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Authors: E. L. Doctorow

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BOOK: Billy Bathgate
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Under these circumstances I could not hold to the conviction that I had done the smart thing by coming aboard without his telling me to. I lived, as we all did, by his moods, I was forever trying to think of ways to elicit the good ones, the impulse to
placate was something he brought out in people, and when I was engaged in doing something at his instruction I pressed hard to do my urgent best while at the same time preparing in my mind the things I would say in my defense in any unforeseen event of his displeasure. Not that I believed there was an appeals process. So I rode as a secret rider there at the cold railing through several minutes of my irresolution, and the strings of lights on the bridges behind me made me sentimental for my past. But by then we were coming downriver into the heavier swells of the open water, and the boat began to pitch and roll and I found I had to widen my stance to keep my balance. The wind was picking up too, and spray was flying up from the prow and wetting my face, I was holding the rail and pressing my back against the side of the cabin and beginning to feel the light head that comes with the realization that water is a beast of another planet, and with each passing moment it was drawing in my imagination a portrait of its mysterious powerful and endlessly vast animacy right there under the boat I was riding, and all the other boats of the world as well, which if they lashed themselves together wouldn’t cover an inch of its undulant and heaving hide.

So I went in, opening the door a crack and slipping through shoulder first, on the theory that if I was going to die I had rather die indoors.

Here is what I saw in the first instant of my blinking in the harsh light of a work lamp hooked to the deckhouse ceiling: the elegant Bo Weinberg standing beside his pointed patent-leather shoes, with the black silk socks and attached garters lying twisted like dead eels beside them, and his white feet looking very much longer and very much wider than the shoes he had just stepped from. He was staring at his feet, perhaps because feet are intimate body parts rarely seen with black tie, and following his gaze, I felt I had to commiserate with what I was sure he was thinking, that for all our civilization we go around on these things that are slit at the front end into five unequal lengths each partially covered with shell.

Kneeling in front of him was the brisk and impassive Irving methodically rolling Bo’s pant legs with their black satin side-stripe to the knees. Irving had seen me but chose not to notice me, which was characteristic. He was Mr. Schultz’s utility man and did what he was told to do and gave no appearance of thought for anything else. He was rolling up pant legs. A hollow-chested man, with thinning hair, he had the pallor of an alcoholic, that dry paper skin they have, and I knew about drunks on the wagon what they paid for their sobriety, the concentration it demanded, the state of constant mourning it produced. I liked to watch Irving whatever he was doing, even when it was not as it was now something extraordinary. Each fold-up of the pant leg exactly matched the one before. He did everything meticulously and without wasted movement. He was a professional, but since he had no profession other than dealing with the contingencies of his chosen life, he carried himself as if life was a profession, just as, I suppose, in a more conventional employment, a butler would.

And partially obscured by Bo Weinberg and standing as far from him as I was but at the opposite side of the cabin, in his open coat and unevenly draped white scarf and his soft gray homburg tilted back on his head, and one hand in his jacket pocket and the other casually holding a gun at his side that was pointed with no particular emphasis at the deck, was Mr. Schultz.

This scene was so amazing to me I gave it the deference one gives to the event perceived as historical. Everything was moving up and down in unison but the three men didn’t seem to notice and even the wind was a distant and chastened sound in here, and the air was close with the smell of tar and diesel oil and there were coils of thick rope stacked like rubber tires, and pulleys and chain tackle, and racks filled with tools and kerosene lamps and cleats and numerous items whose names or purposes I did not know but whose importance to the nautical life I willingly conceded. And the tug’s engine vibrations were comfortingly powerful in here and I could feel them running into my hand, which I had put against the door in order to close it.

I caught Mr. Schultz’s eye and he suddenly displayed a mouth of large evenly aligned white teeth, and his face of rude features creased itself into a smile of generous appreciation. “It’s the Invisible Man,” he said. I was as startled by his utterance as I would have been if someone in a church painting had started to talk. Then I found myself smiling back. Joy flooded my boyish breast, or perhaps gratitude to God for granting me at least this moment in which my fate wasn’t in the balance. “Look at that, Irving, the kid came along for the ride. You like boats, kid?” he said.

“I don’t know yet,” I said truthfully and without understanding why this honest answer was so funny. For he was laughing now loudly and in his hornlike voice, which I thought was terribly careless of the solemn nature of the occasion; the mien of the other two men seemed preferable to me. And I will say something more about Mr. Schultz’s voice because it was so much an aspect of his power of domination. It was not that it was always loud but that it had a substantial body to it, it came out of his throat with harmonic buzz, and it was very instrumental actually, so that you understood the throat as a sound box, and that maybe the chest cavity and the nose bones, too, were all involved in producing it, and it was a baritone voice that automatically made you pay attention in the way of wanting a horn voice like that yourself, except when he raised it in anger or laughed as he was doing now, and then it grated on your ears and made you dislike it, as I did now—or maybe it was what I’d said that I disliked because I was joining in some cleverness at a dying man’s expense.

There was a narrow green slat bench or shelf hung from the cabin wall and I sat down on it. What could Bo Weinberg possibly have done? I had had little acquaintance with him, he was something of a knight errant, rarely in the office on 149th Street, never in the cars, certainly not on the trucks, but always intimated to be central to the operation, like Mr. Dixie Davis the lawyer, or Abbadabba Berman the accounting genius—at that level of executive importance. He was reputed to do Mr. Schultz’s diplomatic work, negotiating with other gangs and
performing necessary business murders. He was one of the giants, and perhaps, in fearsomeness, second only to Mr. Schultz himself. Now not just his feet but his legs to the knees were exposed. Irving rose from his kneeling position and offered his arm, and Bo Weinberg took it, like some princess at a ball, and delicately, gingerly, placed one foot at a time in the laundry tub in front of him that was filled with wet cement. I had of course seen from the moment I had come through the door how the tubbed cement made a slow-witted diagram of the sea outside, the slab of it shifting to and fro as the boat rose and fell on the waves.

I could handle the sudden events, getting baptized as by a thunderstorm, but this was more than I was ready for to tell the truth, I found I was not a self-confident witness here in contemplation of the journey about to be taken by the man sitting before me with his feet being cast in stone. I was working to understand this mysterious evening and the unhappy tolling of a life in its prime that was like the buoys I heard clanking their lonely warnings as we passed out to sea. I felt my witness was my own personal ordeal as Bo Weinberg was invited to sit now in a wooden kitchen chair that had been shoved into place behind him and then to present his hands for their tying. They were crisscrossed to each other at the wrist with fresh and slightly stiff clothesline still showing the loops it came in from the hardware store, and with Irving’s perfect knots between the wrists like a section of vertebrae. The joined hands were placed between Bo’s thighs and tied to them cat’s cradle, over and under, over and under, and then everything together was roped in three or four giant turns to the chair so that he could not lift his knees, and then the chair was twice looped to the laundry tub through the handles and the final knot was pulled tight around a chair leg just as the rope ran out. Quite possibly Bo had at some time in the past seen this scoutcraft displayed on someone else for he looked upon it with a sort of distracted admiration, as if now, too, someone not himself was sitting hunched over in a chair there with his feet entubbed in hardening cement in the
deckhouse of a boat running without lights past Coenties Slip across New York Harbor and into the Atlantic.

The deckhouse was shaped like an oval. A railed hatch where the girl had been put below was in the center of the deck at the rear. Toward the front was a bolted metal ladder leading straight up through a hatch to the wheelhouse where I assumed the captain or whatever he was called was duly attending to his business. I had never been on anything bigger than a rowboat so all of this, at least, was good news, that something like a boat could be so much of a construction, all according to the rules of the sea, and that there was a means of making your tenuous way across this world that clearly reflected a long history of thought. Because the swells got higher and longer, and everyone had to anchor himself, Mr. Schultz taking the side bench directly opposite where I sat and Irving gripping the ladder leading upstairs to the wheelhouse as if it were a pole on a subway train. And there was a silence for some time inside the sounds of the running engine and the waves, like the solemnity of people listening to organ music. And now Bo Weinberg was coming to life and beginning to look around him, to see what he could see, and who was here and what could be done; I received the merest glance of his dark eyes, one short segment of arc in their scan, for which I was incredibly relieved, not bearing any responsibility, nor wanting any, for these wheezing shifting seas or for the unbreathable nature of water, or its coldness, or its dark and bottomless craw.

Now there was such intimacy among all of us in this black cabin shining in the almost-green shards of one work light that when anyone moved everyone else noticed, and at this time my eyes were riveted by Mr. Schultz’s small action of dropping his gun in his ample coat pocket and removing then from his inside jacket pocket the silver case that held his cigars and extracting a cigar and replacing the case and then biting off the tip of his cigar and spitting it out. Irving came over to him with a cigarette lighter, which he got going with one press of his thumb just a moment before he held it to the tip. And Mr. Schultz leaned
slightly forward rotating the cigar to light it evenly, and over the sound of the sea and the grinding engine I heard the
sip sip
of his pull on the cigar and watched the flame flare up on his cheeks and brow, so that the imposition of him was all the more enlarged in the special light of one of his appetites. Then the light went out and Irving retreated and Mr. Schultz sat back on the bench, the cigar glowing in the corner of his mouth and filling the cabin with smoke, which was not really a great thing to be smelling in a boat cabin on the high seas.

“You can crack a window, kid,” he said. I did this with alacrity, turning and kneeling on the bench and sticking my hand through the curtains and unlatching the porthole and pushing it open. I could feel the night on my hand and drew it in wet.

“Isn’t it a black night though?” Mr. Schultz said. He rose and moved around to Bo, who was sitting facing astern, and hunkered down in front of him like a doctor in front of a patient. “Look at that, the man is shivering. Hey Irving,” he said. “How long till it hardens up? Bo is cold.”

“Not long,” Irving said. “A little while.”

“Only a little while longer,” Mr. Schultz said, as if Bo needed a translation. He smiled apologetically and stood and put a companionable hand on Bo’s shoulder.

At this Bo Weinberg spoke and what he said was genuinely surprising to me. It was not what any apprentice or ordinary person in his situation could have said and more than any remark of Mr. Schultz’s to this moment gave me to understand the realm of high audacity these men moved in, like another dimension. Perhaps he was only admitting to his despair or perhaps this was his dangerous way of getting Mr. Schultz’s sincere attention; I would not have thought of the possibility that a man in his circumstances would feel he had a measure of control over how and when his death would occur. “You’re a cocksucker, Dutch” is what he said.

I held my breath but Mr. Schultz only shook his head and sighed. “First you beg me and now you go calling me names.”

“I didn’t beg you, I told you to let the girl go. I spoke to you
as if you were still human. But all you are is a cocksucker. And when you can’t find a cock to suck you pick up scumbags off the floor and suck them. That’s what I think of you, Dutch.”

As long as he was not looking at me I could look at Bo Weinberg. He certainly had spirit. He was a handsome man, with smooth shiny black hair combed back without a part from a widow’s peak, and a swarthy Indian sort of face with high cheekbones, and a full well-shaped mouth and a strong chin, all set on the kind of long neck that a tie and collar dresses very nicely. Even hunched over in the shame of his helplessness, with his black tie askew on his wing collar and his satiny black tuxedo jacket bunched up above his shoulders, so that his posture was subservient and his gaze necessarily furtive, he suggested to me the glamour and class of a big-time racketeer.

I wished now in some momentary confusion of loyalties, or perhaps thinking only as a secret judge that the case had not yet been made to my satisfaction, that Mr. Schultz could have some of this quality of elegance of the man in the tub. The truth was that even in the finest clothes Mr. Schultz seemed badly dressed, he suffered a sartorial inadequacy, as some people had weak eyes or rickets, and he must have known this because whatever else he was up to he would also be hiking up his trousers with his forearms, or lifting his chin while he pulled at his collar, or brushing cigar ashes from his vest, or taking off his hat and blocking the crown with the side of his hand. Without even thinking about it he tried constantly to correct his relationship to his clothes, as if he had some sort of palsy of dissatisfaction, to the point where you thought everything would settle on him neatly enough if he would stop picking at it.

BOOK: Billy Bathgate
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