Authors: Mike Ripley
Tags: #london, #1980, #80s, #thatcherism, #jazz, #music, #fiction, #series, #revenge, #drama, #romance, #lust, #mike ripley, #angel, #comic crime, #novel, #crime writers, #comedy, #fresh blood, #lovejoy, #critic, #birmingham post, #essex book festival, #death, #murder, #animal rights
More months went by with a not a word from my production company, but then came news, from an unknown source and in a very unexpected place.
I was at a
Lovejoy
party in the Groucho Club in Soho, and while I was in the Gentlemen's lavatory on the second floor, minding my own business, two young men in smart suits entered and took up position at urinals next to me. Deep in conversation, they probably never noticed me, but my ears certainly pricked up when one told the other: â
And the latest from Carlton is they've put
Angel
into turnaround and they're going with the
Sharman
series.'
Back in the party, one of the other
Lovejoy
writers told me that âturnaround' meant that Carlton had given up on the project and were basically offering their interest in it for sale.
The next day, I rang my production company and had the news rather casually confirmed to me. No doubt they would have got around to telling me one day. I asked if I could now, finally, see the pilot script that we had waited three years for and that had been rejected by Carlton. They said they would try and find a copy, but I insisted on sending a motorbike messenger round to their office that afternoon to collect one.
It quickly became clear once I read it, why Carlton had lost faith in the project. Not only was it a bad script, but it was deliberately quirky to no obvious dramatic advantage. Angel made his first entrance dressed as an aardvark (!) playing the trumpet (!!) as a novelty entertainer at a children's birthday party. The writer also insisted on misspelling âtrumpet' as âtrump
het
' throughout, adding to the air of unreality.
Slightly more worrying from my point of view was the fact that the script of
Angel Touch
bore no relation to the novel
Angel Touch
. It was, in fact, a script based on
Just Another Angel
, which was not the novel named in the rights contract!
There was no point in complaining to anyone, though I did write to the Head of Drama at Carlton disassociating myself from the script. I assumed the Carlton adventure was over and once the third-year option expired, I could turn to Yorkshire TV and start the whole process again!
But real life is often weirder than fiction. By all the rules (as if there are any rules in television!) my production company should have cut its losses at the end of that third year. They knew a fourth-year option was unlikely, and so the only way to hang on to the rights would be to
exercise the option
as if the series was being filmed
, even though they had no script, no cast and no broadcaster! They would also have to pay me a large amount of money, as options are based on 10% of the full fee, the other 90% being paid when the cameras started turning. The only possible reason for exercising the option would be to hang on to the rights in the hope that another broadcaster would buy them out at a profit.
Such a course of action seemed highly unlikely, almost impossible; but it wasn't. At about 15 minutes to midnight on the day the option expired, large amounts of cash were wired to my agent who rang me the following morning to tell me the news. My reaction was an immediate âOh bugger!'
The rights to
Angel
were thus locked up for the hypothetical duration of a âfirst series' that was never going to be made.
I didn't hear from that production company again, though they held on to the rights (quite legally if pointlessly) until 1996 when they âreverted' to me.
Since then, four other production companies have toyed with the television rights, one of them even paying me to write a script of
Angels In Arms
, but nothing ever made it into production.
I still hear stories of
Angel
in bars and restaurants in Soho. Of how the comedian Lenny Henry was tipped for the role of taxi-driving, trumpet-playing Angel, even though he couldn't drive or play the trumpet. Of how a mysterious pilot was actually filmed in Battersea (though I suspect this was location filming for the American vampire series
Angel
.) And there was the time I met the writer Alan Plater, who told me he had been offered the job of scripting an Angel book for television five years earlier, but had been too busy. And people still ask me who I would like to see play Angel on the small screen.
Will anyone ever? Who knows. It used to be the accepted wisdom in publishing that âgetting on the telly' increased the sales of your paperbacks
ten-fold
whether or not the TV show (or indeed the books) were any good.
I don't think that formula holds good any longer. I know of writers whose books were televised who now have trouble finding a publisher at all. I know others who have become bestsellers without any TV exposure at all.
And though it has been two years now since anyone showed an interest in the television rights, it might happen. Reginald Hill's marvellous Dalziel and Pascoe novels series started in 1970 but took 25 years to make it to television, so me and Angel won't give up hope just yet.
In a way, I would miss the constant âWho do you want to play Angel?' question. Once, at a meeting of television luvvies, I was asked and I said: âOh well, if Kenneth Branagh's busy â¦' expecting to get a laugh. Instead, three of them, with deadpan faces, pulled out mobile phones and said âHave you checked with his agent?'
Being half-serious, at various times I did suggest a younger Neil Morrissey, Sam West or Mick Ford of the RSC. Others have suggested cast members from
Emmerdale
(where my mate Richard Thorp always said he wanted the role of Duncan the Drunken) or
EastEnders
; Robert Carlyle, Lenny Henry, Nick Berry (several times) and even Sir David Jason.
But my most honest answer has always been âsomebody young, unknown, hungry and grateful.'
On reflection, I think Rupert Grint (Ron Weasley in the Harry Potter films) is shaping up nicely; but let's face it, we couldn't afford him nowadays. Should he fancy the role, though, once he graduates from Hogwarts, the rights are available â¦
Â
Â
Mike Ripley
Colchester, July 2006
Â
Â
Â
Â
Â
Salome was in a right two-and-eight when I took her birthday present up at sparrowfart; and what with everything else that happened later on, it was no wonder she threw a wobbler that evening.
I had her present already wrapped, and I'd just heard Frank pad downstairs and out for his early morning jog, so the coast was as clear as it ever would be. Not that I've anything against Frank, and he is fairly broad-minded (well, as much as, say, Attila the Hun), but the present was a bit special and quite likely to be misconstrued. Well, if it wasn't, I'd wasted 40 quid.
Frank and Salome had the dubious pleasure of living in the flat above mine. It was much the same as mine, except their compact midi system couldn't hold a candle to my ginormous Pioneer speakers (which can set heads banging in Tottenham on a clear day) and I don't have shares in Laura Ashley. But Frank and Salome wouldn't have to put up with me for much longer. Like the good BASUMs (Black Anglo-Saxon Upwardly Mobiles) they were, the Asmoyahs were on the move, having spent nearly a year converting a flat of their own in Limehouse. Goodbye rent book, hello mortgage relief.
So as this was likely to be Salome's last birthday in Stuart Street, I'd got her something special.
I'd always had a soft spot for Salome. Well, strictly speaking, it was a bit of a hard spot, but any serious attempt at Naughties was out of order because I quite liked her husband and anyway he was about ten percent bigger than me and two hundred percent fitter.
But I have my limits, and they were well strained that morning when she opened the door to my knock. So was the purple satin slip she was wearing. Strained, I mean.
âAngel! It's 6.30. What the hell are you doing up?'
I produced my trumpet from behind my back and did a double tempo version of âHappy Birthday'
accompanied by a basic soft-shoe shuffle. And that's not as easy as it sounds; it's a bit like trying to smile and whistle at the same time, like they used to tell Boy Scouts to do.
At least it made Salome smile, until she suddenly remembered the other residents and dragged me into the flat by the elbow.
âYou crazy man, you'll wake everybody in the street!'
I kept playing, but pointed to the mute in the trumpet bell. âYou might wake Lisabeth,' she said seriously.
I stopped playing immediately.
A very wise man once said that you should try everything in life once, except incest and folk-dancing. I fully agree with that, but I would add waking Lisabeth, who lived in the flat below with her girlfriend Fenella. (I'd also add: country and western music, driving a Lada, piano lessons from Richard Clayderman, Pot Noodles and a whole bunch of other stuff.)
âOkay, killjoy. Happy birthday to you, Happy â¦' I sang quietly, then reached into my jacket to produce her present as suggestively as I could.
âWhat have you got in there?' Salome being coy was almost as cute as Salome being proud and imperious. Or Salome mixing concrete, come to that.
âBirthday girls have birthday presents, just as soon as I can whip it out.'
âI'll take the parcel instead,' she chirped, grabbing the package and wriggling by me into the living-room.
There was a birthday card propped up on her coffee table, which was of the sort that are designed to amputate shins. The card showed a gorilla beating its chest and bore the legend âI'm Your King of Kongs.' I filed that away to use in evidence against Frank some day.
âMy goodness ⦠it's â¦'
âJust what you've always wanted?' I offered.
âNo, I can't say that. It's â¦'
âSomething to put the magic back into a jaded sexual partnership?'
âNo, it's just plain bloody rude! Anyway, who says I'm jaded?' Dangerous ground here, so watch yourself son. Don't let on that you'd noticed the absence of creaking bedsprings for the past four months. At one point in their marriage, you could set your watch by them, as long as you set your watch on Tuesdays and Fridays, that is.
âJust presuming, my dear. You busy busying in the City all day, Frank in training as a legal beagle â or should that be eagle? â and then both of you over in Limehouse every evening doing up the flat. All work, no play.'
âAnd this will help?'
âI guarantee it. Wear it at the office, especially when you have an important meeting and there are lots of old fogeys clocking you something rotten. They won't know what they're missing. Then, of course, you spring it on Frank one evening when the mood is right.'
âDon't be silly, it wouldn't fit him.' She slumped onto the sofa.
âWell, if you wanted a trial run, I'm usually free on Wednesdays.'
That day was Wednesday. I'm nothing if not subtle.
âOh shit, it's Wednesday,' she said, throwing back her head and almost all her wonderfully-shiny hair.
âI can see you're totally underwhelmed by my offer,' I said, pouting.
âIt's not you, Angel darling.' She put out a hand and patted my knee. It trembled. âIt's just that I don't want to go to work today.'
âWell, of course not. It's your birthday. In America, everybody has the day off. Some American friends of mine have over two hundred birthdays a year.'
I knew that would cheer her up, and like most women she showed her amusement by bursting into tears.
I said lots of âThere, theres,' and sat down next to her, putting an arm around her and cocking an ear just in case Frank returned earlier than usual.
âC'mon, honey, tell Uncle Roy all about it,' I said, much against my better judgement. (Rule of Life No 52: when women decide to tell you what's troubling them, if it's really important they start with âIt's nothing â¦')
âIt's nothing, really, I suppose,' she said.
Oh shit.
âIt's just ⦠I've got bad vibes at work.' She took a deep breath and shuddered. âI'm being blamed for information leaking out from the firm, and the big chiefs are getting paranoid.'
I felt my eyebrows rise. Salome was part of a team of stockbroking analysts, the background boys and girls who keep industrialists well wined and dined whilst sticking to the Perrier themselves. Any titbit of information they pick up at a lunch table is recycled that afternoon in the form of a sector note telling punters what shares to buy, what to hold, what to flush down the pan. Salome's particular sector was the leisure business, holiday firms, travel agents and so on, but there are as many sectors as there are businesses with share listings: breweries and distilleries, cars, oil, banking, you name it.
If Salome was linked with information leaks, then it was serious. Just at the moment, insider trading carried a stigma in the City only marginally less repugnant than having your car clamped.
âIs it happening?' I asked carefully.
âOh yes.' She sniffed loudly and stood up, looking for a box of tissues.
âWhy does anyone suspect you?' My eyes followed her legs across the room.
âSomebody somewhere has acted on my last two circulars before they even got to our paying customers. Yesterday was the worst. I did a profits forecast on an airline and the shares were being bought within an hour of it leaving my typewriter. I'd had a tip I'm sure nobody else had got wind of. It helps being a woman in the City sometimes.'
âNow, that's a sexist remark, Salome, my dear.'
âNo, it isn't,' she smiled.
âIt would have been if I'd said it.'
âYou could make a note to the milkman sexist.' Now there was female logic for you. âI'd better get ready, I suppose. Got to face them.'
I stood up and put my arms round her from behind, keeping an eye on the door in the reflection from the screen of her TV.
âCome on, my dear, slip into your pinstripes and have at them with your umbrella. They've got to be nice to you on your birthday.'
âYeah, well, I don't intend to do any work today, so they can't blame me if anything else goes wrong.'
âI've been saying that for years, but they still do. You've nothing really to worry about, have you?'
She half turned to me.
âYes, I have to worry about it, Angel, but no, I haven't done anything wrong, if that's what you're asking.'
I shrugged, but kept holding her. She kissed me lightly on the cheek.
âI've got to put my face on. I'll be okay, don't worry. Thanks for the concern ⦠and the present.'
âWhy don't you wear it today, eh? Cheer us all up.'
âNo, I'm not in the mood. Not today. But I will one day. I've seen pictures of them before, but I never knew they made them in suede.'
âI have contacts, you know,' I said smugly. âI think you'll find it fits, but if you want to make sure â¦'
âOut.' She pointed to the door. âI'll see you tonight.'
âSure thing.'
âThe boys are lined up?'
âOh yeah, but it'll cost you in beer.'
I had arranged a small band to play at her birthday party after work. As it was Salome and most of the lads knew her through me, they were doing it for beer only, but I don't think Salome had any conception of what that meant in volume terms.
âSo we'll see you about 6.00? Frank's coming on later.'
âGood. I'll get the first dance, then.'
âYou can't dance and play ⦠Oh yes, I've just seen you, haven't I?'
I smiled my best pearly smile.
âOh get out, I'll be late.' She reached for a scatter cushion to throw at me. It was a little tradition we had.
âOkay, I'm gone.' I held my hands up and backed to the door.
She put down the cushion and picked up a hairbrush. She had long, lovely black hair, the sort that makes you think you could become a hair fetishist.
âBut thanks for getting up so early for my birthday,' she said.
âWhat? Oh, no. I was just getting in.'
She reached for the cushion.
Â
I put the flat key in the lock with some trepidation, as I didn't want to wake the Werewolf. He was never at his best in the mornings. He was never at his best during daylight, come to think of it.
I needn't have worried; Springsteen had woken him up and he was glued to breakfast TV and half-way down a bottle of Guinness.
I suppose I'd better explain about Werewolf before you get any funny ideas. I've known him since we were students together, but if I'm lucky I see him maybe every three years. If I'm not lucky, it's more often. He appears, stays for a few days, then goes, leaving only a hangover to remember him by. He eats my food and sleeps on my floor, but he always brings his own booze â âgargle' as he calls it â and a present. So far, I was down two Chinese take-aways and some kebabs from the local Stavros. My presents had included an ounce of first grade Moroccan black and an old lemonade bottle full of poteen, real vintage hooch at least a week old.
Werewolf was Irish, but his mother, he said, had been French. He could certainly speak French and Irish fluently, and swear competently in about six other languages. With that natural skill and a first in philosophy, he was destined for great things, so he became a roadie â and a good one he was too, starting with bands like Weather Report, then Joan Armatrading around Europe and then the big one (for him), the U2 concert in Dublin.
âThis is a feckin queer country, Angel,' he said between sips of Guinness. âMrs T'atcher gets elected for a third term and yet the LP charts are full of Housemartins, Communards and all the other pinkos with their samey sounds and their haircuts. Their bluddy haircuts.'
âGood morning, Werewolf. Good morning, Springsteen.'
I stepped over his sleeping-bag, which was anchored at the feet end by Springsteen at full stretch. As an obedient, loyal and loving pet, Springsteen of course hadn't opened an eye at my entrance. As a guard-cat, he was on borrowed time.
Werewolf must have had a proper name somewhere along the line. I mean, even the most doolally Irish priest would have insisted on something a little more in line with Catholic tradition for the christening. But I honestly couldn't bring it to mind these days.
He got his nickname because of his general appearance, the unkempt hair that looked like fine-mesh barbed-wire and the full, bushy beard that could double as a refuge for displaced badgers in a bad winter.
âThat's a fine animal you've got there,' he said, prodding Springsteen with his foot through the sleeping-bag. Springsteen didn't wake up, he just flexed his front nearside claws, and Werewolf drew his foot back sharpish. âIs there any chance of breakfast, then? I thought we was going to eat last night, but you did a runner after last orders.'
I took the mute out of my horn and balanced it upright on one of the stereo's speakers, then started to undress.