter, Add 42130 f.196v., from the British Library, London.

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