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Authors: Oisin McGann

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BOOK: Ancient Appetites
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Flash's engine came upon them in a sudden roar and Nate leaped from the engimal's back as it piled into Slattery in a high-speed charge that hurled them both off the side of the carriage and over onto the ground below. Flash got back on its feet. Slattery did not.

Nate came to a running stop as he drew his sword and almost managed to drive the point of it into Hugo's unprotected thigh, but the Patriarch drew his cutlass with blurring speed and parried the strike. They pulled apart, swords in the guard position.

'You used your own
family
as bait to draw us out,' Hugo remarked with a mixture of disgust and admiration. 'Have you no conscience?'

'To be honest, I didn't think you'd actually crash the train,' Nate admitted. 'I thought you'd just block its path.'

In fact, the ferocity of Hugo's assault had wrecked Nate's plans, and the sight of all the dead and injured had shaken him to the core. But it was too late to do anything about it now.

'You still have much to learn about the use of force,' Hugo told him, and lunged in with an attack.

Nate swept it aside, cutting inside Hugo's guard at his torso, but the Patriarch's chain mail saved him. He came back at Nate in a repost that nearly drove the point of the cutlass into Nate's belly. Nate beat it down and twisted his own blade around it as it came back up, binding it and sweeping it aside once more. He struck out with a kick to Hugo's solar plexus, throwing the older man backwards and following him, blade driving forward. Hugo dodged the strike, flipped back onto his feet and came at his younger opponent again with a bewildering series of jabs and thrusts. Nate was astounded by the old man's strength and speed. With skills honed during years of medieval battles, Hugo began to drive him steadily backwards.

Brunhilde rose up, taking her pistol and drawing a bead on Nathaniel as the two men fought with a frantic clashing of steel. Daisy seized her chance and, pulling the syringe from her pocket, went to jab at Brunhilde's side – only to find her wrist caught in a crushing grip. Brunhilde's hand had moved impossibly fast and without her even looking, and now she was forcing the needle back. She turned on Daisy, her mouth open in a shrill battle cry, the gun raised not to shoot, but to beat her victim to death in an animal frenzy.

Daisy's thumb jammed the hypodermic's plunger home, spraying the poison into the mad woman's face. Brunhilde yelped, knocking the syringe from Daisy's hand so that it smashed against the wall of the carriage. She staggered up onto her feet, letting out little cries, rubbing her eyes as if they were burning. She gagged on the toxins in her mouth.

Daisy looked in despair at the shattered syringe. Her chance was gone. Half blind, Brunhilde snatched up her great Claymore sword and, raising it over her head, rushed towards Daisy. A small, dainty hand reached up from inside the compartment and grabbed the hem of her dress as she charged, catching her feet and sending her face-first down onto the carriage wall. Her sword clattered out of her hands and Daisy seized it, the weight of it nearly pulling her over as she swung it back over her shoulder. Brunhilde scrambled to her feet and Daisy swung the blade with all her might. With her eyes shut. She screamed as she felt the sword catch something in mid-swing before flying from her hands. Opening her eyes, she stared into the fierce glare of the warrior woman.

Brunhilde's expression was so savage that it took Daisy a moment to realize that the woman's head was slipping from her neck. The head dropped into the carriage compartment below her, and her decapitated body collapsed over on its side. Tatiana sidestepped the falling head as it bounced against the lower wall and climbed up out of the compartment, looking from Daisy to the dead body and back in wonder.

'I always . . . always told her not to run in . . . in that dress,' Daisy panted.

'No breeding,' Tatiana agreed, before wrapping her arms around her sister-in-law's trembling body and holding her close.

Further down the train, Nate was losing his fight. He was being forced back, ever closer to the end of the carriages, to where the jagged wreckage of the tender lay between them and the ruined locomotive. Every thrust he made was met with the ringing of steel as Hugo answered and bettered his move, attacking viciously in return. Hugo caught him, the cutlass blade opening the flesh of his sword-arm just above the wrist. Nate flinched back in reflex and Hugo cut him again below the ribs of his right side. It was all Nate could do to keep his guard up. He bled from a dozen wounds, his movements uncoordinated and awkward, slower and slower as he weakened under Hugo's barrage. But Hugo was not unscathed. Despite his chain mail and protective collar, he bled too. For every dirty move that Hugo tried, Nate had two – drawn from a lifetime of training in the fighting arts, from both East and West. He attacked with punches and kicks and knees and leg sweeps, keeping Hugo at bay with an array of moves unknown to a medieval knight. They fought like demons – every limb a weapon, every drop of blood spilled dearly. But Hugo's experience and superhuman strength were beginning to tell.

Nate stumbled back, stopping just short of the edge of the carriage, nothing behind him but the torn iron of the tender and, beyond it, the wreck of the locomotive, flames coughing fiercely from its firebox and starting to spread across the spilled piles of coal. The air over the hellish scene was full of gritty, choking smoke. He nearly lost his balance, and his arms went out to regain it . . . leaving him wide open. Hugo drove his sword into Nate's side. Nate screamed, dropping his own blade. As Hugo made to pull back for another thrust, Nate clasped his hands around his ancestor's and lunged backwards, still impaled on the sword. Hugo was thrown forwards, tumbling over Nate's head as they fell into the pile of coal in the wreck of the tender. A sharp, white-hot pain shot through Nate as he landed, and the sword twisted in the wound, making him cry out again. Hugo got to his knees; jamming one foot against Nate's hip, he wrenched the bloodied blade out and raised it for a killing blow. But just as he did so, three figures rose up from beneath the coal, seizing his arms and legs in wrestling holds. He fought like a berserker to break free, but the Maasai were too strong, too well-trained, their hearts too set on vengeance.

'Unhand me, you blasted blackamoors!' Hugo shrieked, thrashing vainly against their iron grip. 'What are you doing? What is this?!'

'This,' said Abraham in a deep, calm voice, 'is your personal Hell, Hugo Wildenstern. And we are here to deliver you to it.'

'You can't do this!' Hugo screamed at Nathaniel. 'You would let
servants
do your killing for you?!'

'They are free men now. What they do with you is their business,' Nate retorted, sitting up with a grunt and pressing his hands against the wound. Not wanting to show how badly he was hurt, he got unsteadily to his feet and turned his back on his ancestor. Then he added: 'I never wanted you dead – I just wanted you out of my house.'

And with that, he walked away to join his family.

XXXIV
BRUTUS

G
erald leaned back against the workbench, smoking a cigarette and staring at Brutus. With all the family conflict going on around him, there had been little time to consider how recent events were going to affect his work. Now that he had a moment to think about it, it dawned on him that if Nate's plans succeeded, the ancestors' extraordinary bodies could be lost to science.

And Nate had to succeed – the prospect of these throwbacks taking control of the family was unthinkable. But while Gerald would have been the first to admit that the four ancients were abominations of the highest order (even for Wildensterns), he despaired at the thought of losing the greatest chance of discovering the true nature of the intelligent particles. If a transfusion of Hugo's blood could help Clancy recover from a mortal wound, understanding those particles could change the course of medicine for ever.

So Gerald made a decision there and then. He would take Brutus's inert body down to the cellars, where he could tell Nate he had incinerated it in the huge boilers that heated the house. There were forgotten rooms down in the foundations of Wildenstern Hall where Gerald stored some of his equipment, as well as more illicit materials he wanted to keep from prying eyes. He would keep Brutus there, where he could carry on his experiments in secrecy.

Gerald had enormous faith in his cousin. Nate had yet to realize his full potential in the family but Gerald knew what a formidable opponent he could be. If he succeeded in defeating Hugo and his sisters, for the sake of science it was imperative that at least one of the ancestors be kept alive.

The moral implications of what he was doing did not particularly bother Gerald – he considered himself a servant to a higher cause that could override all other considerations. Anything was justified to advance along the path of science.

On the off-chance that Nate
failed,
Gerald could always tell Hugo that he had been trying to save Brutus's life. That part at least would be true.

There wasn't a moment to lose, but there was still the problem of moving a man of Brutus's size without the help of too many loose-lipped servants. Gerald stepped over to the sleeping giant and put a hand on his brow – then he jerked back as the monster let out a trembling moan.

Brutus awoke. His consciousness returned gradually and he lay still with his eyes closed and let it come. As his awareness of his body stretched out along his limbs, a terrible pain in his right arm told him he had been wounded in the fight. He could remember a mighty struggle, hands grabbing him, blades cutting him. He tried to flex the fingers of his right hand, and though he was sure he could feel them to their tips, there was no movement against his hip, where they lay. Instead, something cold and hard twitched against his skin. He had heard about this from men who had lost limbs in battle. Ghost pain. His hand was gone – replaced by some clumsy tool of metal.

Brutus did not know why he was not dead. Perhaps Hugo and their sisters had saved him, but his one clear memory was of them lying in a bog grave, their bodies ravaged with wounds. Earth was being thrown upon their faces. Perhaps someone had kept him alive to prolong his torture. As his thoughts turned to his family, he was struck with the certainty that they were in mortal danger. He must act.

His memories were confused; he could not think clearly. Opening his eyes, he found his vision was blurred. The room around him looked large and bright, with tall rectangular windows that blinded him with their light. He was in a bed, and on his left side, on a small table, were what could have been small weapons or surgical tools. His hand clumsily grasped the largest, a saw of polished metal. As he sat up, his unfocused eyes picked out the shape of a man lying in a bed a few feet away to his right. Brutus could see no details, but the man was not moving.

That was when he looked down at his right arm and saw the claw attached to it. The claw opened as he lifted it, and clicked closed as he pushed it away. What sorcery was this? He gaped in horror, but stayed silent.

Then he noticed the man standing to his left. The man's left hand held a short white stick from which smoke was rising lazily. His right hand was in his hair and he was staring at Brutus in what looked like awe.

'My God,' the man said in a low voice. 'You're awake!'

He was dressed in strange, straight-edged clothes unlike any Brutus had seen before, and he knew now that he had fallen into foreign hands. He was among enemies. A violent rage came over him, old battle instincts coming to the fore. His powerful muscles bunched, the hand holding the saw swung back.

Gerald stumbled backwards an instant before the naked seven-foot-tall medieval ogre, with gold needles protruding from his skin, slashed at the young doctor's neck with the bone-saw. Brutus let out a cry of savage aggression as the saw embedded itself in the top of the table. He pulled it free, his newly awakened body moving with a raw but cumbersome power. Staggering forward, he made to attack again.

'Wait! Wait! I can take you to your family!' Gerald cried.

The giant hesitated, breathing heavily. The fist holding the saw was poised in midair.

'That's what you want, isn't it?' Gerald said softly. 'To be with your brother, Hugo, and your two sisters, Elizabeth and Brunhilde?'

Brutus was still for a moment, but then he nodded.

'Yhheeess,' he croaked with vocal chords that hadn't worked in centuries.

'Come with me then, and I'll take you to them.'

Brutus stood unmoving for what seemed like an age . . . and then lowered the blade. Gerald could see just how weak the giant was; the initial effort of the attack had emptied him out and it was taking all his strength to stand upright. But maybe he had enough left in him to make it to the elevator. Once Gerald had walked him down to the cellars, he was sure the ogre would have no fight left in him and could be subdued with a minimum of effort.

'That's it,' Gerald said in an encouraging voice. 'That's a good fellow. You'll be safe with me.'

Brutus rested his right arm on Gerald's shoulders, causing the younger man to stoop under the giant's enormous weight. The claw opened and clicked closed again, inches from Gerald's face. He patted the arm nervously and started to lead his research subject towards the door. Brutus's fingers loosened their grip on the saw and it clattered to the floor.

Clancy woke to see Gerald crumpling under the weight of the ogre, one giant arm wrapped around his neck. Slowly, to avoid attracting attention, the manservant swung his legs off the bed.

Brutus slipped and lost his footing, bringing his whole weight down on Gerald's shoulders. Gerald let out a loud grunt as he tried to remain standing. A moment later, Clancy piled into Brutus, knocking Gerald aside. The young doctor watched in despair as Clancy charged the howling giant straight towards the window and, with a crash of glass, shoved him through. Clancy nearly followed him out, but Gerald darted forward, grabbed him and pulled him back. They both leaned out of the window to see the remains of the ogre splayed on the ground several storeys below. There had been no conveniently placed gargoyle this time.

'Well . . .' Gerald gasped, straightening up unsteadily. 'That's the end of that.'

Gulping air, he nodded his thanks to Clancy. The pale-faced footman sank back onto the bed, clutching his bandaged chest. Gerald hurried out of the door and along to the elevator, eager to see if there was anything of Brutus's body to salvage.

'I suppose that was one way of getting him downstairs.'

*

Francie had gone to great pains to assure his father that the Wildensterns would not be coming after him. Shay found it hard to believe: the Wildensterns were not known for their forgiveness. It was only after Francie had informed him that Master Nathaniel not only knew the full story of the botched robberies and had kept quiet about it, but had also promoted Francie to the position of groom in the engimals' stable, that Shay finally had to admit that it sounded like they were in the clear. Even so, he persisted, it was all a bit fishy if you asked him.

Francie still felt a wave of cold fear come over him when Patrick Slattery walked in as they were sitting over pints of stout in McAuley's. Shay went tense beside him, gripping the edge of the rough-hewn table. But the bailiff was a changed man. McAuley's was the local for many of the Wildenstern staff, and word had got round in the week since the catastrophic train wreck that Slattery had been fired by the family and that his name had been blackened by rumours of murder, so he could not find work anywhere else. Everyone knew that the disaster on the railway had been caused by Trom and everyone knew who drove the bull-razer. Slattery's expensive suit was dirty and dishevelled and he wore bandages on his head and one hand. There was a sullen look in his eyes that dared anyone to give him grief. Despite his loss of status, he could still inspire fear. He stood by the bar and ordered a whisky, downed it in one and then demanded another.

Francie was struck by a sudden need to empty his bladder. He slid out from behind the table. He had to walk past Slattery, and the bailiff glanced down at him as he made his way out. He imagined the man's gaze drilling into his back as he unlatched the door and stepped outside. It was a damp night; a light drizzle was falling and Francie trudged through the mud round to the back of the pub. There was always a stench from the outhouse so he avoided it, choosing to relieve himself into the hedge behind it.

Someone came out after him: he heard footsteps in the mud and then the sound of two horses trotting towards the pub. There had been no sign of them on the road when Francie had come out; they must have been down under the trees at the bend. The outhouse door opened and there was an indrawn breath and a curse. Francie recognized Slattery's voice just a few feet away. He froze. He didn't want to go bumping into that fellow in the dark. Before the door could close again, the horses drew up.

'Patrick Slattery?' a man called out.

'Who's askin'?' Slattery snapped back.

'A friend of Eoin Duffy's,' the man replied.

Francie flinched as a shot rang out and then another. Something heavy fell against the outhouse door and there were three more shots. The horses whinnied and their riders shouted and then they were gone, galloping away into the drizzling night.

Francie cautiously looked round the end of the wall. Slattery lay dead against the toilet, his body across the threshold, his chin pressed against his chest as if he were asleep. Men were coming out of the pub; there were excited shouts, questions and fearful warnings.

'Jaysus, it's Slattery,' someone said. 'Someone's done 'im in.'

They formed a semicircle around the corpse, and for some time there wasn't a word. They took off their hats, shifting their feet and looking uncomfortably at one another. Then, at last, Shay said:

'Sure, it was the best cure for 'im, God rest 'is soul. Let's get 'im out of there now – it's no fit place for the deceased.'

And so men who had despised the bailiff while he lived gathered to lift his body up and carry it inside, finally treating Patrick Slattery with all the consideration, respect and diffidence he could have wished for . . . had he not been dead.

BOOK: Ancient Appetites
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