Blue Bedroom and Other Stories

 

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Contents

Title Page

Copyright Notice

Preface by Lee Quarfoot

Toby

Home for the Day

Spanish Ladies

Miss Cameron at Christmas

Tea With the Professor

Amita

The Blue Bedroom

Gilbert

The Before-Christmas Present

The White Birds

The Tree

The House on the Hill

An Evening to Remember

St. Martin's Paperbacks Titles by Rosamunde Pilcher

An Outpouring of Praise for the Fiction that has Touched the World

Copyright

Preface

In 1976 I read my first Rosamunde Pilcher story. I read it with interest and pleasure. Then I read it again with admiration and respect. Here was an author who could move me from laughter to tears with one sentence, who could touch my heart through her characters' charm and wit and wisdom. Best of all, here was an author who would make my job easy.

As a fiction editor at
Good Housekeeping
magazine, I see scores of stories every month, and from that first encounter, I knew Rosamunde Pilcher's work was special. What I didn't know was how long and distinguished her association with Good
Housekeeping
would be, or how, in 1987, she would achieve international acclaim with her bestselling novel, THE SHELL SEEKERS, and become loved by millions of readers throughout the world. In those earlier days of Rosamunde Pilcher's career, I did not recognize the extent of her magic. Yet the signs were there, for each time
Good Housekeeping
acquired a new Pilcher story, rare and wonderful events occurred.

Illustrators were inspired. Editors and artists and page designers were in accord. There were no conflicts, no compromises, no revisions. Some of the artwork won awards. Magazines in the Netherlands and Australia contacted us with a most unusual request: to reprint stories with our original art. Clearly, the talent of the author's words evoked the talent in the artists' hands. The illustrations captured the essence of the fiction—the warmth, the beauty, the honest emotion.

And the mail! Letters filled with gratitude poured into our offices. As her many fans have come to know, when Rosamunde Pilcher writes about people, in crisis or at peace, falling in or out of love, discovering new life or accepting death, readers see themselves … or their children … or their parents. And when Rosamunde Pilcher writes about seasons of the year, seasons of the heart, or seasons of life, readers see, too, through her eyes, the simple joy and glory of being alive.

It's never too soon to discover Rosamunde Pilcher. To all who do so with this fine collection: be alert. Her work may bestow unforeseen blessings.

Lee Quarfoot

Fiction Editor

Good Housekeeping

Toby

On a cold spring day, just before Easter, Jemmy Todd, the postman, walked into the Hardings' kitchen, laid the morning's mail on their breakfast table, and told them that Mr. Sawcombe, their neighbour, had died, early that morning, of a heart attack.

There were four Hardings sitting at the table. Toby, eight years old, was in the process of eating cornflakes. Now, hearing about Mr. Sawcombe, he could feel the cornflakes in his mouth, soggy and crunchy all at once, but there was no way to get rid of the mouthful, because it seemed that he had forgotten how to chew, and as well a lump began to grow in his throat, making it impossible to swallow.

The only good thing was that the rest of his family seemed to be equally shocked and dumbfounded. His father, dressed for the office and just on the point of getting up from the table and leaving for work, laid down his coffee cup and sat back in his chair and stared at Jemmy.

“Bill Sawcombe? Dead? When did you hear?”

“Vicar told me first thing, just as I was starting my round. Met him coming out of the church.”

Toby looked at his mother and saw that her eyes were bright with tears. “Oh, dear.” He could not bear her to cry. He had seen her cry once before, when her old dog had had to be put down, and the sensation that his world was falling to pieces had stayed with him for days. “Poor Mrs. Sawcombe. What a dreadful shock for her.”

“He had a heart attack a couple of years ago, remember,” said Jemmy.

“But he got over it. And he'd been keeping so well, enjoying his garden, and having a bit of time to himself after all those years of running his farm.”

Vicky, who was nineteen, suddenly found her voice. “I can't
bear
it. I simply don't think I can bear it.”

Vicky was home for Easter from London, where she had a job and a flat that she shared with two other girls. When she was on holiday Vicky never dressed for breakfast, but came downstairs in her bathrobe, which was made of white towelling and had blue stripes. The blue stripes were the same blue as Vicky's eyes and she had long pale hair and sometimes looked very pretty and sometimes very plain. She looked plain now. Distress made her plain, pulling down the corners of her mouth as though she was about to burst into tears, accentuating the peaky contours of her bony little face. Their father was always telling Vicky that she was much too thin, but as she ate like a ploughman, nobody could accuse her of anything except, possibly, greed.

“He was such a nice man. We shall miss him.” His mother's eyes turned to Toby, still sitting there with his cheeks full of unchewed cornflakes. She knew—they all knew—that Mr. Sawcombe had been Toby's best friend. She leaned across the table and laid a hand over his own. “We'll all miss him, Toby.”

Toby did not reply. But with his mother's hand over his own he found that it was possible to swallow the last of the cornflakes. His mother, understanding, gently removed the half-empty bowl that stood on the table in front of him.

“One thing,” said Jemmy, “there's Tom there to take on the farm. It's not as though Mrs. Sawcombe's on her own.”

Tom was Mr. Sawcombe's grandson. Tom was twenty-three. Toby and Vicky had known him all their lives. In the old days when they were much younger, Vicky and Tom used to go to parties together, to Pony Club dances, and to gymkhana camps in the summer. But then Tom went away, to Agricultural College, and Vicky grew up too and learned how to be a secretary, and she went to London, and somehow, now, they didn't seem to have very much in common.

Toby thought this was a shame. Vicky made lots of new friends, and sometimes brought them home. But Toby didn't think any of them was as nice as Tom Sawcombe. There had been one, called Philip, who had come to spend New Year with the Hardings. He was very tall and fair, and drove around in a car that looked like a shiny black torpedo, but somehow he didn't fit properly into the fabric of ordinary family life, and, what was more disturbing, when he was there Vicky didn't fit in either. She talked in a different way; she laughed in a different way.

On New Year's Eve, they had a small party, and Tom was invited, but Vicky behaved in an offhand and casual way towards him, and Tom was obviously very hurt. Toby thought her behaviour sickening. He was very fond of Tom and could not bear to see him so cast down, and when the uncomfortable evening was over, he told his mother so.

“I know just how you feel,” his mother said, “but we must let Vicky lead her own life and make her own decisions. She's grown up now, she can choose her own friends, make her own mistakes, go her own way. That's what being a family is all about.”

“I don't want to be a family with Vicky if she's going to be so horrid.”

“Perhaps that's how you feel just now, but she is your sister.”

“I don't like that Philip.”

*   *   *

The dreaded Philip, however, mercifully faded out of Vicky's life. She did not invite him home again, and gradually his name in her conversation was replaced by other names. Vicky's family breathed a sigh of relief and things returned to normal, but not so with Tom. Since that evening, communications between himself and Vicky appeared to have broken down, and now, if she was home, Tom never came near the house.

“No, Mrs. Sawcombe's certainly not on her own,” said Mr. Harding. “She's got a good boy there.” He looked at his watch and got up from the table. “I must be off. Thank you for telling us, Jemmy.”

“Sorry to be the bearer of sad news,” Jemmy replied, and went away in his little red post van to spread the tidings around the rest of the parish. Toby's father departed in the big car for the office. Vicky went upstairs to get dressed. Toby and his mother were left alone, sitting at the table.

He looked at her and she smiled, and he said, “I've never had a friend who died before.”

“It happens to everybody, sooner or later.”

“He was only sixty-two. He told me so, the day before yesterday. That's not old.”

“Heart attacks are funny things. And at least he wasn't very ill or infirm. He would have hated to be bedridden, or dependent on his family—a nuisance to anybody. When people die, Toby, you have to think of good things, remember good times. And be glad for them.”

“I'm not glad Mr. Sawcombe's dead.”

“Death is part of life.”

“He was only sixty-two.”

“Why don't you have some bacon and eggs?”

“I don't want bacon and eggs.”

“Then what do you want to do?”

“I don't know.”

“Why don't you go down to the village and see if David would like to play with you?” David Harker was Toby's holiday friend. His father ran the village pub, and sometimes David was good for a free fizzy drink or a packet of crisps.

Toby considered this. It was, perhaps, better than nothing. “All right.” He pushed back his chair and stood up. There was a horrible clamped sort of feeling in his chest as though somebody had hurt his heart.

“… and don't be too sad about Mr. Sawcombe. He wouldn't want you to be too sad.”

*   *   *

He went out of the house and down the lane. Between the lane and the cow pasture that was part of Mr. Sawcombe's farm was a small paddock where Vicky used to keep her pony. But the pony had long since departed, and Toby's father had let the grazing to Mr. Sawcombe for Mrs. Sawcombe's four Jacob ewes. They were her pets, horned and spotted, and had old-fashioned names like Daisy and Emily. One cold morning at the end of October, Toby had come down to see the sheep and had found a mighty horned ram in with the girls. The ram had stayed for a bit, and then had been manhandled home by his owner, bundled ignominiously into the back of a ramshackle van.

But he had done his stuff. Already three pairs of twin lambs had arrived, and now only Daisy was awaiting her time. Toby leaned over the fence and called to her, and she came slowly and with dignity, to fondle his hand with her noble nose, to let him scratch the wooly poll between her proud, curved horns.

Toby eyed her professionally, as Tom eyed her. She was enormous, her bulk made more huge by her fleece of long, soft wool.

“Are you going to have your twins today?” he asked her.

Daisy has twins too,
Mr. Sawcombe had said, only a day or so ago,
and we'll have a two hundred percent lambing, Toby. Two hundred percent. That's the best any sheep farmer can ask for. I'd like that to happen. For Mrs. Sawcombe's sake, I'd like that to happen.

Impossible to accept that he would never speak to Mr. Sawcombe again. Impossible to accept that he had gone; that he simply wasn't there. Other people had died, but never a person so close to Toby as Mr. Sawcombe. Toby's grandfather had died, but so long ago that Toby didn't even remember him. There was only a photograph beside Granny's bed, and stories that Granny told him. After his grandfather had died, Granny had stayed on in the old, empty house until it became too much for her to cope with, and then Toby's father had turned the back wing of the Hardings' house into a Granny flat. So now Granny lived with them. And yet not with them, for the flat was quite separate, and she had her own kitchen and bathroom and cooked her own meals and you had to knock on the dividing door before you could go and see her. Toby's grandmother said it was important always to knock, because bursting in on Granny, unheralded, would be an invasion of her privacy.