Bodies in Winter

First world edition published 2009

in Great Britain and in the USA by

SEVERN HOUSE PUBLISHERS LTD of

9–15 High Street, Sutton, Surrey, England, SM1 1DF.

Copyright © 2009 by Robert Knightly.

All rights reserved.

The moral right of the author has been asserted.

British Library Cataloguing in Publication Data

Knightly, Robert.

Bodies in Winter.

1. New York (N.Y.). Police Dept – Fiction. 2. Ex-police Officers – Crimes against – Fiction. 3. Police corruption – Fiction. 4. Detective and mystery stories.

I. Title

813.6-dc22

ISBN-13: 978-1-78010-182-8 (ePub)

ISBN-13: 978-0-7278-6802-2 (cased)

ISBN-13: 978-1-84751-169-0 (trade paper)

Except where actual historical events and characters are being described for the storyline of this novel, all situations in this publication are fictitious and any resemblance to living persons is purely coincidental.

PROLOGUE

O
fficer David Lodge stumbles when he attempts to enter the blue and white patrol car double-parked in front of the 83rd Precinct, dropping first to one knee, then to the seat of his pants. His nightstick, which he failed to pull from the ring attached to his belt, is the most immediate cause of his fall. When it jams between the door and the frame, Lodge has one leg in the vehicle with the other just coming up. From that point, there's nowhere to go but down.

Lodge ignores his colleague's hearty chuckle. For a moment, as he struggles to gather himself, he stares at a full moon hanging over Wilson Avenue. He wonders if the moon's bloated appearance is due to the brown haze and drenching humidity trapped in the atmosphere. Or if it's just that his eyes won't focus because he passed the hours prior to his tour at the local cop bar, the B&G on Stockholm Street. Lodge has reached that stage of inebriation characterized by powerful emotions and he stares at the moon as if prepared to cradle it in his arms, to embrace a truth he is certain it embodies.

‘Yo, spaceman, you comin' or what?'

The voice belongs to David Lodge's partner, Dante Russo. He who must be obeyed. Lodge works his way to his feet, then yanks his nightstick free before getting into the car. He is about to address his partner, to offer some sort of half-hearted apology, when the radio crackles to life.

Eighty-three George, K
.

Russo starts the vehicle, shifts into gear and pulls away from the curb. ‘That's us, Dave,' he reminds his partner.

Lodge brings the microphone to his mouth. ‘Eighty-three George.'

George, we have a 10:54 at four-three-seven Wyckoff Avenue. A woman unconscious in the lobby.

‘That's in Boy's sector, Central.'

Eighty-three Boy is on a job, K.

‘Ten-four.'

Russo proceeds along Wilson Avenue, passing beneath the Myrtle Avenue El before turning onto Himrod Street. The job on Wyckoff Avenue is now behind them.

‘Where we goin', Dante?' Lodge suddenly asks, the fog having lifted from his brain momentarily. He adjusts the louvers on the air-conditioning vents, directing the flow to his crotch. ‘The job's in the other direction,' he says, craning his neck to peer out the window at the street signs slipping by.

‘We're goin' where we always go.'

‘For coffee? You serious?'

Lodge steals a glance at his partner when his questions go unanswered. Dante's thin nose is in the air, his jaw thrust forward, his lips pinched into a thin disapproving line. Not for the first time, Lodge feels an urge to drive his fist into that chin, to flatten that nose, bloody that mouth. Instead, he settles his weight against the backrest and faces the truth. Without Dante Russo, David Lodge wouldn't make it through his tours, not since he started having blackouts. Plus, nobody else wants to work with him. ‘Shitkicker' is what his peers call him. As in, ‘You hear what the Shitkicker did last night?'

‘What about the job?' he finally says. ‘What do I tell Central if they wanna know where we are?'

Russo sighs, another irritating habit. ‘C'mon, Dave, wise up. We both know it's gonna be some junkie so overdosed her buddies dumped her in the lobby like yesterday's garbage. Now maybe you wanna go mouth-to-mouth, suck up that good HIV spit, but me, I'm gonna let the paramedics worry about catchin' a dreaded disease. They got a better health plan.'

When Lodge and Russo finally roll up on the scene twenty minutes later, two Fire Department paramedics are loading a gurney into an ambulance. A woman strapped to the gurney attempts to sit up, despite the restraints.

‘You see what I'm saying?' Dante Russo washes down the last of a frosted doughnut with the last of his coffee. ‘Things worked out alright. No harm, no foul.'

Three hours later, Russo breaks a long silence with an appreciative whistle. ‘Well, lookee here, just the man I wanna see.'

Lodge brings a soda bottle to his mouth and takes a quick sip. The one-to-one mix of 7-UP and vodka lifts his spirits. He is on the verge of a blackout now, and predictably reckless.

‘What's up?'

‘The Beemer.' Russo jerks his chin at a white BMW trimmed with gold chrome.

‘What about it?'

‘That's our boy.'

‘Which boy?'

‘David, that there car belongs to Mr Clarence Spott.'

‘Who?'

‘Spott's picture is hangin' in the muster room. He's one of the bad guys.' Dante's mouth expands into a humorless smile. ‘Whatta ya say we bust his balls a little?'

‘Fine with me.'

When Russo momentarily lights up the roof rack and the BMW pulls to the curb, both cops immediately exit their patrol car. They are on Knickerbocker Avenue, the main commercial drag in the Brooklyn neighborhood of Bushwick. The small retail stores lining both sides of the avenue are long closed, their graffiti-covered shutters drawn and padlocked.

After a quick glance in both directions, Lodge joins Russo who stands a few feet from the BMW's open window. Lodge knows he should approach the vehicle from the passenger side, that his job here is to cover his partner. But David Lodge has never been a by-the-book police officer, far from it, and when his partner doesn't object, he settles down to enjoy the show.

‘Why you stoppin' me, man?' Clarence Spott's full mouth is twisted into a pained grimace. ‘I ain't done nothin'.'

‘Step outta the car,' Russo orders. ‘And that's
officer
, not man.'

‘I ain' goin' no place till I find out why you stopped me. This here is racial profilin'. It's unconstitutional.'

Russo slaps his nightstick against the palm of his hand. ‘Clarence, you don't come out, and I mean right this fuckin' minute, I'm gonna crack your windshield.'

The door opens and Spott emerges. A short, heavily muscled black man, his expression – eyes wide, brows raised, big mouth already moving – reeks of outrage. Lodge can smell the stink from where he stands. And it's not as if Spott, who keeps his hands in view at all times, isn't familiar with the rules of the game. There's just something in him that doesn't know when to shut up.

‘Ah'm still axin' the same question. Why you pull me over when I'm drivin' down a public street, mindin' my own damn business?'

Russo ignores the inquiry. ‘I want you to put your hands on top of the vehicle and spread your legs. I want you to do it right now.'

Spott finally crosses the line, as Lodge knew he would, by adding the word
pig
to his next sentence. Lodge slaps him in the face, a mild reprimand from Lodge's point of view, but Spott sees it differently. His eyes close for a moment as he draws a long breath through his nose. Then he uncoils, quick as a snake, and drives his fist into the left side of David Lodge's face.

Taken by surprise, Lodge staggers backward, leaving Spott to Dante Russo, who assumes a two-handed grip on his nightstick before cracking it into Spott's unprotected shins. When Spott drops to his knees on the pavement, Russo slides the nightstick beneath his throat and pulls back, choking off a howl of pain.

‘How you wanna do this, Clarence? Easy or hard?'

As Spott cannot speak, he indicates compliance by going limp and crossing his hands behind his back.

Russo eases up slightly, then pushes Spott forward onto his chest. ‘You alright?' he asks his partner.

‘Never better.'

David Lodge brings his hand to the blood running from a deep cut along his cheekbone. Suddenly, he feels sharp, even purposeful. As he watches his partner cuff and search the prisoner before loading him into the back seat, he thinks:
OK, this is where it gets good
. His hand goes almost of itself to the soda bottle stuffed beneath the seat when he enters the vehicle. He barely tastes the vodka as it slides down his throat.

‘You got any particular place in mind?' his partner asks as he shifts the patrol car into gear.

‘Not as long as it's private. One thing I hate, it's bein' interrupted when I'm kickin' some nigger's ass.'

Lieutenant Justin Whitlock sets the precinct log aside when David Lodge and Dante Russo lead Clarence Spott into the 83rd Precinct, universally called the ‘Eight-Three' by those who toil within its walls. Both sides of Spott's face are bruised and he leans to the left with his arm pressed to his ribs. His right eye, already crusting, is swollen shut.

Whitlock is seated at a desk behind a wooden railing that runs the width of the Precinct reception area, serving to keep the public at a safe distance from their protectors. He glances from the prisoner to Russo, then notices the blood on David Lodge's face and Lodge's blood-soaked collar.

‘That your blood, Lodge?'

‘Yeah. The mutt caught me a good one and we hadda subdue him.'

Whitlock nods twice. The injury is something he can work with.

‘I want you to go over to the emergency room at Wyckoff Heights and have that wound sewn up. Count the stitches and make sure you obtain a copy of the medical report. Better yet, insist that a micro-surgeon do the job. Tell 'em you don't wanna spoil your good looks.'

‘What about the paperwork on the arrest, lou? Shouldn't I get started?'

‘No, secure the prisoner, then get your ass over to Wyckoff. Your partner will handle the paperwork.' Whitlock's expression softens as he turns to Russo. ‘How 'bout you, Dante? You hurt?'

Russo flicks out a left jab. ‘Not me, lou, I'm too quick.'

‘I see.' Whitlock glances at the prisoner. ‘Did the mutt use a weapon?'

‘Yeah, lou, that ring. That's what cut Dave's cheek.' Russo lifts Spott's right hand to display a pinkie ring with a single large diamond at its center. ‘You know what woulda happened if Dave had gotten hit in the eye?'

‘He'd be out on the street with a cane.' Whitlock's smile broadens. He and Russo are on the same track. ‘Charge the hump with aggravated assault on a police officer. That should keep the asshole busy. And make sure you take that ring. That ring is evidence.'

Spott finally speaks up. ‘I wanna call my lawyer,' he mumbles through swollen lips.

‘What'd he say?' Whitlock asks.

‘I think he said something about your mother, lieutenant,' Russo declares.