Authors: Emma Chase
Kennedy's eyes drag closed. “Brent . . .”
“I'm not as talented in the kitchen as Harrison, but I can hold my own.” Lifting her chin gently, I tilt her head up. And my voice goes soft. “I want to feed you, Kennedy. I want to talk to youâand I want to kiss you again for a long time, knowing you'll actually remember it in the morning.”
That brings the fire back into those stunning brown eyes. “We
did
kiss last night!” Her finger jabs my thigh. “I knew it!”
“Technically, you kissed me. Attacked me, actuallyâand I'm not complaining.” I lean down and press my lips to her forehead. “I just really, really want to return the favor.”
Before she can say no, I walk to the door. Her voice stops me as I reach for the knob.
“What are we doing? I mean, what is this, Brent?” And she sounds genuinely curious.
“We're starting over. This is a new beginning.”
“But the caseâ”
“We won't talk about the case,” I reassure her. “We'll be grown-ups. Compartmentalizeâthere'll be no conflict of interest.”
“Maybe I don't want to start over.” She sighs. “There's so much between us, I don't know if a new beginning is possible.”
“Then we'll talk about that tonight too. Six o'clock, dollface. Don't be late.”
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I head over to the National Mall to run my favorite route. High-octane energy sparks along every nerve ending like I've never felt before. The adrenaline rush before a lacrosse game was similar, but this is
more
. Because I'm so psyched for tonight.
Two hours later, I walk through my front door to find Harrison dusting in the living room. I toss my keys onto the table. “Harrison, my good man.”
He turns, a mixture of curiosity and mild surprise in his eyes. “Yes, Brent?”
I throw an arm around his young shoulders. “You know the Swedish au pair down the street who you've been crushing on the last six months?”
He gulps. “Jane?”
“That's the one. I know for a fact that tonight's her night off.” I slap three hundred-dollar bills into his palm. “It's time to carpe diem, buddy. Take the car, take her out, show her a good time, and if you get luckyâgo to a hotel. If you don't get luckyâspend the night at your father's. Whatever you do, don't come home.”
He looks at the money in his hand, brows touching. “I don't understand.”
“I'm having company tonight.” This is the first time I've ever asked him to make himself scarce; usually I'm encouraging him to watch. So I spell it out.
“Kennedy's coming over. I'm making her dinner. Though you're always impeccably discreet, I want her to be completely comfortable, so we're free to talk
about our feelings.”
Talk.
Strip.
Break the furniture, dent the walls, and defile every surface in the house. Could be wishful thinking on my part, but like the Boy Scouts say, it's good to be prepared.
Understanding brightens Harrison's eyes. “Ah, now I see.” He puts his feather duster down. “I should go change into something more appropriate for a visit with Jane.”
I smack his back. “Go get her, tiger.”
Doubt falls like a gray specter across his face. “Do you . . . do you think she'll say yes?”
I rub his head, messing with his hair the way an older brother would. “She'd be batshit crazy not to. You're a total catch.”
Harrison smiles, looking more relaxed.
We walk toward the stairs near the kitchen.
“Would you like me to prepare dinner for you and Miss Randolph before I go?” Harrison asks.
I step into the kitchen and wave him off. “No. I want to do it myself.”
“Very good, then.”
As Harrison continues toward the stairs, I call, “There's just one small thing. How do I turn this stove on?”
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By five fifteen, I have a simple lemon and chicken recipe in an “oven-safe dish” like the online instructions said, ready to go. I slide it into the oven and go take a shower.
By five thirty, I'm dressed in jeans and a long-sleeved dark blue button-down.
By five forty-five, the table is setâlinen napkins, crystal glasses, china plates, silver utensilsâHarrison would be proud. I turn the lights down low and put a bottle of white wine in the ice bucket to chill.
By five to six, I have the cooked chicken warming on top of the stove, hoping it tastes better than it looks. I light the candles on the table, sit on the couch, and wait for Kennedy to get here.
By six fifteen, I'm still waitingâbut I've never met a woman who was actually on time, so it's all good.
By six thirty, I turn on the TV and use my handgrips as I walk around the room. Watching and waiting.
By six forty-five, I pour myself a glass of wine.
By seven, I risk looking completely pathetic and dial Kennedy's number. It goes to voice mail and I don't leave a message.
By seven thirty, I'm on glass number two. And I blow out the candles.
At eight, I thought I heard someone on the front step, but when I went to check, there was no one there.
By nine, it starts to rain hard, thunder and lightning galore. I lie on the couch, arm bent under my head, legs stretched out, shirt open.
But it's not until ten that I actually believe Kennedy's not going to show.
W
hen I first open my eyes, I'm disoriented. I don't know what time it is, or how long I've been asleep. Then I realize I'm on the couch, it's still dark and raining outsideâand as the recollection of Kennedy not showing for dinner hits me like a sharp jab below the ribs, the knowledge of what woke me up breaks through my foggy brain.
It was a knock on the door.
I walk to the door and open it, just in time to catch a petite blonde going down the steps.
“Kennedy?”
She stops on the sidewalk and slowly turns to face me. She's soaked throughâher jeans molded to the curves of her legs, the sleeves of her white and navy striped sweater dripping, her hair flat, lips slightly tinged with blue.
“I wasn't going to come,” she says.
My voice is drowsy and deep. “Yeah, I kind of figured that when you didn't show up.” I open the door wider. “Come inside.”
Instead, Miss Vinegar to my Mr. Water takes a step back.
“I don't know why I'm here.” And she sounds genuinely bewilderedâeven a little panicked.
“Obviously because I'm irresistible.” The wind blows, spraying ice cold drops across my bare skin where my shirt hangs open. “You're shivering, honey, come inside.”
She stares at me, so many emotions swirling in her expression. She's like a skittish kitten who can't decide if she should let the stranger pat her head or haul ass up the nearest tree.
And it breaks my heart.
“I don't think I can.”
So I go to her.
The rain is cold and hard, soaking my shirt. Her eyes dart from the sidewalk, to my chest, up to my eyes and back again, like she's ready to boltâbut her feet stay planted.
I lean in so she can hear me above the deluge. “Do you remember when I first learned to ride a bike again?”
The corners of her mouth tug up a little. “Yeah, I remember.”
“And we only had your girly bike, so you sat on the handlebars and I pedaled?”
She nods.
“And one day, I was going way too fast and we hit a rock, and both of us went flying. I didn't want to ride like that anymore, because I was afraid you'd get hurt. Do you remember what you told me?”
Her eyes meet mine. “I said . . . I said we had to keep riding . . . because the ride was the only thing that made falling worth it.”
I nod tenderly.
And she adds, “Then you called me a fortune cookie.”
And we both laugh.
When our chuckles settle, I hold out my hand. “I'm not going to let us fall this time, Kennedy.”
Her eyes are back on my chest. “I'm not sureâ”
“All you have to do is take my hand.”
It's like I was saying beforeâyou never really know who someone is inside. That someone as magnificently ferocious in court as Kennedy could be hiding such a fragile, delicate soul. And don't think for a second it's because she's weak. The fact that she's even fucking standing here shows how strong she is. It's just . . . instinct.
We shy away from the things that hurt usâthat have hurt us in the past.
That's what scars are for. They protect the wounds. Cover them with thick, numb tissue so we'll never have to feel that same pain again. The bottom of my stump is one big, hard callus.
But the scars Kennedy has inside? They're even tougher.
When she continues to stare at my hand, I plead, “Please, just come inside.”
Slowly, tentatively, her small hand slides into mine.
And we go in out of the rain.
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Her teeth chatter as she sits on the edge of my bed. I throw a blanket over her shoulders, rubbing her arms, sliding down to cup her hands.
“Jesus, you're freezing. How long were you out there?”
“Awhile. I was walking . . . thinking.”
“Your family has more money than most small governments. Next time you go a-wandering, stop and buy an umbrella.”
Kennedy shivers as she laughs. I pull the blanket closer around her and rub her back.
Her voice comes out soft and wavering in the dark room. “None of this is going like I imagined.”
“Me neither. I figured I'd be busy getting you
out
of your clothes, not wrapping you up like a burrito.”
That gets me another chuckle. “I meant coming home, seeing you again . . . I thought it'd be so different.”
I hold her hands between mine, rubbing the chill from them. “Different how?”
“I knew we'd run into each other eventually. But when I saw your name on the Longhorn case, I thought it was fate. My opportunity for payback. I thought you'd be bowled over by my new look. Infatuated with me.”
She can check that one off the list.
“I pictured flirting with you, toying with youâand then totally crushing you. You were going to be devastated. And I was going to laugh over the remains of your broken heart.”
“You're a vengeful little thing, aren't you?”
Her eyes drift to the ceiling and she shakes her head at herself. “Sometimes. When it comes to my cases, the victims, I want to punish the people who've wronged them. But you . . . you're still you. And when I saw you . . . it all felt exactly the same. Like how it was before the dance, before I went to your dorm room that morning. Like I was seventeen again, just hoping you'd . . .”
Her words trail off and my chest clenches with that sublime mix of excitement and trepidation. Of wanting something so much it's like every cell in your body is stretching, reaching for it, yet there's a gray shadow of worry that you might never get to touch it. And keep it. That all you'll be left with is the memory of how great it could have been.
“Does that make sense, Brent?”
I swallow. “Yeah. Perfect sense.”
I cup my hands around hers and blow into them. Another shiver vibrates through her.
“You have to get out of these wet clothes,” I say gently, with no teasing suggestion.
Because we're right on the precipice. I can feel it. And I have to tread so carefully, because one wrong move could send Kennedy away, truly lost to me.
The room is quiet. I peel my soaked shirt off and let it drop to the floor. Only her eyes move, trailing over my shoulders, down the bronzed peaks and valleys of my torso. I stand and slowly unbutton my jeans, then push the heavy, wet fabric down my hips, sliding one leg out before bracing my hand on the bed to pull them over my prosthetic, leaving me in black boxer briefs.
Free of the cold, damp clothes, my skin feels hot. Like the surface of a furnace, warmed from the fire burning within.
Her wide brown eyes follow my every move, looking up at me. Waiting.
I push the blanket off her shoulders and let it drop to the floor. My tongue wets my bottom lip as I grasp her sopping sweater at the bottom and lift slowly, taking note of every inch of creamy skin as it's revealed.
Kennedy raises her arms. I pull the sweater over her head and it lands with a plop on the floor. I saw her naked last night, but that was different. I couldn't enjoy the view; I was trying too hard not to look.
But I look now.
And, oh, do I enjoy it.
Firm, round breasts encased in white lace. Her nipples, dark mauve and taut, tease beneath their sheer covering. Her collarbone is delicate, her shoulders and arms toned. Her stomach is flat, with a hint of muscle, and I bite the inside of my mouthâbecause I want to suck on that skin, slide my tongue across it, press my teeth against it until I hear her moan.
My chest rises and falls as rapidly as hers. I sink to my knees in front of Kennedy and reach for the button of her pants.
And I feel those gentle amber brown eyes beckoning, like a candle in the window that shows the way home.
She lifts her hips and my fingertips graze her smooth skin as I slide her pants down her thighs, leaving the tiny scrap of white silk panties in place. Her legs are beautifully sculpted and the perfect length to wrap around my waist, my shoulders . . . my neck.
Then I stand up and take it all in, gazing at the sweet image of her beautiful form perched at the end of my bed.
“Get under the covers,” I whisper.
As Kennedy settles in the center, her head on the pillow, I sit on the edge of the bed and remove my prosthetic. Then I turn and slide under the covers beside her. Without a word, she molds against me. The cool feel of her flesh is a shock at first, but in just a few moments, my heat chases away her chill.
Except for her feet. I practically hit the ceiling when she runs one up my calf.