Bad Boys of London: The Complete GYPSY HEROES Collection (2 page)
Read Bad Boys of London: The Complete GYPSY HEROES Collection Online
Authors: Georgia Le Carre
THIRTEEN
FOURTEEN
FIFTEEN
SIXTEEN
SEVENTEEN
EIGHTEEN
NINETEEN
TWENTY
TWENTY-ONE
TWENTY-TWO
TWENTY-THREE
TWENTY-FOUR
TWENTY-FIVE
TWENTY-SIX
TWENTY-SEVEN
TWENTY-EIGHT
TWENTY-NINE
THIRTY
THIRTY-ONE
THIRTY-TWO
THIRTY-THREE
THIRTY-FOUR
THIRTY-FIVE
THIRTY-SIX
THIRTY-SEVEN
THIRTY-EIGHT
THIRTY-NINE
FORTY
FORTY-ONE
FORTY-TWO
FORTY-THREE
EPILOGUE
ONE
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
TEN
ELEVEN
TWELVE
THIRTEEN
FOURTEEN
FIFTEEN
SIXTEEN
SEVENTEEN
EIGHTEEN
NINETEEN
TWENTY
TWENTY-ONE
TWENTY-TWO
TWENTY-THREE
TWENTY-FOUR
TWENTY-FIVE
TWENTY-SIX
TWENTY-SEVEN
TWENTY-EIGHT
TWENTY-NINE
EPILOGUE
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten
Eleven
Twelve
Thirteen
Fourteen
Fifteen
Sixteen
Seventeen
Eighteen
Nineteen
Twenty
Twenty-One
Twenty-two
Twenty-three
Twenty-four
Twenty-five
Twenty-six
Twenty-seven
Twenty-eight
Thirty
Thirty-one
Thirty-two
Thirty-three
Thirty-four
Thirty-five
Thirty-six
Thirty-seven
Thirty-eight
Thirty-nine
Forty
Forty-one
Forty-two
Chapter One
Chapter Two
Chapter Three
ONE
Layla
Love is when a girl puts on perfume and a boy puts on shaving cologne and they go out and smell each other.
—Karl, Age 5
‘W
hat are you standing there for? Go use the upstairs bathroom,’ Ria says when she spots me at the end of the queue for the downstairs bathroom.
She is right. The queue
is
long. ‘I’ll just use the portaloo outside,’ I reply.
‘Don’t be so silly. There’s a humongous queue there, too.’
I bite my lip. Ria is BJ Pilkington’s second cousin and we are in his house, Silver Lee, a cavernous mansion built in the art deco style with massive windows that wrapped all the way around the front and sides. BJ threw this party for my brother, Jake, and his new wife, Lily. And while I like and socialize with Ria, BJ and I share a stinging mutual dislike for each other.
In fact, I hadn’t even wanted to come, but my mother forced me to. ‘It’s in your brother’s honor,’ she said in that displeased tone I knew not to disobey. ‘It’d be ignorant not to, and God help me, I didn’t bring you up to be ignorant.’
‘Are you really sure it’ll be OK?’ I ask, looking doubtfully up the long, curving, dark wood staircase. Nobody else seemed to be going up it. It is understood that the party is restricted to the four reception rooms downstairs.
‘Of course,’ she insists confidently.
I give it one last attempt. ‘I don’t even know where it is, and I don’t really want to go wandering around by myself.’
‘Come on, I’ll show you,’ she says and, taking my hand, makes for the stairs.
‘Thanks, Ria,’ I concede, following her meekly. I do need the bathroom rather badly. At the top of the stairs I look down and see all the beautiful people dressed in their absolute finest. That’s the thing about us travelers. We love our color. Peacocks, all of us. There isn’t a plain black gown in sight. Ria takes me down a corridor and half-opens a door to a blue and white bathroom.
‘See you downstairs,’ she calls cheerfully and walks away.
I use the toilet, then wash my hands and stand in front of the mirror. My deep auburn hair comes down to the tips of my breasts. My eyebrows are straight and my eyes are dark blue. My nose is narrow, my lips are generous, and my jaw is well defined.
I am wearing a duck egg blue taffeta dress that I designed and sewed myself. It has a tight bodice and a wide bow at the base of my spine, the ends of which trail lower than the hem of my mid-thigh, Honey Boo Boo-style skirt. Underneath are layers upon layers of gathered electric blue tulle and lace petticoats. Crinolines, my grandma used to call them.
I fluff them up. I love petticoats. In my opinion, life is way too short not to wear petticoats that stick out from under your skirt. I reapply my lipstick, press my lips, and leave the bathroom.
The corridor outside is deserted. Faint sounds of the party downstairs float up. As I walk down the carpeted passage I am suddenly and very strangely overcome by an irresistible curiosity. I want to open a door, just one, and see how BJ lives. I don’t know why, since I think him an arrogant beast. But just for those seconds, I want to see more than what everyone downstairs will see.
Oh! What the hell, just a quick look.
I open a door. The interior is plain; it’s obviously just a spare bedroom. I close it and open another. It, too, has an unlived-in appearance. Again, very plain. I try another door. It is locked. Okay, one last door and I’m out of here. I stop before another door handle and turn it.
Whoa!
BJ!
I take a step forward, close the door behind me, and lean against it. And fuckin’ stare. Two rooms must have been merged into one to make such a massive space. The walls are black and the words ‘No Fear’ are painted in white using a large calligraphy font. They glow in the light from a real fire roaring in the fireplace. It’s been a long time since I’ve seen real logs.
A large chandelier hangs from an iron hook in the ceiling; it looks more like a meat hook than a decorative accent. The bed is a huge, wrought iron four-poster, obviously custom, with deep red fleur-de-lis patterned brocade curtains that have been gathered and held together by thick gold and black ties. On the bedside tables that flank it are elaborate candelabras with real candles that have dripped wax onto the gilt handles.
Wow! So this is what lies inside BJ. His cold, cold eyes hide the soul of a seventeenth-century lord. It is dark and dangerous but I am strangely drawn to it. With some shock I realize that there is something irresistibly seductive about my discovery. It’s like walking into BJ’s private world or looking into his soul.
I try to imagine the room with the candelabras lit. The candlelight dancing off the walls. My eyes move to the bed and I see me naked and crushed under BJ’s large, powerful body, the light making his muscles gleam. The image is so erotic; it is at once thrilling and disturbing. I feel a flutter in my tummy.
I frown. I hate the man. And that is putting it politely.
And yet, here I am in his bedroom. A place I should never be. But, still unwilling to leave, I walk to the middle of the room, my petticoats rustling, the heels of my shoes loud and echoing on the hardwood floor. The fire crackles. It feels as if I am in a different world. Like Alice in her wonderland.
As if pulled by invisible hands, I head toward an antique, dark oak dresser. In a trance I stroke the metal handle. It is cool, smooth, full of all the events it has seen for hundreds of years, the squabbles, the trysts. A frisson of strange excitement runs over my skin. I pull at the metal handle. The drawer glides open with a whisper, smoothly, like it is on roller blades.
I stare wide-eyed at the contents.
Velvet boxes. Piled on top of one another. So many secrets. BJ’s secrets. I take one and open it. A tiepin with a blue stone glitters up at me. I open another. A tiepin with a black panther, obviously old. I open another box and freeze. A gold tiepin that reads ‘Layla’ in cursive writing lays there. It ends with a small diamond at the end of it. I lift my head and look at the mirror above the dresser. I look different, strange, shocked. I shouldn’t be here. This is wrong. I look into my eyes.