Read Barefoot in the Head Online
Authors: Brian W. Aldiss
Arising one morning from her bed
Going across the room to open
Her casement window Of course he had
The tactical sense to leave it all unfinished
But he oversimplified
Has anyone ever opened
Or finished opening
The multidimensional stimuli
But time is a multitude and to
‘My’ mattress what we chose to think
Is ‘her’
The repetitive event of sex
Comes in eternal recurrence
Only the old data-reducers cut
The exposures down reducing all
To unity Put it this way
That ‘she’ is multitudinously among
The motes and lines and famine bowls and beds
Which punctuate that single node of time
For me and say that single node
Replicates
Endlessly to the last progressions Of a universal web
If there were roses or daylight in the bowl
If there was someone in the middle-distance
If the faint sounds that came to ‘me’
If I was there prepared to love
If we see anything but photographs
Torn from a neolithic eye
Put it this way
Time is a multitude
And ‘she’ far more than one
TOPHET
(‘Tophet: an ancient place of human sacrifice near Jerusalem; later a place of refuse disposal.’ Diet.)
I was prepared to sacrifice
Myself — or all else but myself.
Too harsh. I almost sacrificed
Myself. I would have done. One has
To be much surer time allows
Such liberty of gesture or
That the gesture is not just
In essence someone else’s. I
Saved myself to do some further good
I say some further good. The tide of faith
Dawdled. What did I do unto myself?
Acidhead mind and flesh corrode. Too harsh.
I am the refuse tip of all I was.
Boot of Revelations
Letting their origins down
with mooed music
The cattle milled and sledded
in the clapped out square
Boddihair buttressed
limbs rebuddied
Metamorphic sleep-awake-asleep
perception flickers
As he disintegrates
himself
into their programmed
Brainclumps with unbuckled words
Bending the ticked time-factory
Each circadian partment stuffed
with old writs
As words begin disimigrate
upripe postures fold
into a sea of herdivores
under the diss o’ loot ness
words began
What they heard they herded
churned through mass orifices
fossils mouth-vented
EIGHTY
Under the scoured thatch
Locked beams bar our disorder
Once maybe I had religion
Suffering had a future
Now I need only a shawl
I’m a crab’s claw
A broken wing blunted instrument
Won’t work or play
His veins are dried string
Not even knotted
His thoughts keep kicking
Every day further to the well
This place will never be home
Problems keep their old address
Now I’m just an old householder
And the house holds me.
TWENTY
The days burn like a hairdryer Rattle
Out loud as Friday’s money
Suddenly see problems like opening twots
Needing my thrust
Events make tyres strike concrete
Slicing me forward every direction
Negotiable Nights are jackpots
Giving back and front
Style does it all style
The city’s open to the nomad
Everywhere’s home and clear eyes
Never questioned
Friends wink like traffic lights
I can do more than yesterday
Motorcameleon-like
I’m change itself
DEATH OF A PHILOSOPHER
Oh, no, he went well at last — more his old self,
And yet as if
sure
at last... Perhaps the Way smoothes
For the Gooduns... Cryptic as ever his last words were —
Surprised — ‘So
Soon
Sooth
Soothes...’
CHARTERIS
He was a self-imagined man
Old when still young
But there’s always
Time and everywhere
Recurrently eternally
A hive of selves
He left in the air
Skeleton structures
Of thought
And thoughtlessness
To some of us
They are unfinished
Palaces to some
Slums of nothingness
An ambiguity
Haunted him haunts
All men clarity
Has animal traits
The bombs were only
In his head
On his memorial tree
A joker wrote
KEEP THE VIOLENCE IN THE MIND
WHERE IT BELONGS
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author's imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
This novel of the sixties appeared â differently fashioned â in chunks in New Worlds over two years, thanks to the encouragement of its editor, Michael Moorcock; although the original chunk, âJust Passing Through', appeared in Impulse for February 1967, edited by Harry Harrison.
Copyright © 1969 by Brian Aldiss
ISBN 978-1-4976-0803-0
This edition published in 2014 by Open Road Integrated Media, Inc.
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