Ashenden (10 page)

‘You would have thought that I should be angry with her for making such a fool of me, me who had never known what it was not to gratify my smallest whim; I did not believe that she refused me to inflame my desires, I believed that she told the plain truth when she said that she would not give herself to me until she loved me. She said it was for me to make her love me. I thought her an angel. I was ready to wait. My passion was so consuming that sooner or later, I felt, at last it must communicate itself to her; it was like a fire on the prairie that devours everything around it; and at last – at last she said she loved me. My emotion was so terrific that I thought
I should fall down and die. Oh, what rapture! oh, what madness! I would have given her everything I possessed in the world, I would have torn down the stars from heaven to deck her hair; I wanted to do something to prove to her the extravagance of my love, I wanted to do the impossible, the incredible, I wanted to give her myself, my soul, my honour, all, all I had and all I was; and that night when she lay in my arms I told her of our plot and who we were that were concerned in it. I felt her body stiffen with attention, I was conscious of a flicker of her eyelids, there was something, I hardly knew what, the hand that stroked my face was dry and cold; a sudden suspicion seized me and all at once I remembered what the cards had told me: love and a dark woman, danger, betrayal and death. Three times they'd said it and I wouldn't heed. I made no sign that I had noticed anything. She nestled up against my heart and told me that she was frightened to hear such things and asked me if So-and-so was concerned. I answered her. I wanted to make sure. One after the other, with infinite cunning, between her kisses she cajoled me into giving every detail of the plot, and now I was certain, as certain as I am that you sit before me, that she was a spy. She was a spy of the President's and she had been set to allure me with her devilish charm and now she had wormed out of me all our secrets. The lives of all of us were in her hands and I knew that if she left that room in twenty-four hours we should be dead men. And I loved her, I loved her; oh, words cannot tell you the agony of
desire that burned my heart; love like that is no pleasure; it is pain, pain, but the exquisite pain that transcends all pleasure. It is that heavenly anguish that the saints speak of when they are seized with a divine ecstasy. I knew that she must not leave the room alive and I feared that if I delayed my courage would fail me.

‘“I think I shall sleep,” she said.

‘“Sleep, my dove,” I answered.

‘“
Alma de mi corazón
,” she called me. “Soul of my heart.” They were the last words she spoke. Those heavy lids of hers, dark like a grape and faintly humid, those heavy lids of hers closed over her eyes and a little while I knew by the regular movement of her breast against mine that she slept. You see, I loved her, I could not bear that she should suffer; she was a spy, yes, but my heart bade me spare her the terror of knowing what must happen. It is strange, I felt no anger because she had betrayed me, I should have hated her because of her vileness; I could not, I only felt that my soul was enveloped in night. Poor thing, poor thing. I could have cried for pity for her. I drew my arm very gently from around her, my left arm that was, my right was free, and raised myself on my hand. But she was so beautiful, I turned my face away when I drew the knife with all my strength across her lovely throat. Without awaking she passed from sleep to death.'

He stopped and stared frowning at the four cards that still lay, their backs upward, waiting to be turned up.

‘It was in the cards. Why did I not take their warning? I will not look at them. Damn them. Take them away.'

With a violent gesture he swept the whole pack on to the floor.

‘Though I am a free-thinker I had masses said for her soul.' He leaned back and rolled himself a cigarette. He inhaled a long breathful of smoke. He shrugged his shoulders. ‘The Colonel said you were a writer. What do you write?'

‘Stories,' replied Ashenden.

‘Detective stories?'

‘No.'

‘Why not? They are the only ones I read. If I were a writer I should write detective stories.'

‘They are very difficult. You need an incredible amount of invention. I devised a murder story once, but the murder was so ingenious that I could never find a way of bringing it home to the murderer, and after all, one of the conventions of the detective story is that the mystery should in the end be solved and the criminal brought to justice.'

‘If your murder is as ingenious as you think the only means you have of proving the murderer's guilt is by the discovery of his motives. When once you have found a motive the chances are that you will hit upon evidence that till then had escaped you. If there is no motive the most damning evidence will be inconclusive. Imagine for instance that you went up to a man in a lonely street on a moonless night and stabbed him to the heart. Who would ever think
of you? But if he was your wife's lover, or your brother, or had cheated or insulted you, then a scrap of paper, a bit of string or a chance remark would be enough to hang you. What were your movements at the time he was killed? Are there not a dozen people who saw you before and after? But if he was a total stranger you would never for a moment be suspected. It was inevitable that Jack the Ripper should escape unless he was caught in the act.'

Ashenden had more than one reason to change the conversation. They were parting at Rome and he thought it necessary to come to an understanding with his companion about their respective movements. The Mexican was going to Brindisi and Ashenden to Naples. He meant to lodge at the Hôtel de Belfast, which was a large second-rate hotel near the harbour frequented by commercial travellers and the thriftier kind of tripper. It would be as well to let the General have the number of his room so that he could come up if necessary without enquiring of the porter, and at the next stopping-place Ashenden got an envelope from the station-buffet and made him address it in his own writing to himself at the post-office in Brindisi. All Ashenden had to do then was to scribble a number on a sheet of paper and post it.

The Hairless Mexican shrugged his shoulders.

‘To my mind all these precautions are rather childish. There is absolutely no risk. But whatever happens you may be quite sure that I will not compromise you.'

‘This is not the sort of job which I'm very familiar
with,' said Ashenden. ‘I'm content to follow the Colonel's instructions and know no more about it than it's essential I should.'

‘Quite so. Should the exigencies of the situation force me to take a drastic step and I get into trouble I shall of course be treated as a political prisoner. Sooner or later Italy is bound to come into the war on the side of the Allies and I shall be released. I have considered everything. But I beg you very seriously to have no more anxiety about the outcome of our mission than if you were going for a picnic on the Thames.'

But when at last they separated and Ashenden found himself alone in a carriage on the way to Naples he heaved a great sigh of relief. He was glad to be rid of that chattering, hideous and fantastic creature. He was gone to meet Constantine Andreadi at Brindisi and if half of what he had told Ashenden were true, Ashenden could not but congratulate himself that he did not stand in the Greek spy's shoes. He wondered what sort of a man he was. There was a grimness in the notion of his coming across the blue Ionian, with his confidential papers and his dangerous secrets, all unconscious of the noose into which he was putting his head. Well, that was war, and only fools thought it could be waged with kid gloves on.

Ashenden arrived in Naples and having taken a room at the hotel, wrote its number on a sheet of paper in block letters and posted it to the Hairless Mexican. He went to the British Consulate where R. had arranged to send any instructions he might have for him and found that they knew about him and everything was in order. Then he put aside these matters and made up his mind to amuse himself. Here in the South the spring was well advanced and in the busy streets the sun was hot. Ashenden knew Naples pretty well. The Piazza di San Ferdinando, with its bustle, the Piazza del Plebiscito, with its handsome church, stirred in his heart pleasant recollections. The Strada di Chiaia was as noisy as ever. He stood at corners and looked up the narrow alleys that climbed the hill precipitously, those alleys of high houses with the washing set out to dry on lines across the street like pennants flying to mark a feast-day; and he sauntered along the shore, looking at the burnished sea with Capri faintly outlined against the day, till he came to Posilippo, where there was an old, rambling and bedraggled
palazzo
in which in his youth he had spent many a romantic hour. He observed the curious little pain with which the memories of the past wrung his heart-strings. Then he
took a fly drawn by a small and scraggy pony and rattled back over the stones to the
Galleria
, where he sat in the cool and drank an
americano
and looked at the people who loitered there, talking, for ever talking with vivacious gestures, and, exercising his fancy, sought from their appearance to divine their reality.

For three days Ashenden led the idle life that fitted so well the fantastical, untidy and genial city. He did nothing from morning till night but wander at random, looking, not with the eye of the tourist who seeks for what ought to be seen, nor with the eye of the writer who looks for his own (seeing in a sunset a melodious phrase or in a face the inkling of a character), but with that of the tramp to whom whatever happens is absolute. He went to the museum to look at the statue of Agrippina the Younger, which he had particular reasons for remembering with affection, and took the opportunity to see once more the Titian and the Brueghel in the picture gallery. But he always came back to the church of Santa Chiara. Its grace, its gaiety, the airy persiflage with which it seemed to treat religion and at the back of this its sensual emotion; its extravagance, its elegance of line; to Ashenden it seemed to express, as it were in one absurd and grandiloquent metaphor, the sunny, dusty, lovely city and its bustling inhabitants. It said that life was charming and sad; it's a pity one hadn't any money, but money wasn't everything, and anyway why bother when we are here to-day and gone to-morrow, and it was all very exciting and
amusing, and after all we must make the best of things:
facciamo una piccola combinazione
.

But on the fourth morning when Ashenden, having just stepped out of his bath, was trying to dry himself on a towel that absorbed no moisture, his door was quickly opened and a man slipped into his room.

‘What d'you want?' cried Ashenden.

‘It's all right. Don't you know me?'

‘Good Lord, it's the Mexican. What have you done to yourself?'

He had changed his wig and wore now a black one, close-cropped, that fitted on his head like a cap. It entirely altered the look of him and though this was still odd enough, it was quite different from that which he had borne before. He wore a shabby grey suit.

‘I can only stop a minute. He's getting shaved.'

Ashenden felt his cheeks suddenly redden.

‘You found him then?'

‘That wasn't difficult. He was the only Greek passenger on the ship. I went on board when she got in and asked for a friend who had sailed from the Piraeus. I said I had come to meet a Mr. George Diogenidis. I pretended to be much puzzled at his not coming, and I got into conversation with Andreadi. He's travelling under a false name. He calls himself Lombardos. I followed him when he landed and do you know the first thing he did? He went into a barber's and had his beard shaved. What do you think of that?'

‘Nothing. Anyone might have his beard shaved.'

‘That is not what I think. He wanted to change his appearance. Oh, he's cunning. I admire the Germans, they leave nothing to chance, he's got his whole story pat, but I'll tell you that in a minute.'

‘By the way, you've changed your appearance too.'

‘Ah, yes, this is a wig I'm wearing; it makes a difference, doesn't it?'

‘I should never have known you.'

‘One has to take precautions. We are bosom friends. We had to spend the day in Brindisi and he cannot speak Italian. He was glad to have me help him and we travelled up together. I have brought him to this hotel. He says he is going to Rome to-morrow, but I shall not let him out of my sight; I do not want him to give me the slip. He says that he wants to see Naples and I have offered to show him everything there is to see.'

‘Why isn't he going to Rome to-day?'

‘That is part of the story. He pretends he is a Greek business man who has made money during the war. He says he was the owner of two coasting steamers and has just sold them. Now he means to go to Paris and have his fling. He says he has wanted to go to Paris all his life and at last has the chance. He is close. I tried to get him to talk. I told him I was a Spaniard and had been to Brindisi to arrange communications with Turkey about war material. He listened to me and I saw he was interested, but he told me nothing and of course I did not think it wise to press him. He has the papers on his person.'

‘How do you know?'

‘He is not anxious about his grip, but he feels every now and then round his middle, they're either in a belt or in the lining of his vest.'

‘Why the devil did you bring him to this hotel?'

‘I thought it would be more convenient. We may want to search his luggage.'

‘Are you staying here too?'

‘No, I am not such a fool as that. I told him I was going to Rome by the night train and would not take a room. But I must go, I promised to meet him outside the barber's in fifteen minutes.'

‘All right.'

‘Where shall I find you to-night if I want you?'