Angels & Demons (51 page)

Near the cell was an iron doorway in the wall. The door was ajar and beyond it Langdon could see some sort of passage. He ran toward it. But Langdon stopped before he got there. The trail of blood did not enter the passage. When Langdon saw the words carved over the archway, he knew why.
Il Passetto
.

He was stunned. He had heard of this tunnel many times, never knowing where exactly the entrance was.
Il Passetto
—The Little Passage—was a slender, three-quarter-mile tunnel built between Castle St. Angelo and the Vatican. It had been used by various Popes to escape to safety during sieges of the Vatican . . . as well as by a few less pious Popes to secretly visit mistresses or oversee the torture of their enemies. Nowadays both ends of the tunnel were supposedly sealed with impenetrable locks whose keys were kept in some Vatican vault. Langdon suddenly feared he knew how the Illuminati had been moving in and out of the Vatican. He found himself wondering
who
on the inside had betrayed the church and coughed up the keys.
Olivetti? One of the Swiss Guard?
None of it mattered anymore. The blood on the floor led to the opposite end of the prison. Langdon followed. Here, a rusty gate hung draped with chains. The lock had been removed and the gate stood ajar. Beyond the gate was a steep ascension of spiral stairs. The floor here was also marked with a pentagramal block. Langdon stared at the block, trembling, wondering if Bernini himself had held the chisel that had shaped these chunks. Overhead, the archway was adorned with a tiny carved cherub. This was it. The trail of blood curved up the stairs.

Before ascending, Langdon knew he needed a weapon, any weapon. He found a four-foot section of iron bar near one of the cells. It had a sharp, splintered end. Although absurdly heavy, it was the best he could do. He hoped the element of surprise, combined with the Hassassin’s wound, would be enough to tip the scales in his advantage. Most of all, though, he hoped he was not too late. The staircase’s spiral treads were worn and twisted steeply upward. Langdon ascended, listening for sounds. None. As he climbed, the light from the prison area faded away. He ascended into the total darkness, keeping one hand on the wall. Higher. In the blackness, Langdon sensed the ghost of Galileo, climbing these very stairs, eager to share his visions of heaven with other men of science and faith. Langdon was still in a state of shock over the location of the lair. The Illuminati meeting hall was in a building owned by the Vatican. No doubt while the Vatican guards were out searching basements and homes of well-known scientists, the Illuminati were meeting
here
. . . right under the Vatican’s nose. It suddenly seemed so perfect. Bernini, as head architect of renovations here, would have had unlimited access to this structure . . . remodeling it to his own specifications with no questions asked. How many secret entries had Bernini added? How many subtle embellishments pointing the way?

The Church of Illumination
. Langdon knew he was close.

As the stairs began narrowing, Langdon felt the passage closing around him. The shadows of history were whispering in the dark, but he moved on. When he saw the horizontal shaft of light before him, he realized he was standing a few steps beneath a landing, where the glow of torchlight spilled out beneath the threshold of a door in front of him. Silently he moved up.

Langdon had no idea where in the castle he was right now, but he knew he had climbed far enough to be near the peak. He pictured the mammoth angel atop the castle and suspected it was directly overhead.
Watch over me, angel,
he thought, gripping the bar. Then, silently, he reached for the door. On the divan, Vittoria’s arms ached. When she had first awoken to find them tied behind her back, she’d thought she might be able to relax and work her hands free. But time had run out. The beast had returned. Now he was standing over her, his chest bare and powerful, scarred from battles he had endured. His eyes looked like two black slits as he stared down at her body. Vittoria sensed he was imagining the deeds he was about to perform. Slowly, as if to taunt her, the Hassassin removed his soaking belt and dropped it on the floor.

Vittoria felt a loathing horror. She closed her eyes. When she opened them again, the Hassassin had produced a switchblade knife. He snapped it open directly in front of her face. Vittoria saw her own terrified reflection in the steel.

The Hassassin turned the blade over and ran the back of it across her belly. The icy metal gave her chills. With a contemptuous stare, he slipped the blade below the waistline of her shorts. She inhaled. He moved back and forth, slowly, dangerously . . . lower. Then he leaned forward, his hot breath whispering in her ear.

“This blade cut out your father’s eye.”

Vittoria knew in that instant that she was capable of killing.

The Hassassin turned the blade again and began sawing upward through the fabric of her khaki shorts. Suddenly, he stopped, looking up. Someone was in the room.

“Get away from her,” a deep voice growled from the doorway.

Vittoria could not see who had spoken, but she recognized the voice.
Robert! He’s alive!

The Hassassin looked as if he had seen a ghost. “Mr. Langdon, you must have a guardian angel.”

108

I n the split second it took Langdon to take in his surroundings, he realized he was in a sacred place. The embellishments in the oblong room, though old and faded, were replete with familiar symbology. Pentagram tiles. Planet frescoes. Doves. Pyramids.

The Church of Illumination
. Simple and pure. He had arrived.

Directly in front of him, framed in the opening of the balcony, stood the Hassassin. He was bare chested, standing over Vittoria, who lay bound but very much alive. Langdon felt a wave of relief to see her. For an instant, their eyes met, and a torrent of emotions flowed—gratitude, desperation, and regret.

“So we meet yet again,” the Hassassin said. He looked at the bar in Langdon’s hand and laughed out loud.

“And this time you come for me with
that
?”

“Untie her.”

The Hassassin put the knife to Vittoria’s throat. “I will kill her.”

Langdon had no doubt the Hassassin was capable of such an act. He forced a calm into his voice. “I imagine she would welcome it . . . considering the alternative.”

The Hassassin smiled at the insult. “You’re right. She has much to offer. It would be a waste.”

Langdon stepped forward, grasping the rusted bar, and aimed the splintered end directly at the Hassassin. The cut on his hand bit sharply. “Let her go.”

The Hassassin seemed for a moment to be considering it. Exhaling, he dropped his shoulders. It was a clear motion of surrender, and yet at that exact instant the Hassassin’s arm seemed to accelerate unexpectedly. There was a blur of dark muscle, and a blade suddenly came tearing through the air toward Langdon’s chest.

Whether it was instinct or exhaustion that buckled Langdon’s knees at that moment, he didn’t know, but the knife sailed past his left ear and clattered to the floor behind him. The Hassassin seemed unfazed. He smiled at Langdon, who was kneeling now, holding the metal bar. The killer stepped away from Vittoria and moved toward Langdon like a stalking lion.

As Langdon scrambled to his feet, lifting the bar again, his wet turtleneck and pants felt suddenly more restrictive. The Hassassin, half-clothed, seemed to move much faster, the wound on his foot apparently not slowing him at all. Langdon sensed this was a man accustomed to pain. For the first time in his life, Langdon wished he were holding a very big gun.

The Hassassin circled slowly, as if enjoying himself, always just out of reach, moving toward the knife on the floor. Langdon cut him off. Then the killer moved back toward Vittoria. Again Langdon cut him off.

“There’s still time,” Langdon ventured. “Tell me where the canister is. The Vatican will pay more than the Illuminati ever could.”

“You are naïve.”

Langdon jabbed with the bar. The Hassassin dodged. He navigated around a bench, holding the weapon in front of him, trying to corner the Hassassin in the oval room.
This damn room has no corners!
Oddly, the Hassassin did not seem interested in attacking or fleeing. He was simply playing Langdon’s game. Coolly waiting.

Waiting for what?
The killer kept circling, a master at positioning himself. It was like an endless game of chess. The weapon in Langdon’s hand was getting heavy, and he suddenly sensed he knew what the Hassassin was waiting for.
He’s tiring me out
. It was working, too. Langdon was hit by a surge of weariness, the adrenaline alone no longer enough to keep him alert. He knew he had to make a move. The Hassassin seemed to read Langdon’s mind, shifting again, as if intentionally leading Langdon toward a table in the middle of the room. Langdon could tell there was something on the table. Something glinted in the torchlight.
A weapon?
Langdon kept his eyes focused on the Hassassin and maneuvered himself closer to the table. When the Hassassin cast a long, guileless glance at the table, Langdon tried to fight the obvious bait. But instinct overruled. He stole a glance. The damage was done. It was not a weapon at all. The sight momentarily riveted him.

On the table lay a rudimentary copper chest, crusted with ancient patina. The chest was a pentagon. The lid lay open. Arranged inside in five padded compartments were five brands. The brands were forged of iron—large embossing tools with stout handles of wood. Langdon had no doubt what they said. ILLUMINATI, EARTH, AIR, FIRE, WATER.

Langdon snapped his head back up, fearing the Hassassin would lunge. He did not. The killer was waiting, almost as if he were refreshed by the game. Langdon fought to recover his focus, locking eyes again with his quarry, thrusting with the pipe. But the image of the box hung in his mind. Although the brands themselves were mesmerizing—artifacts few Illuminati scholars even believed existed—Langdon suddenly realized there had been something
else
about the box that had ignited a wave of foreboding within. As the Hassassin maneuvered again, Langdon stole another glance downward.
My God!

In the chest, the five brands sat in compartments around the outer edge. But in the
center
, there was another compartment. This partition was empty, but it clearly was intended to hold another brand . . . a brand much larger than the others, and perfectly square.

The attack was a blur.

The Hassassin swooped toward him like a bird of prey. Langdon, his concentration having been masterfully diverted, tried to counter, but the pipe felt like a tree trunk in his hands. His parry was too slow. The Hassassin dodged. As Langdon tried to retract the bar, the Hassassin’s hands shot out and grabbed it. The man’s grip was strong, his injured arm seeming no longer to affect him. Violently, the two men struggled. Langdon felt the bar ripped away, and a searing pain shot through his palm. An instant later, Langdon was staring into the splintered point of the weapon. The hunter had become the hunted. Langdon felt like he’d been hit by a cyclone. The Hassassin circled, smiling now, backing Langdon against the wall. “What is your American
adàgio?”
he chided. “Something about curiosity and the cat?”

Langdon could barely focus. He cursed his carelessness as the Hassassin moved in. Nothing was making sense.
A sixth Illuminati brand?
In frustration he blurted, “I’ve never read anything about a
sixth
Illuminati brand!”

“I think you probably have.” The killer chuckled as he herded Langdon around the oval wall. Langdon was lost. He most certainly had not. There were
five
Illuminati brands. He backed up, searching the room for any weapon at all.

“A perfect union of the ancient elements,” the Hassassin said. “The final brand is the most brilliant of all. I’m afraid you will never see it, though.”

Langdon sensed he would not be seeing much of anything in a moment. He kept backing up, searching the room for an option. “And you’ve seen this final brand?” Langdon demanded, trying to buy time.

“Someday perhaps they will honor me. As I prove myself.” He jabbed at Langdon, as if enjoying a game. Langdon slid backward again. He had the feeling the Hassassin was directing him around the wall toward some unseen destination.
Where?
Langdon could not afford to look behind him. “The brand?” he demanded. “Where is it?”

“Not here. Janus is apparently the only one who holds it.”

“Janus?” Langdon did not recognize the name.

“The Illuminati leader. He is arriving shortly.”

“The Illuminati leader is coming
here?”

“To perform the final branding.”

Langdon shot a frightened glance to Vittoria. She looked strangely calm, her eyes closed to the world around her, her lungs pulling slowly . . . deeply. Was she the final victim
? Was he?

“Such conceit,” the Hassassin sneered, watching Langdon’s eyes. “The two of you are nothing. You will die, of course, that is for certain. But the final victim of whom I speak is a truly dangerous enemy.”

Langdon tried to make sense of the Hassassin’s words. A dangerous enemy? The top cardinals were all dead. The Pope was dead. The Illuminati had wiped them all out. Langdon found the answer in the vacuum of the Hassassin’s eyes.

The camerlegno
.

Camerlegno Ventresca was the one man who had been a beacon of hope for the world through this entire tribulation. The camerlegno had done more to condemn the Illuminati tonight than decades of conspiracy theorists. Apparently he would pay the price. He was the Illuminati’s final target.

“You’ll never get to him,” Langdon challenged.

“Not I,” the Hassassin replied, forcing Langdon farther back around the wall. “That honor is reserved for Janus himself.”

“The Illuminati leader
himself
intends to brand the camerlegno?”

“Power has its privileges.”

“But no one could possibly get into Vatican City right now!”

The Hassassin looked smug. “Not unless he had an appointment.”

Langdon was confused. The only person expected at the Vatican right now was the person the press was calling the 11th Hour Samaritan—the person Rocher said had information that could save—