An Autobiography of Jack London (6 page)

I go over to the fence, at the edge of the right of way, and watch. Ah, ha! What's that? I see a lantern on top of the train, moving along from front to rear. They think I haven't come down, and they are searching the roofs for me. And better than that—on the ground on each side of the train, moving abreast with the lantern on top, are two other lanterns. It is a rabbit-drive, and I am the rabbit. When the shack on top flushes me, the ones on each side will nab me. I roll a cigarette and watch the procession go by. Once past me, I am safe to proceed to the front of the train. She pulls out, and I make the front blind without opposition. But before she is fully under way and just as I am lighting my cigarette, I am aware that the fireman has climbed over the coal to the back of the tender and is down at me. I am filled with apprehension. From his position he can mash me to a jelly with lumps of coal. Instead of which he addresses me, and I note with relief the admiration in his voice.

“You son-of-a-gun,” is what he says.

It is a high compliment, and I thrill as a schoolboy thrills on receiving a reward of merit.

“Say,” I call up to him, “don't you play the hose on me any more.”

“All right,” he answers, and goes back to his work.

I have made friends with the engine, but the shacks are still looking for me. At the next stop, the shacks ride out all three blinds, and as before, I let them go by and deck in the middle of the train. The crew is on its mettle by now, and the train stops. The shacks are going to ditch me or know the reason why. Three times the mighty overland stops for me at that station, and each time I elude the shacks and make the decks. But it is hopeless, for they have finally come to an understanding of the situation. I have taught them that they cannot guard the train from me. They must do something else.

And they do it. When the train stops that last time, they take after me hot-footed. Ah, I see their game. They are trying to run me down. At first they herd me back toward the rear of the train. I know my peril. Once to the rear of the train, it will pull out with me left behind. I double, and twist, and turn, dodge through my pursuers, and gain the front of the train. One shack still hangs on after me. All right, I'll give him the run of his life, for my wind is good. I run straight ahead along the track. It doesn't matter. If he chases me ten miles, he'll nevertheless have to catch the train, and I can board her at any speed that he can.

So I run on, keeping just comfortably ahead of him and straining my eyes in the gloom for cattle-guards and switches that may bring me to grief. Alas! I strain my eyes too far ahead, and trip over something just under my feet, I know not what, some little thing, and go down to earth in a long, stumbling fall. The next moment I am on my feet, but the shack has me by the collar. I do not struggle. I am busy with breathing deeply and with sizing him up. He is narrow-shouldered, and I have at least thirty pounds the better of him in weight. Besides, he is just as tired as I am, and if he tries to slug me, I'll teach him a few things.

But he doesn't try to slug me, and that problem is settled. Instead, he starts to lead me back toward the train, and another possible problem arises. I see the lanterns of the conductor and the other shack. We are approaching them. Not for nothing have I made the acquaintance of the New York police. Not for nothing, in boxcars, by water tanks, and in prison cells, have I listened to bloody tales of manhandling. What if these three men are about to manhandle me? Heaven knows I have given them provocation enough. I think quickly. We are drawing nearer and nearer to the other two trainmen. I line up the stomach and the jaw of my captor, and plan the right and left I'll give him at the first sign of trouble.

Pshaw! I know another trick I'd like to work on him, and I almost regret that I did not do it at the moment I was captured. I could make him sick, what of his clutch on my collar. His fingers, tight-gripping, are buried inside my collar. My coat is tightly buttoned. Did you ever see a tourniquet? Well, this is one. All I have to do is to duck my head under his arm and begin to twist. I must twist rapidly—very rapidly. I know how to do it; twisting in a violent, jerky way, ducking my head under his arm with each revolution. Before he knows it, those detaining fingers of his will be detained. He will be unable to withdraw them. It is a powerful leverage. Twenty seconds after I have started revolving, the blood will be bursting out of his finger-ends, the delicate tendons will be rupturing, and all the muscles and nerves will be mashing and crushing together in a shrieking mass. Try it sometime when somebody has you by the collar. But be quick—quick as lightning. Also, be sure to hug yourself while you are revolving—hug your face with your left arm and your abdomen with your right. You see, the other fellow might try to stop you with a punch from his free arm. It would be a good idea, too, to revolve away from that free arm rather than toward it. A punch going is never so bad as a punch coming.

That shack will never know how near he was to being made very, very sick. All that saves him is that it is not in their plan to manhandle me. When we draw near enough, he calls out that he has me, and they signal the train to come on. The engine passes us, and the three blinds. After that, the conductor and the other shack swing aboard. But still my captor holds on to me. I see the plan. He is going to hold me until the rear of the train goes by. Then he will hop on, and I shall be left behind—ditched.

But the train has pulled out fast, the engineer trying to make up for lost time. Also, it is a long train. It is going very lively, and I know the shack is measuring its speed with apprehension.

“Think you can make it?” I query innocently.

He releases my collar, makes a quick run, and swings aboard. A number of coaches are yet to pass by. He knows it, and remains on the steps, his head poked out and watching me. In that moment my next move comes to me. I'll make the last platform. I know she's going fast and faster, but I'll only get a roll in the dirt if I fail, and the optimism of youth is mine. I do not give myself away. I stand with a dejected droop of shoulder, advertising that I have abandoned hope. But at the same time I am feeling with my feet the good gravel. It is perfect footing. Also I am watching the poked-out head of the shack. I see it withdrawn. He is confident that the train is going too fast for me ever to make it.

And the train
is
going fast—faster than any train I have ever tackled. As the last coach comes by I sprint in the same direction with it. It is a swift, short sprint. I cannot hope to equal the speed of the train, but I can reduce the difference of our speed to the minimum, and, hence, reduce the shock of impact, when I leap on board. In the fleeting instant of darkness I do not see the iron handrail of the last platform; nor is there time for me to locate it. I reach for where I think it ought to be, and at the same instant my feet leave the ground. It is all in the toss. The next moment I may be rolling in the gravel with broken ribs, or arms, or head. But my fingers grip the handhold, there is a jerk on my arms that slightly pivots my body, and my feet land on the steps with sharp violence.

I sit down, feeling very proud of myself. In all my hoboing it is the best bit of train-jumping I have done. I know that late at night one is always good for several stations on the last platform, but I do not care to trust myself at the rear of the train. At the first stop I run forward on the offside of the train, pass the Pullmans, and duck under and take a rod under a day-coach. At the next stop I run forward again and take another rod.

I am now comparatively safe. The shacks think I am ditched. But the long day and the strenuous night are beginning to tell on me. Also, it is not so windy nor cold underneath, and I begin to doze. This will never do. Sleep on the rods spells death, so I crawl out at a station and go forward to the second blind. Here I can lie down and sleep; and here I do sleep—how long I do not know—for I am awakened by a lantern thrust into my face. The two shacks are staring at me. I scramble up on the defensive, wondering as to which one is going to make the first “pass” at me. But slugging is far from their minds.

“I thought you was ditched,” says the shack who had held me by the collar.

“If you hadn't let go of me when you did, you'd have been ditched along with me,” I answer. “How's that?” he asks.

“I'd have gone into a clinch with you, that's all,” is my reply. They hold a consultation, and their verdict is summed up in:— “Well, I guess you can ride, Bo. There's no use trying to keep you off.”

And they go away and leave me in peace to the end of their division.

I have given the foregoing as a sample of what “holding her down” means. Of course, I have selected a fortunate night out of my experiences, and said nothing of the nights—and many of them—when I was tripped up by accident and ditched.

In conclusion, I want to tell of what happened when I reached the end of the division. On single-track, transcontinental lines, the freight trains wait at the divisions and follow out after the passenger trains. When the division was reached, I left my train, and looked for the freight that would pull out behind it. I found the freight, made up on a side-track and waiting. I climbed into a boxcar half full of coal and lay down. In no time I was asleep.

I was awakened by the sliding open of the door. Day was just dawning, cold and gray, and the freight had not yet started. A “con” (conductor) was poking his head inside the door.

“Get out of that, you blankety-blank-blank!” he roared at me.

I got, and outside I watched him go down the line inspecting every car in the train. When he got out of sight I thought to myself that he would never think I'd have the nerve to climb back into the very car out of which he had fired me. So back I climbed and lay down again.

Now that con's mental processes must have been paralleling, mine, for he reasoned that it was the very thing I would do. For back he came and fired me out.

Now, surely, I reasoned, he will never dream that I'd do it a third time. Back I went, into the very same car. But I decided to make sure. Only one side-door could be opened. The other side-door was nailed up. Beginning at the top of the coal, I dug a hole alongside of that door and lay down in it. I heard the other door open. The con climbed up and looked in over the top of the coal. He couldn't see me. He called to me to get out. I tried to fool him by remaining quiet. But when he began tossing chunks of coal into the hole on top of me, I gave up and for the third time was fired out. Also, he informed me in warm terms of what would happen to me if he caught me in there again.

I changed my tactics. When a man is paralleling your mental processes, ditch him. Abruptly break off your line of reasoning, and go off on a new line. This I did. I hid between some cars on an adjacent side-track, and watched. Sure enough, that con came back again to the car. He opened the door, he climbed up, he called, he threw coal into the hole I had made. He even crawled over the coal and looked into the hole. That satisfied him. Five minutes later the freight was pulling out, and he was not in sight. I ran alongside the car, pulled the door open, and climbed in. He never looked for me again, and I rode that coal-car precisely one thousand and twenty-two miles, sleeping most of the time and getting out at divisions (where the freights always stop for an hour or so) to beg my food. And at the end of the thousand and twenty-two miles I lost that car through a happy incident. I got a “set-down,” and the tramp doesn't live who won't miss a train for a set-down any time.

“What do it matter where or ‘ow we die, So long as we've our ‘ealth to watch it all?”

—Sestina of the Tramp-Royal

P
erhaps the greatest charm of tramp-life is the absence of monotony. In Hobo Land the face of life is protean—an ever changing phantasmagoria, where the impossible happens and the unexpected jumps out of the bushes at every turn of the road. The hobo never knows what is going to happen the next moment; hence, he lives only in the present moment. He has learned the futility of telic endeavor, and knows the delight of drifting along with the whimsicalities of Chance.