Betrayal at Lisson Grove (27 page)

Pitt would fight for Narraway; of course he would. The innate loyalty in him would never allow him to accept that Narraway was guilty, unless it were proved beyond any doubt at all, reasonable or not. And if it were, it would hurt him to depths she would not be able to heal, even with all the tenderness and courage she possessed. Disillusion is an ache that eats into the dreams of goodness, of love, of any value that matters – even to the very belief in life. She would have no trouble in lying to O’Neil in any way necessary.

She settled herself a little more comfortably in the chair and waited for his reply.

‘Heals?’ he said thoughtfully. ‘No. Grows a seal over, maybe, but it’s still bleeding underneath.’ He looked at her curiously. ‘What did he do to you?’

She leaped to the future she feared, creating in her mind the worst of it.

‘My husband worked in Special Branch too,’ she replied. ‘Nothing to do with Ireland. Anarchists in England, people who let off bombs that killed ordinary women and children, old people, most of them poor.’

O’Neil winced, but he did not interrupt her.

‘Narraway sent him on a dangerous job, and then when it turned ugly, and my husband was far from home, Narraway realised that he had made a mistake, a misjudgement, and he let my husband take the blame for it. My husband was dismissed, of course, but that’s not all. He was accused of theft as well, so he can’t get any other position at all. He’s reduced to labouring, if he can even find that. He’s not used to it. He has no skills, and it’s hard to learn in your forties. He’s not built for it.’ She heard the thickening in her own voice, as if she were fighting tears. It was fear, but it sounded like distress, grief, perhaps outrage at injustice.

‘How is my story going to help?’ O’Neil asked her.

‘Narraway denies it, of course,’ she replied. ‘But if he betrayed you as well, that makes a lot of difference. Please – tell me what happened?’

‘Narraway came here twenty years ago,’ he began slowly. ‘He pretended to have sympathy with us, and he fooled some people. He looked Irish, and he used that. He knows our culture and our dreams, our history. But we weren’t fooled. You’re born Irish, or you’re not. But we pretended to go along with it – Sean and Kate and I.’ He stopped, his eyes misty, as if he were seeing something far from this quiet, sparse room in 1895. The past was alive for him, the dead faces, the unhealed wounds.

Charlotte was uncertain whether to acknowledge that she was listening, or if it would distract him. She ended saying nothing.

‘We found out who he was, exactly,’ Cormac went on. ‘We were planning a big rebellion then. We thought we could use him, give him a lot of false information, turn the tables. We had all sorts of dreams. Sean was the leader, but Kate was the fire. She was beautiful, like sunlight on autumn leaves, wind and shadow, the sort of loveliness you can’t hold on to. She was alive the way other women never are.’ He stopped again, lost in memory, and the pain of it was naked in his face.

‘You loved her,’ she said gently.

‘Every man did,’ he agreed, his eyes meeting hers for an instant, as if he had only just remembered that she was there. ‘You remind me of her, a little. Her hair was about the same colour as yours. But you’re more natural, like the earth. Steady.’

Charlotte was not sure if she should be insulted. There was no time now, but she would think of it later, and wonder.

‘Go on,’ she prompted. He had not told her anything yet, except that he had been in love with his brother’s wife. Was that really why he hated Narraway?

As if he had seen her thought in her eyes, he continued, ‘Of course, Narraway saw the fire in her too. He was fascinated, like any man, so we decided to use that. God knows, we had few enough weapons against him. He was clever. Some people think the English are stupid, and surely some of them are, but not Narraway, never him.’

‘So you decided to use his feelings for Kate?’

‘Yes. Why not?’ he demanded, his eyes angry, defending that decision so many years ago. ‘We were fighting for our land, our right to govern ourselves. And Kate agreed. She would have done anything for Ireland.’ His voice caught and for a moment he could not go on.

She waited. There was no sound outside, no wind or rain on the glass, no footsteps, no horses in the road. Even the dog at Cormac’s feet did not stir. The house could have been anywhere – out in the countryside, miles from any other habitation. The present had dissolved and gone away.

‘They became lovers, Kate and Narraway,’ Cormac said bitterly. ‘She told us what he was planning, he and the English. At least that’s what she said.’ His voice was thick with grief.

‘Wasn’t it true?’ she said when he did not continue.

‘He lied to her,’ Cormac answered. ‘He knew what she was doing, what we all were. Somewhere she made a mistake.’ The tears were running down his face and he made no effort to check them. ‘He fed us all lies, but we believed him. The uprising was betrayed. Stupid, stupid, stupid! They blamed Kate!’ He gulped, staring at the wall as if he could see all the players in that tragedy parading in front of him.

‘They saw she had lied to us!’ he went on. ‘Narraway did that to her, used her against her own people. That’s why I’d see him in hell. But I want him to suffer further, here on earth, where I know it for certain. Can you make that happen, Mrs Pitt? For Kate?’

She was appalled by the rage in him. It shook his body like a disease. His skin was blotchy, the flesh of his face wasted. He must once have been handsome.

‘What happened to her?’ It was cruel to ask, but Charlotte knew it was not the end of the story yet, and she needed to hear it from him, not just from Narraway.

‘She was murdered,’ he replied. ‘Strangled. Beautiful Kate.’

‘I’m sorry.’ She meant it. She tried to imagine the woman, all passion and dreams, as Cormac had painted her, but that vision was the memory of a man in love with an image. Kate had ceased to be breathing, fallible, able to laugh and be hurt, wake and sleep like anyone else.

‘They said it was Sean who killed her,’ he went on. ‘But it couldn’t have been. He knew better than to believe she would have betrayed the cause. That was Narraway again. He killed her, because she would have told them what he had done. He would never have left Ireland alive.’ He stared at Charlotte, his eyes brimming with tears, waiting for her to respond.

She forced herself to speak. ‘Why would he? Can you prove that?’ she asked. ‘I mean, can you give me anything I can take back to London that would make them listen to me?’ She was cold now too, dreading what he might say. What if he could? What would she do then? Narraway would excuse himself, of course. He would say he had had to kill her, or she would have exposed him and the uprising might have succeeded. Perhaps that was even true? But it was still ugly and terrible. It was still murder.

‘He killed her because she wouldn’t tell him what he wanted to know. But if I could prove that, do you think he’d be alive?’ Cormac asked harshly. ‘They’d not have hanged poor Sean, and Talulla be an orphan, God help her.’

Charlotte gasped. ‘Talulla?’

‘She’s Kate’s daughter,’ he said simply. ‘Kate and Sean. Did you not know that? After Sean and Kate died she was cared for by a cousin, so she could be protected as much as possible from the hatred against her mother. Poor child.’

The dreadful, useless tragedy of it overwhelmed Charlotte. She wanted to say something that would redeem any part of the loss, but everything that came to her mind was banal.

‘I’m sorry,’ she said. ‘I’m . . .’

He looked up at her. ‘So are you going back to London to tell someone?’

‘Yes . . . yes I am.’

‘Be careful,’ he warned. ‘Narraway won’t go down easily. He’ll kill you too, if he thinks he has to, to survive.’

‘I will be careful,’ she promised him. ‘I think I have a little more to learn yet, but I promise I’ll be . . . careful.’ She stood up, feeling awkward. There was nothing to say to complete their conversation. They moved from the desperate to the mundane as if it were completely natural, but what words were there that could be adequate for what either of them felt? ‘Thank you, Mr O’Neil,’ she said gravely.

He took her to the door and opened it for her, but he did not offer to find her any transport, as if for him she ceased to be real the moment she stepped out onto the pavement.

 

‘Where have you been?’ Narraway demanded as soon as she came into Mrs Hogan’s sitting room. He had been standing by the window, or perhaps pacing. He looked exhausted and tense, as if his imagination had plagued him with fear. His eyes were hollow and the lines in his face deeper than she had ever seen them before. ‘Are you all right? Who’s with you? Where is he?’

‘Nobody is with me,’ she answered. ‘But I am perfectly all right.’

‘Alone?’ His voice shook. ‘You were out on the street alone, in the dark? For God’s sake, Charlotte, what’s the matter with you? Anything could have happened. I wouldn’t even have known!’ He put out his hand and gripped her arm. She could feel the strength of him, as if he were quite unaware how tightly he held her.

‘Nothing happened to me, Victor. I wasn’t very far away. And it isn’t late. There are plenty of people about,’ she assured him.

‘You could have been lost . . .’

‘Then I would have asked for directions,’ she said. ‘Please, there is no need to be concerned. If I’d had to walk a little out of my way to get here it wouldn’t have hurt me.’

‘You could have—’ he began, then stopped, perhaps realising that his fear was disproportionate. He let go of her. ‘I’m sorry. I . . .’

She looked at him. It was a mistake. For an instant his emotion was too plain in his eyes. She did not want to know that he cared so much. Now it would be impossible for either of them to pretend he did not love her, and she could not pretend she did not know.

She turned away, feeling the colour burning on her skin. All words would be belittling the truth.

He stood still.

‘I went to see Cormac O’Neil,’ she said after a moment or two.

‘What?’

‘I was perfectly safe. I wanted to hear from him exactly what happened, or at least what he believes.’

‘And what did he say?’ he asked quickly, his voice cracking with tension.

She did not want to look at him, to intrude into old grief, which was still obviously so sharp, but evasion was cowardly. She met his eyes and repeated to him what Cormac had said, including the fact that Talulla was Kate’s daughter.

‘That’s probably how he sees it,’ Narraway answered when she had finished. ‘I dare say he couldn’t live with the truth. Kate was beautiful.’ He smiled briefly. In that moment she could imagine the man he had been twenty years earlier: younger, more virile, perhaps less wise.

‘Few men could resist her,’ he went on. ‘I didn’t try. I knew they were using her to trap me. She was brave, passionate . . .’ He smiled wryly. ‘Perhaps a little short on humour, but far more intelligent than they realised. It sometimes happens when women are beautiful. People don’t see any further than that, especially men. It’s uncomfortable. We see what we want to see.’

Charlotte frowned, suddenly thinking of Kate: a pawn to others, albeit one that they wanted, fought over, desired. ‘Why do you say intelligent?’ she asked.

‘We talked,’ he replied. ‘About the cause, what they planned to do. I persuaded her it would rebound against them, and it would have. The deaths would have been violent and widespread. Attacks like that don’t crush people and make them surrender. They have exactly the opposite effect. They would have united England against the rebels, who could have lost all sympathy from everyone in Europe, even from some of their own. Kate told me what they were going to do, the details, so I could have it stopped.’

Charlotte tried to imagine it, the grief, the cost.

‘Who killed her?’ she asked. She felt the loss touch her, as if she had known Kate more than simply as a name, an imagined face.

‘Sean,’ he replied. ‘I don’t know whether it was for betraying Ireland, as he saw it, or betraying him.’

‘With you?’

Narraway coloured, but he did not look away from her. ‘Yes.’

‘Do you know that, beyond doubt?’

‘Yes.’ His throat was so tight his voice sounded half strangled. ‘I found her body. I think he meant me to.’

She could not afford pity now. ‘Why are you sure it was Sean who killed her?’ She had to be certain so she could get rid of the doubt for ever. If Narraway himself had killed her it might, by some twisted logic of politics and terror, be what he had to do to save even greater bloodshed. She looked at him now with a mixture of new understanding of the weight he carried, sorrow for what it had cost him: whether that were a shame now, or a lack of it – which would be worse.

How did that affect Pitt? He would always hurt for his mistakes, and for the decisions from which there was no escape. Thank heaven the biggest ones were not his to make.

‘Why are you sure it was Sean who killed her?’ Charlotte repeated.

He looked at her steadily. ‘What you really mean is, how can I prove I didn’t kill her myself?’

She felt a heat of shame in her own face. At least she would not lie to him. ‘Yes.’

He did not question her, or blame her for thinking it possible.

‘She was cold when I found her,’ he replied. ‘Sean tried to blame me. The police would have been happy to agree, but I was with the Viceroy in the Residence in Phoenix Park at the time. Half a dozen staff saw me there, apart from the Viceroy himself, and the police on guard duty. They didn’t know who I was, but they would have recognised me in court, if it had been necessary. The briefest investigation showed them that I couldn’t have been anywhere near where Kate was killed. It also proved that Sean lied when he said he saw me, and that by his own admission, he was there.’ He hesitated. ‘If you need to, you can check it.’ His smile was there for a moment, then gone. ‘Don’t you think they’d have loved to hang me for it, if they’d had the ghost of a chance?’