Anno Dracula (33 page)

‘I’m ready,’ he hissed through fangs.

The three fake vampire girls in the gazebo huddled together, a little afraid. They weren’t looking at Dracula’s face, his hypnotic eyes and fierce fangs, but at his trousers. Geneviève realised there were other properties of drac that she hadn’t read about in the newspapers.

The long-haired kid who had spoken to her was working a pulley. A shiny cardboard full moon rose above the gazebo. Other assistants held bats on fishing lines. Boris Adrian nodded approval at the atmosphere.

‘Well, Count, go to it,’ the director ordered. ‘Action.’

The camera began to roll as Dracula strode up to the gazebo, cloak rippling. The girls writhed over the prone guy, Jonathan Harker, and awaited the coming of their dark prince.

‘This man is mine,’ said Dracula, in a Californian drawl that owed nothing to Transylvania. ‘As you all are mine, you vampire bitches, you horny vampire bitches.’

Martin silently recited the lines along with the actor, eyes alight with innocent glee.

‘You never love,’ said the least-fanged of the girls, who had short blonde hair, ‘you yourself have never loved.’

‘That is not true, as you know well and as I shall prove to all three of you. In succession, and together. Now.’

The rip of velcro preceded a gasp from the whole crew. Dirk Diggler’s famous organ was blood-red and angry. Geneviève wondered if he could stab a person with it and suck their blood. Or was that just a rumour, like the Tijuana werewolf show Martin spent his vacations trying to track down?

The ‘vampire bitches’ huddled in apparently real terror.

‘Whatever he’s taking, I want some of it,’ breathed Martin.

Later, in an empty all-night diner, Martin was still excited about
Debbie Does Dracula.
Not really sexually, though she didn’t underestimate his prurience, but mostly high on having his words read out, caught on film. Even as ‘Bram Stroker’, he had pride in his work.

‘It’s a stopgap till the real projects come through,’ he said, waving a deadly cigarette. ‘But it’s cash in hand, Gené. Cash in hand. I don’t have to hock the typewriter. Debbie wants me for the sequel they’re making next week,
Taste the Cum of Dracula,
with Vanessa Del Rio as Marya Zaleska. But I may pass. I’ve got something set up at Universal, near as damn it. A remake of
Buck Privates,
with Belushi and Dan Aykroyd. It’s between me and this one other guy, Lionel Fenn, and Fenn’s a drac-head from the East with a burn-out date stamped on his forehead. I tell you, Gené, it’s adios to “Bram Stroker” and “William Forkner” and “Charles Dickings”. You’ll be my date for the premiere, won’t you? You pretty up good, don’t you? When the name Jack Martin means something in this town, I want to direct.’

He was tripping on dreams. She brought him down again.

‘Why would John Alucard be in bed with Boris Adrian?’ she asked.

‘And Debbie Griffith,’ he said. ‘I don’t know. There’s an invisible barrier between adult and legit. It’s like a parallel world. The adult industry has its own stars and genres and awards shows. No one ever crosses. Oh, some of the girls do bit parts. Kelly was in
The Toolbox Murders,
with Cameron Mitchell.’

‘I missed that one.’

‘I didn’t. She was the chickie in the bath who gets it with a nail-gun. Anyway, that was a fluke. You hear stories that Stallone made a skinflick once, and that some on-the-skids directors take paying gigs under pseudonyms.’

‘Like “Bram Stroker”?’

Martin nodded, in his flow. ‘But it’s not an apprenticeship, not really. Coppola shot nudies, but that was different. Just skin, no sex. Tame now. Nostalgia bait. You’ve got to trust me, Gené, don’t tell anyone, and I mean not anyone, that I’m “Bram Stroker”. It’s a crucial time for me, a knife-edge between the big ring and the wash-out ward. I really need this
Buck Privates
deal. If it comes to it, I want to hire you to scare off Fenn. You do hauntings, don’t you?’

She waved away his panic, her fingers drifting through his nicotine cloud.

‘Maybe Alucard wants to raise cash quickly?’ she suggested.

‘Could be. Though the way Debbie tells it, he isn’t just a sleeping partner. He originated the whole idea, got her and Boris together, borrowed Dirk from Jack Horner, even - and I didn’t tell you this - supplied the bloody nose candy that gave Dracula’s performance the added
frisson
.’

It was sounding familiar.

‘Did he write the script?’ she asked. ‘The first script?’

‘Certainly, no writer did. It might be Mr A. There was no name on the title page.’

‘It’s not a porno movie he wants, not primarily,’ she said. ‘It’s a Dracula movie. Another one. Yet another one.’

Martin called for a coffee refill. The ancient, slightly mouldy character who was the sole staff of the Nighthawks Diner shambled over, coffee sloshing in the glass jug.

‘Look at this guy,’ Martin said. ‘You’d swear he was a goddamned reanimated corpse. No offence, Gené, but you know what I mean. Maybe he’s a dhamp. I hear they zombie out after a while, after they’ve burned their bat-cells.’

Deaf to the discussion, the shambler sloshed coffee in Martin’s mug. Here, in Jack Martin Heaven, there were infinite refills. He exhaled contented plumes of smoke.

‘Jack, I have to warn you. This case might be getting dangerous. A friend of mine was killed yesterday night, as a warning. And the police like me for it. I can’t prove anything, but it might be that asking about Alucard isn’t good for your health. Still, keep your ears open. I know about two John Alucard productions now, and I’d like to collect the set. I have a feeling he’s a one-note musician, but I want that confirmed.’

‘You think he only makes Dracula movies?’

‘I think he only makes Dracula.’

She didn’t know exactly what she meant by that, but it sounded horribly right.

There was night enough left after Martin had peeled off home to check in with the client. Geneviève knew Welles would still be holding court at four in the morning.

He was running footage.

‘Come in, come in,’ he boomed.

Most of the crew she had met the night before were strewn on cushions or rugs in the den, along with a few newcomers, movie brats and law professors and a very old, very grave black man in a bright orange dashiki. Gary, the cameraman, was working the projector.

They were screening the scene she had seen shot, projecting the picture onto the tapestry over the fireplace. Van Helsing tormented by vampire symbols. It was strange to see Welles’s huge, bearded face, the luminous skull, the flapping bat and the dripping dagger slide across the stiff, formal image of the mediaeval forest scene.

Clearly, Welles was in mid-performance, almost holding a dialogue with his screen self, and wouldn’t detach himself from the show so she could report her preliminary findings to him any time soon.

She found herself drifting into the yard. There were people there, too. Nico, the vampire starlet, had just finished feeding and lay on her back looking up at the stars, licking blood from her lips and chin. She was a messy eater. A too-pretty young man staggered upright, shaking his head to dispel dizziness. His clothes were Rodeo Drive, but last year’s in a town where last week was another era. She didn’t have to sample Nico’s broadcast thoughts to put him down as a rich kid who had found a new craze to blow his trust fund money on, and her crawling skin told her it wasn’t a sports car.

‘Your turn,’ he said to Nico, nagging.

She kept to the shadows. Nico had seen her but her partner was too preoccupied to notice anyone. The smear on his neck gave Geneviève a little prick of thirst.

Nico sat up with great weariness, the moment of repletion spoiled. She took a tiny paring knife from her clutch-purse. It glinted, silvered. The boy sat eagerly beside her and rolled up the left sleeve of her loose muslin blouse, exposing her upper arm. Geneviève saw the row of scars she had noticed last night. Carefully, the vampire girl opened a stripe and let her blood trickle. The boy fixed his mouth over the wound. She held his hair in her fist.

‘Remember, lick,’ she said. ‘Don’t suck. You won’t be able to take a full fangs-on.’

His throat pulsed, as he swallowed.

With a roar, the boy let the girl go. He had the eyes and the fangs, even more than Dirk Diggler’s Dracula. He moved fast, a temporary new-born high on all the extra senses and the sheer sense of power.

The dhampire put on wraparound mirror shades, ran razor-nailed hands through his gelled hair and stalked off to haunt the La-La night. Within a couple of hours, he would be a real live boy again. By that time, he could have got himself into all manner of scrapes.

Nico squeezed shut her wound. Geneviève caught her pain. The silver knife would be dangerous if it flaked in the cut. For a vampire, silver rot was like bad gangrene.

‘It’s not my place to say anything,’ began Geneviève.

‘Then don’t,’ said Nico, though she clearly received what Geneviève was thinking. ‘You’re an elder. You can’t know what it’s like.’

She had a flash that this new-born would never be old. What a pity.

‘It’s a simple exchange,’ said the girl. ‘Blood for blood. A gallon for a scratch. The economy is in our favour. Just like the President says.’

Geneviève joined Nico at the edge of the property.

‘This vampire trip really isn’t working for me,’ said Nico. ‘That boy, Julian, will be warm again in the morning, mortal and with a reflection. And when he wants to, he’ll be a vampire. If I’m not here, there are others. You can score drac on Hollywood Boulevard for twenty-five dollars a suck. Vile stuff, powdered, not from the tap, but it works.’

Geneviève tidied Nico’s hair. The girl lay on her lap, sobbing silently. She hadn’t just lost blood.

This happened when you became an elder. You were mother and sister to the whole world of the undead.

The girl’s despair passed. Her eyes were bright, with Julian’s blood.

‘Let’s hunt, elder, like you did in Transylvania.’

‘I’m from France. I’ve never even been to Romania.’

Now she mentioned it, that was odd. She’d been almost everywhere else. Without consciously thinking of it, she must have been avoiding the supposed
nosferatu
homeland. Kate Reed had told her she wasn’t missing much, unless you enjoyed political corruption and paprika.

‘There are human cattle out there,’ said Nico. ‘I know all the clubs. X is playing at the Roxy, if you like West Coast punk. And the doorman at After Hours always lets us in, vampire girls. There are so few of us. We go to the head of the line. Powers of fascination.’

‘Human cattle’ was a real new-born expression. This close to dawn, Geneviève was thinking of her cosy trailer and shutting out the sun, but Nico was a race-the-sun girl, staying out until it was practically light, bleeding her last as the red circle rose in the sky.

She wondered if she should stick close to the girl, keep her out of trouble. But why? She couldn’t protect everyone. She barely knew Nico, probably had nothing in common with her.

She remembered Moondoggie. And all the other dead, the ones she hadn’t been able to help, hadn’t tried to help, hadn’t known about in time. The old gumshoe had told her she should get into her current business because there were girls like this, vampire girls, that only she could understand.

This girl really was none of her business.

‘What’s that?’ said Nico, head darting. There was a noise from beyond the fence at the end of the garden.

Dominating the next property was a three-storey wooden mansion, California cheesecake. Nico might have called it old. Now Geneviève’s attention was drawn to it, her night-eyes saw how strange the place was. A rusted-out pick-up truck was on cinderblocks in the yard, with a pile of ragged auto tyres next to it. The windshield was smashed out, and dried streaks - which any vampire would have scented as human blood, even after ten years - marked the hood.

‘Who lives there?’ Geneviève asked.

‘In-bred backwoods brood,’ said Nico. ‘Orson says they struck it rich down in Texas and moved to Beverly Hills. You know, swimming pools, movie stars...’