Authors: Raymond Carver
To scream with pain, to cry, to summon help, to call
generally—all that is described here as “roaring.”
In Siberia not only bears roar, but sparrows and mice as well.
“The cat got it, and it’s roaring,” they say of a mouse.
—
ANTON CHEKHOV
“Across Siberia”
I ask her and then she asks me. We each
accept. There’s no back and forth about it. After nearly eleven years
together, we know our minds and more. And this postponement, it’s
ripened too. Makes sense now. I suppose we should be
in a rose-filled garden or at least on a beautiful cliff overhanging
the sea, but we’re on the couch, the one where sleep
sometimes catches us with our books open, or
some old Bette Davis movie unspools
in glamorous black and white—flames in the fireplace dancing
menacingly in the background as she ascends the marble
staircase with a sweet little snub-nosed
revolver, intending to snuff her ex-lover, the fur coat
he bought her draped loosely over her shoulders. Oh lovely, oh lethal
entanglements. In such a world
to be true.
A few days back some things got clear
about there not being all those years ahead we’d kept
assuming. The doctor going on finally about “the shell” I’d be
leaving behind, doing his best to steer us away from the vale of
tears and foreboding. “But he loves his life,” I heard a voice say.
Hers. And the young doctor, hardly skipping a beat, “I know.
I guess you have to go through those seven stages. But you end
up in acceptance.”
After that we went to lunch in a little café we’d never
been in before. She had pastrami. I had soup. A lot
of other people were having lunch too. Luckily
nobody we knew. We had plans to make, time pressing down
on us like a vise, squeezing out hope to make room for
the everlasting—that word making me want to shout “Is there
an Egyptian in the house?”
Back home we held on to each other and, without
embarrassment or caginess, let it all reach full meaning. This
was it, so any holding back had to be stupid, had to be
insane and meager. How many ever get to this? I thought
at the time. It’s not far from here to needing
a celebration, a joining, a bringing of friends into it,
a handing out of champagne and
Perrier. “Reno,” I said. “Let’s go to Reno and get married.”
In Reno, I told her, it’s marriages
and remarriages twenty-four hours a day seven days a week. No
waiting period. Just “I do.” And “I do.” And if you slip
the preacher ten bucks extra, maybe he’ll even furnish
a witness. Sure, she’d heard all
those stories of divorcees tossing their wedding rings into
the Truckee River and marching up to the altar ten minutes later
with someone new. Hadn’t she thrown her own last wedding band
into the Irish Sea? But she agreed. Reno was just
the place. She had a green cotton dress I’d bought her in Bath.
She’d send it to the cleaners.
We were getting ready, as if we’d found an answer to
that question of what’s left
when there’s no more hope: the muffled sound of dice coming
down
the felt-covered table, the click of the wheel,
the slots ringing on into the night, and one more, one
more chance. And then that suite we engaged for.
From the window I see her bend to the roses
holding close to the bloom so as not to
prick her fingers. With the other hand she clips, pauses and
clips, more alone in the world
than I had known. She won’t
look up, not now. She’s alone
with roses and with something else I can only think, not
say. I know the names of those bushes
given for our late wedding: Love, Honor, Cherish —
this last the rose she holds out to me suddenly, having
entered the house between glances. I press
my nose to it, draw the sweetness in, let it cling—scent
of promise, of treasure. My hand on her wrist to bring her close,
her eyes green as river-moss. Saying it then, against
what comes:
wife
, while I can, while my breath, each hurried petal
can still find her.
No other word will do. For that’s what it was. Gravy.
Gravy, these past ten years.
Alive, sober, working, loving and
being loved by a good woman. Eleven years
ago he was told he had six months to live
at the rate he was going. And he was going
nowhere but down. So he changed his ways
somehow. He quit drinking! And the rest?
After that it was
all
gravy, every minute
of it, up to and including when he was told about,
well, some things that were breaking down and
building up inside his head. “Don’t weep for me,”
he said to his friends. “I’m a lucky man.
I’ve had ten years longer than I or anyone
expected. Pure gravy. And don’t forget it.”
I see an empty place at the table.
Whose? Who else’s? Who am I kidding?
The boat’s waiting. No need for oars
or a wind. I’ve left the key
in the same place. You know where.
Remember me and all we did together.
Now, hold me tight. That’s it. Kiss me
hard on the lips. There. Now
let me go, my dearest. Let me go.
We shall not meet again in this life,
so kiss me goodbye now. Here, kiss me again.
Once more. There. That’s enough.
Now, my dearest, let me go.
It’s time to be on the way.
Down below the window, on the deck, some ragged-looking
birds gather at the feeder. The same birds, I think,
that come every day to eat and quarrel.
Time was, time was
,
they cry and strike at each other. It’s nearly time, yes.
The sky stays dark all day, the wind is from the west and
won’t stop blowing.… Give me your hand for a time. Hold on
to mine. That’s right, yes. Squeeze hard. Time was we
thought we had time on our side.
Time was, time was
,
those ragged birds cry.
The dusk of evening comes on. Earlier a little rain
had fallen. You open a drawer and find inside
the man’s photograph, knowing he has only two years
to live. He doesn’t know this, of course,
that’s why he can mug for the camera.
How could he know what’s taking root in his head
at that moment? If one looks to the right
through boughs and tree trunks, there can be seen
crimson patches of the afterglow. No shadows, no
half-shadows. It is still and damp.…
The man goes on mugging. I put the picture back
in its place along with the others and give
my attention instead to the afterglow along the far ridge,
light golden on the roses in the garden.
Then, I can’t help myself, I glance once more
at the picture. The wink, the broad smile,
the jaunty slant of the cigarette.
And did you get what
you wanted from this life, even so?
I did.
And what did you want?
To call myself beloved, to feel myself
beloved on the earth.
Whatever became of that brass ring
supposed to go with the merry-go-round?
The brass one that all the poor-but-happy
young girls and boys were always snagging just
at the Magic Moment? I’ve asked around: Do you know
anything about the brass ring …? I said to my neighbor.
I asked my wife, and I even asked the butcher (who I think
is from a foreign country and should know).
No one knows, it seems.
Then I asked a man who used to work for a carnival. Years ago,
he said, it was different then. Even the grown-ups rode.
He remembered a young woman in Topeka, Kansas. It was
in August. She held hands with the man who rode
the horse next to her, who had a moustache and
who was her husband. The young woman laughed
all the time, he said. The husband laughed
too, even though he had a moustache. But
all that is another story. He didn’t
say anything about a brass ring.
Once
there was a plumb-line
sunk deep into the floor
of a spruce valley
nr Snohomish
in the Cascades
that passed under
Mt Rainier, Mt Hood,
and the Columbia River
and came up
somewhere
in the Oregon rainforest
wearing
a fern leaf.
On the pampas tonight a gaucho
on a tall horse slings
a bolas towards the sunset, west
into the Pacific.
Juan Perón sleeps in Spain
with General Franco,
the President barbecues
in
Asia…
I wish to settle deeper
into the seasons,
to become like a pine tree
or a reindeer,
observe the slow grind and creep of glaciers
into northern fjords,
stand against this nemesis,
this dry weather.
FOR C. M.
Yes I remember those days,
Always young, always June or July;
Molly, her skirt rucked up over
Her knees, I in my logger-boots
My arm round her little waist,
We laughing, doing
onetwothree—glide!
onetwothree—glide!
in the warm kitchen,
Fish chowder or venison steaks
On the stove, roses stroking
The bedroom window.
Across the pasture, the Nisqually River
We listened to at night.
Oh how I wish
I could be like those Chinook salmon,
Thrusting, leaping the falls,
Returning!
Not chunks and flakes and drift
drift
A kind of
airy dullness;
head is a puddle,
heart & fingers —
all extremities —
glow
under your indifferent
touch.
Now old sun,
husband,
pour into me,
be rough
with me,
strengthen me
against that other,
that bastard.
Zhivago with a fine moustache,
A wife and son. His poet’s eyes
Witness every kind of suffering,
His doctor’s hands are kept busy.
“The walls of his heart were paper-thin,”
Comrade-General half-brother Alec Guinness
Says to Lara, whom Zhivago has loved
And made pregnant.
But at that moment,
The group from the topless bar
Next the theater begins to play.
The saxophone climbs higher and higher,
Demanding our attention. The drums
And the bass are also present,
But it is the rising and falling saxophone
That drains away the strength
To resist.