Anthology.The.Mammoth.Book.of.Angels.And.Demons.2013.Paula.Guran (10 page)

“I said I wouldn’t lie. It’s not very far, but I can’t give you the name of a town you’d know, or anything like that.”

“My second—”

“Don’t ask anything else about the school. I won’t tell you.”

“All right, I won’t. Someone gave your husband a hunting dog. Did your husband hunt deer? Or quail, perhaps?”

“Sometimes. I think you’re right. He’d rather have had a bird dog, but the man he helped didn’t raise them.”

I kissed her. “You’re in danger, and I think that you must know how much. I’ll help you all I can. I realize how very trite this will sound, but I would give my life to save you from going back to that school, if need be.”

“Kiss me again.” There was a new note in her voice, I thought, and it seemed to me that it was hope.

When we parted, she asked, “Are you going to drive me to St Louis in the morning?”

“I’ll gladly take you further. To New York or Boston or even to San Francisco. It means Saint Francis, you know.”

“You think you could again?”

At her touch, I knew the answer was yes; so did she.

Afterward she asked, “What was your last question?” and I told her I had no last question.

“You said one question then it was two, then three. So what was the last one?”

“You needn’t answer.”

“All right, I won’t. What was it?”

“I was going to ask you in what year you and your husband graduated from high school.”

“You don’t mind?”

I sighed. “A hundred wise men have said in various ways that love transcends the power of death; and millions of fools have supposed that they meant nothing by it. At this late hour in my life I have learned what they meant. They meant that love transcends death. They are correct.”

“Did you think that salesman was really a cop? I think you did. I did, too, almost.”

“No or yes, depending upon what you mean by ‘cop’. But we’ve already talked too much about these things.”

“Would you rather I’d do this?”

“Yes,” I said, and meant it with every fiber of my being. “I would a thousand times rather have you do that.”

After some gentle teasing about my age and inadequacies (the sort of thing that women always do, in my experience, as anticipatory vengeance for the contempt with which they expect to be treated when the sexual act is complete), we slept. In the morning, Eira wore her wedding band to breakfast, where I introduced her to the old woman as my wife, to the old man’s obvious relief. The demon sat opposite me at the table, wolfing down scrambled eggs, biscuits and home-made sausage he did not require, and from time to time winking at me in an offensive manner that I did my best to tolerate.

Outside I spoke to him in private while Eira was upstairs searching our room for the hairbrush that I had been careful to leave behind.

“If you are here to reclaim her,” I told him, “I am your debtor. Thank you for waiting until morning.”

He grinned like the trap he was. “Have a nice night?”

“Very.

“Swell. You folks think we don’t want you to have any fun. That’s not the way it is at all.” He strove to stifle his native malignancy as he said this, with the result that it showed so clearly I found it difficult not to cringe. “I do you a favor, maybe you’ll do me one sometime. Right?”

“Perhaps,” I hedged.

He laughed. I have heard many actors try to reproduce the hollowness and cruelty of that laugh, but not one has come close. “Isn’t that what keeps you coming back here? Wanting favors? You know we don’t give anything away.”

“I hope to learn, and to make myself a better man.”

“Touching. You and Doctor Frankenstein.”

I forced myself to smile. “I owed you thanks, as I said, and I do thank you. Now I’ll impose upon your good nature if I may. Two weeks. You spoke of favors, of the possibility of accommodation. I would be greatly in your debt. I am already, as I acknowledge.”

Grinning, he shook his head.

“One week then. Today is Thursday. Let us have – let me have her until next Thursday.”

“Afraid not, pal.”

“Three days then. I recognize that she belongs to you, but you’ll have her for eternity, and she can’t be an important prisoner.”

“Inmate. Inmate sounds better.” The demon laid his hand upon my shoulder, and I was horribly conscious of its weight and bone-crushing strength. “You think I let you jump her last night because I’m such a nice guy? You really believe that?”

“I was hoping that was the case, yes.”

“Bright. Real bright. Just because I got here a little after she did, you think I was trailing her like that flea-bitten dog, and I followed her here.” He sniffed, and it was precisely the sniff of a hound on the scent. The hand that held my shoulder drew me to him until I stood with the almost insuperable weight of his entire arm on my shoulders. “Listen here. I don’t have to track anybody. Wherever they are, I am. See?”

“I understand.”

“If I’d been after her, I’d have had her away from you as soon as I saw her. Only she’s not why I came here, she’s not why I’m leaving, and if I was to grab her all it would do is get me in the soup with the big boys downstairs. I don’t want you either.”

“I’m gratified to hear it.”

“Swell. If I was to give you a promise, my solemn word of dishonor, you wouldn’t think that was worth shit-paper, would you?”

“To the contrary.” Although I was lying in his teeth, I persevered. “I know an angel’s word is sacred, to him at least.”

“Okay then. I don’t want her. You wanted a couple of weeks, and I said no deal because I’m letting you have her forever, and vice versa. You don’t know what forever means, whatever you think. But I do.”

“Thank you, sir,” I said; and I meant it from the bottom of my soul. “Thank you very, very much.”

The demon grinned and took his arm from my shoulders. “I wouldn’t mess around with you or her or a single thing the two of you are going to do together, see? Word of dishonor. The boys downstairs would skin me, because you’re her assignment. So be happy.” He slapped me on the back so hard that he nearly knocked me down.

Still grinning, he walked around the corner of someone’s camper van. I followed as quickly as I could, but he had disappeared.

Little remains to tell. I drove Eira to St Louis, as I had promised, and she left me with a quick kiss in the parking area of the Gateway Arch; we had stopped at a McDonald’s for lunch on the way, and I had scribbled my address and telephone number on a paper napkin there and watched her tuck it into a pocket of the denim shirt she wore. Since then I have had a week in which to consider my adventure, as I said on the first page of this account.

In the beginning (especially Friday night), I hoped for a telephone call or a midnight summons from my doorbell. Neither came.

On Monday I went to the library, where I perused the back issues of newspapers; and this evening, thanks to a nephew at an advertising agency, I researched the matter further, viewing twenty-five and thirty-year-old tapes of news broadcasts. The woman’s name was not Eira, a name that means “snow”, and the name of the husband she had slain with his own shotgun was not Tom, Dick, Harry, or even Mortimer; but I was sure I had found her. (Fairly sure, at least.) She took her own life in jail, awaiting trail.

She had been in Hell. That, I feel, is the single solid fact, the one thing on which I can rely. But did she escape? Or was she vomited forth?

All this has been brought to a head by the card I received today in the mail. It was posted on Monday from St Louis, and has taken a disgraceful four days to make a journey that the most cautious driver can complete in a few hours. On its front, a tall, beautiful, and astonishingly busty woman is crowding a fearful little man. The caption reads,
I want to impress one thing on you
.

Inside the card:
My body.

Beneath that is the scrawled name
Eira
, and a telephone number. Should I call her? Dare I?

Bear in mind (as I must constantly remind myself to) that nothing the demon said can be trusted. Neither can anything that she herself said. She would have had me take her for a living woman if she could.

Has the demon devised an excruciating torment for us both?

Or for me alone?

The telephone number is at my elbow as I write. Her card is on my desk. If I dial the number, will I be blundering into the snare, or will I have torn the snare to pieces?

Should I call her?

A final possibility remains, although I find it almost impossible to write of it.

What if I am mad?

What if Foulweather the salesman merely played up to what he assumed was an elaborate joke? What if my last conversation with him (that is to say, with the demon) was a delusion? What if Eira is in fact the living woman that almost every man in the world would take her for, save I?

She cannot have much money and may well be staying for a few days with some chance acquaintance.

Am I insane? Deluded?

Tomorrow she may be gone. One dash three one four . . .

Should I call?

Perhaps I may be a man of courage after all, a man who has never truly understood his own character.

Will I call her? Do I dare?

Frumpy Little Beat Girl

Peter Atkins

One theory of angels is that they are archetypes representing the positive/negative polarity of the universe: light and dark, good and evil, yin and yang. But, really, is the universe . . . or the multiverse . . . always so neatly divided? Has your own – most likely infinitesimally insignificant – life always reflected such distinct divisions? Does our world, or at least our consensus reality, always retain a tidy equilibrium? Anomalies happen. Someone has to set things back in balance. Peter Atkins’s delightfully quirky story offers an original take on the angelic.

“They don’t make hats like that anymore,” says Mr Slater.

Jesus. Five minutes in and first thing out of his mouth. Bethany looks up from her book and through the windshield to see what the hell he’s talking about.

There’s a pedestrian, a Hispanic guy, crossing in front of the Lexus. He’s in no particular hurry about it, and he doesn’t need to be. The light they’re stuck at, the one at San Fernando and Brand, can take three minutes even in a good mood and, at eight thirty in the morning, you can usually count on it being pissy.

“Sure they do,” Bethany says, meaning the hat.

“No,” Mr Slater says, his head moving to watch the man reach the sidewalk and turn to wait, like them, for the northbound green. Bethany hears the pleasure, the admiration, in his voice. “They make things that
look
like it, maybe,” he says. “But that’s
period
.”

He has a point. It’s not only the gray fedora. The pedestrian – elderly but vigorous, his body lean and compact, face like leather but like, you know,
good
leather – is dressed in a subtly pinstriped black suit that could be new or that could have been really well looked after for decades. There’s a tight quarter-inch of white handkerchief showing above the suit’s breast pocket, and the man wears opinionated shoes.

“Cool,” Bethany says. “
Buena Vista Social Club
.”

“You think he’s Cuban?” Mr Slater asks, as if she was being literal. “I mean, like, not Mexican?”

Bethany, no idea, shrugs and smiles. The light changes and Mr Slater –
you know, you really can start calling me David
, he’s said more than once but she’s been babysitting for him and his wife since she was fourteen and just can’t get her head around it – moves through the intersection and takes one last look back at the guy. “Check him out,” he says, happy and impressed. “It’s 1958. And it’s never not going to be.”

Gay Michael’s on with a customer when Bethany comes into the bookstore but he takes the time to cover the phone’s mouthpiece and stare pointedly out the plate-glass window as Mr Slater’s Lexus pulls away into the Glendale traffic. He gives her an eyebrow. “Bethany Lake,” he says, delighted. “You appalling little slut.”

“My neighbor,” she starts to tell him, ready to add that she’d needed a ride because her piece-of-shit Dodge is in the shop again but he’s already back on the phone giving directions.

“Yes, ma’am,” he’s saying, “Michael & Michael. On Brand. Between Wilson and California.” Listens for a moment. “Of course. Consider it held. And it really is in lovely condition. The website pictures don’t do it justice.” Bethany watches him run his hand over the tooled leather binding of the book on the counter in front of him as if he can send the seductive feel of it down the line. It’s an 1827
Paradise Lost
, the famous one with the John Martin mezzotints. Bethany catches his eye, points to the curtained annex at the rear of the store, mimes a coffee cup at her mouth.

She’d figured she’d have to brew a fresh pot but Fat Michael’s already on it; three mugs waiting, OCD’d into a handle-matching line atop a napkin that’s folded in geometric precision. On a shelf above the coffee-maker, his iPod is nestled in its cradle-and-mini-speakers set-up and its random shuffle – which Bethany pretends is a radio station with the call-sign K-FMO, for
Fat Michael’s Oddities
– is playing “Jack the Ripper” by Screaming Lord Sutch. “Is your name Mary Blood?” his Lordship is currently screaming, albeit at low volume; Fat Michael would like to pipe K-FMO through to the store, but Gay Michael’s foot is firmly down on that one. “What are we, fucking Wal-Mart?” is about as far as the conversation ever gets.

“He’s really got a bite on that Milton?” Bethany says, knowing the guys have been asking high four figures. The coffee-maker pings.

“Some sitcom star’s trophy wife,” Fat Michael says, filling Bethany’s mug first and handing it to her, no milk no sugar, just right. “She’s shopping for his birthday. You know, like he can read.”

“None of your customers read, Michael,” she says. “They
collect
.”

“Hmph,” he says, because he doesn’t like to be reminded, and then, as the next selection comes up on K-FMO, “Oh, listen. It’s your song.”