Angle of Investigation: Three Harry Bosch Short Stories (3 page)

“And tell them we’d like to hear back on it today.”

“I’ll tell them but I doubt they’ll make any promises. It’s Christmas Eve, Harry. People are trying to get home early.”

“Just tell them it’s important.”

“To you or the case?”

Bosch didn’t answer and eventually Braxton went back to his desk to make the call. Bosch looked through the three burglary reports again. When he finished he got up and went down the back hallway to the interview rooms. Instead of going into 3, where Servan was, he went into 4 and looked through the mirrored glass at the pawnbroker. He was sitting at the table with his arms folded and his eyes closed. He was either sleeping or meditating. Maybe both.

He left the room and went back to the homicide table. He sat down and picked up the saxophone again. He liked handling it, the feel and weight of it in his grasp. Knowing that the instrument could produce a sound that echoed all the sadness and hope of humanity gave him pause. Again, he remembered the day on the ship. Sugar Ray bobbing and weaving through “The Sweet Spot” and a few other tunes. Bosch fell in love with the sound that day. It felt like it had come from somewhere deep within himself. He was not the same after that day.

He came out of the memory and walked over to a shelf that ran above the row of file cabinets. He took down one of the forensics manuals and turned to the index. He found what he wanted and went to the page. He was sitting down, reading the manual, when his cell phone chirped and he dug it out of his pocket. It was Edgar.

“Harry, they’re about to clear here. You want me to come in?”

“Not yet.”

“Well, what are we doing?”

“There was nothing with the body, right? No tools, no picks?”

“That’s right. I already told you.”

“I just read through the reports from the three priors. That display case was hit each time. It was picked. Servan said it was always locked.”

“Well, we got no lock picks here, Harry. I guess whoever moved the body took the picks.”

“It was Servan.”

Edgar was quiet and then said, “Why don’t you run it down for me, Harry.”

Bosch thought for a moment before speaking.

“He’d been hit three times in two years. Every time the high-end case was picked. It’s hard to work a set of picks with gloves on. Servan probably knew that the one time this guy took off his gloves was to work the picks. Steel picks going into a steel lock.”

“If he put a hundred ten volts into that lock, it could’ve shut this guy’s heart down.”

“Not necessarily. I’ve been sitting here reading one of the manuals. One-ten can stop your heart, but it all depends on the amps. There’s a formula. It has to do with resistance to the charge. You know, like dry skin versus moist skin, things like that.”

“This guy just took his glove off. He probably had sweaty hands.”

“Exactly. So if the resistance was low and Servan had somehow rigged a one-ten line going directly into that lock, then the initial jolt could have contracted the muscles and left our burglar unable to let go of the pick. The juice goes through him, hits the heart and the heart goes into V-fib.”

“Ventricular fibrillation is a natural cause, Harry.”

“Not when you use one-ten to get it.”

“Then we’re talking more than just homicide. This is lying in wait.”

“The DA can decide all of that. We just have to bring in the facts.”

“By the way, how’d you know to take off his sock and look for the exit burn?”

“The burns on his fingers. I saw them and just took a shot.”

“Well, I’d say you hit the bull’s-eye, partner.”

“Got lucky. So now you have to get into that case and find out how he wired it. Did SID leave?”

“They’re still packing up.”

“Tell them to take the case as evidence.”

“The whole case? It’s ten feet long.”

“Tell them to take it with them. You go with it. The case is the key. And tell them to be careful with it.”

“They’re going to have to get a Special Services truck out here.”

“Whatever. Call them now. Get it done.”

Bosch closed the phone and got up from his desk. He went down the hallway past the watch office to the locker rooms. He bought two packages of peanut butter crackers from the vending machine. He opened one and ate all the squares while he was walking back to the detective bureau. He put the other package in his coat pocket for later. He stopped once on the way back to get a drink from the water fountain.

Braxton was waiting for him at the homicide table with a sheet of paper in his hand.

“You got lucky,” he told Bosch as he approached. “The guy pawned that saxophone two years ago but they still had the slip.”

He gave the sheet of paper to Bosch. It was a photocopy of the pawn slip. It contained the name, address and phone numbers of the customer. The man who had pawned Quentin McKinzie’s saxophone was named Donald Teed. He lived in the Valley. Nikolai Servan had given him $200 for the instrument.

Bosch sat down and noticed that Teed had listed his work phone number with a 323 area code and a Hollywood exchange. That might explain why a man who lived in the Valley had used a pawnshop in Hollywood. He picked up the phone and punched in Teed’s work number. It was answered immediately by a woman who said, “Splendid Age.”

“Excuse me?” Bosch said.

“Splendid Age Retirement Home, how can I help you?”

“Yes, is Donald Teed a resident there?”

“A resident? No. We have a Donald Teed who works here. Is that who you mean?”

“I think so. Is he there?”

“He is here today but I am not sure where he is right now. He’s a custodian and moves around. Who is calling? Is this a solicitation?”

Bosch felt things falling into place. He decided to take a shot.

“I’m a friend. Can you tell me if another friend of mine is there? His name is Quentin McKinzie.”

“Yes, Mr. McKinzie is a resident here. What is this about?”

“I’ll call back.”

Bosch hung up the phone and his eyes drifted to the saxophone.

Nikolai Servan opened his eyes the moment Bosch came through the door. Bosch put the piece of paper he carried down on the table and took the seat across from Servan, folding his arms and putting his elbows on the table in almost a mirror image.

“We’ve hit a snag, Mr. Servan.”

“A snag?”

“A problem. Actually a few imaually aof them. And what I’d like to do here is give you the opportunity to tell me the truth this time.”

“I don’t understand. I tol’ you truth. I tol’ you truth.”

“I think you left some things out, Mr. Servan.”

Servan clasped his hands together on the table and shook his head.

“No, I tol’ everything.”

“I’m going to advise you of your rights now, Mr. Servan. Listen closely to what I read you.”

Bosch read Servan his rights from the paper on the table. He then turned it around and asked the pawnbroker to sign it. He gave him the pen. Servan hesitated and seemed to slowly reread the rights waiver form all over again. He then picked up the pen and signed. Bosch asked the first question the instant the point of the pen came off the paper.

“So what did you do with the burglar’s lock picks, Mr. Servan?”

Servan held his lips tightly together for a long moment and then shook his head.

“I don’t understand.”

“Sure you do, Mr. Servan. Where are the picks?”

Servan only stared at him.

“Okay,” Bosch said, “let’s try this one. Tell me how you wired that display case.”

Servan bowed his head once.

“I have attorney now,” he said. “Please, I have attorney now.”

Bosch pulled to a stop in front of the Splendid Age Retirement Home and got out with the saxophone and its stand. He heard Christmas music drifting out of an open window. Elvis Presley singing “Blue Christmas.”

He thought about Nikolai Servan spending Christmas Eve and Christmas Day in the Parker Center jail. It would probably be the only jail time he’d ever see.

The District Attorney’s Office would not decide until after the holiday whether to charge him or kick him loose. And Bosch knew it would probably be the latter. Prosecuting the case against the pawnbroker was fraught with difficulties. Servan had lawyered up and stopped talking. Afternoon-long searches of his home, car, the pawnshop and the trash containers in the alley failed to produce Monty Kelman’s lock picks or the method by which the display case had been rigged to deliver the fatal charge. Even the cause of death would be difficult to prove in a court of law. Kelman’s heart had stopped beating. A burst of electricity had most likely caused ventricular fibrillation, but in court a defense lawyer could easily and most likely successfully argue that the burn marks on the victim’s hand and foot were inconclusive and possibly not even related to cause of death.

And all of these obstacles were minor in comparison with the main difficulty—the victim was a thief killed during the commission of a crime. He had engaged in repeated offenses against the defendant. Would a jury even care that Nikolai Servan had set a fatal trap for him? Probably not, the prosecutor told Bosch and Edgar.

Bosch planned to go back to the pawnshop the following morning. In his personal ledger, everybody counted or nobody counted. That included burglars. He would look until he found the picks or the wire Servan had used to kill Monty Kelman.

As he approached the front doors of the retirement home he noticed that not much about it looked particularly splendid. It looked like a final stop for pensioners and people who hadn’t planned on living as long as they had. Quentin McKinzie, for example. Few jazzmen and drug users went the distance. He probably never thought he’d make it this far. According to the information Bosch got off the computer, he was seventy-two years old.

Bosch entered and walked up to a welcome counter. The place smelled like most of the low-rent retirement homes he had ever been in. Urine and decay, the end of hopes and dreams. He asked for directions to Quentin McKinzie’s room. The woman behind the counter suspiciously eyed the saxophone under Bosch’s arm.

“Do you have an appointment?” she asked. “Evening visiting is by appointment only.”

“Is that to give you time to clean the place up before the kids come by to see dear old dad?”

“I beg your pardon?”

“I don’t need an appointment. Where is Mr. McKinzie?”

He held his badge up, a foot from her face. She looked at it for a long moment—longer than it took to read it—and then cleared her throat.

“He’s in one-oh-seven. Down the hall on the left side. He’s probably sleeping.”

Bosch nodded his thanks and headed down the hall.

The door to 107 was ajar. The light was on in the room and Bosch could hear television sounds coming from inside. He knocked softly and didn’t get a response. He slowly pushed the door open and stuck his head in. He saw an old man sitting in a chair next to a bed. A television mounted high on the opposite wall was droning. The old man’s eyes were closed. He was gaunt and depleted, his body taking up only half of the chair. His black skin looked gray and powdery. Despite the thin face and loose skin gathering below his chin, Bosch recognized him. It was Sugar Ray McK.

He stepped into the room and quietly came around the bed. The man didn’t stir. Bosch stood still for a moment, wondering what he should do. He decided not to wake the man. He put the instrument stand down on the floor in the corner. He then cradled the saxophone in it. He straightened up, took another look at the sleeping jazzman and nodded to him in some sort of unnoticed acknowledgment. As he headed out of the room he reached up and turned off the television.

At the door he was stopped by a raspy voice.

“Hey!”

Bosch turned. Sugar Ray was awake and looking at him with rheumy eyes.

“You turned off my box.”

“Sorry, I thought you were asleep.”

He came back into the room and reached up to turn the television on again.

“Who are you, boy? You don’t work here.”

Bosch turned to face him.

“My name is Harry. Harry Bosch. I came—”

Sugar Ray noticed the saxophone sitting in the corner of the room.

“That’s my ax.”

Bosch picked up the saxophone and handed it to him.

“I found it. I saw your name in it and I wanted to get it back to you.”

The man held the instrument like it was as precious as a new baby. He slowly turned it in his hands, studying it for flaws or maybe just wanting to look at it the way he would look at a loved one long gone away. Bosch felt a constriction rising in his chest as the jazzman brought the instrument to his mouth, licked the mouthpiece and then held it between his teeth. His chest rose as he drew in a breath.

But as his fingers went to work and he blew out the riff, the wind escaped from the weak seal his lips made around the mouthpiece. Sugar Ray closed his eyes and tried again. The same result sounded from his instrument. He was too old and weak. His lungs were gone. He could no longer play.

“It’s all right,” Bosch said. “You don’t have to play. I just thought it should be back with you, that’s all.”

Sugar Ray cradled the instrument in his lap as if he were protecting it. He looked up at Bosch.

“Where did you get this, Harry Bosch?”

“I took it from a guy who stole it from a pawnshop.”

Sugar Ray nodded like he knew the story.

“Was it stolen from you?” Bosch asked.

“No. I had it pawned. A fellow here did it for me so I could get money for the box. I don’t like being in the dayroom with the others. They’re all suicides waitin’ to happen. So I needed my own box.”

He shook his head. His eyes went up to the tefy"up to tlevision on the wall over Bosch’s shoulder.

“Imagine, a man trading the love of his life for that.”

Bosch looked up at the tube and saw a commercial where a Santa Claus was drinking a cold beer after a long night of delivering presents and cheer. He looked back at Sugar Ray. He didn’t know whether to feel good or bad about what he had done. He had returned an instrument to a musician who could no longer play it.

But as this indecision gripped his heart he saw Sugar Ray pull the saxophone closer to his body. He held it there tightly, as if it were all he had in the world. He brought his eyes to Bosch’s and in them Harry saw that he had done the right thing.