Authors: J. A. Jance
Gizzy appeared among us dressed a little more conservatively than she had been earlier at Janie's House. She approached the picnic table tossing her hair and smiling confidently, totally unaware that the damage she and Ron Miller had wreaked on others was about to come back and nail them both.
“You wanted to see me?” she asked cheerfully.
When Gizzy caught a glimpse of Mel and me sitting there at the picnic table with her parents, she hesitated. Her air of unquestioning confidence faltered a little.
“Mom,” she protested. “These people are cops. What are they doing here?”
“They came to talk to you, Giselle,” Marsha said.
It was June. Morning cloud cover had burned off during the course of the afternoon. Outside temperatures hovered in the low eighties, but Governor Longmire's voice was pure ice.
“I've spoken to both your father and to Monica,” Marsha added. “They both agreed that due to the seriousness of the situation they would abide by my decision, and I have made it.”
“What situation?” Gizzy asked, feigning innocence.
“Ron has been taken into custody,” Marsha announced, making no effort to soften the blow. Gizzy's sudden sharp intake of breath showed it had landed.
“Initial charges have to do with assaulting a police officer and resisting arrest,” Marsha continued, “but my understanding is that there are far more serious charges comingâsomething about the murder of a girl named Rachel Camber and about the fire at Janie's House last night.”
“I don't know anyone named Rachel Camber,” Gizzy protested. It was a halfhearted denial. I didn't buy it; neither did anyone else.
“She was from Packwood,” Mel inserted quietly. “You may have known her as Amber Wilson.”
Giselle Longmire suddenly looked stricken, but only because the seriousness of her situation was finally beginning to dawn on her. “You mean she's really dead?”
“Yes,” Marsha replied coldly. “Like on the video clip I found hidden in your underwear drawer, as opposed to the pretend dead in the video we found on Josh's cell phone.”
Gizzy stood very still and said nothing.
“Right this moment the authorities don't know what all is involved, who did what, or how much you participated,” Marsha continued. “If we're lucky, you'll be considered an accessory after the fact. I'm telling you straight out that though you may be my daughter, you are not above the law. You could do yourself some good and speed the process considerably if you'd simply tell these investigators what you know.”
Gizzy looked at her mother incredulously. “You think I should just talk to them? Shouldn't I, like, have a lawyer present or something?”
Marsha stood up.
“That's entirely up to you,” she said. “If you want to ask for an attorney, that's certainly your prerogative, but if you want our supportâGerry's and my support, your father's and Monica's supportâthen you'll grow up and start taking responsibility for whatever part you played in all this.
“That means you need to come clean and to tell the truth. If you're not prepared to do that, you must understand that your father and I are fully prepared to cut you loose. Yes, we love you, but don't believe everything they tell you about unconditional love. There are conditions. We refuse to squander anything more on someone who has no respect for us or for our values.
“If you demand an attorney, fine, but be prepared to have one that is appointed for you by the courts. We won't be paying for it; neither will your father or Monica. Gerry and I took Josh into our home thinking we'd be able to give him a better life than what he'd had before. Your behavior and that of your friends took that chance away from him. Zoe has always looked up to you, but she's evidently known all along what you and Ron were doing to Josh. She finally told Gerry about that ugly texting nonsense this afternoon. She kept quiet about it out of misplaced loyalty to you, but the secret has been eating away at her for months, tearing her apart. So you've destroyed Josh, you've harmed your sister, and you've ruined me as well. As of tomorrow at this time, I will no longer be governorâall because of you.”
“But . . .” Gizzy began.
“No buts!” Marsha mowed over her daughter's attempted protest and stormed on. “You need to figure this out for yourself, Gizzy. You can cooperate with the cops in the feeble hope that your cooperation will buy you mercy from a judge or jury somewhere down the line. Or you can deny everything and trust that Ron Miller won't sell you down the river. If I were you, though, I don't think I'd count on that. We're all prepared to stick by you, but only if you do the right thing. If not? We're done.”
Stunned with disbelief, Gizzy Longmire stared at her mother as Marsha stood up. Then Marsha reached down and helped her husband to his feet.
“Let's go,” she said to him, pocketing her cigarettes. “We need to get back to our guests. We've left them alone long enough.”
“But wait,” Gizzy wailed as Marsha and Gerry started toward the house. “What's going to happen to me?”
Marsha stopped long enough to look at her.
“I have no idea,” Governor Longmire said, shaking her head. “It's in your hands now. It seems to me you should have thought about that a long time ago.”
On Gerry's way past his stepdaughter he paused long enough to lay a consoling hand on her shoulder. “Your mother's right, you know,” he said softly. “If you want us to stick by you, we will, but you've crossed over the line, betrayed our trust. It's time for you to do the right thing.”
With that, Governor Longmire and Gerry Willis disappeared into the kitchen, leaving Gizzy standing there dumbstruck watching them go.
O
nce the kitchen door closed behind Gerry and Marsha, what followed was something my mother would have called “a pregnant pause.” In all my years as a cop, I had never seen a suspect's parents step up the way Marsha and Gerry just had. And the fact that the other set of parental units was evidently on board and in total agreement with this unflinching bit of tough love was even more astonishing. In my experience, a crisis of this kind in divorced families usually devolves into a circular firing squad of finger-pointing.
As for Gizzy? I didn't know if she would go ahead and demand an attorney, as she had every right to do with or without parental approval, or if she would run for the hills.
“Is it true?” she asked finally. “Is Ron really under arrest?”
Mel nodded. “Yes, he's really under arrest. Usually, in these situations, the suspect who talks first is the one who gets the best deal. Not that Mr. Beaumont and I can make deals,” Mel added, “because we can't.”
“How bad will it be for me?” Gizzy asked.
Mel shrugged. “I have no idea,” she answered. “That depends on what you've done, how much you know, and how much you can help us.”
“Are you placing me under arrest?”
“Not right now. We're only taking you in for questioning.”
“Will I have to walk through the house in handcuffs?”
Mel's handcuffs had disappeared much earlier in the afternoon when Ron Miller was locked in that capitol cop's squad car. I still had mine. We could have used those.
“We'll go around the outside of the house instead of through it so as not to disturb your parents' guests,” Mel said. “But I don't think handcuffs are necessary at this time, do you?”
“No,” Gizzy said. “They're not.”
Mel took Gizzy's arm and started to lead her around the side of the house, back to the driveway. I was going to follow, but then thought better of it.
“I need to do one more thing,” I said. “I'll meet you at the car.”
I ducked back into the house through the kitchen.
When I stepped inside, the cook stopped what she was doing, placed both hands on her hips, glared at me, and shook her head.
“It's beginning to feel like Grand Central Station around here,” she said.
“Sorry,” I mumbled. “I need a word with Mr. Willis.”
I found him by the bar in the living room, pouring himself a generous Scotch. With his recent surgery I wondered if that was wise, but that was his business, not mine.
“There's one more thing I need to tell you,” I said. “I didn't want to bring it up in front of Marsha.”
“What?” Gerry sounded bleak, as though he could hardly stand one more smidgeon of bad news.
“Sam Dysart is dead,” I said.
Gerry's face brightened. “Hallelujah,” he murmured. “How?”
“He had a stroke. The first one evidently happened several days ago. He had been lying alone on the floor in a cottage out behind his house ever since. Mel and I found him there when we went to his house to talk to him this afternoon. We called 911. He was in the ambulance and being transported when he suffered another stroke and died. We have reason to believe he purchased the watch Josh was wearing when he died.
“Mel and I have been ordered off the case. Joan Hoyt of the Washington State Patrol says the Olympia PD Sex Crimes unit will be taking over that aspect of the investigation. Once the DNA evidence is processed, we'll try to let you know the findings, but it won't be our responsibility to take it any further.”
“If Dysart really did molest Josh, I hope he rots in hell,” Gerry Willis said fervently. “But we're out of it, Mr. Beaumont. Yes, I want to know for sure, but beyond that, whatever he did or didn't do to Josh is over. I don't want to know anything more about it, and it's no one else's business.”
“But the school district may be liable for bringing him on board,” I objected.
“That's none of my concern. If there are other kids and other parents who want to make an issue of this, fine, but we're not bringing up his relationship with Josh with anyone. The poor boy is dead. Surely we can allow him that much privacyâthat much respect.”
“Yes, sir,” I said. “I'll see to it.”
And so will Ross Connors,
I thought.
It's the least we can do.
I let myself out the front door and joined Mel and Gizzy in the S-550. Gizzy was sitting in the backseat crying quietly when I got in behind the wheel. It didn't matter to me if her tears were due to fear or remorse. The fact that she was shaken enough to be crying seemed like a good sign.
I drove them to the Special Homicide Squad A office and stayed long enough to escort them into a tiny interview room. I turned on the room's video recording system and made sure it was up and running. I gave Mel an earpiece that allowed two-way communication from inside the interview room to anyone outside in the hallway. When I waved good-bye, Mel's parting words to me were simple.
“Bring back pizza and sodas.”
Fair enough. We were conducting an updated version of the carrot-and-stick routine. In this case, Gizzy's parents were the stick and Melâsweet-talking Melâwas going to be wielding the good cop's most effective carrot and the interview room's official secret weaponâpepperoni pizza. As I walked away, I heard Mel launch into the obligatory process of reading Giselle Longmire her rights.
There had been some necessary adjustments in our original plan, but we were also still on track with our general strategy. Mel would interview Gizzy while I tackled Ron Miller.
To that end, I drove straight to Olympia PD. When the guy at Olympia's lockup facility told me Ron Miller had lawyered up and wasn't speaking to anyone, I can't say I was surprised. Ron was accustomed to having his parents haul out their checkbooks and fix whatever mess he had gotten himself into. They had done it at least once before by paying for that burned-out boathouse. I was sure Ronald Darrington Miller was sitting in his cell right then, convinced that by tomorrow morning one or the other of his parents would come bail him out and everything would be fine. I, for one, was pretty sure that on this particular occasion, for the first time in Ron's highly privileged life, that strategy wasn't going to work. For one thing, I had firsthand knowledge of something Ron Miller and his parents didn't knowâMarsha and Sid Longmire had had balls enough to throw their daughter under the bus. When they did that, they threw Ron there as well.
I couldn't interview Ron, but as long as I was at Olympia PD, I figured it wouldn't hurt to touch base with whoever was working the Janie's House arson case.
“They're not here,” the desk sergeant told me when I showed him my badge and ID and asked my question. “They're out in the field doing a next-of-kin notification.”
“For the victim from the fire?”
The sergeant hesitated for a moment before he nodded. “His name is Owen Wetmore, age thirty-five. Our investigators don't know if he's a victim, a participant, or both. When they recovered the body, his ID was in his back pocket, charred but still legible. His parents are off in Europe on some kind of a three-week cruise. The detectives went to Seattle to talk to the grandmother.”
“At thirty-five, Owen is too old to be one of Janie's House's homeless clients,” I said.
The sergeant nodded. “My understanding is that he's one of the houseparents.”
Someone with keys,
I thought.
I gave the sergeant a business card. “Have one of the detectives give me a call as soon as they get back,” I said. “I may have some information for them.”
“It could be late,” he counseled. “It's a long way up to Seattle and back.”
“Don't worry,” I said. “It's going to be a long night for everyone concerned.”
I stopped by the local Domino's franchise and picked up a large pizza and three Cokes before I headed back to the office. It was summer. The night was warm. The fragrance of pizza in the car reminded me of summertime parties I had attended long ago, back when I was Gizzy's age. It saddened me to think that this was most likely the last bite of freshly baked pizza Giselle Longmire would encounter for a very long time.
Back at headquarters, Ross Connors was standing outside the interview room watching through the glass. I was carrying the pizza in one hand and a cardboard multiple-cup container in the other. I set the load down on a nearby table and handed Ross a slice of pizza on a fistful of napkins.
“How's it going?” I asked.
“Mel's working her pretty good,” Ross said, biting the tip off his piece of pizza. “What the hell were these kids thinking?”
“They weren't thinking,” I said. Then I tapped on the door to the interview room, opened it, and held the door open with my toe long enough to let myself inside.
“Your pizza has arrived,” I said with a flourish. After depositing the food on the interview table, I took my own drink and pizza and rejoined Ross outside in the hallway. Mel was clearly making progress with Gizzy. My hanging around and horning in on the discussion might have been enough of a distraction to mute her effectiveness.
“She said Ron and a pal of his came up with the idea of hiring Rachel to make videos,” Ross said. “Gizzy was the one who thought it would be funny to send one of them to Josh.”
“Videosâplural?” I asked. “As in more than one?”
Ross nodded. “A money-making venture. According to Gizzy, they did their filming in one of the outbuildingsâan old caretaker's cottageâat Ron's family home out on North Cooper Point Road.”
“She was in on it from the beginning?”
Ross nodded sadly. “They lured Rachel here over the weekend with the promise of making another four hundred bucks by reprising her phony death scenes.”
“Would Ron Miller's film partner happen to be a guy named Owen Wetmore, by any chance?” I asked.
Ross shot me a look and nodded. He didn't ask me how I knew that, and I didn't tell him.
“Does Owen drive a green pickup truck?” I asked.
Ross nodded. “As a matter of fact, he doesâa dark green Chevy Silverado.”
Inside the room, Mel moved the pizza box aside and pushed a blue-lined notepad in front of Gizzy. “Write it all down,” she said, handing her a pen. “When you're finished, sign it.”
“All of it?” Gizzy asked faintly.
“All of it,” Mel told her.
Mel stood up and stretched. Then she picked up another piece of pizza, came to the door, and knocked on it. We let her out.
Gizzy Longmire wrote her life-and-death essay for the better part of an hour. By the time she finally finished it, signed it, and handed it over to Mel, Joan Hoyt had already obtained a search warrant for the Ronald Miller residence on North Cooper Point Road. After dropping Giselle off at Olympia PD for booking, we went there, too, where officers from the Washington State Patrol, along with the arson detectives from Olympia, were already in the process of executing the search warrant. On the sidelines an outraged Ronald Miller, Senior, and his rudely awakened attorney ranted and raved to no effect. They might be able to run roughshod over any and all comers in a courtroom, but crime scenes are cops' turf, not theirs.
And that's what this was. As soon as we stepped into the caretaker's cottage I knew we had found the place where Rachel Camber had played her fictional role as well as her real one. The soiled mattress on the narrow cot in one corner of the room told the story of her imprisonment and death, as did the very expensive video equipment that still stood in the center of the room.
Ron Miller may have staged more than one phony snuff video, but someone had failed to give him the memo that, in real life, death isn't a pretty picture. When a body stops working, there are consequences in terms of bodily functions. Nothing in Ron Miller's life experience had taught him the necessity of cleaning up his own crap, and he hadn't done so in this case, either.
It took hours to process the scene. The same Washington State Patrol crime scene team that had come to Josh Deeson's bedroom appeared for a return engagement. They took photos dogged by Mel, who took her own photos while I cataloged each and every shot. By the time we finally left there to return to the Red Lion, the sky was starting to lighten. It was only four-thirty, but morning comes early in the Pacific Northwest at the start of summer.
We went back to our room and stripped off our clothing. Mel removed her makeup, and we both fell into bed. Mel was asleep instantlyâthe sleep of the just, as we call it. It took two Aleves and the better part of forty-five minutes before I was able to fall asleep, still hearing Ron's words echoing in my head: “You and who else, old man?”