Bleak House (114 page)
Authors: Charles Dickens
They gave my darling into my arms, and through many weeks I never left her. The little child who was to have done so much was born before the turf was planted on its father's grave. It was a boy; and I, my husband, and my guardian gave him his father's name.
The help that my dear counted on did come to her, though it came, in the eternal wisdom, for another purpose. Though to bless and restore his mother, not his father, was the errand of this baby, its power was mighty to do it. When I saw the strength of the weak little hand and how its touch could heal my darling's heart and raised hope within her, I felt a new sense of the goodness and the tenderness of God.
They throve, and by degrees I saw my dear girl pass into my country garden and walk there with her infant in her arms. I was married then. I was the happiest of the happy.
It was at this time that my guardian joined us and asked Ada when she would come home.
"Both houses are your home, my dear," said he, "but the older Bleak House claims priority. When you and my boy are strong enough to do it, come and take possession of your home."
Ada called him "her dearest cousin, John." But he said, no, it must be guardian now. He was her guardian henceforth, and the boy's; and he had an old association with the name. So she called him guardian, and has called him guardian ever since. The children know him by no other name. I say the children; I have two little daughters.
It is difficult to believe that Charley (round-eyed still, and not at all grammatical) is married to a miller in our neighbourhood; yet so it is; and even now, looking up from my desk as I write early in the morning at my summer window, I see the very mill beginning to go round. I hope the miller will not spoil Charley; but he is very fond of her, and Charley is rather vain of such a match, for he is well to do and was in great request. So far as my small maid is concerned, I might suppose time to have stood for seven years as still as the mill did half an hour ago, since little Emma, Charley's sister, is exactly what Charley used to be. As to Tom, Charley's brother, I am really afraid to say what he did at school in ciphering, but I think it was decimals. He is apprenticed to the miller, whatever it was, and is a good bashful fellow, always falling in love with somebody and being ashamed of it.
Caddy Jellyby passed her very last holidays with us and was a dearer creature than ever, perpetually dancing in and out of the house with the children as if she had never given a dancing-lesson in her life. Caddy keeps her own little carriage now instead of hiring one, and lives full two miles further westward than Newman Street. She works very hard, her husband (an excellent one) being lame and able to do very little. Still, she is more than contented and does all she has to do with all her heart. Mr. Jellyby spends his evenings at her new house with his head against the wall as he used to do in her old one. I have heard that Mrs. Jellyby was understood to suffer great mortification from her daughter's ignoble marriage and pursuits, but I hope she got over it in time. She has been disappointed in Borrioboola-Gha, which turned out a failure in consequence of the king of Borrioboola wanting to sell everybody—who survived the climate—for rum, but she has taken up with the rights of women to sit in Parliament, and Caddy tells me it is a mission involving more correspondence than the old one. I had almost forgotten Caddy's poor little girl. She is not such a mite now, but she is deaf and dumb. I believe there never was a better mother than Caddy, who learns, in her scanty intervals of leisure, innumerable deaf and dumb arts to soften the affliction of her child.
As if I were never to have done with Caddy, I am reminded here of Peepy and old Mr. Turveydrop. Peepy is in the Custom House, and doing extremely well. Old Mr. Turveydrop, very apoplectic, still exhibits his deportment about town, still enjoys himself in the old manner, is still believed in in the old way. He is constant in his patronage of Peepy and is understood to have bequeathed him a favourite French clock in his dressing-room—which is not his property.
With the first money we saved at home, we added to our pretty house by throwing out a little growlery expressly for my guardian, which we inaugurated with great splendour the next time he came down to see us. I try to write all this lightly, because my heart is full in drawing to an end, but when I write of him, my tears will have their way.
I never look at him but I hear our poor dear Richard calling him a good man. To Ada and her pretty boy, he is the fondest father; to me he is what he has ever been, and what name can I give to that? He is my husband's best and dearest friend, he is our children's darling, he is the object of our deepest love and veneration. Yet while I feel towards him as if he were a superior being, I am so familiar with him and so easy with him that I almost wonder at myself. I have never lost my old names, nor has he lost his; nor do I ever, when he is with us, sit in any other place than in my old chair at his side, Dame Trot, Dame Durden, Little Woman—all just the same as ever; and I answer, "Yes, dear guardian!" just the same.
I have never known the wind to be in the east for a single moment since the day when he took me to the porch to read the name. I remarked to him once that the wind seemed never in the east now, and he said, no, truly; it had finally departed from that quarter on that very day.
I think my darling girl is more beautiful than ever. The sorrow that has been in her face—for it is not there now—seems to have purified even its innocent expression and to have given it a diviner quality. Sometimes when I raise my eyes and see her in the black dress that she still wears, teaching my Richard, I feel—it is difficult to express—as if it were so good to know that she remembers her dear Esther in her prayers.
I call him my Richard! But he says that he has two mamas, and I am one.
We are not rich in the bank, but we have always prospered, and we have quite enough. I never walk out with my husband but I hear the people bless him. I never go into a house of any degree but I hear his praises or see them in grateful eyes. I never lie down at night but I know that in the course of that day he has alleviated pain and soothed some fellow-creature in the time of need. I know that from the beds of those who were past recovery, thanks have often, often gone up, in the last hour, for his patient ministration. Is not this to be rich?
The people even praise me as the doctor's wife. The people even like me as I go about, and make so much of me that I am quite abashed. I owe it all to him, my love, my pride! They like me for his sake, as I do everything I do in life for his sake.
A night or two ago, after bustling about preparing for my darling and my guardian and little Richard, who are coming to-morrow, I was sitting out in the porch of all places, that dearly memorable porch, when Allan came home. So he said, "My precious little woman, what are you doing here?" And I said, "The moon is shining so brightly, Allan, and the night is so delicious, that I have been sitting here thinking."
"What have you been thinking about, my dear?" said Allan then.
"How curious you are!" said I. "I am almost ashamed to tell you, but I will. I have been thinking about my old looks—such as they were."
"And what have you been thinking about THEM, my busy bee?" said Allan.
"I have been thinking that I thought it was impossible that you COULD have loved me any better, even if I had retained them."
"'Such as they were'?" said Allan, laughing.
"Such as they were, of course."
"My dear Dame Durden," said Allan, drawing my arm through his, "do you ever look in the glass?"
"You know I do; you see me do it."
"And don't you know that you are prettier than you ever were?"
"I did not know that; I am not certain that I know it now. But I know that my dearest little pets are very pretty, and that my darling is very beautiful, and that my husband is very handsome, and that my guardian has the brightest and most benevolent face that ever was seen, and that they can very well do without much beauty in me—even
supposing—."
***END OF THE PROJECT GUTENBERG EBOOK BLEAK HOUSE***
******* This file should be named 1023-h.txt or 1023-h.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/1/0/2/1023
Updated editions will replace the previous one--the old editions will be renamed.
Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://www.gutenberg.org/license)
.
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email