Alice Munro's Best (22 page)

“It reminds you of home,” said Andrew. “A bout of severe nostalgia.” But he said this kindly.

When we said “home” and meant Ontario, we had very different places in mind. My home was a turkey farm, where my father lived as a widower, and though it was the same house my mother had lived in, had papered, painted, cleaned, furnished, it showed the effects now of neglect and of some wild sociability. A life went on in it that my mother could not have predicted or condoned. There were parties for the turkey crew, the gutters and pluckers, and sometimes one or two of the young men would be living there temporarily, inviting their own friends and having their own impromptu parties. This life, I thought, was better for my father than being lonely, and I did not disapprove, had certainly no right to disapprove. Andrew did not like to go there, naturally enough, because he was not the sort who could sit around the kitchen table with the turkey crew,
telling jokes. They were intimidated by him and contemptuous of him, and it seemed to me that my father, when they were around, had to be on their side. And it wasn't only Andrew who had trouble. I could manage those jokes, but it was an effort.

I wished for the days when I was little, before we had the turkeys. We had cows, and sold the milk to the cheese factory. A turkey farm is nothing like as pretty as a dairy farm or a sheep farm. You can see that the turkeys are on a straight path to becoming frozen carcasses and table meat. They don't have the pretense of a life of their own, a browsing idyll, that cattle have, or pigs in the dappled orchard. Turkey barns are long, efficient buildings – tin sheds. No beams or hay or warm stables. Even the smell of guano seems thinner and more offensive than the usual smell of stable manure. No hints there of hay coils and rail fences and songbirds and the flowering hawthorn. The turkeys were all let out into one long field, which they picked clean. They didn't look like great birds there but like fluttering laundry.

Once, shortly after my mother died, and after I was married – in fact, I was packing to join Andrew in Vancouver – I was at home alone for a couple of days with my father. There was a freakishly heavy rain all night. In the early light, we saw that the turkey field was flooded. At least, the low-lying parts of it were flooded – it was like a lake with many islands. The turkeys were huddled on these islands. Turkeys are very stupid. (My father would say, “You know a chicken? You know how stupid a chicken is? Well, a chicken is an Einstein compared with a turkey.”) But they had managed to crowd to higher ground and avoid drowning. Now they might push each other off, suffocate each other, get cold and die. We couldn't wait for the water to go down. We went out in an old rowboat we had. I rowed and my father pulled the heavy, wet turkeys into the boat and we took them to the barn. It was still raining a little. The job was difficult and absurd and very uncomfortable. We were laughing. I was happy to be working with my father. I felt close to all hard, repetitive, appalling work, in which the body is finally worn out, the mind sunk (though sometimes the spirit can stay marvellously light), and I was homesick in advance for this life and this place. I thought that if Andrew could see me there in the rain, red-handed,
muddy, trying to hold on to turkey legs and row the boat at the same time, he would only want to get me out of there and make me forget about it. This raw life angered him. My attachment to it angered him. I thought that I shouldn't have married him. But who else? One of the turkey crew?

And I didn't want to stay there. I might feel bad about leaving, but I would feel worse if somebody made me stay.

Andrew's mother lived in Toronto, in an apartment building looking out on Muir Park. When Andrew and his sister were both at home, his mother slept in the living room. Her husband, a doctor, had died when the children were still too young to go to school. She took a secretarial course and sold her house at Depression prices, moved to this apartment, managed to raise her children, with some help from relatives – her sister Caroline, her brother-in-law Roger. Andrew and his sister went to private schools and to camp in the summer.

“I suppose that was courtesy of the Fresh Air Fund?” I said once, scornful of his claim that he had been poor. To my mind, Andrew's urban life had been sheltered and fussy. His mother came home with a headache from working all day in the noise, the harsh light of a department-store office, but it did not occur to me that hers was a hard or admirable life. I don't think she herself believed that she was admirable – only unlucky. She worried about her work in the office, her clothes, her cooking, her children. She worried most of all about what Roger and Caroline would think.

Caroline and Roger lived on the east side of the park, in a handsome stone house. Roger was a tall man with a bald, freckled head, a fat, firm stomach. Some operation on his throat had deprived him of his voice – he spoke in a rough whisper. But everybody paid attention. At dinner once in the stone house – where all the dining-room furniture was enormous, darkly glowing, palatial – I asked him a question. I think it had to do with Whittaker Chambers, whose story was then appearing in the
Saturday Evening Post.
The question was mild in tone, but he guessed its subversive intent and took to calling me Mrs. Gromyko, referring to what he alleged to be my “sympathies.” Perhaps he really craved an adversary, and could not find one. At that dinner, I saw
Andrew's hand tremble as he lit his mother's cigarette. His Uncle Roger had paid for Andrew's education, and was on the board of directors of several companies.

“He is just an opinionated old man,” Andrew said to me later. “What is the point of arguing with him?”

Before we left Vancouver, Andrew's mother had written,
Roger seems quite intrigued by the idea of your buying a small car!
Her exclamation mark showed apprehension. At that time, particularly in Ontario, the choice of a small European car over a large American car could be seen as some sort of declaration – a declaration of tendencies Roger had been sniffing after all along.

“It isn't that small a car,” said Andrew huffily.

“That's not the point,” I said. “The point is, it isn't any of his business!”

WE SENT THE
second night in Missoula. We had been told in Spokane, at a gas station, that there was a lot of repair work going on along Highway 2, and that we were in for a very hot, dusty drive, with long waits, so we turned onto the interstate and drove through Coeur d'Alene and Kellogg into Montana. After Missoula, we turned south toward Butte, but detoured to see Helena, the state capital. In the car, we played Who Am I?

Cynthia was somebody dead, and an American, and a girl. Possibly a lady. She was not in a story. She had not been seen on television. Cynthia had not read about her in a book. She was not anybody who had come to the kindergarten, or a relative of any of Cynthia's friends.

“Is she human?” said Andrew, with a sudden shrewdness.

“No! That's what you forgot to ask!”

“An animal,” I said reflectively.

“Is that a question? Sixteen questions!”

“No, it is not a question. I'm thinking. A dead animal.”

“It's the deer,” said Meg, who hadn't been playing.

“That's not fair!” said Cynthia. “She's not playing!”

“What deer?” said Andrew.

I said, “Yesterday.”

“The day before,” said Cynthia. “Meg wasn't playing. Nobody got it.”

“The deer on the truck,” said Andrew.

“It was a lady deer, because it didn't have antlers, and it was an American and it was dead,” Cynthia said.

Andrew said, “I think it's kind of morbid, being a dead deer.”

“I got it,” said Meg.

Cynthia said, “I think I know what morbid is. It's depressing.”

Helena, an old silver-mining town, looked forlorn to us even in the morning sunlight. Then Bozeman and Billings, not forlorn in the slightest – energetic, strung-out towns, with miles of blinding tinsel fluttering over used-car lots. We got too tired and hot even to play Who Am I? These busy, prosaic cities reminded me of similar places in Ontario, and I thought about what was really waiting there – the great tombstone furniture of Roger and Caroline's dining room, the dinners for which I must iron the children's dresses and warn them about forks, and then the other table a hundred miles away, the jokes of my father's crew. The pleasures I had been thinking of – looking at the countryside or drinking a Coke in an old-fashioned drugstore with fans and a high, pressed-tin ceiling – would have to be snatched in between.

“Meg's asleep,” Cynthia said. “She's so hot. She makes me hot in the same seat with her.”

“I hope she isn't feverish,” I said, not turning around.

What are we doing this for, I thought, and the answer came – to show off. To give Andrew's mother and my father the pleasure of seeing their grandchildren. That was our duty. But beyond that we wanted to show them something. What strenuous children we were, Andrew and I, what relentless seekers of approbation. It was as if at some point we had received an unforgettable, indigestible message – that we were far from satisfactory, and that the most commonplace success in life was probably beyond us. Roger dealt out such messages, of course – that was his style – but Andrew's mother, my own mother and father couldn't have meant to do so. All they meant to tell us was “Watch out. Get along.” My father, when I was in high school, teased me that I was getting to think I was so smart I would never find a boyfriend. He would have forgotten that in a week. I never forgot it. Andrew and I didn't forget things. We took umbrage.

“I wish there was a beach,” said Cynthia.

“There probably is one,” Andrew said. “Right around the next curve.”

“There isn't any curve,” she said, sounding insulted.

“That's what I mean.”

“I wish there was some more lemonade.”

“I will just wave my magic wand and produce some,” I said. “Okay, Cynthia? Would you rather have grape juice? Will I do a beach while I'm at it?”

She was silent, and soon I felt repentant. “Maybe in the next town there might be a pool,” I said. I looked at the map. “In Miles City. Anyway, there'll be something cool to drink.”

“How far is it?” Andrew said.

“Not so far,” I said. “Thirty miles, about.”

“In Miles City,” said Cynthia, in the tones of an incantation, “there is a beautiful blue swimming pool for children, and a park with lovely trees.”

Andrew said to me, “You could have started something.”

BUT THERE WAS
a pool. There was a park too, though not quite the oasis of Cynthia's fantasy. Prairie trees with thin leaves – cottonwoods and poplars – worn grass, and a high wire fence around the pool. Within this fence, a wall, not yet completed, of cement blocks. There were no shouts or splashes; over the entrance I saw a sign that said the pool was closed every day from noon until two o'clock. It was then twenty-five after twelve.

Nevertheless I called out, “Is anybody there?” I thought somebody must be around, because there was a small truck parked near the entrance. On the side of the truck were these words:
We have Brains, to fix your Drains. (We have Roto-Rooter too.)

A girl came out, wearing a red lifeguard's shirt over her bathing suit. “Sorry, we're closed.”

“We were just driving through,” I said.

“We close every day from twelve until two. It's on the sign.” She was eating a sandwich.

“I saw the sign,” I said. “But this is the first water we've seen for so long, and the children are awfully hot, and I wondered if they could just dip in and out – just five minutes. We'd watch them.”

A boy came into sight behind her. He was wearing jeans and a T-shirt with the words
Roto-Rooter
on it.

I was going to say that we were driving from British Columbia to Ontario, but I remembered that Canadian place names usually meant nothing to Americans. “We're driving right across the country,” I said. “We haven't time to wait for the pool to open. We were just hoping the children could get cooled off.”

Cynthia came running up barefoot behind me. “Mother. Mother, where is my bathing suit?” Then she stopped, sensing the serious adult negotiations. Meg was climbing out of the car – just wakened, with her top pulled up and her shorts pulled down, showing her pink stomach.

“Is it just those two?” the girl said.

“Just the two. We'll watch them.”

“I can't let any adults in. If it's just the two, I guess I could watch them. I'm having my lunch.” She said to Cynthia, “Do you want to come in the pool?”

“Yes, please,” said Cynthia firmly.

Meg looked at the ground.

“Just a short time, because the pool is really closed,” I said. “We appreciate this very much,” I said to the girl.

“Well, I can eat my lunch out there, if it's just the two of them.” She looked toward the car as if she thought I might try to spring some more children on her.

When I found Cynthia's bathing suit, she took it into the changing room. She would not permit anybody, even Meg, to see her naked. I changed Meg, who stood on the front seat of the car. She had a pink cotton bathing suit with straps that crossed and buttoned. There were ruffles across the bottom.

“She
is
hot,” I said. “But I don't think she's feverish.”

I loved helping Meg to dress or undress, because her body still had the solid unself-consciousness, the sweet indifference, something of the milky smell, of a baby's body. Cynthia's body had long ago been pared
down, shaped and altered, into Cynthia. We all liked to hug Meg, press and nuzzle her. Sometimes she would scowl and beat us off, and this forthright independence, this ferocious bashfulness, simply made her more appealing, more apt to be tormented and tickled in the way of family love.