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Authors: John Connolly

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Bad Men (2003) (3 page)

BOOK: Bad Men (2003)
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And perhaps it is still Sanctuary also to the young boy who stands amid the breaking waves at Pine Cove, staring out to sea. He does not appear to heed the cold, and the force of the waves does not make him rock back on his heels when they break, nor threaten to suck his feet from their anchorage beneath the surface. His clothes are rough cotton, apart from the heavy cowhide jacket that his mother made for him, hand-stitching it by the fire while he watched patiently, day after day.

The boy’s face is very pale, and his eyes are dark and empty. He feels as though he has awakened from a long sleep. He brushes his fingers gently against the bruises on his face, where the grip of the man left its imprint upon him, then touches the memory of the wound on his throat left by the passage of the knife. His fingertips are heavily grooved, as if by time spent in the water.

For the boy, as for the island, there is no past; there is only the eternal present. He looks behind him, and sees movement in the forest, the shapes drifting among the trees. Their wait is almost over, just as his unspoken promise is about to be fulfilled.

He turns back to the sea and resumes his unblinking watch upon the waiting world beyond.

 

The First Day

 

They asked again what was my name,
They asked again what was my name.
And two were dead before they could move,
Two were dead before they could move.
I said, “That’s my name. That’s my name,
If you please…”
—“Outlaw Song” (traditional)

 

 

Chapter One

 

The giant knelt down and watched the gull’s beak open and close. The bird’s neck was twisted at an unnatural angle and in its single visible eye he saw himself reflected and distorted, his brow shrunken, his nose huge and bulging, his mouth tiny and lost in the folds of his chin. He hung suspended in the blackness of the bird’s pupil, a pale moon pendent in a dark, starless sky, and his pain and that of the gull were one. A dry beech leaf fell from a branch above and performed joyful cartwheels across the grass, tumbling tip over stem as the wind carried it away, almost touching the gull’s feathers as it passed. The bird, lost in its agony, paid it no heed. Above its head, the giant’s hand hovered, the promise of mortality and mercy in its grasp.

“What’s wrong with it?” said the boy. He had just turned six, and had been living on the island for almost a year. In all that time, he had yet to see a dying animal, until now.

“Its neck is broken,” said the giant.

The wind rolling in off the Atlantic tousled his hair and flattened his jacket against his back. Within sight of where he squatted, the eastern shore of the island began its steep descent to the ocean. There were rocks down there, but no beach. The old painter, Giacomelli, kept a boat in the shelter of a glade close by the shore, although he used it only occasionally. In the summer, when the sea was calmer, he could sometimes be seen out on the water, a line trailing from the boat. The giant wasn’t sure if Giacomelli, or Jack, as most islanders called him, ever caught anything, but then he guessed that catching things wasn’t the point for Jack. The painter rarely even bothered to bait the hooks, and if a fish was foolish enough to impale itself on a barb, Jack would usually unhook it and cast it back into the sea, assuming he even noticed the tug on the line. Fishing was merely his alibi, an excuse to take the boat out on the waves. The old man was always making sketches while the line dangled unthreateningly, his hand working quickly with charcoals as he added another perspective to his seemingly endless series of representations of the landscape.

There weren’t too many people living over on this side of the island. It was too exposed for some. Sheep sorrel, horseweed, and highbush blackberry colonized patches of waste or open ground, but mostly it was just trees, the island’s forest petering out as it drew closer to the cliffs. In fact, this was maybe the closest thing to a concentration of houses over on the eastern shore, the boy and his mother in one, Jack in another, Bonnie Claeson just over the rise to the north, and a sprinkling of others within reasonable walking distance. The view was good, though, as long as one didn’t mind looking at empty sea.

The boy’s voice called him back.

“Can you help it? Can you make it better?”

“No,” said the giant. He wondered how the bird had ended up here, lying in the middle of a patch of lawn with its neck broken. He thought he saw its open beak move feebly, and its tiny tongue flick at the grass. It might have been attacked by an animal or another bird, although there were no marks upon it. The giant looked around but could see no other signs of life. No gulls glided. There were no starlings, no chickadees. There was only this single, dying gull, alone of its kind.

The boy knelt down and stretched out a finger to prod the bird, but the giant’s hand caught it before it could make contact, engulfing it in his palm.

“Don’t do that,” he said.

The boy looked at him. There was no pity in his face, thought the giant. There was only curiosity. But if there was not pity, then neither was there understanding. The boy was just too young to understand, and that was why the giant loved him.

“Why?” said the boy. “Why can’t I touch it?”

“Because it is in pain, and you will only increase that pain by touching it.”

The boy considered this.

“Can you make the pain go away?”

“Yes,” said the giant.

“Then do it.”

The giant reached down with both hands, placing his left hand like a shell above the body of the gull, and the thumb and forefinger of his right hand at either side of its neck.

“I think maybe you should look away,” he told the boy.

The boy shook his head. Instead, his eyes were focused on the giant’s hands and the soft, warm body of the bird enclosed within their ambit.

“I have to do this,” said the giant. His thumb and forefinger moved in unison, gripping the bird’s neck and simultaneously pulling and twisting. The gull’s head was wrenched one hundred and eighty degrees, and its pain was brought to an end.

Instantly, the boy began to cry.

“What did you do?” he wailed. “What did you do?”

The giant rose and made as if to grip the boy’s shoulder, but the boy backed away from him, fearful now of the power in those great hands.

“I put it out of its misery,” said the giant. He was already realizing his mistake in euthanizing the bird while the boy was watching, but he had no experience in dealing with one so young. “It was the only thing that I could do.”

“No, you killed it. You killed it!”

The giant’s hand retreated.

“Yes,” he said. “I did. It was in pain and it could not be saved. Sometimes, all that you can do is take away the pain.”

But the boy was already running back to the house, back to his mother, and the wind carried his cries to the giant as he stood on their neatly trimmed lawn. Gently, he cupped the dead gull in his right hand and carried it away to the treeline, where he dug a small hole with the edge of a stone and covered the little thing in earth and leaves, placing the stone at last upon the mound. When he rose again, the boy’s mother was walking toward him across the lawn, the boy clinging to her, shielded by her body.

“I didn’t know you were out here,” she said. She was trying to smile, both embarrassed and alarmed by her son’s distress.

“I was passing,” said the giant. “I thought I’d drop in, see how you were. Then I saw Danny crouching on the grass, and went over to see what was the matter. There was a gull, a dying gull. I—”

The boy interrupted.

“What did you do with it?”

His cheeks were streaked with the marks of his tears and his grubby-fingered efforts to wipe them away.

The giant looked down upon him. “I buried it,” he said. “Over there. I marked the place with a stone.”

The boy released his hold upon his mother and walked toward the trees, his eyes grave with suspicion, as if he were convinced that the giant had somehow spirited the bird away for his own dark ends. When his eyes found the stone he stood before the gull’s resting place, his hands hanging loosely by his sides. With the tip of his right foot he tested the earth, half hoping to reveal a small swath of feathers, darkened with dirt now like a discarded wedding gown, but the giant had buried the bird deep and no trace of it was made visible to him.

“It couldn’t be saved?” asked his mother.

“No,” said the giant. “Its neck was broken.”

She spotted the boy and saw what he was doing. “Danny, come away from there.”

He walked back to her, still refusing to look the giant in the eye, until he was once again by his mother’s side. Her arm gripped the shoulder of the boy, and she pulled him closer to her.

“There was nothing anybody could do, Danny. The bird was sick. Joe did the right thing.”

Then, in a whisper to the giant, she added: “I wish he hadn’t seen you kill it. You maybe should have waited until he was gone.”

The giant reddened at the chastisement. “I’m sorry,” he said.

The woman smiled to herself as she tried to comfort both boy and man simultaneously. He is so big, so strong, she thought, and yet he is made awkward and small by the sorrow of a little boy and his feelings for the boy’s mother. This is a strange position in which to find myself, circling this huge man as he circles me, almost—but not quite—touching. It took him so long, so long…

“He’s still young,” she said reassuringly. “He’ll learn, in time.”

“Yes,” said the giant. “I guess he will.”

He grinned ruefully, briefly exposing the gaps between his teeth. Then, suddenly conscious that he was revealing them, he allowed the smile to die. He squatted down so that his face was level with that of the boy.

“Good-bye, Danny,” he said.

The boy was still looking toward the grave of the gull and did not respond.

The giant turned to the woman. “Good-bye, Marianne. Are we still okay for dinner?”

“Sure,” she said. “Bonnie’s going to look after Danny for the evening.”

He almost smiled again.

“Say good-bye to Officer Dupree, Danny,” said the woman as the giant prepared to leave. “Say good-bye to Joe.”

But the boy only turned his face away, burying himself in the folds of her skirt.

“I don’t want you to go with him,” he said. “And I don’t want to stay with Bonnie.”

“Hush,” was all his mother could say.

And the giant named Joe Dupree strode toward his Explorer, dirt beneath his nails and the warmth of the bird still palpable on the palm of his hand. Had there been any strangers around to see his face, the sadness upon it would have given them pause. But to the natives on the island, the look upon the huge policeman’s face would have seemed as familiar as the sound of breaking waves or the sight of dead fish upon the shore.

After all, he was not called Melancholy Joe for nothing.

 

 

He was born huge. His mother would often joke that, had Joe Dupree been a girl, he could almost have given birth to her. They had been forced to cut him out of her, and, well, that was that as far as Eloise Dupree having more children was concerned. She was almost forty by the time her son was born, and both she and her husband were content to remain a one-child family.

The boy grew and grew. For a time, they feared that he was suffering from acromegaly, the ailment of giants, and that their beloved son would be taken from them at an early age, his life span halved or even quartered by the disease. Old Doc Bruder, who was then not so old, sent them to a specialist, who conducted tests before reassuring them that their boy was not acromegalous. True, there were risks associated with his size later in life: cardiovascular disease, arthritis, respiratory problems. Some form of chemical intervention could be considered at a later stage, but he advised them to wait and see.

Joe Dupree continued to grow. He towered over his classmates in elementary school and in high school. Desks were too small, chairs too uncomfortable. He stood out from his peers like the seed of a great tree dropped in the wrong part of the forest, forced to survive amid alder and holly, its strangeness apparent to even the most casual of glances. Older boys baited him, treating him like a handicapped oddity. When he tried to strike back at them, they overwhelmed him with numbers and guile. Even the sporting arena offered him no comfort. He had bulk to go with his size, but it was without grace or skill. His was not an immensity and strength that could be put to use in any competition. He lacked the instincts necessary as much as the abilities. His great body was a burden on the football field and a liability in the wrestling circle. He seemed destined to spend his life either falling over or getting up again.

By the time he was eighteen, Joe Dupree had topped out at over seven feet, two inches and weighed over 360 pounds. His mass was a millstone in every way. He was intelligent, yet it was assumed by his peers that he was stupid because of how he looked. Instead of proving them wrong, he became what they perceived. He was the freak, the freak from the island (for it was his upbringing on the island that doomed him, as much as anything else; already he was an outsider to the kids from Portland, who thought little of the islanders to begin with, even those of normal size). He retreated into himself, and after high school took a job on the island driving for Covey Jaffe. It was only when the time of his father’s retirement drew near that Dupree joined the Portland PD, his size almost an impediment to his acceptance until his family’s history in the department was taken into account. When his father at last retired, it seemed natural that Joe Dupree should take over his role as the island’s resident policeman, assisted by the existing roster of cops from the mainland.

Dupree’s father had died three years earlier, six months after Eloise had passed away. His father had simply proved unable to live without her. There was no other possible reason for the sudden decline in his health, despite the opinions of doctors and specialists. They had been together for forty-seven years, living in a modest house on this most remote of the inhabited islands, a profoundly enamored couple secure in the center of a close community. Dupree missed them both deeply, his father in particular, for he was forced to travel the same paths, to drive the same roads, to greet the same people, to wear the same uniform as his old man once had. There was a link between the two generations that could not be sundered, and he strengthened it with every day that he worked.

BOOK: Bad Men (2003)
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