Banquet for the Damned (11 page)

With a gasp, Dante wipes the tears from his eyes. 'Buddy, sometimes I wish you had breasts. I'd get down on one knee. You do me the world of good.'

'Which reminds me,' Tom says. 'Did I tell you I nearly scored today, with a chick that sells cigarettes and lottery tickets in the supermarket? Legs like a gazelle and a voice like honey.'

'No you didn't, but this is my surprised face. Be careful with the locals. This is unknown territory. I don't want some tattooed Scot kicking the door down in the middle of the night, shouting "Morag! Morag! I love ya. I'll foockin' kill him."'

'Man, what am I, an amateur?' Tom says, smiling.

Dante sinks deeper into his chair. 'God, I feel better now. And you're right about this place, mate. Cracking flat.'

'Yeah. Eliot wouldn't do this for anyone. Remember that. The force is strong in you, mate. He knows it.'

When they first arrived, the day before, the modern interior of the flat amazed them. The sight from the street of the cramped stone front of the building furnished each of their imaginations with an impression of a hideous twee decor. But there was nothing floral or busy about the interior when they let themselves in. No porcelain bric-a-brac or hideous scented dolls propped up on pillows. Instead, the old structure had been gutted and modernised in clean and plain terms.

Tonight, their candles are alight at strategic points around the living room, and while Dante was with Eliot, Tom has shopped, unpacked, and arranged their acoustic guitars on stands by the patio doors, which open out to a large garden they share with the flat above them. 'Have you met the neighbours yet?' Dante asks.

'No, but I saw an old woman peeping at me from the window. I'm amazed she didn't call Johnny Law. Imagine seeing a couple of longhaired gypos carrying a Marshall amp into the flat downstairs?'

'There goes the neighbourhood,' Dante adds, and they both laugh – the breach closed and the protective circle drawn for the night.

The hard cold thing between Maria's hands is a gravestone.

She wakes, bent over. She struggles to breathe and flashes her startled eyes about – a pretty deer stunned by the high beams of a sleepwalk. A forest of tilting headstones stretches off in every direction, only rearing up in their shadowy processions to mill about the thick perimeter walls, or to part by the eroded cathedral remains and lonely St Rule's Tower in the centre of the churchyard.

The stars and streetlights struggle to penetrate the ground where Maria stands, all thick with black grasses and mildewed stone figurines. She's barely able to see her own legs or to distinguish the hard shapes that corral her inside this thick copse of worn tombstones. Every object seems indistinct but almost alive – as if vibrating from the hidden energies of night. To her right, a thick wall, encrusted with upright tombs, dulls the sound of the sea. To her left, forlorn St Rule's Tower stands beside the chipped and spectral silhouette of the Priory's east gable, which joins the dark archway straight ahead of her.

Dank smells fill her nose and mouth: a thick and cloying reek of decay, wet leaf and dripping urn. A place summer has forgotten. Here and there, dotted like false hopes in the black, drowning sea of forgotten names and worn markers, a luminescent halo rises off new marble, a final sign from the newly dead, the last brightness from lives gone and never destined to return.

Standing straight, Maria's entire body shakes from nerves and the breaths she takes quickly. She moves a leg and bangs a naked shin on stone, solid and impatient with living flesh. Pain revives her enough to still her confusion and, immediately, her instincts advise flight. She should not be down here, miles from New Hall, with no recollection of having arrived. It is too dark, too quiet, and too still – a place of finality and reluctant rest, not for the living and never at night.

Moving clumsily, she crosses wilted flowers and avoids sloping gravestones, to reach the path running under the arch. It cuts between the cathedral and the western cemetery, and leads to the main gate. One of her fingernails catches on a leaning headstone, then her knees scratch against an edge of another stone that has crumbled, and finally she stubs the toes of her left foot against a square marker hidden inside the cold grass. Never has her body felt as weak and vulnerable as it does amongst these hard rocks that long to shipwreck a body fleeing for the locked gate.

Memories come back to her when she least wants them to, making her recall the whispers in her room, and the dark presence that issued them. She will definitely see the American doctor tomorrow. Why did she have to fall asleep and miss her appointment this afternoon? If she'd gone she might not be here. But right now, she has to get out. There is a police station on North Street, by the cinema where she fell in love with Ethan Hawke, and there are taxis down there too. Just get out, and get out fast.

But Maria only makes it to the path, near the ruined cloister, and not much further. Because something is moving in the ruins, amongst the flat tombs, near the old and vanquished altar. She sees a shape. It is hunched over, and lopes across the flattened grass and the paving stones where the building once broadened out in the shape of a crucifix. It moves quickly, craning a head back to test the air with a face that is mercifully indistinct. She can feel no strength in her legs.

Desperate, she wants to bolt toward the gate and Dean's Court beyond, where South Street and North Street meet. She should shout for help too, and wave her arms in the air. There is a car outside Dean's Court – a black car, an Audi with tinted windows, and its tiny red brake lights are on so someone must be inside it. But she stops herself. For a moment, nothing in the world will allow her to remove her eyes from the exposed cathedral innards. This is how people must feel, she thinks, when they come face to face with a bear in a forest, or a leopard in a jungle. They freeze.

There is more movement in the remnants of the hallowed walls – a flit from shadow to shadow. Something is leap-frogging over the smooth stones and then darting left and right as it draws closer. Once more her instincts beg her to flee, but she realises she'll have to cover the thin gravel path, one hundred feet long, to reach the gate and the safety it promises. And it's so far away and she's never been good at running. Sobs rear up inside her and tears smudge her vision.

Don't panic. Don't panic. Don't panic. Run!

Pointed stones stab into the soft palms of her feet, so she screws her toes up and runs awkwardly on the balls of her heels, moving her arms in flutters to sustain a balance. She tries to keep her vision steady and focused on the gate, on sanctuary, but something pulls her eyes to the side – the left side, where the remains of the cathedral glower and seem to raise their last standing stones like arms above wailing faces. Something is keeping pace with her, crouched over but moving as if it glides. Every step she takes brings it closer in an effortless streak to the apex of an invisible triangle where their paths will meet. But she tries, she really tries to reach the gate despite the cuts on her feet. An attempt at escape is better than facing it back amongst the stones and shadows.

Screaming, Maria flings an arm out when it comes for her. It sweeps forward like a black sheet blown by the wind, across the jumble of stone and the milky patches of grass. And it comes so fast. She tries to pull her body into a tight defensive ball, and she wants her eyes to remain shut, but, at the last moment, as it moves into its embrace, she can't help looking and she finally sees the hungry thing's face.

'Shit!'

'Jesus, did you hear that?' Dante shouts, sitting bolt upright in the chair that has cuddled him into a stupor.

Tom is already on his feet, eyes wide. 'That was a scream. God, that freaked me.'

'Was it real or someone mucking about?'

At the banality of his friend's question, Tom raises both eyebrows. The awful wail, resounding with distress and terror, could not have been the result of play-acting.

'We should go and look outside.'

'Yeah, right,' Tom answers.

'Where did it come from?'

'Over there,' he says, pointing over Dante's shoulder toward the wall separating them from the neighbour's house.

'What's over there?'

'The coastal path, that runs between the cliffs and the cathedral.'

They look at each other for a long time, both minds locked in persuasive theories concerning foxes, rare Scottish nocturnal birds, and the habits of drunken students. An image of a severed arm drifts into both minds. No one would want to go toward the cathedral or pier after hearing that noise, not on their second day in town, and not after such a trying one.

Slowly, Dante and Tom reclaim their seats.

CHAPTER NINE

The golf ball lands on the road between the Links and the West Sands, bounces twice, and then disappears without a sound into the dunes. Colin McAllister raises his face to the early-morning sky and shouts, 'Jesus wept!

Walking slowly in the direction of the vanished ball, he bites down on the rage threatening to break from him, a rage capable of destroying his expensive equipment. At first light, he ventured onto the Old Course alone to practise through nine holes: nine holes he should have mastered long ago. But today, like too many others lately, just as he is about to swing, a single thought will jostle into his mind and distract him. The feeling and not thinking technique collapses and the resulting strokes send ball after ball shooting off at infuriating curves to fall at random destinations. A miserable chain of inept shots has already ruined the morning.

And it started as such a fine day too: the sky already blue, winter kept waiting, the neatly shorn grass with its sweet smell, thick and bouncy beneath his shoes, and bird song. A quick round of golf, a good breakfast at the club, and then a morning paper: that was the plan.

With his shoulders hunched and his stare locked on the dunes bordering the beach, Colin makes his way across the narrow strip of tarmac dividing the Old Course from the sea. Between his gloved fingers, a golf club hangs limp and trails behind his body like an unwanted toy. As he crosses the road, the spikes of his shoes grate on the stones, and when he climbs over a wooden stile to gain access to the beach, not only do his checked trousers flap irritatingly around his thin ankles, but he becomes conscious of the label in his red pullover scratching at his neck. It will be one of those special days reserved for the retired – a conspiracy of petty trifles and constant pains in the joints, reducing optimism to ashes. There are too many days like this.

'Relax,' the doctor said during his last blood-pressure check-up at the Memorial Hospital. 'Get some exercise and fresh air. Take up a sport, but nothing too strenuous'. He remembers looking forward to his retirement for over twenty years. But taking up golf is emotionally and financially the single biggest mistake he has made since leaving the company.

Hacking at the long grass in the dunes with his custom-made iron, he begins the search for the ball. The club should have been covered and put back with the others – its material value exceeds even that of his new 'wood' – but it has let him down, failing to live up to its graphite-and-alloy promise. Churlishly, he believes this alternative use of the club as a strimmer will register as punishment inside its gleaming but treacherous shaft.

When his arm begins to twinge, he stops the flailing and lowers his head. When he opens his eyes, the uneven and spiky grasses swim beneath his feet. Pain runs from his left shoulder to his elbow and something tightens inside his chest – something he cannot rub better. Prickles spread across his scalp, killing the warmth beneath his hat. Brief recollections of his first heart attack dry his mouth and his thoughts slide toward panic. He doesn't want to be suffocated by agony and fear again, to lose his dignity by groping around on all fours trying to find the breath for a scream, when his mouth becomes nothing more than a silent, sucking hole.

Concentrating on the white toes of his new golf shoes, he tries to calm down, and pats his trouser pocket for the reassuring rattle of the bottle of angina pills. Slowly, the pain dims from his arms and the steel band relaxes its tourniquet from around the hard pipes of his heart. In silence, he makes a solemn oath to see the doctor in the afternoon.

He feels the sweat dry between his shoulders and under his hat. Cold now, he begins to wander around in hesitant circles, breathing through his nose. The movement helps and warmth returns to his skin as his heart kick-starts his circulation back into motion. In his mind, he sees his heart as a small lump of gristle, its stiff valves barely able to open so the thin blood can pass through and sustain the rest of his meagre frame. 'Damn you', he says to the failing organ, allowing a spurt of relief to reactivate his determination to find the ball. No, a golf ball won't kill him. The brief spasm has passed. Just got too excited, that was all – something to be avoided at all costs, the doctor said. But the golf ball will be found. It means nothing as a physical entity, but he will seek it on the principle that trifles cannot be allowed to undermine a man. Some sense of order has to be maintained or you may as well be dead. The ball is there to entertain and relax him, not to defy him. It must know its place. Even if it takes all day, he will find the ball. Maybe when it is back in his hand he'll spit on it for nearly killing him before throwing it away, to show the bloody thing he's beaten it but cared not a jot for it. Madness, his wife would think, but she doesn't understand.

The ball could be anywhere, though. Has the momentum of his slice sent it through the grass to find a dark and secret place in the scrub or in a sandy hollow? Maybe it is peering out right now from one of the squat clumps of weed that grow like cacti from the sand dunes – peering out and laughing at him. 'I'll have you,' he swears. 'Cut you in half with a hacksaw and bury you in a dustbin. You shan't take me down.'

To summon the concentration required to conduct a thorough search, Colin shuffles forward through the first set of dunes and glances at the sea. The tide is out and the surface of the distant water is flat. That is how calm he wants to feel. But with the ball at large it will be impossible.

As he turns to inspect a hillock his foot slips a few inches forward. Regaining his balance, Colin peers down at his feet. Anger smoulders again. Dog shit – all he needs on a pair of new calfskin shoes. Reluctantly, as if scared of what he might find hanging from his sole, he turns his foot sideways to inspect the mess. Something glistens. A dark brown smear between his cleats and in the grass where he stands. After taking a step back, he bends further over to glare at the stain. Whatever it is sticking the grass together, it doesn't look like excrement. It looks like oil. Heavy sump oil, only it is reddish and brown in turn at the edges – the colour of hard fried bacon. Colin steps away, one hand windmilling for balance, not liking the texture or shine to the stuff he realises is blood.

He stamps his foot on the ground and then scrapes it backward to remove the blood and whatever it is that has collected to thicken the spill. After rechecking his sole to satisfy himself that the sticky fluid has been wiped free from his shoe, Colin ventures forward to inspect the wet and matted area of sand and verdure.

Immediately, he notices something odd about the grass: it has been flattened down around the dark smears to form a trail, the width of a man's shoulders, that leads over a small ridge and down into a crevice between two sandy hillocks. He's developed an aversion to blood after the last war, and any visit to a hospital still tightens him up inside: too many mates gone in and not come out. Perhaps a dog has caught a rabbit here. He hopes it won't be too messy.

Carefully, he moves up the side of the trail where the grass is long, and then peers down into the little sandy valley that slopes away to join the beach. But it is not the sight of a dead rabbit that greets his eyes.

After the initial double take, he twists away and falls onto all fours. Clarity of thought and vision disperse as he scrabbles back across the dune. Murmurs in his heart turn to rapid palpitations and then to quakes of crippling pain. Urgent breaths die in his parchment mouth. He crawls back through the trail of blood, soiling his trousers with bright streaks. It is blood from that wretched thing on the beach, propped up beside his golf ball.

Forced to stop crawling by the lightning in his ribcage, he rolls onto his back and releases his grip on the golf club. Staring at the sky, with his useless legs splayed in the mire of clotted sand, he moves his head from side to side and mouths the word 'No'.

There are no flies: it is a fresh kill.

Is he in danger? Is the killer still nearby? He must get up and find a phone box. Stay calm, he tells himself, don't push your ticker, let it settle down and then find someone.

But his attempts to remain calm fail. Back into his mind bursts the horror of what he tried to crawl away from. He's never seen such a tortured statement of a human body, not even on a beach in Normandy. The thing in the sand was once a woman, of that he is sure. Scattered items of clothing didn't give the gender away, but what was left of the breasts did.

There was no sign of hair on her head, or even skin on the silhouette of her thin body. Peeled wet, she looked like a sculpture made from red clay, still moist from the touch of an artist's watery hands. And perhaps it was the curious animation about the thing down there in the sand that brought the fresh attack of searing cramps to Colin's heart – the manner in which it was sitting bolt upright on the beach with crossed legs. Or maybe it was the grin on the taut face staring back at him, beneath eyes that would never blink again.

Little pinpricks of light cluster before Colin's eyes, and he turns his head to retch on the ground. So as not to choke, he raises his head and spits a long tendril of mucus off his bottom lip, but he lacks the strength to spit properly and the bile clings to the front of his Pringle sweater. With only the grinning thing for company, chest pains make sure he is unable to move from where he lies in the dunes. And only when he hears the sound of something lifeless being dragged through the long grass does his heart stop in its struggle to beat.