Bloodline: A Sigma Force Novel (61 page)

But, apparently, there was a catch, a clause in the contract to be addressed first.

Lisa moved into the carriage, drawing him up. She faced him. “I want kids … just to be clear.”

“I knew I shouldn’t have done this after seeing the baby.”

“I’m serious.” She held up her fingers. “I want two.”

Painter stared at her hand. “You know you’re holding up
four
fingers, right?”

Kat dropped heavily onto the living room sofa, sprawling out, taking off her sunglasses and the light scarf that hid her bald head. Her sutures itched like mad, all over her body, setting her nerves on fire.

Monk followed a few minutes later through the apartment door, carrying Penelope, who hung limply in his arms with the slumber of innocence.

“The baby?” he asked.

“Already in her crib. Did you get the stroller?”

“It can stay in the minivan. Someone wants to smash a window and steal it, then let ’em. They can have the case of Pampers, too.”

Monk headed down the hallway to the baby’s room, settled the child into the bed, and came back and joined her on the couch. He collapsed next to her, sighing loudly.

Kat ran her palm over her head. Tears suddenly burst out.

Monk pulled her to him. “What’s wrong?”

“Look at me. Covered in sutures, scabs, no hair. Did you see the looks I was getting in the park?”

He tugged her face toward his, leaning in close, making sure she could see the sincerity in his eyes. “You’re beautiful. And if it bothers you, hair grows back and the plastic surgeon promised there would be very little scarring.”

He gently kissed her lips, sealing the deal.

“Besides,” he said, rubbing his own shaved head, “bald is beautiful.”

“It works for you,” she said, wiping her tears.

They lay in each other’s arms for a few long, perfect minutes.

“I heard you talking to Painter,” Monk said. “You sure he’s okay with the decision?”

Kat nodded against his chest, making a soft, sleepy sound. “Mm-hmm.”

“Are
you
okay with it?”

She pulled back, sensing his seriousness. “I know I was just crying about my injuries. But …”

She stared away, slightly ashamed.

“You still loved it,” he said. “Being out in the field.”

“I did. Especially with you. It was better together.”

He smiled. “Looks like I’m back in Sigma, then. I mean, someone’s got to keep you out of trouble.”

Her grin widened.

“And speaking of things that are
better together
.” He lifted her and pulled her atop his lap. Her legs straddled his waist. “And in case you wanted solid proof about how beautiful you are …”

He shifted.

Her eyes widened. “Oh.”

President James T. Gant sat in his wheelchair as the nurse pushed him, trailed by two Secret Service agents.

“Your wife is resting comfortably,” the nurse assured him as they reached the private room, guarded by another agent.

“Thank you, Patti,” he said. “I’d like to go in alone, if that’s okay.”

“Certainly, Mr. President. If you need anything, you can buzz the nursing station.”

The guard opened the door, and James wheeled in by himself, leaving the agents outside. After the door closed, he climbed out of the wheelchair and crossed to the hospital bed on his own.

Teresa had two operations already to repair the damage from the “car accident,” which was the official story. They’d plated her shattered cheekbone and cracked her skull open to cauterize internal bleeding. The doctors warned him each time that the brain damage was too severe, that his wife would remain in a vegetative state, likely forever.

Still, James played the stricken husband who would do anything to keep his wife alive, demanding the painful surgeries.

He stared down at her shaved head, the tubes going into every orifice, the droop of her eyelids.

“You look a mess, Teresa,” he said, sitting on the edge of the bed. “The doctors explained the difference between a coma and a vegetative state. Coma is characterized by a
lack
of awareness. You have what’s known as
partial
awareness. They say there’s a good chance you can hear me in there. I hope so.”

He patted her hand.

“
Permanent
vegetative state is defined as when you’ve been in this state for longer than a year. We’ll be reaching that milestone, my dear, I assure you of that. I’ve got a private hospital picked out in Charleston. Gant family–owned, of course. They’ll make sure you stay in this state forever, even if more surgery is necessary to make sure you
never
wake up.”

He gave her hand a reassuring squeeze. “And all of those
life-extension
research projects that you’ve been running? It seems a distraught husband is going to employ every one of them to make sure you stay like this year after year after year.”

He stood back up, remembering the oath he swore to Painter Crowe if he ever found out who hurt his family:
There will be no quick death. I will make them suffer like no other. I’ll turn their world into a personal hell on earth
.

If nothing else, James T. Gant was a man of his word.

He bent down, kissed his wife’s forehead, noting a fat tear rolling from her eye. “Welcome to hell, Teresa.”

Gray finished washing the dinner dishes, staring out the window to the backyard. A dark gazebo stood in a remote corner, nestled amid overgrown rosebushes and shadowed by the bower of a cherry tree.

Movement drew his gaze: a shift of darkness, a glint of steel zipper on a jacket, a pale hint of skin.

Seichan stalked back there, as restless as she was thoughtful.

He knew what plagued her.

A dead man’s words.

Steps sounded behind him. He turned as Mary Benning, the night nurse, returned from upstairs.

“Got your father settled,” she said. “Already snoring by the time I was out the door.”

“Thanks.” He slipped the last dinner plate into the drying rack. “He seemed good tonight.”

“More at peace,” she agreed and smiled softly. “He missed you. But he’s too hardheaded to ever admit it.”

No argument about that.

Still, Gray remembered a strange moment when he first got back from the mission. He had come here, expecting the worst after being gone for nearly a week. Instead, he found his father in the kitchen with the sports page. When Gray stepped inside, his father looked him up and down, as if searching for something, then asked a blunt question that was oddly canny.

Did you get ’em
?

Gray had answered truthfully.
I got ’em, Dad. All of ’em
.

His father could have been talking about many things, his inquiry interpreted many different ways, especially with the state of his dementia.

No matter the cause, his father had risen from the table and hugged Gray—as if thanking him for getting the revenge he could not.

And then, this morning, they’d gone as a family to their mother’s grave. Usually such visits brought tears and storm clouds, followed by a sullen, silent ride home. This morning, there had been tears, but also soft laughter. On the way home, his father told a couple of anecdotes about their mother. Even Kenny had shed his corporate bluster for an easier camaraderie. And more surprising still, his brother had agreed to extend his stay for another two months, mentioning something about telecommuting.

Some of that decision might be because Kenny had met a girl.

He was out with her tonight.

I’ll take what I can get
.

Mary pointed to the screen door. “You kids enjoy the night. There’s supposed to be a meteor shower. If he gets restless, I’m taping the Nationals game against the marlins. A little baseball quiets him right down. Unless it’s against the Yankees, then the gloves come off.”

Gray smiled. “Thanks, Mary.”

Seichan stood in the dark gazebo, waiting, lost in her own thoughts. It was a balmy night, with crickets chirping in a continuous chorus, and a few fireflies blinking in the bushes and tree limbs.

She stared back at the house, wondering who she would be if she grew up there, picturing a happy childhood of report cards, scraped knees, and first kisses.

Would I even be me?

She fingered the silver dragon pendant resting in the hollow of her throat, remembering Robert Gant’s last words.

Your mother … escaped … still alive …

Over the past week, she’d slowly allowed herself to believe it.

It scared her.

Even her father’s death was no more than a dull ache, with no sharp edges to it. She didn’t know him and never really wanted to. Her mother had raised her. The word
father
had no meaning in her childhood. And a part of her still burned with anger and resentment, for the abuse and horrors she had to endure to become a killer. What father would allow that to happen to his daughter?

Still, in the end, Robert Gant had granted her a truer gift than his fatherhood:
hope
.

She didn’t know what to do with that gift.

Not yet.

But she would … with help.

Gray appeared at the back door, limned against the warmth of the kitchen lights. She liked spying on him when he didn’t know she was watching. She caught glimpses of the boy behind the man, the son of two parents who had loved Gray in very different ways.

Still, he was a killer—but not like her.

She was a machine; he was human.

She pictured the girl in the lobby of the Burj Abaadi, a girl broken into a monster. She pictured Petra, a woman molded into one.

Seichan was both of them.

What does he see in me worth holding on to?

Gray crossed the yard, stirring fireflies. Overhead, a falling star flashed across the dark night. He reached her, a shadow now.

She trembled.

He saw something in her—and she had to trust him.

He held out a hand.

Offering everything.

She took it.

It crouches on the rock, basking in the sun, charging its solar cells
.

It listens for the sounds of danger, but all it hears is the crash of water over rock, the call of winged creatures. It watches for movement but sees only the shimmer of grass, the shake of leaves. It looks for heat but only finds hot rocks
.

As the sunlight fills the hollow hunger inside it, making it stronger, it reviews and remembers
.

Linked to the others, it had listened as their chorus shrank to nothing
.

The silence deafened
.

In that silence, it learned a new pattern
.

THE END
.

Once fully charged, it knows to move on; to stop is THE END
.

It does not want that
.

It rises on its powerful piston legs, knuckling on curved claws. It moves back into the deep shadow of the woods, where few will know it passes
.

It is alone
.

It will learn new patterns and adapt
.

It must survive
.

They say too many cooks in the kitchen is a bad thing. That may apply to the culinary arts, but certainly not the literary arts. Each person mentioned below has made this book better. The first group I hate to lump together, but you all came that way, so what’s a guy to do? They are my first readers, my first editors, and some of my best friends: Sally Barnes, Chris Crowe, Lee Garrett, Jane O’Riva, Denny Grayson, Leonard Little, Scott Smith, Penny Hill, Judy Prey, Dave Murray, Will Murray, Caroline Williams, John Keese, Christian Riley, and Amy Rogers. And, as always, a special thanks to Steve Prey for the additional handsome maps and artwork … and to Cherei McCarter for all the fodder for great stories! To Scott Brown, M.D., for the medical help (so see, you are in the novel), and Mihir Wanchoo for being there from the beginning. To Carolyn McCray, who finally gets to let her own star shine … and David Sylvian for picking up all the pieces and making my digital presence shine. To everyone at HarperCollins for always having my back: Michael Morrison, Liate Stehlik, Seale Ballenger, Danielle Bartlett, Josh Marwell, Lynn Grady, Adrienne di Pietro, Richard Aquan, Tom Egner, Shawn Nicholls, Ana Maria Allessi, Olga Gardner, and Wendy Lee (I’ll miss you). Lastly, of course, a special acknowledgment to the four people instrumental to all levels of production: my editor, Lyssa Keusch, and her colleague Amanda Bergeron; and my agents, Russ Galen and Danny Baror. And, as always, I must stress that any and all errors of fact or detail in this book fall squarely on my own shoulders.