Authors: John Banville
I stood outside Dawn Devonport’s door for fully a minute before knocking, and even then I barely brushed my knuckles against the wood. There was no response from within. Was she sleeping again? I tried the knob. The door was not locked. I opened it an inch and waited again, listening, and then stepped into the room, or insinuated myself, rather, slipping in sideways without a sound, and closed the door carefully behind me, holding my breath as the catch caught. The curtains were not drawn and although the air was chill there was more brightness than I had expected, almost a summer radiance, with a broad beam of sunlight angling down from a corner of the window, like a spot, and the net curtain a blaze of gauzy whiteness. Everything was tidied and orderly—that missing maid had been in here, anyway—and the bed might not have been slept in. Dawn Devonport lay on top of the covers, on her side again, with a hand under her cheek and her knees drawn up. I noticed how shallow an indentation in the mattress her body made, so light is she and how little of her there is. She still had her coat on, the fur collar making an oval frame for her face. She was looking at me from where she lay, those grey eyes of hers turned up to me, larger and wider than ever. Was she frightened, had I alarmed her by sliding into the room in that sinuous and sinister way? Or was she just drugged? Without lifting her head she extended her free hand to me. I clambered on to the bed, shoes and all, and lay down, face to her face, our knees touching; her eyes seemed larger than ever. ‘Hold on to me,’ she murmured. ‘I feel as if I’m falling, all the time.’ She drew back the wing of her coat and I moved closer and put my arm over her, inside her coat. Her breath was cool on my face and her eyes were almost all I could see now. I felt her ribs under my wrist, and her heart beating. ‘Imagine I’m your daughter,’ she said. ‘Pretend I am.’
So we remained for some time, there on the bed, in the cold, sunlit room. I felt as if I were gazing into a mirror. Her hand lay lightly, a bird’s claw, on my arm. She talked about her father, how good he had been, how cheerful, and how he would sing to her when she was little. ‘Silly songs, he sang,’ she said, ‘“Yes, We Have No Bananas”, “Roll Out the Barrel”, that sort of thing.’ One year he had been elected Pearly King of the Cockneys. ‘Have you ever seen the Pearly King? He was so pleased with himself, in that ridiculous suit—he even had pearls on his cap—and I was so ashamed I hid in the cupboard under the stairs and wouldn’t come out. And Mum was Pearly Queen.’ She cried a little, then wiped at the tears impatiently with the heel of a hand. ‘Stupid,’ she said, ‘stupid.’
I withdrew my arm and we sat up. She swung her legs off the bed but remained sitting on the side of it, with her back turned to me, and lit a cigarette. I lay down again, propped on an elbow, and watched the lavender smoke curling and coiling upwards into the shaft of sunlight at the window. She was crouching forwards now, with her knees crossed and an elbow on her knee and her chin on her hand. I watched her, the slope of her back and the set of her shoulders and the outline of her shoulder-blades folded like wings and her hair wreathed in smoke. A drama coach I once took lessons from told me a good actor should be able to act with the back of his head. ‘
Roll out the barrel
,’ she sang softly, huskily, ‘
we’ll have a barrel of fun
.’
Had she really intended to kill herself, I asked. Had she wanted to die? She did not answer for a long time, then lifted her shoulders and let them fall again in a weary shrug. She did not turn when she spoke. ‘I don’t know,’ she said. ‘Don’t they say the ones who fail weren’t serious in the first place? Maybe it was just, you know, what we do, you and I.’ Now she twisted her head and looked at me at a sharp angle over her shoulder. ‘Just acting.’
I said we should go back, that we should go home. She was still regarding me from under her hair, her head on one side and her chin resting on her shoulder. ‘Home,’ she said. Yes, I said. Home.
Somehow it seems to me it was the thunder-clap that did it, I mean I think it was by some dark magic our undoing. Certainly it presaged the end. The storm caught us at Cotter’s place. There is something vindictive about that kind of rain, a sense of vengeance being wrought from above. How relentlessly it clattered through the trees that day, like artillery fire showering down on a defenceless and huddled village. We had not minded rain, before, but that was the gentler kind, mere grapeshot compared to this barrage. At Cotter’s place it even used to give us a game to play, running here and there to set a pot or a jam-jar on the floor under each new leak in the ceiling as it sprang. How Mrs Gray would squeal when a plummeting cold drop fell on the back of her neck and slithered down along her bare skin under her flowered dress. By happy chance the corner where we had set out our mattress was one of the few dry places in the house. We would sit there together contentedly side by side, listening to the susurrating rain among the leaves, she smoking one of her Sweet Aftons and I practising jackstones with the beads from a necklace of hers the string of which I had broken unintentionally one afternoon in the course of a particularly energetic bout of love-making. ‘Babes in the wood, that’s us,’ Mrs Gray would say, and grin at me, displaying those two endearingly overlapping front teeth.
It turned out she was terrified of thunder. At the first crash of it, directly overhead and at what seemed no higher than the level of the roof, she went ashen-faced on the instant and crossed herself rapidly. We had been just short of the house when the rain came on, sweeping down on us through the trees with a muffled roar, and although we had sprinted the last few yards along the track we were thoroughly wet by the time we tumbled in at the front door. Mrs Gray’s hair was plastered to her skull, except for that irrepressible curl at her ear, and her dress was stuck to the front of her legs and moulded around the curves of her belly and her breasts. She stood flat-footed in the middle of the floor with her arms out at either side and flapped her hands, scattering drops from her fingertips. ‘What’ll we do?’ she wailed. ‘We’ll catch our deaths!’
The summer had drawn to an end almost without our noticing—the storm was a brusque reminder—and I was back at school. I had not called for Billy on the first morning of the new term, and did not on any subsequent morning, either. It was harder than ever to look him in the eye now, not least because that eye was so like his mother’s. What did he imagine had happened, that I should shun him like this? Maybe he thought of that day in Rossmore when I bumped into him with his tennis friends and his two rackets in their fancy new presses. In the school yard we avoided each other, and walked home by separate ways.
I was in trouble elsewhere, too. I had done badly in my exams, which was a surprise to everyone, though not to me, whom love had kept busy throughout that previous spring when I should have been at my studies. I was a bright boy and much had been expected of me, and my mother was sorely disappointed in me. She reduced my pocket money by half, but only for a week or two—no moral tenacity, that woman—and, much more seriously, threatened to make me stay indoors and apply myself to my schoolwork from now on. Mrs Gray, when I told her of these punitive measures, sided against me, to my astonishment, saying my mother was quite right, that I should be ashamed of myself for not working harder and for putting in such a poor academic performance. This led at once into the first real row we had, I mean the first that was caused by something other than my unresting jealousy and her amused disregard of it, and I went at her, bald-headed, as she would have said, which is to say, just like an adult—I was very much older now than I had been before this summer began. How darkly she glowered back at me, how defiantly, from under down-drawn brows, as I thrust my face close up to hers and snivelled and snarled. A fight like that is never forgotten, but goes on bleeding unseen, under its brittle cicatrice. But how tenderly we made up afterwards, how lovingly she rocked me in her embrace.
It had not occurred to us, in the golden glare of that long-lasted summer, that sooner or later we would have to look for somewhere more resistant to the elements than the old house in the woods. Already there was an autumnal crispness in the air, especially in the late afternoons when the sun had declined sharply from the zenith, and now with the rains it was chillier still—‘We’ll soon be doing it in our overcoats,’ Mrs Gray said gloomily—and the floorboards and the walls were giving off a dispiriting odour of damp and rot. Then came the thunder-clap. ‘Well, that,’ Mrs Gray declared, her voice shaking and the raindrops dripping from her fingertips, ‘that puts the tin hat on it.’ But where else were we to find shelter? Desperate speculation. I even toyed with the thought of requisitioning one of the disused rooms under the attic in my mother’s house; we could come through the back garden, I said eagerly, seeing us there already, and in by the back door and up the back stairs from the scullery and no one would be the wiser. Mrs Gray only looked at me. All right then, I said sulkily, did she have a better suggestion?
As it turned out, we need not have worried. I mean, we should have worried, but not about finding a new place for ourselves. That day, even before the last grumbles of thunder had settled and ceased, Mrs Gray in her fright was off, scampering in the rain along the track through the streaming wood, with her shoes in her hand and her cardigan pulled over her head for an ineffective hood, and was in the station wagon and had the engine started and was moving off before I caught up and scrambled in beside her. By now we were both thoroughly soaked. And where were we going? The rain was battering on the metal roof and dishfuls of it were sloshing back and forth across the windscreen before the valiantly labouring wipers. Mrs Gray, her hands white-knuckled on the wheel, drove with her face thrust forwards, the whites of her eyes glinting starkly and her nostrils flared in fright. ‘We’ll go home,’ she said, thinking aloud, ‘there’s no one there, we’ll be all right.’ The window beside me was awash, and quavering trees, glassy-green in that electric light, loomed in it an instant and were gone, as if felled by our passing. The sun, improbably, was managing to shine somewhere, and the washes of rain on the windscreen now were all fire and liquid sparks. ‘Yes,’ Mrs Gray said again, nodding rapidly to herself, ‘yes, we’ll go home.’
And home we went—to her home, that is. As we were drawing into the square there was an almost audible swish and the rain stopped on the instant, as if a silver bead curtain had been drawn peremptorily aside, and the drenched sunlight crept forwards, to re-stake its shaky claim on the cherry trees and the sparkling gravel under them and the pavements that had already started to steam. The air in the house felt damp and had a wan, greyish odour, and the light in the rooms seemed uncertain, and there was an uncertain hush, as if the furniture had been up to something, some dance or romp that had stopped on the instant when we entered. Mrs Gray left me in the kitchen and went off and came back a minute later having changed into a woollen dressing-gown that was too big for her—was it Mr Gray’s?—and under which, it was plainly apparent, to my avid eye, at least, that she was naked. ‘You smell like a sheep,’ she said cheerfully, and led me down—yes!—led me down to the laundry room.
I have a suspicion she did not remember our previous encounter there. That is to say I do not think it occurred to her to remember it, on this occasion. Is it possible? For me this narrow room with the oddly lofty ceiling and the single window set high up in the wall was a holy site, a sort of sacristy where a hallowed memory was stored, whereas for her I suppose it had reverted to being just the place where she did the family’s washing. The low bed, or mattress, I noticed at once, was no longer there, under the window. Who had removed it, and why? But then, who had put it there in the first place?
Mrs Gray, humming, took a towel to my wet hair. She said she did not know what to do about my clothes. Would I wear one of Billy’s shirts? Or no, she said, frowning, perhaps that would not be a good idea. But what would my mother say, she wondered, if I came home soaked to the skin? She did not seem to have noticed that, under cover of the towel she was so vigorously applying to my head—how many times in her life had she dried a child’s hair?—I had been edging ever closer to her, and now I reached out blindly and seized her by the hips. She laughed, and took a step backwards. I followed, and this time got my hands inside the dressing-gown. Her skin was still slightly damp, and slightly chilled, too, which somehow made her seem all the more thoroughly, thrillingly naked. ‘Stop that!’ she said, laughing again, and again stepped back. I was out from under the towel, and she made a wad of it and pushed it at my chest in a half-hearted attempt to fend me off. She could go back no farther now for her shoulder-blades were against the wall. The belted gown was agape at the top where I had been fumbling at it, and the skirts of it too were parted, baring her bare legs to their tops, so that for a moment she was the Kayser Bondor lady to the life, as provocatively dishevelled as the original was composed. I put my hands on her shoulders. The broad groove between her breasts had a silvery sheen. She began to say something, and stopped, and then—it was the strangest thing—then I saw us there, actually saw us, as if I were standing in the doorway looking into the room, saw me hunched against her, canted a little to the left with my right shoulder lifted, saw the shirt wet between my shoulder-blades and the seat of my wet trousers sagging, saw my hands on her, and one of her glossy knees flexed, and her face paling above my left shoulder and her eyes staring.
She pushed me aside. Of all the things that were about to start happening, I think that push, the shock of it, although it was not violent or even ungentle, is the thing I have remembered of that day with the keenest clarity, the acutest anguish. Thus must the puppet feel when the puppeteer lets the strings fall from his fingers and ducks out of the booth, whistling. It was as if in that instant she had sloughed a self, the self I knew, and stepped past me as a stranger.