Andre Norton: The Essential Collection (249 page)

"Although there were only five chapters finished, the rest being but synopsis and elaborated scenes, we knew that we had something—something big. We delayed reporting upon it until Mr. Brewster—our senior partner—returned from Europe. Mr. Brewster has the final decision on all manuscripts; he was as well pleased with this offering as we were. Frankly, we saw possibilities of another great success such as those two long historical novels which have been so popular during the past few years.

"Queerly enough, the author's name was not upon the papers sent us by the agent—that is, his proper name; there was a pen-name. And when we applied to Mr. Lever, the agent, we received a most unpleasant shock. The author's real name, which had been given in the covering letter mailed with the manuscript to Mr. Lever, had most strangely disappeared, due to some carelessness in his office.

"Now we have an extremely promising book and no author—"

"What I can't understand," cut in Holmes, "is the modesty of the author. Why hasn't he written to Lever?"

"That is the most unfortunate part of the whole affair." Mr. Creighton shook his head. "Lever recalled that the chap had said in the letter that if Lever found the manuscript unsalable he should destroy it, as the writer was moving about and had no permanent address. The fellow added that if he didn't hear from Lever he would assume that it was not acceptable. Lever wrote to the address given in the letter to acknowledge receipt, but that was all."

"Mysterious," Val commented, interested in spite of himself.

"Just so. Lever deduced from the tone of the letter that the writer was very uncertain of his own powers and hesitated to submit his manuscript. And yet, what we have is a very fine piece of work, far beyond the ability of the average beginner. The author must have written other things.

"The novel is historical, with a New Orleans setting. Its treatment is so detailed that only one who had lived here or had close connections with this country could have produced it. Mr. Brewster, knowing that I was about to travel south, asked me to see if I could discover our missing author through his material. So far I have failed; our man is unknown to any of the writers of the city or to any of those interested in literary matters.

"Yet he knows New Orleans and its history as few do today except those of old family who have been born and bred here. Dr. Hanly Richardson of Tulane University has assured me that much of the material used is authentic—historically correct to the last detail. And it was Dr. Richardson who suggested that several of the scenes must have actually occurred, becoming with the passing of time part of the tradition of some aristocratic family.

"The period of the story is that time of transition when Louisiana passed from Spain to France and then under the control of the United States. It covers the years immediately preceding the Battle of New Orleans. Unfortunately, those were years of disturbance and change. Events which might have been the talk of the town, and so have found description in gossipy memoirs, were swallowed by happenings of national importance. It is, I believe, in intimate family records only that I can find the clue I seek."

"Which scenes"—Ricky's eyes shone in the firelight—"are those Dr. Richardson believes real?"

"Well, he was very certain that the duel of the twin brothers must have occurred—Why, Mr. Ralestone," he interrupted himself as the stick Val was about to place on the fire fell from his hands and rolled across the floor. "Mr. Ralestone, what is the matter?"

Across his shoulder Ricky signaled her brother. And above her head Val saw Holmes' eyes narrow shrewdly.

"Nothing. I'm sorry I was so clumsy." Val stooped hurriedly to hide his confusion.

"A duel between twin brothers." Ricky twisted one of the buttons which marched down the front of her sport dress. "That sounds exciting."

"They fought at midnight"—Creighton was enthralled by the story he was telling—"and one was left for dead. The scene is handled with restraint and yet you'd think that the writer had been an eye-witness. Now if such a thing ever did happen, there would have been a certain amount of talk afterwards—"

Charity nodded. "The slaves would have spread the news," she agreed, "and the person who found the wounded twin."

Val kept his eyes upon the hearth-stone. There was no stain there, but his vivid imagination painted the gray as red as it had been that cold night when the slave woman had come to find her master lying there, his brother's sword across his body. Someone had used the story of the missing Ralestone. But who today knew that story except themselves, Charity, LeFleur, and some of the negroes?

"And you think that some mention of such an event might be found in the papers of the family concerned?" asked Ricky. She was leaning forward in her chair, her lips parted eagerly.

"Or in those of some other family covering the same period," Creighton added. "I realize that this is an impertinence on my part, but I wonder if such mention might not be found among the records of your own house. From what I have seen and heard, your family was very prominent in the city affairs of that time—"

Ricky stood up. "There is no need to ask, Mr. Creighton. My brother and I will be most willing to help you. Unfortunately, Rupert is very much immersed in a business matter just now, but Val and I will go through the papers we have."

Val choked down the protest that was on his lips just in time to nod agreement. For some reason Ricky wanted to keep the secret. Very well, he would play her game. At least he would until he knew what lay behind her desire for silence.

"That is most kind." Creighton was beaming upon both of them. "I cannot tell you how much I appreciate your coöperation in this matter—"

"Not at all," answered Ricky with that deceptive softness in her voice which masked her rising temper. "We are only too grateful to be allowed to share a secret."

And then her brother guessed that she did not mean Creighton's secret but some other. She crossed the room and rang the bell for Letty-Lou to bring coffee. Something triumphant in her step added to Val's suspicion. Like the Englishman of Kipling's poem, Ricky was most to be feared when she grew polite. He turned in time to see her wink at Charity.

Rupert came in just then, wet and thoroughly out of sorts, full of the evidences he had discovered on Ralestone lands bordering the swamp that strangers had been camping there. Their guests all stayed to supper, lingering long about the table to discuss Rupert's find, so that Val did not get a chance to be alone with Ricky to demand an explanation. And for some reason she seemed to be adroitly avoiding him. He did have her almost cornered in the upper hall when Letty-Lou came up behind him and plucked at his sleeve.

"Mistuh Val," she said, "dat Jeems boy done wan' to see yo'all."

"Bother Jeems!" Val exploded, his eyes on Ricky's back. But he stepped into the bedroom where the swamper was still imprisoned by Lucy's orders.

The boy was propped up on his pillows, looking out of the window. His body was tense. At the sound of Val's step he turned his bandaged head.

"Can't yo' git me outa heah?" he demanded.

"Why?"

"The watah's up!" His eyes were upon the water-filled darkness of the garden.

"But that's all right," the other assured him. "Sam says that it won't reach the top of the levee. At the worst, only the lower part of the garden will be flooded."

Jeems glanced at Val over his shoulder and then without a word he edged toward the side of the bed and tried to stand. But with a muffled gasp he sank back again, pale and weak. Awkwardly Val forced him back against his pillows.

"It's all right," he assured him again.

But in answer the swamper shook his head violently, "It ain't all right in the swamp."

In a flash Val caught his meaning. Swampers lived on house-boats for the most part, and the boats will outride all but unusual floods. But Jeems' cabin was built on land, land none too stable even in dry weather. The swamp boy touched Val's hand.

"It ain't safe. Two of them piles is rotted. If the watah gits that far, they'll go."

"You mean the piles holding up your cabin platform?" Val asked.

He nodded. For a second Val caught a glimpse of forlorn loneliness beneath the sullen mask Jeems habitually wore.

"But there's nothing you can do now—"

"It ain't the cabin. Ah gotta git the chest—"

"The one in the cabin?"

His black eyes were fixed upon Val's, and then they swerved and rested upon the wall behind the young Ralestone.

"Ah gotta git the chest," he repeated simply.

And Val knew that he would. He would get out of bed and go into the swamp after that treasure of his. Which left only one thing for Val to do.

"I'll get the chest, Jeems. Let me have your key to the cabin. I'll take the outboard motor and be back before I'm missed."

"Yo' don't know the swamp—"

"I know how to find the cabin. Where's the key?"

"In theah," he pointed to the highboy.

Val's fingers closed about the bit of metal.

"Mistuh," Jeems straightened, "Ah won't forgit this."

Val glanced toward the downpour without.

"Neither will I, in all probability," he said dryly as he went out.

It had been on just such a night as this that the missing Ralestone had gone out into the gloom. But he was coming back again, Val reminded himself hurriedly. Of course he was. With a shake he pulled on his trench-coat and slipped out the front door unseen.

CHAPTER XIV

PIRATE WAYS ARE HIDDEN WAYS

The rain, fine and needle-like, stung Val's face. There were ominous pools of water gathering in the garden depressions. Even the small stream which bisected their land had grown from a shallow trickle into a thick, mud-streaked roll crowned with foam.

But the bayou was the worst. It had put off its everyday sleepiness with a roar. A chicken coop wallowed by as the boy struggled with the knot of the painter which held the outboard. And after the coop traveled a dead tree, its topmost branches bringing up against the plantation landing with a crack. Val waited for it to whirl on before he got on board his craft.

The adventure was more serious than he had thought. It might not be a case of merely going downstream and into the swamp to the cabin; it might be a case of fighting the rising water in grim battle. Why he did not turn back to the house then and there he never knew. What would have happened if he had? he sometimes speculated afterward. If Ricky had not come into the garden to hunt him? If together they had not—

While Val went with the current, his voyage was ease itself. But when he strove to cut across and so reach the mouth of the hidden swamp-stream, he narrowly escaped upsetting. As it was, he fended off some dark blot bobbing through the water, his palm meeting it with a force that jarred his bones.

But he did make the mouth of the swamp-stream. Switching on the strong search-light in the bow, he headed on. And because he was moving now against the current, it seemed that he lost two feet for every one that he advanced.

The muddy water was whipped into foam where it tore around shrub and willow. There were no longer any confining banks, only a waste of water glittering through the dark foliage. The drear habitat of the vultures was being swept bare by the scouring of the incoming streams, but its moldy stench still arose stronger than ever, as if some foulness were being stirred up from its ancient bed.

It was only by chance that Val found the drying rack which marked the boundary of Jeems' property. Here the land was higher than the flood, which had not yet spread inland. He tied the boat to a willow and splashed ashore. In the lower portions of the path his feet sank into patches of wet. Something which might have been—and probably was—a snake oozed away from the beam of his pocket torch.

The clearing was much as it had been, save that the door of the chicken-run stood ajar and its feathered population was gone. But under the cabin Val saw the betraying sparkle of water. The bayou in the rear must have topped flood level.

Someone had been there before him. The lock was battered and there had been an attempt to pry loose its staples, an attempt which had left betraying gouges on the door frame. But misused as it had been, the lock yielded to the key and Val went in. Warned by a lapping sound from beneath, it did not take him long to get the chest, relock the door, and head back to the boat.

He was none too soon. Already, in the few moments of his absence, there were rills cutting across the mud, rills which were growing in strength and size. And the flood around the drying rack was up a good three inches. Val dumped the chest into the bow with little ceremony and climbed in after it, his wet trousers clinging damply to his legs. Something plate-armored and possessing wicked yellow eyes swam effortlessly through the light beam—a 'gator bound for the Gulf, whether he would or no.

The return as far as the bayou was easy enough, for again the boat was borne on the current. But when Val faced the torn waters of the river he experienced a certain tightness of throat and chill of blood. What might have been the roof of a small shed was passing lumpily as he hesitated. Then came a tree burdened with a small 'coon which stared at the boy piteously, its eyes green in the light. An eddy sent its ship close to the boat; the top branches clung a moment to the bow. And to Val's surprise, the 'coon roused itself to a mighty effort and crossed into the egg-shell safety the boat offered. Once in the outboard, it retreated to the bow where it crouched beside the chest and kept a wary eye on Val's every movement.